KYPH – Descriptive Update for 16 & 17th May, 2005
k…this is an attempt 2 give a more descriptive narration of the last 2 episodes as some of u hav been requesting in various threads…apologies 4 being a bit l8 2 respond but I had hoped that sum1-else wud do the honours …so sparing u all n I 4om the misery of my story-telling !…but more seriously, I've onli just managed 2 watch the 2 episodes properly (stupid revision is messing up the otherwise set routine of watching the episodes regularly @ 8pm – but thx god 4 the invention on video recorders!)
a pre-warning, tuesday's episode was definitely taanda ….n yesterday's was not any more 'garam' so 2 speak, althou we had 2 songs, a rpt of the l8est female (sad) version & a new male (sad/thoughtful) version …the lyrics I hav attempted @ capturing …but will chek once over l8er 2 make sure –as my hindi is not the best of languages!
- 16TH MAY EPISODE –
The Disc
The episode begins with Angad in the Disc once again, seated at the bar with more alcohol – when his conscious appears saying 'ek aur ho jaye?' poor Angad, who is clearly drunk takes a double take …but the conscious continues to talk, saying that 'tum jaante ho ke tumhari problem kya hai?' that you know that what you did with Kripa was wrong – despite how drunk our Angad is …he hasn't 4gotten his self-denial …even if it is b4 his own conscious! his conscious however continues that Kripa is the one who has made you realise your mistakes, and that is what you have not liked – deny it as much as you will but you can't deceive your own-self. You've always got what you have wanted and today, for the first time, when that didn't happen, you knowingly hurt Kripa's self-respect and now your feeling bad about having done so. Angad stubbornly insists he's not regretting anything but rather is feeling immune to any human feeling be it ghum, khushi or pash-tava – and as if on cue, Mishti places her hand on Angad's shoulder and his conscious disappears! She tells him that she'd thought he had left early as he's needing to be in Ahmedabad tomorrow morning for the forthcoming album's promotion, Angad is clearly drunk and his reply that 'main kal ki fikhar mein aaj barbaad nahi karta' leaves Mishti confused, and so she asks whether he's feeling ok, and his response is he's tired and so should be leaving, but as he gets up to do so, he loses his balance (drunk to the point that he's now legless …oh deary me…disaster is sure to follow!)
Angad's Bedroom
The next scene shows Mishti supporting Angad into his bedroom, whereby he just collapses on his bed face down (one would assume he's knocked out?! …I doubt very much …althou definitely had lost his senses 😉). Mishti pulls the duvet cover over him and then moves to the other side to adjust him properly (more maternal instincts than love?!) neways, as she's to move away from him, Angad stops her by the arm and with half-opened eyes asks her to stay, she smiles in return, and although Angad's eyes now remain closed, she's shown to move towards him whilst turning off the bed-side table lamp (many of us debated on this point …which is y had to watch the scene once over to realize who was right …as to whether something happened between them or not! ….my opinion was confirmed by the next scene …..)
Staircase
Mishti comes down the stairs guiltily - her actions seem all the more suspicious as she appeared to be tip-toeing in aim of not disturbing the household?! (considering that Angad was drunk …how could they have not made a noise when they came in, esp as she was having to support him all the way up the stairs, and furthermore how did she know which room belonged to Angad? …one fast girl, is all I'll say!) newyas as she's doing this, Naina calls out for her, on which she sees Naina standing at the bottom step, and begins explaining that Angad hadn't been feeling too well for which reason she had to come and drop him off. Nania is all the more happy on seeing Mishti at this late hour, that she dismissively tells her that she's welcome to come at any time, no needing any explanations.
Angad's Bedroom & Outside the Outhouse
Angad is shown fast asleep - dreaming of the scene where he put lipstick in Kripa's maang, and wakes up sweating! (bechaara …even after all that drink ….no relief of the misery!). Angad then is shown banging on the Outhouse front-door, saying to Kripa that he needs to talk to her, to explain his actions and no more, he means not to harm her, that he can assure. But the no-response 4om Kripa frustrates him and he furthers ke she's better to open the door, varna to get to her won't take him long, and she knows that very well! ...nothing comes of this threat thou, becos Naina appears, and asks him what he is doing out here, he just sulkily replies 'nothing, its personal' and leaves, leaving Naiana the more adamant to see Kripa married off to Prithvi asap!
