TuHir FF:Never Your Wife Again! Ch 41 on page 76: Uljhan- Page 76

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Posted: 12 hours ago

Chapter 41: Uljhan: Part 1:

The dining table was already loud by the time Tulsi came in from the kitchen - Timsy negotiating over a bowl of poha she had decided, this morning, that she hated; Akshay and Madhvi arguing over whose turn it was to go bring the school bags from their room. Shobha was playing peacemaker between them like a woman overseeing a ceasefire in a small war.

Mihir was already at the table, a cup of chai steaming untouched in front of him because he'd gotten distracted mid-sip by something Angad was saying about the Jamshedpur office.

Tulsi took her seat beside him. He didn't look up, but his hand found the back of her chair for a second, adjusted it half an inch closer to the table, before returning to his tea.

It was Garima who broke the morning open.

She had climbed halfway onto her chair, kneeling on it properly the way Shobha kept telling her not to, and she was looking at Mihir with the particular seriousness five-year-olds reserved for questions they had clearly been sitting on for some time.

"Nanu."

"Haan, Garu."

"Aap roz raat ko Nani ke liye green tea kyun banate ho?" she asked. "Nani toh khud bana sakti hain."

The table quieted slightly, amused, waiting to see where this would go. Mihir set his cup down and considered the question with real gravity, the way he always did with Garima's questions.

"Garu, ek baat batao," he said instead of answering directly. "Agar tumhe apni friend se kuch chahiye hota hai - jaise woh tumhe apni cycle de, ya apna tiffin share kare - toh kabhi kabhi tumhe use chocolate deni padti hai na?"

Garima thought about this seriously, as though a wrong answer might have consequences. "Haan, Nanu."

"Waise hi," Mihir said, picking his cup back up, "mujhe green tea banani padti hai."

Garima frowned, the logic not quite landing. "Lekin aapko Nani se kya chahiye hota hai? Woh bhi roz?"

"Unka time."

She looked at him, waiting for more, still confused. Mihir let the silence sit a beat before he gave it to her.

"Tumhari Nani itni busy rehti hain, Garu, ki mere liye time hi nahi bachta. Aur mujhe roz raat unse baatein karni hoti hain - bas, thodi si. Toh main unhe green tea pilaata hoon, aur woh mere saath baithti hain, aur hum baat kar lete hain."

Garima absorbed this with the full seriousness of a much older person receiving difficult news. Tulsi could see her working it through, turning it over, arriving somewhere she didn't like.

"Toh," Garima said slowly, "agar mujhe bhi Nani ke saath khelna ho - ya unse story sunni ho - toh mujhe bhi unhe kuch dena padega? Kyunki woh toh itni busy rehti hain."

Tulsi didn't answer right away. "Aaja," she said instead, holding a hand out across the table toward Garima. "Yahan aa, mere paas."

Garima slid off her chair and came around, and Tulsi pulled her up into her lap, settling her there, the child's back against her chest, before she said anything at all. She rested her chin lightly on top of Garima's head.

"Nahi, mera bachcha," she said. "Tumhe kuch nahi dena. Nani ke pyaar ke liye kabhi kuch nahi dena padta - woh toh bina maange milta hai."

Garima twisted slightly to look up at her, checking.

"Sach mein?"

"Sach mein."

A beat. Then Tulsi glanced sideways at Mihir, the faintest edge of a smile pulling at her mouth.

"Sirf tumhare Nanu ko thodi mehnat karni padti hai," she said. "Kyunki shuru mein unki tea peene layak hi nahi hoti thi."

Mihir's hand went to his chest, wounded, theatrical. "Yeh toh bahut zyaadti hai."

"Sach hai."

"Ek baar. Ek hi baar green tea kharab bani thi-"

"Teen baar."

"Do baar."

Ritik had started laughing properly now, the kind that made him put his spoon down. Shobha was laughing too, and Gayatri Chachi, Damini, Vrinda, Angad, and even Gautam and Mitali laughed a little. Garima - not entirely sure what had become funny, only that it had - laughed because everyone else was laughing, settled back against Tulsi with the whole question closed for her, forgotten already in the way children forgot things once they'd been held through them.

Only Daksha Chachi wasn't laughing.

She sat across the table, the thepla forgotten on her plate, watching Tulsi's face where it was tipped down toward the child in her lap - watching the ease of it, the unthinking automatic warmth of it, the small private smile still sitting at the corner of Tulsi's mouth even after the joke had moved past her.

*She's happy*, Daksha thought, and the thought arrived with a kind of ache she hadn't expected from it. *Really happy. Not the last few months - I mean truly, the way she used to be, before any of this, before Noina, before any of it began.*

She had been noticing it for weeks now, in small pieces - the quicker step on the stairs, the way Tulsi hummed sometimes in the kitchen without seeming to know she was doing it, the laugh that came easier and stayed longer than it used to.

She had noticed and said nothing, turned it over privately the way she was turning it over now, the thepla still lying uneaten on her plate, as she reached instead for the glass of water.

Nobody else at the table saw her not laughing. Nobody was looking for it.

The moment passed the way ordinary mornings passed - Timsy remembering her grievance against the poha, Akshay declaring it was Madhvi's turn with the school bags, Angad checking his watch and standing to leave.

It was into this ordinary noise that Tulsi's phone rang.

She glanced at the screen, and something in her posture changed, very slightly - not enough for the children to notice, but enough that Mihir, beside her, felt it more than saw it.

"Munni ki mama-mami ka phone hai," she said, already rising, already reaching to settle Garima back onto her own chair.

"Le lo," Mihir said. Then, as she stepped toward the hallway, she asked, quieter, just for him: "Aadhe ghante mein niklen toh chalega na?"

"Aaram se," he said, waving a hand without looking up from his tea. "Mujhe aaj koi jaldi nahi hai."

She nodded and went, phone already at her ear, her voice dropping into the particular register she used for calls that needed privacy - warm, unhurried, giving nothing away to the table behind her.

Mihir watched her go for a second longer than the moment required. Then he pushed his chair back and went upstairs to collect his files for the day.

-----

He was in his room, bent slightly over his desk, looking at his files, still faintly warm from the table - from Garima's face working through the logic of chocolates and time, from Tulsi laughing with her chin against the child's head - and he was thinking about none of that, specifically, when he heard the knock.

He looked up, his neck half-turned towards the door.

"Mihir beta."

He went very still.

For a moment he didn't move at all - didn't answer, didn't turn, simply stood there with a folder half-open in his hand and let the two words land in the room and settle. *Beta*. He tried, in the space of that single held breath, to remember the last time she had said anything to him at all, and the memory came immediately, intact, the way such memories do. This same room. A few months ago. Her voice, flat, final: *Maine abhi maaf nahi kiya hai. Lekin interview dekha. Ab sahi raste pe ja raha hai.* Then her back, walking out, and six years of silence closing over it again on the other side.

Only the second time, in almost six and half years now, that she had spoken to him unprompted. The first time with anything that could be called warmth in it.

"Arre, Chachi." He found his voice, set the folder down. "Aaiye na - baithiye."

She came in slowly, the way she did most things now, and her eyes went - before she had even fully crossed the threshold - to the wall.

It was still there. The photographs, about seventy of them, framed and arranged with care. Tulsi at every age he had access to - laughing, unaware, caught mid-sentence, mid-turn, mid-life. He had not taken any of them down. He had never considered taking any of them down.

Daksha Chachi stood in front of the wall a moment, the way she had stood there once before, a few months ago. Then she sat, in the chair he'd pulled forward for her, and looked at it a moment longer before she spoke.

"Jab maine pehli baar yeh deewar dekhi thi," she said, "samajh nahi paayi thi tu kar kya raha hai." A pause, her eyes still on it, not on him. "Aaj subah use haste hue dekha maine. Pichhle kuch dino se use khush dekh rahi hoon." She turned to face him properly now. "Shayad ab thoda samajh aa raha hai."

He didn't say anything. He wasn't sure, yet, what there was to say - and some old instinct, sharpened over these months, told him this was not a moment that wanted filling.

