Posted:
HE IS THE SUPPOSED GABBAR
N SHE THE DOCILE BASANTI
BUT TODAY THE ROLES WERE REVERSED
N SHE WAS THE ONE SAYING "KITNE SORRY THE??"
DHANNO CALLED THE RAT COULDN'T EVEN DARE TO MEDDLE IN TODAY
IT WAS THE DAY OF LADY GABBAR ALL WAY
SHE USED THE GUN OF HER EYES
N HE DANCED ON THE GLASS OF HER SILENCE
SHE DECLARED NON ACQUITTAL OF THE "MAUN VRAT"
TILL HE UTTERED THE ULTIMATE SURRENDER
SAMBHA OF A GIRL WITHIN HER
NUDGED HER TO DEMAND A GIFT IN TRADE
JAI RESIDING WITHIN VEERU OF RUDRA
MADE HIM HIM SAY "BHAAD MAIN JAA"
AS A BROKEN RECORD PERSAY
BUT JAI NEVER WINS WHEN IT COMES TO VEERU'S LOVE
WHILE SAMBHA THE GAY LOVER OF GABBAR
ALWAYS KNOWS WHAT PLEASES HIS MASTER(HER) TO FULL WONDER
SHE WON ALL GAMES TODAY
TILL HER HEART WENT GULAABI
HE THE MALE BASANTI (YES BACK TO ORIGINAL ONE 😉)
FELT LIKE A DHANNO-LESS WARRIOR IN THE PLAY
GABBAR DRANK COLDDRINK
N BASANTI SIGHED A RELIEF
SO MUCH FOR 'TALLI-ISM"
SO MUCH FOR ''I AM THE MAN" BELIEF
THIS GABBAR IS MORE CUTELY SHREWD THAN
WILDEST IMAGINATIONS OF THE KATHPUTLI BASANTI OF TODAY
POWDERED SORRY COULDNT SAVE HIM THE DAY
MAAFI WAS BARGAINED EVEN AFTER WORDS WERE SAID REAL WAY
THE ENTIRE RAMGARH OF HIS HEART WAS TODAY THE
PLAYFIELD OF GABBAR CALLED 'SHE"
EVEN THAKUR OF HIS EGO COULDNT SAVE HIM
FROM THE GRIP OF NEED CALLED "MAAFI"
THEY LOVE TO JUXTAPOSE EVERY OTHER EMOTION
WE ARE LEFT BURNING WITH ''SHOLAYs"OF AWWWs n OOHHHss
AT THE END OF EACH RANGRASIYAN ADVENTURE
😉
P.S. I can get as crazy as my filmdom n PARUDISM allows
U NEED TO KNOW 'SHOLAY' TO UNDERSTAND EVEN A SINGLE WORD
OF THE HIGHEST LEVELS OF SANKIPAN ON DISPLAY
Anupamaa
Seher Hone Ko Hai
