Originally posted by: shruthiravi
...MK I would say has lot of spiritual leanings and thought processes. Even the flag in the precap carries the message " Vasudevaika kudumbakam" means whole earth is one family....
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Buddhiya ki Nautanki
Originally posted by: shruthiravi
...MK I would say has lot of spiritual leanings and thought processes. Even the flag in the precap carries the message " Vasudevaika kudumbakam" means whole earth is one family....
Originally posted by: pasumarthisa
Arshi,
I am pressed for time. But couldn't stop posting.The first scene was one of GR's best. He portrayed Rudra's weak n vulnerable side so well. The way Rudra innocently n helplessly points to his Chihna and says it's because of this----- awesome. He brought out the rustic side of Rudra.I am becoming a fan of Manish ji too. Such a controlled performance.The other stand-out scene of the day was Balivesh talking about Guru-Mahima to Greyerson. More than anyone in the show, he delivered the most profound belief of Hindu spiritual process. That of faith in Guru. Shraddhaa is defined as true faith in Shastras(vedas) and guru's words. And Guru is one of the 5 or 7 fathers.It shows how shraddhaa is present in evil too. Its the intent that differentiates good n evil. The intent to follow dharma.This episode was a curtain raiser for the upcoming dharma yuddh.PS: Shyamala ji, isn't sati's episode linked with shaktipeethas? Nashik n hardiwar are not among them.
The Siva-Rudr reunion scene was the undoubted highlight of Thursday's episode for me... I've re-watched it a couple of times, and it's a classic. (I did not much care for the Demo segment where Siva torches his tamper-proof garud chhinn but that is a minor quibble I'm getting over with, right away.)
For all that we have been looking forward to the scene because of our involvement in the plot, the scene was so well-designed and executed that it is highly enjoyable on a stand-alone basis. The "choreography" and use of space was almost like it was a stage performance, and Gautam Rode's performance had shades of "abhinaya" so brilliant it reminded me of Kathakali artistes doing a demo of the 'karuna rasa' - not to say that any of it was overdone in any way.
The spot where they meet, in the darkness of the old haveli, I thought, signified that while they are father & son, neither really knows much about what the other has been through in the intervening years... The first few shots of their faces had a chiaroscuro effect with almost half of the face obscured by the shadows... a very effective tool for highlighting the intense emotions that both characters are going through. And also very interesting in the way it was "choreographed", with first one, and then the other taking the limelight.
For the first time in 24 years, Rudr unburdens himself, as you would only do with a parent - every torment and sorrow was unpacked, and you could only see the Child who wants his Baba to take away all his pain. (If anyone had any lingering doubts about GR's huge talent, they should all have been put to rest last week...) He stalls Siva's feeble attempts to get a word in edge-wise until his own litany of loss is exhausted! It's only when he crosses the lakshman rekha and says "manhoos chhinn" that Siva the Parent decides he's heard enough and hushes him! Not one more word, he says. And briefly puts Rudr's sufferings in perspective with a few chosen words - Manish Wadhwa was a class act, with Sivanand a study in dignity, restraint & maturity, and in total contrast to Rudr's unfettered, childlike & innocent outpouring. Both actors outdid themselves, allowing us to enjoy all the fine details of the writing, direction and videography that made it a gem of a scene.
A note about the writing -
I find UN& Co. very deliberate in their use of vocabulary & dialect for each character, so that we get a quick life-sketch of the person as soon as they've spoken a few lines! Siva addresses Rudr as "beta" not bachwa (Maimui) or babuwa (Sahadev) - he uses words like "viral" - did I hear right? when he says "ye nishaan ek sanatan sacchai hai jo viralon ko hi praapt hoti hai" ??? All his speech points to a very erudite man who inspires confidence in his knowledge (even if his own mother thinks he's simply too big for his boots!!) Only that 'parampita' bit stuck out like a sore thumb - sounded more like an import from Christian theology to me...
Rudr's speech on the other hand is always consistent with the surroundings of his childhood devoid of much book learning, but enriched with Maimui's earthy wisdom. At the moment, he is unfamiliar with the mechanics & flourishes of his birth family - he is very much Maimui's child right now. It should be interesting to see how his speech evolves as Sivanand, and of course his Dadi Formidable start to play a larger role in his life...