"Woh khil rahi hai, Mihir." She said it plainly, the way she said most things, without ornament. "Hafton se dekh rahi hoon. Uska hasna, uska chalna, uska gungunana - sab kuch pehle jaisa lag raha hai. Nahi." She corrected herself, small, precise. "Pehle se bhi zyaada. Jaise woh khud ko poora wapas paa rahi hai."

"Ji, Chachi," Mihir said very quietly.

"Aur main jaanti hoon," she went on, "yeh sirf uske apni wajah se nahi hua. Maine dekha hai tujhe - in mahino mein. Kaise tu dheeraj se uske zakhmo pe marham laga raha hai. Kitni baar wapas gaya jab woh door kar deti thi. Kitna time liya usne, teri kitni koshishen lagi - aur kitna sabar tune dikhaya use woh time dene mein." Her eyes held his. "Yeh maine dekha hai. Aur bolna zaroori hai - kyunki tu khud kabhi nahi bolega."

He started to speak - the reflex, still there, to deflect it, to say it was nothing, that Tulsi deserved far more than his efforts and patience - and she lifted one hand, very slightly, and he stopped.

"Sun le pehle."

He sat back.

"Woh tujhse itna pyaar karti hai, Mihir, jitna shayad tujhe khud ko bhi poora andaza nahi hai." Her voice hadn't changed register yet, but something underneath it had begun to shift, tightening almost imperceptibly. "Aur iska matlab yeh hai ki uski khushi ki chaabi - poori tarah se - tere haath mein hai. Yeh koi tareef nahi hai jo main kar rahi hoon - ise itraane ki baat mat samajhna. Yeh ek zimmedari hai jo main tujhe yaad dila rahi hoon."

"Ji." He nodded respectfully.

"Tum dono aage bhi ladoge." She said it as fact, not warning yet - every couple did, her tone said, this was not the part that worried her. "Yeh swabhavik hai. Koi bhi rishta bina ladai ke nahi chalta." Then the shift came, the gear turning, and he felt it before she'd said the next word. "Lekin jab bhi ladoge - chahe kitna bhi bada jhagda ho, chahe kitni bhi galat baat kahi jaaye garma garmi mein - use kabhi bhi uske respect aur tum dono ke aapas ke vishwas pe doubt mat karne dena. Kabhi nahi. Yeh do cheezein - agar ek baar bhi use laga yeh chali gayi hain - toh tu sab kuch phir se kho dega. Jo tune mahino mein banaya hai, woh ek raat mein toot sakta hai. Iss baar shayad hamesha ke liye.

She stopped. He watched her hands, folded in her lap, tighten slightly against each other.

"Mihir, main," she said, and her voice caught - the first crack in it, small, quickly reined back in - "main Tulsi ko dobara tootte hue nahi dekh paaungi."

The room held it. Neither of them moved for a moment. Somewhere below, faintly, the ordinary sounds of the house continued - a door, a child's voice, a pan set down - entirely indifferent to what was happening in the room above it.

Mihir looked at her, and did not reach, this time, for anything that resembled reassurance or performance. He simply said, quietly:

"Ji, Chachi. Mujhe bhi inn baaton ka ehsaas ho raha hai."

Nothing more. No promises laid out, no accounting of everything he had already changed, no defense offered for what he hadn't. Just the plain fact of having heard her, sitting in the room the way the photographs sat on the wall in front of her - not explained, not performed, simply there.

She studied him a moment longer, as if checking for something under the words, and seemed to find whatever she was looking for. She rose.

"Achha," she said, brisk again, the softness folding itself back away almost as quickly as it had appeared. "Chal, main apne kamre mein jaa rahi hoon."

She was at the door before he'd fully stood.

"Chachi."

She turned.

He didn't have the words for it - not yet, not in a shape he trusted himself to say out loud - so he only said, "Thank you."

She looked at him a second longer, something almost soft crossing her face before she turned it back into her usual brisk composure, and then she was gone, her footsteps already receding down the hallway.

He stood alone in the room. His eyes went, without his quite deciding to send them there, back to the wall - to one photograph in particular, taken years ago, before any of it, Tulsi laughing at something just out of frame, her whole face given over to it without caution.

*I promised myself that day*, he thought, *that I would see that again. That exact face.*

He thought of breakfast. Of Garima half-swallowed into her lap, chin resting on the child's head, the smile that hadn't fully left her mouth even after the joke had moved on.

*I saw it this morning*, he thought. *I saw it. Now the tougher part begins - keeping it there.*

He finally picked up his files, and went downstairs - carrying Daksha Chachi's words the way he had once carried her silence: entirely, without setting either of them down.

-----

Ritik came back briefly after dropping the kids at school - the way he always did, a short window before he had to leave again for the office, just long enough to grab the file he'd forgotten or finish the tea he hadn't had time for at breakfast.

Tulsi caught him in the front hall, car keys still in his hand.

"Ek minute, Ritik."

He stopped, already half turned toward the door. "Haan, Maa?"

"Munni ke mama-mami ka phone tha aaj subah." She kept her voice light, ordinary, the way she'd tell him about any small piece of family news. "Unhone uske liye ek rishta dekha hai. Business karta hai ladka. Woh chahte hain main Munni se baat karoon - samjhaoon use."

She watched something move across his face before he'd fully processed the sentence.

"Usne haan bol diya?"

It came too fast, too sharp - something underneath it that hadn't quite made it through the filter in time. A beat, and she watched him hear it himself, watched the small scramble to recover.

"Matlab-" He shifted the keys in his hand. "Uski family toh khush hogi na. Agar woh maan jaaye."

"Nahi," Tulsi said, evenly, giving no sign she'd noticed anything. "Abhi kuch decide nahi hua. Woh nahi maan rahi. Isiliye toh mujhse baat ki hai unhone ki main use samjhaaoon - acha rishta haath se jaane na de."

He nodded, too quickly, and looked down at the keys as if they'd suddenly required his attention.

She let a beat pass before she went on, casual, folding what she actually wanted into what looked like an aside.

"Pata nahi kyun," she said, "woh mujhse thodi door bhaag rahi hai in dinon. Phone nahi uthati, milne nahi aati." A small shrug, offered lightly. "Tu bata - sab theek hai na uske saath? Tujhse baat hoti hai uski?"

*I already know why she's avoiding me*, she thought, watching him without seeming to. *Ever since that day I said it to her face - that she still hasn't been able to forget Ritik. She ran from that conversation before I'd even finished the sentence. I told myself I'd give her time. I told myself I wouldn't push.*

*Now I don't have that time to give her anymore*, she rued to herself.

"Mujhse bhi," Ritik said, and there was something careful in how he said it, like he was choosing each word before he let it out. "Call nahi uthati. Text ka reply bhi der se aata hai - ek do line mein. Pata nahi kya hua." A pause. "Maine socha shayad busy hogi. Ya-" He didn't finish that sentence.

"Achha," Tulsi said, as if this were simply information, filed and set aside. "Ek kaam karna. Usko bol dena mujhse milne aa jaaye - jitni jaldi ho sake. Bas itna kehna ki mujhe kaam hai, thoda urgent hai."

"Kis baare mein hai, bata doon usse?"

"Nahi." She said it plainly, no explanation offered, and watched him accept it without asking twice - the way he always did with her. "Bas bol dena aa jaaye."

"Theek hai, Maa."

He left for the office a few minutes later. From the hallway, half-distracted by something on her own phone, she saw him try Munni's number once, standing near the door - heard the silence stretch, heard him lower the phone, type instead. She didn't ask what he'd written, and he didn't offer.

His phone buzzed once, briefly, before he pulled the door shut behind him.

Whatever it was, it was quick - he didn't stop to read it, didn't type anything back. Just closed the door and was gone.

*Whatever she's carrying*, Tulsi thought, *she's decided the safest thing right now is to give away as little as possible. I understand that better than she knows.*

-----

The car pulled out of the gate, and for the first stretch of the road neither of them spoke - not unusual, not on its own, the two of them had long since stopped needing to fill every silence between them. But this one had a different texture. Her phone sat untouched in her lap, screen dark. Her hands, usually finding something to eat and do - a strand of hair, the edge of her saree pallu, scrolling through the morning's messages - simply rested, still, one over the other.

Mihir glanced at her at the signal, then back at the road, then, a beat later, at her again.

