Blast from the Past Thread #25 Extn ** Khushi, I... ** P 119, Ep 274 - Page 53

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indi52 thumbnail
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Posted: 11 years ago
^^^

indu, i meant her look and get up... so precise and perfect just the day after she sees the tape... which is what i thought you pointed out. something did not feel right somehow... just a thought... nothing important.

i have wondered why the search part never felt convincing, was it just the story or were there little details missed out that may have strengthened the whole thing. i can understand a certain frenetic energy in her after knowing he is taken. but that well groomed look maybe... how precisely she took of her bangles and payal to follow shyam... or maybe i am missing the whole thing... she wants to look normal because she does not want anyone to suspect anything...

whatever it is... pity those bits didn't seem real, while his bits did.

indi52 thumbnail
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Posted: 11 years ago
yes, inspired soul,

barun felt like a method actor without ever being trained in acting. i remember in one of my earliest posts on crooner while talking about the 258 phone call i had written just that. to think before thsi he had spent seven years ina bpo then by chance walked into the world of television drama.

i am glad sanaya said it... it was so evident that he'd become asr the moment camera rolled.

i loved him saying it is difficult to act asr. and then mumbling, all characters are difficult to do. a good actor gets that.

i know very little about method acting but yes it was about being the characer and imbibing a certain set of norms for acting, i think we have actors even on indian tv who have been trained at the stanislavski school of acting or whatever it is called, but i have seen this only in barun...

and thanks so much for the note on method acting... lovely. and it must be rreally scary for an actor to go in allthe way. the further you can enter, the more alive your character... no right wrong good bad to it... you are that other one.
Edited by indi52 - 11 years ago
indi52 thumbnail
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Posted: 11 years ago
this is what i wrote on crooner 72 page 12 straight after we saw 258. i remember everyone was reeling from that khushi, i love you. i think i still am. 😆 and if i have posted it before, sorry... but this is my first post on barun sobti's acting... it is kind of precious to me.



"priya, who could be expected to write cogently today after seeing what we have seen.
i am all over the place. a voice is blowing through me. a trembling lip caresses my eyes. what's that rush of wind and that distant song that plays? long distance, extreme close up, utterly scraggly and worn out "i love you."

is there any other way to say those words.

again and again and again barun shows his mettle as an actor. does even he know how good he is?
method acting from a lad who was minding phone calls till just a couple of years ago. who said the book he'd perused as a youngster was mainly his dad's cheque book. a 28 year old whose interviews never go right, right but not "right right." a serial actor who is handed the script piece meal, day upon day with no real plan as to where it's all headed. no ready film script here, no complete, edited, perfected play. a daily soap.

bless you, barun sobti.

and yes, sanaya irani. for close to 10 days now you've carried this show. she is a spunky one, isn't she? she knows who everyone is really devoted to, that the main audience of a daily tv romance isn't made up of men waiting to fall in love with love. yet, she's never phased. in fact. she gives her work and her co-star her utter best, straight from the heart, from the purest place of instinct and she shines. inviting all around her to shine as well. marvelous.

gosh that silent entreaty through inanimate phones and airwaves. one hand presses the receiver close to the ear, "khushi!" and an expression flits, a tear forms, the other hand comes up and cradles the phone closer. the tear rolls (the order of events is a mental recall, may be a bit off. sorry). she never says a word, yet she's saying so much to him. and he can hear every word.

god who wrote this scene. who directed it. who set the music. who edited. who counted the seconds. who said let the wind blow.
may i fall at your feet.

priya, love your analysis.

anjali returned in full force today. the milk crashed to the floor, and it was as though she reached right in and found the di that is viscerally attached to her chotte. children of the same mother.

yeah, looks like a kidnap (i never saw the precap as i caught the second telecast) and looks like snakewa is the creep. alas even all that lifebuoy couldn't wash the filth off him. oh oh oh. out, damned spot, out!"
divsarunfan thumbnail
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Posted: 11 years ago

Originally posted by: indi52

hi all,

needed to celebrate the return of the man, the tremendous meeting between two lovers... we have been missing him... moping some of us. as rhea noted... 265 and he is here...

made this vm with a song that is also from this period. hope you enjoy.

the song... yes, when someone comes, there will be joy and happiness. my wait for the man in these words too... and rashid khan has sung it so so well.