Khanna's Dining Table
Naina tells Dilip that Kripa's parents are arriving today, and that they are needing to receive them. Dilip appears confused, and asks y is she so obsessed with the idea of Kripa's marriage to Prithvi? Naina replies that she's needing to keep Kripa away from Anagd, and this is the best way to do so, as the better choice for Angad is Mishti, both professionally and personally. Dilip continues to argue that how is Kripa of any concern and eventuali leaves the table in despair. Kartik also follows from his seat, saying that he too is heading for the office, when Anita asks for him to drop her off on his way too. He agrees to wait for her outside, and as he heads off away from the table, he meets Angad. Kartik questions him as to y he has not yet left for Ahmedabad, Angad replies that he didn't sleep very well last night and so slept in this morning, and asks of Kripa, on which Kartik replies that he thinks she has already left. Anita and Kartik leave. Naina asks Angad to have breakfast before he leaves, esp as she is needing to talk to him, but Angad refuses saying he has to go.
Khanna's House
Naina and Dilip are shown returning home with Kripa's parent's, Sharma talks of the past, on which Dilip responds saying that time is so scarce that one has no time to remember old times. Kripa's parents then enquire about Kripa, to which Naina replies that she's in Ahmedabad for the promotion of her album, and is a factor which is making Prithvi and his mum the more keener on the match! (this woman I tell u!). Naina then suggests that they should rest and their luggage is being sent to their room, on which Kripa's mum asks of which room belongs to Kripa ….Naina says that as they very well know, their daughter was adamant to be of no inconveniece to them, for which reason she is situated in their Outhouse. Her parents argue that then they too shall stay there, so to be able to spend more time with their daughter. However, as they are to leave for the Outhouse, Naina suggests to Kripa's mum that considering Prithvi belongs to such a rich family, it might be an idea for them to shop for some new clothes for Kripa's mum to wear (what a cheek! …this woman reali is obsessed with her so-called status! …surely itna garoor toh aacha nahi hai rite?!) – Kripa's mum stands her ground by refusing to do so and leaves (way to go ...like mother like daughter!).
Store in Ahmedabad
The store Manager is appearing tensed at the fact that Angad's late arrival may cause unnecessary and uncontrollable crowds, Mannan however reassures him that Angad will be on time – on which Angad is shown approaching via the escalator. Whilst he begins to sign autographs for fans, he discreetly (as the camera crew are also following him!) asks Mannan about Kripa's whereabouts. Mananan's like wot?! Isn't she with you? This makes Angad all the more worried of her …where could she be?
Khanna's House
Naina, Dilip, Kartik, Anita (does this girl not ever spend time with her non-appearing mum/sister?!), Damini, Pithvi and Kripa's parents are all seated, with Damini and Kripa's mum exchanging niceties about the potential suitors (Kripa and Prithvi respectively) being ideal material. Kripa's mum does however say that she is wanting to speak to Kripa first before proceeding with anything, Naina insists that there is no need esp as the two already like each other. However Kripa's mum is not convinced even after Dilip's talk of how nowadays it is the children who decide and parents follow.
Angad's Hotel Room
Angad rings asking for Harshini, and is told by the receptionist(?) that she left for Nainital a week ago ….this leaves him wondering as to where else Kripa could have gone? He then is shown reflecting on some past encounters, on which he is left wanting to find her so to talk to her.
Another Trio Scene!
Its late at night and Prithvi is standing near his window, when he hears Kripa from behind, asking him that why has he not told her clearly of his feelings for her? And that now having the opportunity he should do so, after all kal ho na ho! ..Prithvi begins his attempt of 'Kripa I …Kripa I ..' on which her illusion disappears!
At the same time Angad is shown standing in front of a dressing-table adjusting his watch, when he sees Kripa's reflection in the mirror, on which he turns to face her. She asks him that why is it that he is always thinking of her? He denies this, on which she continues that rather than her, its her ehsaas that's always with him, for which reason he feels her presence even when she's not with him, he's about to shout back when her illusion disappears!
The background theme of Kaisa Ye Pyar Hai plays and then the scene freezes on Angad, Kripa and Prithvi's faces yet again!
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