"Kya baat hai?" he asked. Then, before she could deflect it with the usual *kuch nahi*, he added, quieter: "Tum kahin aur ho abhi."

She looked at him, faintly surprised he'd caught it - she hadn't thought she was showing anything.

"Munni ke ghar walon ka phone tha," she said. "Rishta dekha hai unhone uske liye. Chahte hain main use samjhaoon - manaoon shaadi ke liye."

He nodded slowly, turning it over, reaching for what he knew of the situation to make sense of what he was hearing.

"Woh log toh reasonable baat hi keh rahe hain," he said, after a moment, mild, practical. "Munni tumhe itna respect karti hai ki tumhari baat toh manegi hi - tumne hi toh use yahan tak pahunchaya hai. Woh tumhe bahut maanti hai."

"Itna simple nahi hai, Mihir."

Something in the way she said it - flat, a little tired - made him glance over again, this time properly, taking his eyes off the road for a second longer than the traffic really allowed.

"Kyun? Kya problem hai?"

She was quiet a moment, and he watched her decide something - watched her choose, deliberately, not to open this now, in a moving car, with half his attention on the road and the rest of the day already pressing in on both of them.

"Raat ko baat karte hain," she said. "Aaram se. Abhi... bahut kuch hai isme, aur main khud abhi tak poori tarah se samajh nahi paayi hoon ki kya karna hai."

He held the thought a second - the old instinct, close beneath the surface still, to press a little, to want to know now rather than wait - and felt it settle instead of rising. Something Daksha Chachi had said that morning moved through him, unbidden, unnamed.

"Theek hai," he said. Simply. No pushing. "Raat ko baat karte hain."

She looked at him for a moment longer than the answer required, something in her face loosening slightly, grateful in a way she didn't put into words.

They drove another minute in silence, the ordinary sounds of the morning traffic filling the space between them, before he reached over - briefly, lightly, just his hand over hers where it sat still in her lap - and said, quiet, almost to himself as much as to her:

"Tumhe akele sab kuch sambhaalne ki, carry karne ki zaroorat nahi hai. Chahe abhi batao, chahe raat ko - main yahin hoon."

She turned her hand under his, just enough to hold it back.

-----

There was a knock at the cabin door - brief, hesitant - and Tulsi, half-buried in a supplier invoice, called out without looking up, "Aa jaao," assuming it was one of the floor supervisors with a query that couldn't wait for the afternoon meeting.

When she looked up, she went still.

"Mitali?"

She was half out of her chair before she'd finished the name, something in her already bracing - Mitali, here, unannounced, in the middle of a workday - before she registered anything else about the moment. "Sab theek hai na? Bachche-"

"Sab theek hai, Maa." Mitali stepped further in, quick to settle her. "Main bas-" She hesitated. "Subah aap Papa ke saath nikal gayi thi mujhe pata hi nahi chala. Blessings lene ka mauka hi nahi mila. Toh socha, yahin aa jaun - Pari ki shift khatam hone wali hai, hum yahin se seedhe nikal jaayenge shoot ke liye."

Tulsi's alarm eased out of her slowly, and it was only now, with the fright gone, that she actually looked at her.

Mitali was in a skirt - not the style she'd worn these past months, the midis and the trousers, but something closer to what she used to wear months ago, before all of it, much before the weeks of shrinking herself smaller and smaller in the house. Her hair was styled, her makeup done with real care, and she stood in the doorway of Tulsi's cabin entirely unaware of any of it - not preening, not checking herself in the reflection of the glass partition the way another girl her age might have. Just Mitali, dressed for the work she was about to do, thinking about everything except how she looked doing it.

"Tum bahut sundar lag rahi ho," Tulsi said, and meant it plainly, the way she meant most things. "Bahut dinon baad tumhe iss style mein dekha."

Mitali's smile flickered - pleased, a little shy about it, the compliment landing somewhere she clearly hadn't expected it to. "Damini Bhabhi ne suggest kiya ye style kabhi try karna. Toh socha, aaj hi kyun nahi."

She glanced around the cabin properly for the first time - the framed photographs of the first workshop, the wall of fabric swatches pinned in careful rows, the ledgers stacked with a precision that told their own story. Something in her expression shifted, quieted.

"Maine kabhi dekha hi nahi tha," she said, half to herself, "aapko yahan kaam karte hue. Kitna-" She didn't finish the sentence, but her eyes moved once more around the room, taking it in the way you take in something you'd heard about but never quite believed the size of until you were standing inside it.

Tulsi came around the desk. "Baitho."

Mitali sat, and for a moment the room held only the ordinary sounds of the factory beyond the door - a machine somewhere, voices, the practical business of the day continuing outside this small enclosed pocket of it.

Tulsi studied her for a moment - the stillness in her that didn't match the occasion, the shoot ahead of her, the styled hair and the careful makeup sitting oddly over something that wasn't quite reaching her eyes.

"Kya hua?" Tulsi asked, gently. "Itna bada din hai aaj tumhare liye - lekin tum utni excited ya khush nahi lag rahi jitna hona chahiye."

Mitali's composure slipped, just slightly, at being seen so exactly.

"Maa," she said, and her voice had changed register, the earlier ease gone out of it. "Mujhe pata hi nahi main koi khushi deserve bhi karti hoon ya nahi."

Tulsi didn't answer right away. "Kyun aisa keh rahi ho?"

"Maine Ritik ki zindagi churayi hai." She said it flatly, like a fact she'd turned over so many times it had lost its sharp edges and worn smooth. "Saalon. Aur ab jab maine finally usse yeh sab bola - usne mujhse time maanga hai, decide karne ke liye. Yeh theek hai, yeh uska haq hai." She paused, and when she spoke again her voice had thinned. "Lekin mujhe dar lagta hai, Maa. Dar lagta hai ki kahin usne apni khushi chahne ki iccha hi na kho dee ho. Itne saal khud ko itna dabaya hai usne ki ab shayad usse pata hi nahi ki woh khud ke liye kuch chahe bhi toh kya chahe."

She looked down at her hands. "Kaash life mein bhi ek 'undo' button hota."

Tulsi reached over and took both her hands in her own, stilling them.

"'Undo' button nahi hota, beta," she said, quiet, certain. "Lekin jo ho chuka hai, uska sudhaar toh hota hai. Aur tum woh kar rahi ho - jitna tum kar sakti ho, utna tum kar rahi ho. Baaki, ab Thakurji ke haath mein hai."

Mitali's eyes had gone bright, and she blinked hard against it, careful of the makeup, careful of the shoot waiting for her in an hour.

Tulsi rose then, and Mitali began to bend toward her feet - a gesture still new enough that she reached for it deliberately, something she'd only started doing these past months, since Noina's shadow had lifted from the house and Tulsi had come back into it. But Tulsi caught her by the shoulders halfway down and pulled her instead into an embrace.

"Ghar pe hoti," Tulsi said into her hair, "toh dahi-cheeni khilaati tumhe, shubh kaam se pehle. Par yahan-"

She let her go, went around to her desk, and opened the second drawer down - the one where she kept, among invoices and spare pens, a small stash of chocolates for exactly the kind of afternoon that needed one. She took one out, unwrapped it herself, and held it up to Mitali's mouth, mindful not to smudge her lipstick.

"Tumhe khoob safalta mile," she said, and fed it to her the way you'd feed a child before an exam, before a journey, before anything that mattered.

Mitali took it, something in her face come loose and soft, and for a moment neither of them said anything at all.

"Ek baat aur," Tulsi said, gentler now, business folding back in at the edges. "Jab tum shoot pe jao - jo bhi tum andar leke ja rahi ho, aaj, abhi, iss waqt - usse yahin, iss kamre mein chhod jaana. Camera ko sirf woh Mitali dikhni chahiye jo poori tarah se full of life hai. Bahar tumhara kaam, andar tumhara dil - dono alag rakhna seekh lo, beta. Iss line mein yeh khaas zaroori hai."

Mitali nodded, absorbing it properly, the way she absorbed most things Tulsi told her now.

The door opened without a knock this time - Pari, changed out of the plain salwar kurta she wore to blend into the factory floor and into trousers and a bright, stylish top, her bag already over her shoulder, breathless with the particular energy of someone whose shift had just ended and who had somewhere better to be.

