Posted:
Dear Friends,
Today Pronita says to Meera, 'don't be foolish' and get frightened in the jungle when their car stops and Pronita wants to go and call the mechanic. Well I know Pronita is not that brainy lekin laghta hai Meera ke bhi brain ghas charne gayi thi as she could not take out the mobile and inform someone at home that they are stuck. As I stated before the revenge track is the worst track being shown on KS, it should have been the best but the creatives have totally destroyed it😡 Aajki do baate
1: Pronita wants to take revenge from Meera slowly and liesurely, what she has been doing for the last 4/5 months god knows it seems she is still not over. She wants to take 'hisaab' of last 16 years...very well...lena bhi chahiye...Pronita is thrilled by the thought that she has now finally cornered Meera...bahut achha...lekin what about the 16 years of companionship of your husband, childhood of your children, the youth and luxuries, which you missed and which Meera enjoyed...well Pronita you are foolish...as I stated before any punishment of Meera at this stage is not enough...immaterial whether she lives her life in the jail half dead, but then like you the makers of KS never realised that. Once again justice delayed is justice denied
2: The creatives have got another excuse of not using Jai Walia, they are still continuing with long lectures between the women, trying to prove who is a bigger bitch, Pronita or Meera, we are disgusted and fatigued hearing the same dialogues over and over again.
Jate Jate, no use ot asking for rahem as the creatives and deaf and blind but yes we can definitely say that we would prefer a widower Jai Walia with the children, him finding his son and making a life at last incase ZT still wants to continue with KS. Enough of scheming women and their worthless plans...thak chuki hu dekhkar....Jai ke upar rahem karo, sath sath hamare upar bhi...let the two soutens fight it out in heaven or hell, out of our eye sight .......your thoughts friends, love Tin
Channel V Dil Dosti Dance
