Divya my dear,
Here I am, and solely for you.
I have read your rather hesitant collage of the 5 things you liked about the Saturday episode, and I noted the extensive opening disclaimers, almost as long as the Om Puri one!😉 You know, I want to quote Beau Brummell, the unquestioned arbiter of fashion in Regency England, to you. He said:
Never apologise and never explain.Nor should you!
Here is
my Take 5 for this episode, preceded by my appraisal of the Jodha-Jalal scenes 😉
I rather liked the Saturday mahaepisode, once I had managed to forget the Jalal-Jodha scenes.
Yes, yes I know you and Sam, my Lashykanna and thousands of others drool over them. But none of you can deny that of late they consist almost entirely of Jalal repeating, for the nth time, that
1)she has helped him find his dil, and
2)transformed him single handedly from a sipahi (the latest formulation, a milder take on the khoonkhar vaishi darinda) into an insaan, and
3) that she is the most nek dil/bada dil person he has ever seen.
My comments: One, the sipahis in the Mughal army should go on strike about this slur on them; is Jalal saying that no sipahi has any dil? Second, Jodha is a clear candidate for enlarged heart disease. 😉
As for Jodha, all we get is her looking coy and lowering her eyes/ turning her head away as she laps up all these lines, and from time to time allowing Jalal to put his arm around her.
Now, I do not mean that the two of them should indulge in the kind of steamy romance that would drive my age group away, but there has to be a golden mean.
Here, every hug looks like a contortionist's exercise, with their bodies at least 1 foot apart at the midriff. The same when Jodha carefully puts her head on Jalal's shoulder.
Not to speak of the close ups of their faces approaching each other - with her cartwheel of a nose ring filling the screen!😉 - for God knows what! It looks like the cliched shots of roses brushing against each other, and pigeons billing and cooing in the 1970s films.
And that cheek kiss the other day was the ruddy limit, as was Jalal's response to it. If that was a first for him, which was what they sought to convey, what on earth did the two of them to all night on Monday? Talk about the child marriage and slavery abolition? 😉
Oh, yes, I forgot the half-baked Radha Krishna parallel, which has, as of now, been repeated 3 times by Jalal. He clearly does not know that Radha, Krishna's beloved., was married to someone else. Or that he never saw her again after he left Brindavan for Mathura.
But if you are all determined to revel in this stuff, who am I to complain? 😉 Go to it, by all means!
My Take 5: Now for what I liked on Saturday.
1) The hidden sketches on that map, appearing and disappearing when warmth is applied or removed. This seems to be one better than the standard invisible ink, which does not disappear once it has been made visible by the application of heat. Maybe it is like the Marauders' Map in Harry Potter, which needs a khul ja sim sim!😉
Anyhow , it was great fun, like a Famous Five or Secret Seven mystery, and I was trying to guess whether the khazana Mahaam was referring to was a real treasure or a secret that could make her powerful once again. And there was no Javeda around to grate on my poor nerves!
2) The Borgia-style poisoning, watched with spine-chilling matter of factness by a superbly dominating Mahaam. It was like a scene from a medieval thriller by Alexandre Dumas. I loved the way in which she did not hesitate even a second before cooking up that perfect story to account for the corpse. Ruqaiya is not a patch on Mahaam for sheer brains and inventiveness.
3) The mysterious Chand Begum, who seems to have given the slip to her bored guards and actually got to the temple just in time to slip her missive (probably the dark cave in which she was held is well stocked with writing materials!😉) into the palki that she somehow found out was Jodha Begum's.
No, I am not going to pick holes in a script which already bears a marked resemblance to Swiss cheese.😉 I am not even dismayed that none of the soldiers noticed that blanket shrouded figure creep up to the palki; that is typical in every day and age!
4) The revelation, to Jodha, of Jalal's inability to read and write. Cleo had once advanced the hypothesis, based on some readings, that Akbar might have been dyslexic, a fascinating idea. I presume this will eventually be tied up with the mystery of the letter that eventually led to the dhakka.
5) Jalal (or at least I hope that too is not shown to be Jodha Begum's brainwave!) at last thinking of something on his own and getting Tabassum to make that Chand Begum's portrait.
I am not too excited about his grim pronouncements re: the Raja of Panna. They might well be turned on their head if and when Jodha Begum explains to Jalal how the law of sanctuary is inviolable, and that thus the Raja of Panna, as an honourable Rajvanshi, could not possibly have turned his sharanaarti over to the Mughals (which, by the way, is perfectly correct). Mark my words.
NB: I don't know if you folks noticed it, but Jalal, when he tells Jodha that she should henceforth taste everything that Ruqaiya would eat, ensures 2 things.
- one, that Ruqaiya would from now on have to become a vegetarian😉, and
- most bizarre of all, two, that his Jodha Begum might well pop off while tasting something that might be poisoned!! The latter was unbelievable; how on earth would he let her take the risk?
Shyamala Aunty
Edited by sashashyam - 11 years ago