"Chalein?" she said, then caught the mood in the room, glanced between them. "Sab theek hai na?"

"Sab theek hai," Mitali said, and stood, wiping quickly beneath her eyes, already arranging her face into something steadier. "Chalo. Der ho rahi hai."

At the door she turned back once. "Blessings ke liye thank you, Maa."

"Jaao," Tulsi said. "Aur achha karna."

She watched them go - two girls, her daughters in every way that mattered now, disappearing down the corridor toward the entrance - and sat back down slowly at her desk, the invoice in front of her forgotten, her hand still faintly tasting of chocolate.


-----


Part 2 in next post

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(Continued from previous post)

Chapter 41: Uljhan:Part 2

Munni came in through the side gate the way she always had, the one that led straight to the garden rather than the main entrance - an old habit from years of working here that had never fully worn off, even now that she came as a guest as much as anything else.

*Just a thumbs-up*, she thought, climbing the porch steps. *That's all I gave him this morning when he called and then messaged me about Malkini wanting to meet me. I know I should have called back - I meant to, twice, I even had the phone in my hand - but every time, I couldn't think what I'd say if he asked why I've been like this. And now here I am anyway.*

Ritik's message had said only that Maa wanted to see her, a little urgently, whenever she had time - nothing more, no hint of what it was about - and she'd told herself, walking here, that it was probably nothing. A recipe. Some family function she needed help arranging. Maybe just Tulsi noticing she'd been scarce and wanting to check in, which was its own kind of dread but a survivable one.

Tulsi met her in the front hall, and as she came up after touching her feet, something in Tulsi's face - warm, but with an edge of purpose under the warmth - made Munni's stomach tighten slightly, though she couldn't have said why.

"Aa, Munni." Tulsi didn't take her to the kitchen this time, or the garden, or any of their usual places. She led her instead to the small sitting room off the main hall, rarely used, kept mostly for guests who needed privacy. Munni followed, faintly puzzled by the choice, and didn't see - because she wasn't looking - Ritik on the stairs behind them, stopped mid-descent, watching their backs disappear through the door.

He didn't decide anything. He simply kept walking after a moment, not even registering consciously where his feet were taking him.

Inside, Tulsi gestured her to sit, and took the chair across from her rather than beside her - another small deliberate distance that Munni registered without understanding.

"Tu theek hai na?" Tulsi asked, gentle, direct. "Kaafi dinon se dur bhaag rahi hai mujhse. Call nahi uthati, milne nahi aati."

Munni looked down at her hands. "Sorry, Malkini. Socha tha call back karoongi - phir pata nahi kyun reh jaata tha."

It wasn't a lie, exactly. She genuinely hadn't examined it closely enough to call it anything more precise than that.

Tulsi studied her a moment, and then, unexpectedly, let it go - a small shift in her posture, as if setting one subject down to pick up another. "Achha, chhod. Yeh toh waise hi poochh liya - asli baat kuch aur hai jiske liye maine bulaya hai."

Munni felt something in her ease, fractionally, at the pivot - whatever this was, at least it wasn't *that*.

"Tere mama-mami ka phone aaya tha aaj subah," Tulsi said. "Unhone ek rishta dekha hai tere liye. Business mein hai ladka, achhe ghar se hai. Woh chahte hain main tujhse baat karoon."

The ease drained back out of her, faster than it had come.

"Malkini, maine unhe kitni baar kaha hai-"

"Sun toh le," Tulsi said, not unkindly. "Dekh, Munni - iss tarah se soch unke angle se. Woh tere mama-mami hain. Tere maa-baap ke jaane ke baad se unhone tujhe apni zimmedari maani hai - puri zindagi. Ab jab tu itni badi post pe hai, settled hai, unka bas ek hi kaam reh gaya hai unki nazar mein - tujhe achhe ghar mein byaah dena. Pehle tu padhna chahti thi, unhone samjha, time diya. Ab tu collector ban chuki hai. Unka yeh chahna - ki ab tu shaadi kar le - galat toh nahi hai na?"

Munni was quiet a moment, her jaw tight.

"Lekin Malkini," she said finally, "main unse itni baar keh chuki hoon ki mujhe kabhi shaadi hi nahi karni. Aur unhe ab meri chinta karne ki zaroorat bhi nahi hai - main financially settled hoon. Retirement ke baad bhi pension milegi. Toh kyun nahi chhod dete woh iss baat ko?"

"Kyun nahi karni, Munni?" Tulsi asked, quietly, the reasoning set aside now. "Itni pakki kyun hai iss baat ko lekar - hamesha ke liye? Sirf abhi nahi, sirf iss ladke ke saath nahi - yahan tak phir bhi samajh aata hai. Lekin kabhi nahi? Kyun?"

"Bas... mann nahi hai, Malkini."

"Mujhse bhi nahi bataegi?"

Something in the plainness of the question - no pressure in it, just a door left open - seemed to cost Munni more than any push would have.

"Malkini," she said, and her voice had already begun to change, thinning at the edges, "aapko pata toh hai mere aur Ritik ke baare mein."

Tulsi didn't answer. She only waited.

"Lekin woh married hain." Munni's hands had curled into the fabric of her dupatta, twisting it without seeming to know she was doing it. "Main kisi aur se shaadi karoongi toh uske saath galat hoga - main Ritik ko kabhi bhula hi-"

It was at that exact moment - the sentence still breaking apart in her mouth, unfinished, "main Ritik ko kabhi bhula hi nahi paaungi" arriving broken and raw into the room - that the door opened.

Ritik stood in it.

For one full second nobody moved.

Munni's hand had gone to her own mouth, too late, the words already out and hanging in the air between the three of them with nowhere left to go. Ritik's face had drained of something - not shock exactly, more like the particular stillness of a man who has just heard, spoken aloud and unmistakable, the thing he had spent months not letting himself hear even in his own head.

Tulsi looked between them - Munni frozen, mortified, unable to meet anyone's eyes; Ritik in the doorway, one hand still on the frame as if he needed it to stay upright - and said nothing at all, for the moment, letting the silence hold whatever it was going to hold.

Nobody spoke.

Munni was on her feet before she'd decided to stand, the chair scraping back behind her, her hand still pressed against her own mouth as if she could push the words back in through it, too late by minutes now, by years.

Ritik didn't move from the doorway. He wasn't blocking it - there was no decision in him at all, nothing so deliberate as blocking - he had simply stopped existing anywhere except exactly where he stood, and so he remained there, and so she had to go past him.

She did. Her shoulder brushed his arm as she passed - the barest contact, gone almost before it registered - and neither of them looked at the other as it happened, both faces turned carefully away, as if not looking could undo what had already been heard.

"Munni-"

It came out of him quiet, almost involuntary, her name and nothing else, no request in it, no question - just the sound of it, offered too late to a hallway she was already halfway down.

She didn't stop. Didn't turn. Her footsteps went fast across the hall, faster at the front door, and then the sound of it - not slammed, just shut, quick and final - and then nothing. The house swallowed the silence back up around it the way it always did, ordinary sounds resuming somewhere far off, a fan turning, a child's voice from another room, ignorant of what had just happened twenty feet away.

"Ritik-" Tulsi started, rising from her chair.

He held up both hands before she could get further - not sharp, not angry, just a man asking for the one thing he could still control in a day that had taken everything else out of his hands.

"Please, Maa. Abhi nahi."

He was gone before she could answer, his footsteps quick on the stairs, and a moment later she heard his door - not slammed, but shut with a finality that carried its own weight - followed by the distinct, small click of the lock turning.

Tulsi stood alone in the sitting room, the two empty chairs still angled toward each other the way she and Munni had left them, and did not follow either of them.

*Two conversations*, she thought, *and both of them have run from me today*.

-----

Dinner that evening was smaller than usual - Mitali and Pari still out, the shoot running longer and the drive home taking more time than expected in Mumbai's evening traffic, and when Daksha Chachi asked after them, Tulsi answered easily, without missing a beat of serving the dal: "Kaam se gayi hain dono. Aa jaayengi thodi der mein." Nobody at the table thought to ask further; it was, on its face, nothing.

Ritik was already seated when Tulsi came down, Timsy installed beside him, and he had not, as far as Tulsi could tell, looked away from the child once since sitting.