[YOUTUBE]http://www.youtube.com/watch?v=07FzHMBFQmA&feature=youtu.be[/YOUTUBE]


an attempt at translating...


aaoge jab tum saajna
when you come, my love

aaoge jab tum saajna
when you come, my love

angana phool khilenge
flowers will bloom in the courtyard

barsega saawan, barsega saawan
the rain will come down in torrents

jhoom jhoom ke
dancing and joyous
(my translation, i thought this word meant more than just in torrents, it had emotion in it)

do dil aise milenge
and how two hearts shall meet

aaoge jab tum saajna
when you come, my love

angana phool khilenge
flowers will bloom in the courtyard

naina tere kajrare
your eyes are kohl lined

naino pe hum dil hare hai
i've lost my heart to these eyes

anjane hi tere naino ne
unknowingly your eyes (or your eyes may be strangers but they...)

waade kiye kai saare hai
have made many promises to me

saanso ki laye madhyam chale, tose gaye
the flow of my breath has slowed, for you are gone

barsega saawan, barsega saawan
the rain will come down in torrents

jhoom jhoom ke
dancing and joyous

do dil aise milenge
and how two hearts shall meet

aaoge jab tum saajna
when you come, my love

angana phool khilenge
flowers will bloom in the courtyard

chanda ko taaku raaton ko
i stare at the moon at night

hai zindagi tere haathon mein
my life is in your hands

palko pe jhilmil taare hain
on my lashes are twinkling stars

aana bhari barsaato mein
please come when the rains are dense

sapno ka jahaan hoga khelaa khelaa
the world of dreams will brighten up and bloom

barsega saawan barsega saawan
the rain will come down in torrents

jhoom jhoom ke
dancing and joyous

do dil aise milenge
and how two hearts shall meet


vm is superb di👏
song is suited well👏
i loved it❤️

indi52 thumbnail
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Posted: 11 years ago
^^^

hi divya,

thanks so much for watching the vm... nice song it is and so glad it's looking good.

Horizon thumbnail
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Posted: 11 years ago
Got it Indi. Yes thats what exactly I meant.
Her being over frenetic initially and super cool working like a pro after she came to know what happened.. didn't quite work. A balance would have been good.It looked as if her concern was more about not raising suspicion than his well being.
I rest my case.
Horizon thumbnail
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Posted: 11 years ago
Heard the term Method acting for the first time on an Indi's thread few months ago ,dont remember the title but with Diwali pool side pics where he winces in pain. I guess that mention was from rom Stg1. There were some great posts on that thread including Ipoona, Mr Darcyfan, Javeria and all.

Inspired, thanks for that scientific insight into it here.

Altho, for me both script and acting weighed in equally in making ASR what he is. With a dearth in either of these, he just wouldn't have been what he has been.
Edited by Horizon - 11 years ago
aarwen thumbnail
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Posted: 11 years ago
Episode 264

A single bright blinding light bulb swung from the ceiling. His eyes were closed as he lay slumped across the chair he had been bound too. ASR. Even now in this state I feel the energy that radiates from him. Rocky the kidnapper with the scorpion conveniently tattooed on his hand walks in. I just realized that the scorpion could be a clever connection to our very own resident scorpion at Raizada mansion. Yes it took me so long to realize this connection... I can see how this rocky could have been thought of as having a bigger more important role to play out in the larger scheme of things. The actor does have some screen presence. Even the mild looking spectacled thug with the gun who cornered khushi the night before had a sinister quality to him. Shyam, himself had a convincing mask of the pleasant soft spoken respectable middle class man. Turned out he was a deranged amoral villanous sorry excuse for a man.

His hands fidget . ASR can never be completely helpless can he? Life decided his parents would be snatched away from him, his sister and he would be throw on the streets. He created India's leading fashion house in answer. Bought back his ancestral haveli only to have it demolished. Life decided to show him his love had broken his heart and threatened to break his di's marriage, he decided to make that very girl, whom he had given his heart to, his wife. You can tie him but what you can't do is break his spirits.

