The Catch 22 situation

Here also it seems the CVs of the show are not actually giving much thought to the outcomes of the daily changing tracks. Seems like the days of constant evolution of a central character have returned. Then the character seemed to evolve senslessly, now the track does it.

rk producing madhu herione centric movies with another heroes ,wow rk ki kya dhin aagaya hai ,

outstanding post shruti

i remember shruti when this track began and i said this is the worst track of ,mb

Excellent post, Shruti.👏
The CVs gambled on depression-tactics to get sympathy-TRP, with the millionaire superstar suddenly beset by unbelievably clunky professional, financial and then physical majbooris, and alongside Madhu being decreed as ill-omened to all men associated with her.🥱

Unfortunately the audience may have still not recovered from eight months of never seeing the leads win decisively against problems except for a few minutes at the end of a track.🤢

And now the slide down the majbooris path - with events showing that dratted prophecy as accurate rather than smashing it, one wonders how the CVs plan to haul both leads out of the clunkdonia-abyss, now that their 'interesting' humiliations for the leads on the professional and domestic front have not proven a particularly motivating lure for TRP.

I'm not worried about other actors being brought in as co-stars, especially not male.
Merely the sight of any male actor who doesn't fit into the same 'definitely not aiming to be lead' category as RK's film-heroines so far would cause a freefall and further lapse in viewership.
The stupendously visible failure of the 'prospective parallel male lead' attempt has also ensured that the CVs and channel no longer have any credibility to buy time with misleading statements for even a fortnight for such a situation.
If Madhu is shown with another supposed hero, it will have to be definitely someone clearly categorized only as a series character-actor.

And most importantly, a statistically proven fact for MEIEJ, online audience has - except in the matter of the deceased character - not been of the same preference as the majority-TRP-audience.
And it is the latter viewership that is the prize of financial success for the sponsors to feel recouping the channel's and PH's expenses for a series is worthwhile.
Sponsors spend a lot on MEIEJ's ad-slots, and will not accept even a week of low TRP without requiring prompt modifications and visible efforts to regain the series-lapsed-viewership majority-audience's support for the series.
MEIEJ had managed a 4+ TRP return on sponsors money; there's no way sponsors will accept a perpetuating 2+ for even a few weeks without expecting the story to get tweaked.
If their money helps make series-continuation possible, then expecting them to take losses for no sensible reason for even a fortnight is not likely.
If crores of people don't find a serial's each episode so interesting that they'll keep checking between ads so as to not even miss a moment of the next scene, then the ad-slots gamble on getting seen by a significant portion of the mass-audience doesn't work to the sponsors benefit. Which makes a series with high budget and/or deservedly highly-paid leads not financially worthwhile for the sponsors.
Channels accepted sponsors terms in the second face-off only because no paid ad-slots is an unaffordable option, and having to deal with stringent value-for-money is preferable with ad-slots rates getting reduced if there is not constant modification to ensure significant improvement in TRP.

superb post 👏👍🏼

I really liked your post. The only think I will disagree is that there are still a few scenarios and/or tracks by which the CVs can attempt ( mind you I do say attempt) to uplift the show and more important question even before we try taxing our brains and get our creative juices flowing would be are the CVs really ready to take that step in the right direction. Are they ready to change their attitude and mind set and for once actually make a track the audience want instead of doing as they want and only bowing to financial/ TRP pressure. CVs fool me once shame on me , fool me twice shame on you. And I think at the very core the issue is that they believe by showing the leads helpless and sad all the time the audience will follow the basic human instant of supporting and rooting for underdog... what they don't seem to realize is that if they don't see the underdog winning, then the same instinct also forces them to loose interest. and you rightly said after all the general public watched TV for entertainment and not your creative junket. They look to get hopeful/ cheerful/optimistic by seeing the characters in the serial winning the odds, getting lucky, having some sort of peace and happiness in their lives and hope that some thing of that will also come to be in their lives as well. I remember my mom's best friend saying about Kahani ghar Ghar ki, as that she leant how to deal with certain relations from watching the serial. So they also look for inspiration and how to fight the odds. If we wanted a sad looser story we would probably go and see some documentary or art film ( mind you they too are better and at least have logic even tho' they protagonist may not win at the end as opposite to the commercial cinema where the hero always wins)-- I am going to digress here and said that CVs even your hero said that hero always wins, so what is your hero loosing ?---

@Poluk,

Nice post.

RK's paralysis is because Madhu stabbed him (unintentionally of course) with a real knife. We on the other hand are the victims of paralysis due to too much of analysis. 😉

I have all the confidence in CVs to find some way outta this chakravyuha by weapons of clunk swiftly removing any bits of logic that may be still remaining. Just wait and see..😆

Originally posted by: LSPD

p.s only problem is that by the time they reach where they plan to show rk rising again

no one will be left to watch 😉😉😉