He fed her, corrected the way she was holding her spoon, asked her three separate times whether she wanted more dal, laughed - too readily, too on-cue - at something she said that wasn't especially funny. He didn't look up the table toward Tulsi at all, not once, not even in the ordinary passing way people's eyes moved around a dinner table without meaning anything by it.

Tulsi watched this without seeming to. She had watched him her whole time back in this house - had learned the particular shape of his silences, his over-corrections, the way he disappeared into whatever task was nearest whenever something else was too much to hold - and she recognized all of it now, layered over a person determinedly, effortfully fine.

*He's using her*, she thought, watching him refill Timsy's water without being asked, *the way I sometimes use a file, or a ledger. Something to put both hands into so the rest of you doesn't have to be anywhere.*

Mihir, beside her, ate without much comment, following the ordinary rhythm of the table - Angad recounting something from the office, Vrinda correcting a detail about the twins' school timetable for the next day, Gayatri Chachi's quiet comments on the food. But every so often his eyes moved to Tulsi, briefly, checking - an old habit by now, older than either of them liked to name, tracking her face the way some people tracked weather.

And each time he checked, he found the same thing: her gaze, unhurried, resting somewhere down the table. He followed it once, casually, under the cover of reaching for the roti basket.

It landed on Ritik. Who did not look back.

*Only this morning*, Mihir thought, *she was laughing so easily - that whole unguarded sound of it, over Garima and the tea. Now she looks like she's carrying something with both hands, and won't put it down even to eat*.

Mihir didn't ask. He turned his attention back to his own plate, filing it away without comment, the way he was learning, slowly, deliberately, to file such things away until the right moment offered itself.

-----

The chamomile sat between them, steam long since given up, and for a while neither of them spoke. Mihir had watched her all through dinner without saying anything - the same weight he'd clocked across the table now sitting differently on her out here, in the dark, with no one else's eyes on her to hold it back for.

She wasn't restless. That was the thing that struck him most, watching her in the low balcony light - she wasn't fidgeting, wasn't circling the way some people did before saying something hard. She was simply still, in the particular stillness of someone who has been carrying something so long that her body has stopped fighting the weight of it and has just learned to hold it.

She took a slow sip from her cup and looked at him.

"Maine socha tha," she said, "ki cheezein thodi clear ho jaayen pehle - mujhe khud kuch samajh mein aaye, phir tumhe bataoongi. Lekin ab achanak sab kuch aur bhi complicate ho gaya hai. Aur sach kahoon toh mujhe khud nahi pata mujhe tumhe kahaan se batana shuru karna chahiye. Sab kuch dhoondhla-dhoondhla sa hai."

Something in the way she said it, caught him more than its content did.

He had known her - in every version of her, across every year of their marriage and every year of their separation and everything since - as a woman who saw clearly. Not always right, not always at peace with what she saw, but clear. She had known her own mind in the worst weeks of six years ago; she had known it standing in front of Noina; she had known it the day she told him *kabhi nahi* and every day after until she chose, finally, to unmake those two words. Confusion, real confusion, admitted plainly, out loud - this was not a language he had heard from her before, not about the people she loved.

*She is actually lost*, he thought, and the thought landed with more weight than the words that had produced it. *Not tired. Not overwhelmed. Lost - in something to do with our own children, and she doesn't know which way is out*.

He set his own cup down and turned to face her fully.

"Jo bhi hai, Jaisa bhi hai, waisa hi batao," he said, keeping his voice level, offering nothing but room. "Hum saath mein samjhenge. Aur ho sake toh suljhaaenge bhi."

Tulsi was quiet a moment, gathering herself, and when she spoke again it wasn't with a beginning so much as with the thing sitting closest to the surface.

"Mitali," she said. "Samajh mein hi nahi aa raha use kaise sambhaaloon. Aur main dekh rahi hoon ki inn kuch hi mahino mein woh mujh par bahut zyaada emotionally dependent ho gayi hai."

She paused, turning her cup slowly in her hands, not drinking from it.

"Mitali ko Noina aur kuch hadd tak Suchitra ne bhi - bachpan se hi hamesha galat tareeke sikhaaye. Aur ab use sahi-galat ka ehsaas ho raha hai, toh saath mein uske andar ka guilt itna zyaada badhta jaa raha hai ki woh khud ko sambhaal nahi paa rahi."

Another pause, longer this time.

"Uss bachchi ke andar itna saaf dil hai, yeh dekh kar main khud hairaan hoon. Aaj se kuch mahine pehle tak main use ek bahut hi arrogant, bigdi hui aur selfish ladki samajhti thi. Aur ab?"

Tulsi looked at him directly now. "Tumhe pata hai aaj usne mujhse kya kaha, Mihir?"

He waited, patient, saying nothing, letting her get there in her own time.

"Ki usne Ritik ki life kharab kar di hai - isiliye woh koi khushi deserve hi nahi karti."

Mihir absorbed that in silence, something in his chest tightening at the shape of it.

He had first known Mitali only ever as Noina's niece - who was engaged to Angad, then, after Angad's elopement, married off to Ritik - and in all the years since, he had seen exactly the girl Tulsi had just described: arrogant, self-absorbed, moving through this house as though everyone in it existed to accommodate her. He couldn't recall her once, in all that time, considering what any of it cost anyone else. Certainly not Ritik. Not once.

That this same girl now sat somewhere in this house believing herself unworthy of her own happiness - this was not a version of Mitali he had any memory of to draw on.

"Iski ek aur wajah," Tulsi said, "tumhe pehle se pata hai. Kareeb saat saal pehle jo Ritik aur Munni ke beech hua, aur maine jo use sabke saamne humiliate karke ghar se nikaala - taaki woh padh-likh kar kuch ban jaaye."

A pause.

"Ab Mitali ko lagta hai ki agar usne uss tarah sabke saamne Munni ko expose nahi kiya hota, toh shayad unn dono ke beech kuch ho sakta tha, aur Ritik aaj khush hota Munni ke saath."

Mihir was quiet a moment, letting it settle.

He felt, distantly, the old shape of something try to surface in him - some reflex about Munni, about who she was, where she'd come from, the automatic sorting his mind had once done without his permission before Tulsi had ever caught him at it - and he noticed it rise, and noticed himself, deliberately, set it back down before it could take any further shape. It wasn't even relevant here. It had never been relevant, he understood now, watching his wife's tired face in the dark. It had only ever been his.

"Aur Mitali ke dimaag mein ek baat ghar kar gayi hai, " Tulsi continued carefully, "ki divorce hi ek raasta hai jo shayad ab bhi Ritik ko apni khushi ki taraf le jaa sakta hai. Bas isiliye woh bas divorce ki ratt lagake baithi hai."

"Divorce?"

The word landed in him harder than he expected it to - his hand had gone still around his cup, his whole body arrested for a moment in the particular way it had been, weeks ago, the last time that word had entered a conversation between them and nearly broken something that had only just begun to heal. He heard himself say it back to her almost involuntarily, no force behind it, just the shape of the word repeated because he needed a second to place it somewhere in himself.

Tulsi saw it happen and reached for his hand before he could go any further into it, holding it firmly between both of hers.

"Mera vishwas karo, Mihir," she said, holding his hand properly now, steady. "Maine Mitali ko bahut samjhaaya uss din - ki soch lo, samajh lo, Ritik se baat karo, aur jaldbaazi mein koi decision mat lo. Maine usse kaha yeh koi chhoti baat nahi hai - na uske liye, na Ritik ke liye, na Timsy ke liye. Maine use rokne ki poori koshish ki."

Something in him eased, fractionally, at that - not the news itself, which still sat heavy, but the knowledge that she had already done exactly what he would have wanted done, before he'd even known there was anything to want.

"Toh usne suni tumhari baat?"

"Usne suni," Tulsi said. "Lekin usne yeh bhi kaha ki woh bahut soch chuki hai - mahino se, akele, kisi ko bataye bina. Ki uske liye ab yeh koi jaldbaazi ka faisla nahi hai, balki bahut der se liya gaya faisla hai." She paused. "Aur phir usne Ritik se baat kar li. Khud."

Mihir sat with that a moment, his thumb moving once, absently, over the back of her hand.

