Meghana,
What a charming and affectionate take on this unexpectedly pleasant episode!
Now, as for Jodha not being able to make herself at home in Agra but for this sacrifice, most
bahus, even today, do not feel really at home in their
sasural. A 16th century Rajput princess would have been taught from childhood to adjust and mould herself to the
mahaul of her
sasural, not the other way around. I do not think any Rajput saas would have given her even a fraction of the love and backing that Hamida Banu does; she is really one of a kind, she loves her bahu more than she loves her son. As for the other
haremwaasis, and Mahaam Anga, they are never going to like her anyway.
So it is more to do with Jalal than with the
sasural as a whole.But for her sacrifice, Jodha could not have regained the place in his life that she had till the night of The Shove, the loss of which has made her realise what it meant for her. She is now delighted and relieved, and looking forward to better times with him. I do not mean that she realises that she is falling in love with him. It is more that she is desperate for him to respect her and care for her.
So, during the
awaam scene, Jodha, though completely drained out, was brimming over with pride in Jalal and her joy at what he was saying.
So also she greedily vacuums up every shred of information about what all Jalal had done when she was so ill. She is so gratified, the poor girl, and she seems not to have expected anything even approaching this. Her voice, as she asks, seeking reassurance,
Shahenshah ne hamare liye itna sab kuch kiya? has a note of wonderment in it, and her eyes brim over with tears, Tears of what? Gratitude or gratification?
As for Ruqaiya, I usually try to stand up for her, but last night she was the pits.
How come the writers, who could produce such beautiful scenes in the last 3 episodes, have to muck up her character even more? Even before she starts getting jealous again, her offering to give Jodha anything she wants, except Jalal, as a reward for having saved his life. is both crude and demeaning of Jalal. How can one put a price on the deed of saving his life?
Not only does she harp on her not having become a widow - not on her love for Jalal - but she seems to forget that he is also Jodha's husband.
And not even a passing thought, not to speak of words, about her acute folly in promoting Benazir so relentlessly.
I hope Jodha does not try to appease her in any way, and is polite but firm with her. As it is, I could not understand what Jodha was thanking Ruqiaya for.
Your point about Mahaam looking at Ruqaiya during the awaam speech for any sign of disapproval and drawing a blank shows excellent powers of observation. Mahaam is now on slightly shaky ground thanks to the GJ's parting swipe at her, and she will soon try to get brownie points with Jalal somehow. I actually thought that having collared Zakira, she would locate the antidote, but Jalal preempted her. Now she will have to think of something else, while all the while instigating Ruqaiya.
As for Jalal, I agree with all your comments. His sense of responsibility is matched only by his sense of gratitude for any and every service rendered to him, at times to excess. That is a quality rare in an emperor, for royalty has a highly developed sense of entitlement, and take royals loyalty and even sacrifice as but their due.
While everyone is gaga about the awaam speech, I for one thought that the scene that really showcased Rajat's mastery over facial nuance was the one in Jodha's rooms. He is not one to beat around the bush, and he wants to get the I will never enter this hoojra matter over and done with. But he does not know where to start and how to proceed, so he uses the aarti as an icebreaker. I am surprised that many here have not understood this simple point. He wants a peg on which to hang his retraction of what he had said then, and this is ready at hand. One can see that in his face as soon as he spot the aarti thali.
The bit about the kaada and that it should be covered was also very cute, as was his expression and the tone of voice in which he says Achcha, tab theek hai when Moti informs him that the vaid has said it should be kept open. It was a minor tour de force, the throwaway line masking unsureness. These things are far harder to do than Amitabh Bachchan style grand perorations. Rajat pulled that off to perfection. And in the very last shot, his quizzical expression when Jodha asks him what he wants to talk to her about, was also very interesting.
As for the conversation to come this evening, using inductive logic and working backwards from the new promo (did you see my response to your comment about that on my thread?), it is bound to be pleasant. If not, they would never have had that comfort level with each other as shown in both the promo and the last part of the precap.
Shyamala
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