The steely eyed glint in his eyes as he challenged rocky, who soon won't even know what or rather who hit him. Unflinching stare, ASR music playing, a true fighter is this man. Even now extremely resourceful and intelligent. The actor intelligent enough to make the frayed ropes look believable.

In fact when this whole kidnapping business seemed to dull my brain. When nothing felt truely convincing, when the urgency failed to get through when long minutes of chasing, hiding, sneaking, pleading of everyone hardly got the tension across it was one scene with this man who did not speak a single word, but managed to make me not only belief he was facing a deadly situation, but also have faith that he had the will and the wit to get himself out of it.

No unnecessary yelling at his captors, no threatening out loud, a single silent look is enough to tell you they will pay hell. It was never only with his family or khushi that ASR was memorable, but how he faced and conquered the world while still inherently loving that also has me obsessing over this make belief character.

Khushi sort of handled Shyam well when she followed him. Very next day she is in the red dress and I know they are destined to be reunited today. ASR has opened the ropes. Freed himself. He doesn't know yet what happens next, but we do. A treat is in store for us as Khushi and Arnav meet again. I keep forgetting the separation isn't all that long, somehow it feels like eons have passed since I have seen him to my hearts content. And if I mere viewer of the show feel this way imagine how khushi must feel away from her Arnavji... It's time for them to meet again.. see you there..

Edited by aarwen - 11 years ago
indi52 thumbnail
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Posted: 11 years ago
indu,

totally agree without the writing asr would never come along. but what i found noteworthy about the actor who had walked straight into the character and owned it fully is that when the writing began to falter he still managed to keep asr alive and breathing.

also i do believe the acting inspired the writing as well... serials are written on an ongoing basis and while the basic graph of character must have been strong it all got better and more shaded as we progressed maybe because the writers felt teh character more and knew how far barun clould take it. gives a writer confidence to explore when the actor can deliver..

ah yes, totally agree about khushi's cool... something not quite it about the way it was written. achhi bahu versus lover and real girl i guess. not worrying others more important... not. yet that is what happened.



Edited by indi52 - 11 years ago
Mysticaldivine thumbnail
Posted: 11 years ago

Originally posted by: BarunDiwani

The Confession: Part two

Khushi, I love you!

his husky whisper, straight from his heart to her ear, closer to her than he ever has been.
her chest stopped heaving, by
now she had a grip on the phone with both hands. She had been worried sick about him. nothing felt right about his
leaving. The smile that came so easily otherwise refused to grace her lips. Strong premonitions woke her to his voice
calling out for her in every possible way imaginable in a brilliant haunting scene. so sureal but at the same time so damn
real. she was beside herself, so much that Di and Nani arranged for her to join him but then her fears took shape futher
when she found out that he hadn't reached London.

The last she saw him, he left despite her begging and trying all in her power to stop him till she proved her innocence.
he left.

She could have just gottn mad and ignored these unsettling feelings she had about his well being, but she could never could she?
Once she had decided that she simply wouldnt talk to him to avoid the "acidity" and to her horror, it resulted in him fainting. Nothing mattered at this point, not her acidity nor his laad governing. 😆

Simply her Arnavji, she had a need to do whatever necessaary to make sure he is ok. Even after he came to and attempted to get up, she stoped his fall one side after the other, she stood there still with him in a worrtied state till he finally said in and ASR rood manner but still to be found beyond sexy by his sick twiste phangurls "Hato" "move!"
That is some memory ..How utterly he said that to her who was worried as hell..aap theek tou hai na

If he always needs to see her smiling, she also needs her Arnavji to be the ASR as we know him...shaitan or rakshas, he is hers to yell at to fight with and to take care of when need be, every bit of him. If he needed to protect her, save her, so did she.

yeap...she got attracted towards him because of that because he always provided her enough to get back to him and that was the way of venting her pent up hidden emotions through which they both can measure each other's intensity.

"baat aap ki hai toh farq padta hai"..."aapke bina toh hum"

she told him before he left, an out and out declaration of what he means to her, and its the magnitude of those feelings only get clearer after he leaves. Distance make the heart grow fonder after all, throw in a slew of worry thanks to a 6th sense and you've got all sorts of gadbad and Sanaya does a brilliant job of displaying with her body language, expressions and dialogue delivery.😊

A moment thats recently became a person favorite is at the Mahadev temple, how she prays to Him for the protection of her Arnavji. The urgency , the anxiety so so so well emoted with in her voice and the slight jerky movents from right to left...