"Kya hua jab un dono ki baat hui? Ritik ne kya kaha?"

"Waisa hi hua jaisa hota - pehle toh usne accept hi nahi kiya. Usne toh Mitali ki baat bhi nahi suni. Gussa ho gaya, dukhi ho gaya. Usne socha kisi aur ka haath hai iss sab mein - use laga Mitali ka koi affair chal raha hai. Mitali ne bahut samjhaane ki koshish ki, lekin woh sun hi nahi paaya uss waqt." She shook her head slightly.

"Phir mere samjhaane par usne Mitali ki baat shayad suni. Aakhir mein usne bas itna kaha ki use time chahiye. Sochne ke liye."

"Aur ab?"

"Ab mujhe nahi pata, Mihir." She said it plainly, no frustration in it, only honesty.

"Jo unn dono ke beech uss raat ke baad hua - woh sirf unka hai. Bas itna dikh raha hai ki kuch naram pada hai unn dono ke beech. Lekin exactly kya tay hua, kya nahi hua - nahi pata mujhe. Mitali ne bhi aaj mujhe sirf itna bataya ki Ritik ne usse time maanga hai sochne ka."

Mihir was quiet for a while, turning it all over - his son's marriage, already cracked in ways he hadn't known, already being carefully, quietly worked through by two women who had chosen not to bring him into it until now.

He felt, distantly, the old instinct rise in him - the fear, older than any of this, older than Noina even, the fear of watching a family come apart piece by piece the way his own household had once threatened to, the fear that had once made him grip too tightly, decide too quickly, try to hold everyone in place by force rather than trust. He felt it rise now, wanting him to ask more, to want more control of what happened next, to fix something before it could get worse.

He let it rise. And then, deliberately, he let it settle back down.

"Theek hai," he said instead, quiet. "Jo unka hai, unka hai."

Tulsi looked at him for a long moment - something in her face registering, clearly, what that sentence had cost him to say, and what it meant that he'd said it anyway.

Tulsi let a moment pass before she went on - this next part, she could tell, needed its own space, separate from what had come before.

"Yeh sab shuru hua uss se bhi pehle, Mihir. Maine kaafi pehle notice kiya tha - aur shayad sabko dikh raha tha - ki Ritik aur Munni jab bhi milte hain, unke beech friendship se kuch zyaada hai. Bas woh dono khud yeh realize nahi kar paaye ki unka behavior kitna apparent hai. Shayad isiliye, kyunki unn dono ke mann mein koi khot nahi hai - kuch galat karne ka khayal hi nahi hai."

Mihir listened, saying nothing yet, letting her build it.

"Isiliye maine ek din Munni se casually uski shaadi ke baare mein baat ki thi. Kaha main uske liye ladka dekhoongi."

Tulsi's face tightened slightly at the memory. "Usne mana kar diya, aur bhaag gayi - jaise hi maine uski adhoori baat poora ki, ki woh Ritik ko abhi bhula nahi paayi hai. Uske baad se woh mujhse aur Ritik dono se doori banaye hue thi. Uske iss behavior se hi saaf ho gaya tha ki uske feelings abhi bhi wahi hain."

"Aur Ritik?"

"Maine usse bhi baat ki thi," Tulsi said. "Poocha ki kya woh apni shaadi ko ek aur mauka nahi de sakta." She paused, choosing her next words carefully. "Usne mujhe saaf keh diya - Timsy hai, aap ho, bas. Life se aur kuch nahi chahiye mujhe."

Something in Mihir went very still at that.

"Aur jab maine kaha ki main dekh rahi hoon woh badal rahi hai, ki shayad ek mauka aur de sakta hai woh usse - usne mujhe bataya ki chaahe woh kitna bhi badlaav dekh le uss mein, aaj bhi jab woh apna muh kholti hai, uske kaan aur dil khud ko taiyaar karne lagte hain - 'loser' sunne ke liye. Kaha ki paanch saal, din mein kai baar, uske muh se woh ek shabd sunna - woh cheez itni gehri baith gayi hai usme, ki uska asar abhi bhi nahi gaya, chaahe wajah khatam ho gayi ho."

Mihir sat with that for a long moment, something visibly working through him - not shock this time, but something slower, heavier.

"Main dekhta tha unhe," he said finally, quietly, almost to himself, "roz, har waqt ladte hue. Lekin mujhe andaaza hi nahi tha ki Ritik iss hadd tak traumatize ho raha hai."

He shook his head slowly. "Mujhe yeh bhi nahi pata tha ki yeh sirf ek taraf se tha - ki Mitali use iss tarah-"

He couldn't quite finish the sentence, the guilt of it sitting plainly on his face - five years of fights happening under his own roof, right before his eyes, and he had never once seen past the surface of them to what was actually being done, and to whom.

Tulsi held his hand tighter, letting him have the moment before she went on.

"Aur, Mihir," she said, gently, "Mitali ne yeh sun liya tha. Ritik ki baat, jab woh mujhse yeh sab keh raha tha. Woh darwaze ke bahar khadi thi."

Mihir went quiet, processing it - and then something shifted in his face, a small, dawning realization.

"Acha," he said slowly, "toh tabhi Mitali aajkal itna kam aur dheemi awaaz mein bolne lagi hai."

"Haan," Tulsi said. "Ab samajh aata hai na - kyun woh khud ko itna chhota kar rahi hai uske saamne. Kyun woh kamron se jaldi nikal jaati hai. Yeh sab isi ka natija hai."

Tulsi let out a slow breath, something in her shoulders loosening slightly now that the hardest part of the telling was behind her.

"Yeh sab kuch itna uljha hua hai, Mihir. Mujhe laga tha ki thoda time lete hain. Aaram se, soch samajh ke, phir koi faisla lete hain. Aakhir chaar zindagiyon ka sawal hai - Timsy ke baare mein bhi toh sochna hoga."

A pause.

"Lekin aaj subah-"

"Munni ke mama-mami ka phone aaya," Mihir finished for her, quiet, the pieces of the morning's car ride finally settling into place around everything she'd just told him. "Unhone rishta dekha hai uske liye. Aur tumse madad maangi hai."

"Haan," Tulsi said. "Aur time nahi hai, Mihir. Teen, chaar din - uske baad woh log ladke ke ghar waalon se baat pakki karne ki koshish karenge. Ek baar family meeting fix ho gayi, toh phir rokna bahut mushkil ho jaayega."

Mihir absorbed this - the pressure of it, real and immediate now, sitting directly on top of everything else she'd just handed him.

"Toh aaj tumne Munni se baat ki, mujhe pata chala woh aayi thi," he said. Not quite a question.

"Ki," Tulsi said. "Aur wahan bhi wohi hua jo hona tha."

She told him then - the sitting room, easing in first, asking why Munni had been avoiding her, the practical reasoning about mama-mami's rightful concern, Munni's deflections, and finally the direct question that had cracked her open.

"Maine poocha kyun nahi karni shaadi -kabhi bhi kyun nahi. Aur usne kaha use pata hai ki main jaanti hoon - uske aur Ritik ke baare mein. Ki woh kisi aur se shaadi karke uske saath galat nahi kar sakti, kyunki woh Ritik ko kabhi bhula nahi paayegi. Aur Ritik -"

"Aur Ritik ne yeh sun liya?" Mihir's voice had gone quiet, the pieces of the evening rearranging themselves - the dinner table, Ritik's head bent so determinedly over Timsy the whole time, his eyes never once lifting toward Tulsi.

"Poora sun liya. Mujhe khud nahi pata tha woh wahan tha, jab main baat kar rahi thi - woh achanak darwaze pe khada tha, jab Munni ne woh kaha. Adhoora, toota hua saa. Aur usi waqt woh andar aa gaya."

"Phir kya hua?"

"Munni bhaag gayi, kuch kahe bina. Aur Ritik-" Tulsi's voice caught slightly. "woh bhi mujhse kuch bole bina apne kamre mein chala gaya. Darwaza lock kar liya. Uske baad humne use dinner tak nahi dekha - jab woh neeche aaya, seedha Timsy ke paas baith gaya, aur poora time uske saath hi laga raha."

