Originally posted by: Cpt.DudleySmith
Bollywood has a certain template when it comes to depiction of Islamist Terrorism in movies. As per the template, if the perpetrators happen to be Indian, you have to humanize them no matter what. So a film like Black Friday for instance has little to no interest in the victims of the Bombay bomb blasts. Instead it spends a vast majority of it's screentime on the back stories of the bomb planters, humanizing them at every instance and showing how they were just caught up in the cycle of violence. Even when it comes to a terrorist like Tiger Memon, he gets a scene where his office is burnt and so on.
The problem when you make a film on the genocide of the Kashmiri Hindus is that it doesn't really offer you any excuse like that where you can disingenuously rationalize the violence. So you can't blame it on the Babri Masjid demolition, you can't blame it on any anti-Muslim riots, you can't blame it on the intolerant majority cause the Pandits were the hapless minority in Kashmir who had drunk the Kool-aid of Kashmiriyat. So unless you are a bottom of the barrel scumbag like Burkha who shamelessly tries to rebrand an ethnic cleansing as some sort of populist uprising against the privileged, "elite" Kashmiri Hindus (yeah right!), you just have to show it for what it was, vile religious bigotry against the Kashmiri Hindus.
So basically this is unchartered territory for Bollywood. Hence there was never gonna be a right time to release it. No wonder the vitriol against the movie has been unprecedented. Now I wish a much better film-maker than Agnihotri had tackled the subject but hey at least it's a start.