"unse kahiye ki woh jaldi waapis aajaye...woh... hum..."

Her unfinished sentence said it all, the dil ki baat.
Then our classic Khushi that she is goes on to plea Mahadev not to tell DM...the offchance the DM feel jealous of Mahadev that He found out her dil ki baat first. yep fell in love with this moment. hope to uncover many such moments as this Kidnapping episodes are my least watched...

hehe Pagal..most likely the trait ASR can't live without...and now its chrystal clear to Khushi that she simply can't live without her Arnavji.

So imagine carrying these realizations or rather admitting of love and then the worry that he maybe in trouble, then he is unreachable or the text he sent is not like him...Sanaya sunk her teeth into this complexity...Keeping khushi intact.
Then a phone call...Di confirms is Chhotte...can she be anything but overwhelmed? from the second she took that phone, a tight grip on it suggesting how badly she wants to be close to him, to protect him, but the helplessness also evident... the tears of joy flowed in

Kh..." is all he could get out before she grabs the phone by both of her hands, closing her eyes, her chest heaving, and her dhadkanien tez more than ever. a womanl in love. she just wants to take him in and his voice in, i bet she was dying to hear her name in his voice. She may have always felt the magic and the belonging in it.

Always , she loves hearing her name and responds too even in sleep.

"aap hamein iss tarah sabke saamne mat bulaiye" she told him once when he decided to go to a party to so he could say sorry to her. Perhaps at the time she was taken back by how personal it sounded.
the tears keep rolling down her face, while the phone has so blissfully become him.
"Khushi, i'm fine mien teek hoon ok?" he blurted with an attempt of conviction. She didn't have to ask, he just knew to tell her this. She cried and cried silently but through their connection, mehsoos, he just knew.
"Please mat ro" (Please don't cry) ... almost whispering he pleads to her
"Rabba ve" seeps in...the slow sad one
"Khushi Bas"..."Stop" ... have we seen anything so so sweet?
"khushi rona band karo" (khushi stop crying)
He kept begging for the tears to stop but how could she after all the emotions she's endured in the past some 24-48 hours. though the phone call at this moment was a huge relief, it was probably the "what ifs" and that set fear of losing a loved one that only set off more tears, so she keeps crying...far away from the rest of the family, she created that space just for him, her and their windy connection.

Choti si Duniya just in between them right now
The always chatty Khushi doesn't say a word, she just mehasooses and listens on, his voice, him.
Then a sudden change in the tides, the dariya succumbs to the kinara...👏

"KHushi mei"
"Khushi mein tum..."

She closes her eyes, trying to mehsoos something, but certainly not anticipating these words.
"Khushi, I love you"


Her eyes flew open as the strong wind gusts surrounding them become stronger and more defined.

A silence sustains the universe, A lone tear, much different from any tear she has ever cried, fell from her right eye. 👏



she felt the slight smile and relief inside him while leaving her speechless. leaving me speechless...

Soft piano notes come in. A joyful smile comes on her face, he hangsup ever so painfully. But he said what he needed to

The joy quickly turns to sadness and dismay. but the phone, she looks at it as if were him, his face, his mouth that just said those words.


She put the phone to her chest, a sacred place where only a wife or a lover allows the man she loves.


How intimate...who needs pheras khushi? He had already become hers, contract marriage or not. she holds the phone even tighter at her chest and allowed the smile once again to grace her face. She slowly walks away to be alone.

Just a lovely scene in the corridors where she thinks back to all of his halted "Farq" YES YES YES KHUSHI... all of those times, he stopped short the farq was there...infact it was too much for him to handle.

Her "Hum bhi aapse I love you dammit comes much later but I so heart it in this moment.


Magnificiently done IPK!

DROOL CORNER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!










Ami super cool with all the drools👏

Love your lines how that phone becomes him for her and how she walks away from family

to create that privacy...yes as always in between moments ...but this time she is moving away towards him to embrace him the way he is all him just for herself...by submitting herself too.

Nice come back with beautiful posts😊

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