are you sure? 😆
here's the update for 8 nov, 2009.
a few hours later, heer stood at the window of her apartment staring at nothing in particular. two days ago, she had planned to spend the day walking along the same route that preet had taken her when they had gone to see the most famous building that lalit juneja had ever created. but the enthusiasm of two days ago wasn't there today. today, her mind was curiously empty, as if it had done it's spring cleaning and thrown out a whole lot of garbage.
from the time that she had watched the bodies of her parents and her sister slide out of sight, amidst the loud chants of the priests, to be obliterated forever, heer had been fighting. fighting to not remember the happy times. fighting to not think about the empty spaces those three had left behind. fighting to not think about her life as it was. fighting to not think about her life as it had become.
every single day for nearly two whole long years had been a fight.
when she had wept in gayatri's arms last night, it seemed like she had given up on that fight. and once the battle was done, what she was surprised to find was that beyond the calm was ... nothing. it was not peace. but it was not war. and she was ... surprised. it felt as if with those tears, she had washed away everything that was bitter and corrupt inside of her. if there had been resentment against fate, now there was none. if there had been loneliness without her parents, her sister, now there was none. she could look at her past as just that -- the past. as if it belonged to someone else. it was like being reborn. for the first time, since she lost her family, heer maan felt like she had joined the world of the living.
as she thought about it, she figured that her re-entry into the world had actually begun with finding the home-of-light. funny that it was actually her art that had been her path to re-join the world. of course, it was not the same that she used to do earlier. she had never painted light and shadows earlier. for her it had always been colour. now it was form -- form through which light made shadows, and shadows sprang from light. her father had been right that it would be her art that would stay with her through everything.
but even after that, she may still have been stuck, isolated in her own cold world, if it hadn't been for the kindness that gayatri juneja had shown her. not just last night, but for the past three months, heer realised that gayatri's kindness had been wearing away at her need to get up and fight every day. it had been soothing being with gayatri, she could see now. with gayatri, she could just be with another person, and not worry that there would be an unexpected moment where she would remember her father's quizzical remarks over some painting they were looking at together, dissecing what they saw; or her mother's half-hearted efforts to teach her how to cook; or her sister's chatter about what she did at the library that day, or the people who had been kind to her, or what she had loved about the day.
so it seemed ironical to find such a deep connection between the two: lalit juneja's vision of a place of worship that transcended all religions, that captured her mind. his son and his firm that had kept her mind engaged. and gayatri juneja's kindness which opened her soul to come out and live again.
heer refused to think about the other juneja who seemed to have sneaked past her consciousness, right into and capturing her subconscious, breathing life into her dreams every night. and yet, wasn't that the thing about the subconscious? that it saw, heard and spoke even when you weren't aware that it was there?
she remembered how still he had sat at the breakfast table. the only thing that sparked and moved and breathed were his eyes. they had fixed on her the moment she had appeared in the doorway. and though, he had veiled them almost immediately, she felt them on her, even through the drape of thick lashes. if it had been anyone else, she'd have thought her pajamas buttons had been done off-by-one. but with him, she didn't bother to look down to check. instead she had put aside the memory of that fiery kiss from the previous night, and slowly walked in at gayatri's request to join them.
but that morning, in gayatri's apartment, there had been other things to distract her from the awareness that was radiating from the corner that prem juneja sat.
heer had always been sensitive to other people's feelings. her father had always said that it was part of what made her so good at capturing life on canvas. so, she had almost instantly been aware that there was something subtly different about gayatri this morning. it was something so alien to all that gayatri had been to her, that it took a while for heer to understand that the difference was the sense of an invisible barrier that stood between her and gayatri juneja that morning. there was a certain stiffness about her, as if she were deliberately keeping herself at bay, away from heer.
it had become even more stark when juanita had come bustling into the room, dropping her bag of fruit on the table. juanita had fussed over heer, clucking over the large pajamas that she sat in, syaing that she made it look much better than when prem wore it, even with it's arms and legs rolled up several times over. the smile on gayatri's face had just fallen short of reaching her eyes. nor had the air of distraction left her for a moment while heer was there.
heer had thought that maybe it was just bad timing. perhaps prem had come to discuss important firm matters with his mother, matters which could not be done in front of a stranger. she was intruding. she had excused herself after a cup of tea -- and gayatri had not stopped her. while juanita had hugged her as she told her that she would get her jeans and pullover as soon as they had dried, before seeing her to the door.
heer's eyes were clear and untroubled as she turned away from the window, and looked at her little apartment. today, she saw it afresh. as if this was not a place that she had lived in for nearly two whole years.
she looked at the white walls, and approved of the way sunlight played on the floor, the way the canvases standing on their easels got submerged in the morning light. two of the canvases had protective white covers -- shading them from the sunlight and from prying eyes. apparently she had carried on more thing over from her previous life -- she was fiercely protective of her paintings while they were being conceived. those white veils over the canvases almost glowed in the light, brightening up the apartment further.
it had been designed with superb style and thought, she realised with her new found knowledge of the world of architecture. the high ceiling, so unusual in the city these days, allowed you to breathe. the tall windows had been placed so that there would always be light. the morning sun warming up the living room. the afternoon sun lighting up the kitchen area, as the sun set.
she liked the lack of clutter in the sparse scattering of the furniture. which placed so much emphasis on the splash of colour that was the rug in the center of the room. she walked to it slowly, knelt and ran her hand over it. today, the voices were not loud, or harsh, or intrusive. she had a feeling that they had finally been silenced and put to rest. her eyes ran along the bare tops of the coffee tables and the side tables. kneeling on the rug that symbolised the heart of the love her mother and sister had surrounded her with, heer came to a resolution.
she stood up and walked to the closet. behind those doors, among her clothes, her painting material, her winter clothes, her shoes, sat a squat little suitcase that her father had carried with him when he first come to the country from his homeland. the suitcase that had long carried what her mother had called her most precious possessions, and which now belonged to heer alone. piles and piles and piles of photographs, framed, unframed. photographs ... capturing memories.