Mihir sat with all of it now - a whole evening's meaning rewritten in front of him, the dinner he'd sat through, the ordinary conversation, the moment he'd followed Tulsi's gaze down the table and found Ritik carefully not looking back - all of it suddenly explained.

They sat with it for a moment, the night settling around them, and Mihir felt something rise in him that had nothing to do with strategy or solutions - the plain, uncomplicated instinct of a father, wanting simply to go to his son, to knock, to sit with him even in silence if nothing else.

"Jaake dekhoon usse?" he asked, already half out of his chair.

Tulsi reached for his arm, gentle, stopping him without pulling him back down.

"Maine bhi yehi socha tha, thodi der pehle. Lekin usne khud kaha tha - abhi nahi. Aur main jaanti hoon, jab woh iss tarah darwaza band karta hai, tab usko akele chhod dena hi sahi hota hai. Kal subah, shayad khud aayega. Jab taiyar hoga."

Mihir sat back down slowly, the instinct still sitting unresolved in him, but he let her judgment hold it - the same way, all evening, he had let so much else be held rather than seized.

"Theek hai," he said. "Kal dekhenge use."

For a while after that, neither of them spoke. The night had gone fully quiet around them now - the house below settled, the garden dark, only the faint sound of the wind moving through the tulsi kyaro somewhere below the balcony rail.

Mihir turned her hand over in his, slowly, and looked at it rather than at her - the same hand that had, for days now, been carrying all of this alone, saying nothing, choosing on her own when and how much to give him.

"Tum itna kuch apne andar rakhe hue thi," he said quietly. "Kai dinon se."

"Haan."

"Aur aaj bata diya. Sab kuch."

"Haan," she said again, softer this time. "Bata diya."

He didn't say anything else about it - didn't thank her, didn't make it larger than it was - but something passed between them in the silence that followed, wordless, understood by both of them without needing to be named: that this was not the same as being informed. This was being trusted. And he knew, sitting there with her hand in his, exactly what it had taken her - after everything, after the boundary she'd set on this same balcony not so long ago - to choose to open all of it to him tonight, unprompted, unasked.

"Ab?" he asked eventually. "Ab kya karogi?"

"Yehi toh samajh nahi aa raha," Tulsi said, and for the first time all evening, something like real strain showed plainly in her voice - not just spoken, but visible now in the way her shoulders had begun to curve inward, the way her free hand had come up to press briefly against her own temple. "Munni ke mama-mami ko jawab dena hai - aur zyaada waqt nahi hai. Teen, chaar din, bas. Uske baad woh log ladke wale se baat pakki karne ki koshish karenge - ek baar family meeting fix ho gayi, toh phir cheezen aur bhi complicate ho jaayengi." She shook her head slowly. "Aur aaj jo hua hai - main use jaante hue kaise unhe keh doon ki woh maan jaayegi? Aur agar main sach bata doon toh-" She didn't finish that thought.

"Toh?" He wasn't really asking her as much as helping her thought process.

"Toh nahi pata kya hoga. Ritik abhi khud confused hai apni shaadi ko lekar. Munni embarrass hokar bhaag gayi hai. Aur mujhe teen din mein kisi ko kuch jawab dena hai."

Mihir didn't offer a solution - some old instinct in him wanting to, she could feel it in the slight tightening of his hand around hers, but he held it back, letting the moment simply be what it was rather than reaching to fix it before either of them was ready.

"Hum soch lenge," he said instead. "Saath mein. Abhi nahi - abhi let's just sit with it. Picture clear hoga - hopefully."

For a while neither of them said anything more, the chamomile gone cold between them, before she spoke again, quiet, her eyes on the dark garden rather than on him.

"Sabse achha toh yehi hota," she said, "agar yeh possibility hoti ki Ritik aur Mitali apni shaadi ko ek aakhri mauka de paate, aur Munni uss rishte ke liye maan jaati, aur khushi khushi apna ghar basa leti. Lekin-"

A pause. Long enough that he didn't fill it.

"Lekin mujhe dikh raha hai ki shayad inn mein se kuch ho hi nahi sakta."

Neither of them said anything after that. The garden stayed dark below them, nothing solved, nothing decided - only shared, for tonight, and carried, for the first time all day, by two people instead of one.

After a while, Mihir shifted, glancing at the time. "Bahut raat ho gayi hai," he said gently. "Tumhara aaj ka din bahut mushkil raha hai. Chalo, so jaate hain."

They gathered the empty cups between them and went inside, the house dark and quiet around them, the day finally, fully behind them in every room except the one they were both still carrying it in.

At the base of the staircase, where their paths still split - hers toward the room right next to the staircase, his up toward the first floor - they stopped, the way they always did now, neither quite ready to simply walk away without a word.

Mihir reached up and touched her cheek, lightly, his thumb resting there a moment longer than the gesture strictly needed.

"Zyaada mat sochna," he said, quiet. "Hum suljha lenge iss uljhan ko."

She leaned, briefly, into his hand before he let it fall, and then they went their separate ways up and across the stairs, the house settling into silence behind them.

-----

Author’s Note:

And that brings us to the end of Chapter 41: Uljhan.

This chapter was never going to be light. The title itself means entanglement, complication, that quiet knot that tightens the more you try to pull at one string. We started the morning with laughter, green tea, and Garima’s innocent logic — and by night, almost every relationship in this house is holding its breath.

Daksha Chachi finally speaking to Mihir after years of silence was one of the hardest and most important scenes for me to write. That single word beta carried six and a half years of weight. Her warning about respect and trust was not dramatic for the sake of drama — it was a mother figure to both of them who has already watched Tulsi break twice, and is terrified of seeing it happen again.

Then came the Munni-Ritik collision. I know many of you have been waiting for that moment. It arrived the way these things often do in real life — mid-sentence, incomplete, and irreversible. No grand confrontation. Just three people standing in a room with words that can never be unheard.

And finally, the balcony. Tulsi choosing to hand Mihir the entire tangled mess instead of carrying it alone. That, more than anything, felt like quiet progress.

There are four lives in the middle of this uljhan now — Ritik, Mitali, Munni, and little Timsy. Time is running out on one side, guilt is eating away on another, and old wounds are still very much open.

Next chapter will not untangle everything. But it will force a few people to stop running.

Thank you for staying with this story through the heavier chapters. Your patience means more than you know.

See you soon.
— ElitePerfumer

Edited by ElitePerfumer - 12 hours ago
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13th Anniversary Thumbnail Visit Streak 180 Thumbnail + 4
Posted: 3 hours ago

This song :

उलझन सुलझे ना रस्ता सूझे ना

जाऊँ कहाँ मैं, जाऊँ कहाँ

उलझन सुलझे ना रस्ता सूझे ना

जाऊँ कहाँ मैं, जाऊँ कहाँ

मेरे दिल का अँधेरा, हुआ और घनेरा

कुछ समझ न पाऊँ, क्या होना है मेरा

खड़ी दो राहें पर ये पूछू घबरा कर

खड़ी दो राहें पर ये पू छू घबरा कर

जाऊँ कहाँ मैं, जाऊँ कहाँ

उलझन सुलझे ना रस्ता सूझे ना

जाऊँ कहाँ मैं, जाऊँ कहाँ..

Chapter 41:

रिश्ते बहुत नाज़ुक होते हैं, इन्हें सहज कर रखना पड़ता है।

जीवन आस और चाहत के बीच की एक पतली-सी लकीर है,
इसे संभलकर ख़र्च करना पड़ता है।

कुछ इच्छाओं को त्यागना पड़ता है,
कुछ चाहतों को अधूरा ही छोड़ना पड़ता है।

Sometimes, important circumstances force people to give up certain desires.

The chapter is definitely not the easy one to write. It's very sensitive and complicated topic.

