Kai Po Che comes closest to Titanic in structure, content: Abhishek Kapoor
Purba Dutt,TNN | Feb 10, 2013, 12.00AM IST
Amit Sadh, Abhishek Kapoor, Raj Kumar Yadav and Sushant Singh RajputMore Pics
When the three young boys ? Sushant Singh Rajput, Amit Sadh and Raj Kumar Yadav ? of the Kai Po Che team along with their director, Abhishek Kapoor trooped energetically into our office, we knew right off the bat that we were in for an engaging tete-a-tete with them. Excerpts from our chat:
You guys in Bangalore for the first time?
Abhishek Kapoor (AK): I have been here before for a concert once, and though I can't quite recall what concert it was, I do remember how I ended up carrying two girls in my arms. It was claustrophobic and crowded inside the venue, and what's funny is that within minutes of the first girl, who was quite little, passing out, the other one went out exactly the same way, and before I knew it, I had two girls on my arms!
Amit Sadh (AS): I have been here a couple of times, and also have friends in the city.
Sushant Singh Rajput (SSR): This is my second time, and I like the city. I have also performed here. It's clean, green, has great roads and great weather. The traffic is a downer, but then traffic is crazy everywhere.
Raj Kumar Yadav (RKY): This is my first time, and am quite liking what I see here. I like the roads here, and the Bangalore airport is really nice.
Your film is called Kai Po Che? What does the title mean?
AK: Kai Po Che is a victory call, and in Gujarat, as in other parts of the country, on the occasion of Makar Sankranti kites are flown, and when one kite flier cuts another flier's kite, the war cry that goes out is Kai Po Che. Not many people understand the title and are curious to know what it means. But once they know its meaning, it stays with them since it's catchy, unique, and metaphorically suits the story of the film, which is youth-centric. (When asked to render an imitation of this victory call, Abhishek is only too happy to oblige, and warns us not to try it out at home!)
Rock On!! was about bromance, and is this one too?
AK: That is the way films are progressing towards these days. But it's much more than the inter-personal relationship between the three characters. The film is set against the backdrop of two very significant events in Gujarat that took place between 2000 and 2002 ? first the earthquake, and then the riots. The boys' friendship is affected by these two events. Much more than the bromance is the fact that it's a very Indian film. From bromance, it escalates into something much bigger that also encompasses religion and politics, but always held together by the thread of friendship.
Why did you choose to adapt Chetan Bhagat's The 3 Mistakes of my Life?
AK: I enjoy reading Chetan's books. I think he writes very simply and effectively. I liked Two States, and I was offered to make a film on it. But there was nothing very substantial in there to sink my teeth into. I read The 3 Mistakes of my Life, and found parts of it very fascinating and the characters interesting. The fact that he refers to real events in the book made it even more attractive. His book gave me the idea, and then I added a lot to it. In many ways, I think my film comes closest to Titanic in its structure and content. The ship did sink and the love story was woven around it and made believable too. My film also blends fiction with facts to create a story that is credible, real, and very significant. This seemed like an ambitious project to take on, and challenging too.
Guys, what do you think of Abhishek Kapoor as director?
RKY: I've worked with many directors, but he's unbelievable. He is passionate about his craft, and extremely focused. There were times when we felt low on energy, and there he was all single-minded and focused, and before long, we too would be right back into the job. What many people do not know of him is his incredible sense of humour. He had us all cracking up with his jokes.
SSR: With movies like Aryan and Rock On!! behind him, he is a great director, and gives his actors a lot of freedom to improvise. He does not in any way restrict or bind his actors. I am extremely lucky to have him as my director in my first film.
AS: He is a godsend. All I'd to do was get into the character's skin and submit to the director's vision.
And Abhishek, were you strict with the boys?
I love them! There was absolutely no reason for me to have been strict with them. We got along like a house on fire. I saw great potential in them, and they've done a great job. They are all amazing boys, on the threshold of their careers. There was never any tantrum thrown or demands made. They are not of that variety at all.
Go on...
Sushant's character in the film Ishaan is a sportsperson. I wanted Sushant, who was chubby then to have a sportsperson's physique and attitude. I showed him the body type of an American actor, and told him I had something like that in mind for his look in the film. That guy doesn't speak much. Three months later when I saw him, he had shed 14 kg! As for Amit, I wanted him to have a fuller body, something like Sunny Deol. He's playing a pujari's son in the film. Amit went all out to achieve that look, though he's now neutralized it. What can I say of Raj Kumar? He's a genius. His character Govind is somewhat of a kameena type. He's calculating, but he is also someone who exemplifies the saying 'cometh the moment, cometh the man'. Raj Kumar lends his character a lot of dignity.
Who was the prankster on the set?
AK: We were shooting in a village in Gujarat in 48-50 degrees. It was excruciatingly hot, and if someone can crack a joke in those circumstances, he deserves a prize. The food too was terrible. So you can imagine what this combination of heat and hunger was doing to us. Whenever there was fun part to be shot, we too had fun, but it's not that we had a parallel fun track going on outside the scope of the film.
Do you guys watch films made in south Indian languages, and would you want to play villains' roles in south films?
RKY: Why villains? Aren't we good enough to be heroes, the main guys? I have seen Eega and Vishwaroopam.
SSK: Eega and Bombay. As for villains, well, if I get to dance, then why not. AS: I have watched Sethu. Mani Ratnam is one of my favourite directors and I hope someone tells him to call me. I don't have his number!
AK: I have seen Magadeera as many as five times, and I wanted to remake this movie, but somehow things didn't work out.
What was author Chetan Bhagat's level of involvement in this film?
AK: There is a lot that we have added that is outside the realm of his book. Whatever new bits we added, we did deflect it off him. He was not involved in writing the screenplay at all. We had a team of writers to do that. When an author writes a book, he's organically connected to the characters. We had a tough time deciding what to keep and what to leave out. We wrote several drafts of the script and kept discarding them. We had written about 10 drafts when we decided to stop referring the book and started the script from scratch. What you see in the film is probably the 20th draft that was adapted for the screenplay.