Wo kehte hai na kisi ko nyay dilane ke liye kisi ki aahuti deni padti hai. Aahuti bhale hi manushya ka saath ka ho, swambhiman ho, mamta ho, ya niswarth prem ho. Bhagwan ne khud tyag diya the Radha ko lok kalyan ke liye, aur dharm ko upheld karne ke liye. So I would request you to think on those lines for concluding their relationship. It might be wrong to compare Munni as Radhaji, Rithik as shriKrishna and Mithali as Rukminiji. Munni ka pyar saccha hai, but she looks at Rithik even today with the same eyes and feelings. Years gone by, she didn't allow anyone else to take that place or all she did is closed that chapter of life. I still think, Tulsi can very well make Munni understand life and it's importance- It's not gonna be easy to live alone, at some point of time you need someone to pamper you, lend shoulder to cry upon, listen, live with your tantrums, fight, compromise. Bahot baar insan ko laggta hai commitment ek bandish hai , needs lot of energy, time, patience, sometimes frustrates you too much, makes you think i am done with it, lekin usske bina wali zindagi bhi aasan nhi hai. Loneliness when you are young is easy to handle, saath ki zaroorat to middle aged se shuru hota hai, tab ja ke prem, pyar, love, respect, care ki want and need hoti hai. Emotional need is much higher than anything else in the world in my opinion.

Anyways, when Munni said Rithik is married and Rithik said does he have any right to look at Munni in any other way and Mithali's repentance committing a crime of killing Rithik's soul, her getting away silently from his path. she has chosen to punish herself, declared a judgement, she doesn't deserve anything good for herself because she betrayed and killed innocent Rithik's desire to live a love filled life.

Tulsi and Mihir both sitting with this heaviness , probably carry it for as long as they live. Hosakta hai teenoan ki kahani adhoori rehne wali hai ya fir kisi ek ki. So in case , as a parent it hurts them for Rithi also as a Mother/Father figure to some one very dear to your heart. Beautiful conversation at the balcony every word, every breath they realized it's chakravyuha. I think all three of them is like abhimanyu , jo khud ko chakrvuyh me-they entered in , but don't know how to get out of it. I as a reader will wait eagerly for the outcome. I loved how Mihir supported Tulsi, hold her hand, listened to her worries, her serving the sequence of events, she poured her heart to him. This is noticed and well received by Mihir, however he isn't forcing her to do so, but been a man of contentment with the things growing between him and his wife. All he need is not mere presence of her in his life, but being there and he will stand by, support , be available when she needs him. so wo apni sarthakta ka raasta talsh chuka hai, and he surrender to her not because he loves her but because she deserves to be loved ,lived with, worshipped and he decided to devote his life for her. I loved every line of their conversation ,dhadkan ki har aahat, aankhoan me duvidha , dukh, nirasha, bebasi fir ek aas ki kuch hal niklega jo iss gutthi ko suljhayega.

Mihir has seen a different version of Mitali the last 5years, here Tulsi has introduced him to an innocent, sensitive, guilty, remorseful, who avoids to be seen by Ritik, she can't undo her past , but she decided not to intrude Ritik's mind which triggers him her harsh words. So she wants to set him free.( Ye Mitali aapki FF me mujhe bahot acchi laggne lagi hai, I 'm loving her sensible , emotional side who not just lives for herself but thinks for others , now she is participating even in family as a part , instead of looking down upon household chorus or to mingle with people in SN. Jo Tulsi ne bataya na ki Mitali thinks she is hindrering Ritik's decsion to give up on this marriage and confess his love to Munni, and she feels he deserves to be happy. If she is around , her mere presence would affect him badly. D So she started thinking like a human being, itni change abhi mujhe saint lagne lagi hai. But one of the most loved characters in my list now, though short lived. ) This marks the beginning of human- did wrong , guilty, accept it and do the right thing to bring things on track, instead of just sitting with an apology, and get detached from what is causing pain to others.

Rithk's change in behavior when he heard - the alliance for Munni. Tulsi has seen his expressions eyes.his texting her and escaping, his grumpy, lost and hideous act at the dining table very well written. Easy to Visualize everything, kudos to you.

The conversation of Munni and Tulsi , Munni putting her heart out , Tulsi is not shocked but lost, saddened by Munni's decision , Ritik's entry at the same, Ritik has heard what he was supposed to not know at this phase of life. He is shattered now with this news, guilty about his past actions- accusing, demeaning and belittling Munni of loving him. Tulsi cannot pull anything from all three at this moment. Mihir rightly said let's give a day or two, but Tulsi has a deadline for this too (not open ended like reviews writing :P) , poor stressful hai.

It started with a family gathering , smiling faces when kids are around they bring lots of happiness around in situation.

To lighten up the moment, Garu has actually asked a logical question. Bacche kitna observant hai. straight question no filter seedha bouncer . She actually asked the right question ki Nanu kyun banate hai green Tea, aap ko kya chahiye Nani se , Mihir k man me to bahut kuch tha ( like pyar, attention, pampering, care, saath etc) but he remained matured by saying Unka Time.Unka time kyun chahiye the questionnaire continues, kids questions are filled with cuteness , innocence, logic, warmth, it's difficult to answer them and convincing is even more challenging. For one question there will be series of follow up questions-whether Gary has to do do something in order to get Tulsi's time for her and Tulsi's answer bemused She loves everyone without asking, but expects Mihir to earn it. The teasing and the mocking that Tea was not tasting good initially but then he arguing.The entire scene at the dining table is full of life, smile, happiness, calm and filled with warmth in it. It did go noticed by everyone in the dining table, how these two have found their way back to each other, still going on rekindling, reliving and finding ways to bring their lives to normalcy. But the effort is scene by Daksha chachi, she is very happy with the progress, the happiness, contentment, smiling Tulsi is largely back, but she cannot afford one more heart break. She had clearly told Mihir this. Aiming big and achieving is a huge task, sustaining that is the biggest challenge. Chachi entering Mihir's room after years, just to warn to hold on what he started and her admiring his photo collections on the wall, and her noticing "Tulsi literally smiling from the bottom of her heart" , "Mihir's effort to bring it back ", its a small conversation but impactful. I loved it.

Mitali and Tulsi's conversations at the office . , their conversation is light, heartfelt , easy and open, Mutual admiration and respect. Also have developed a sense of belongingness in the shorter time period. Mitali handing Tulsi her n Ritik's decision , Tulsi blessing her. Surprisingly Mitali willingly touched Tulsi's feet without anyones order or suggestion , I think this mitali is welcomed with open arms.

Few questions:

If things were better between Ritik and Mitali , would Ritik still be bothered by Munni's decision to remain single?

If Mitali and Ritik shared a cordial relationship, did ever Mitali sacrificed her marriage for Munni , because Munni loves Ritik insanely?

Even at this stage , can both Mitali and Ritik think together as a parent?. Kids sensitive at this age gets to absorb things more easily by observing their surroundings. They understand the atmosphere at home , dynamics of the people more closely. I am not saying them to live in a loveless relationship for their daughter's sake, but they cannot ruin her innocence and childhood by stressing with this new arrangement called divorce.

Munni ko kyun Ritik chahiye mujhe kabhi samjh nhi aaya (neither in the show not here). He humiliated her openly, talked about her class, accused her to scheming to becoming VIrani bahu etc etc. I understand he stood by her, encouraged her for night classes, has been the dearest friend once).

Does Ritik's stand would have remained same as now, if Munni was still a maid??

I still don't see any future for Munni and Ritik.

Ritik only regrets he has not valued his friend , hurt and humiliated her. He knowing her love for him doesn't change his feelings for her right?? I didn't value the person who was always there for me. I hurt her. I was unfair to her." That's regret. It isn't necessarily romantic awakening. Ritik may be broken because of Mitali, and that brokenness may make him look back toward Munni-but looking back at someone with regret is not the same as falling in love with them.

Ritik regretting how he treated Munni ≠ Ritik falling in love with Munni.

Let me conclude this I loved the Balcony conversation more than anything , picture perfect , classy. Thank you writer. I cannot praise you enough. As a writer, you have evolved with every scene you come up with. Every emotion is top-notch. ❤️

PS: Seeing Munni and Rithik's bond, yearning, I remembered a beautiful Tamil movie 96 . If not watched please do watch , the purity it carried throughout so simple yet soulful , meaningful , it takes you to a different planet altogether. And the movie will definitely leaves a mark. It is available in Kannada too, but watch Tamil the original. Hindi me dubbed hoga. Movie mere dil me aah bhi bas huki , simple plain, easy, heavily emotional, no vulgarity and the purity between the two people who have not confessed their love , but secretly admires and worship not romantically but pure devotion. Alag hi hai.

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