
if he were in that state after being really nasty to her, she was in a painful place of her own. he doesn';t even want to see her...
of course he was being awful because he so wanted her... convoluted maybe but true. had she accepted his apology, he'd have felt calmer within. never occurred to him that she really should not have to tell him where she was... that he had lost his temper in his usual way, and crossed a line...
and she, when she saw him being sweet to di, for once a thought came before she could bar it, a thought, a feeling, a need for her own self, her bruised heart... how could this man be so different with two people. she had felt his love once and then in an instant that had been replaced by this chaos... and she so wanted him to love her, care for her, be nice... because she did love him so... even though he was being perfectly hateful.
her passive aggressive resistance came out... and expressed her displeasure. her hurt. not being able to handle it, a bit of a universal male trait i must say teehee... he felt hemmed in... no idea how to make it better. and why should he make it better?!! huh! she was the one at fault after all... she had made his life hell. he had to say that too and she felt all the hurt she could.
She is a girl who takes pain and hid it for providing smile and her love is in pain because of her.If her disappearance is going to bring smile on his face then she will do it but in this hurt she is forgetting that he wants an assurance of trust and love and above all needed by her...
sanaya had just a few scenes but how beautifully she expressed a state of mind. a young girl, tender, loving, innocent, who had dreamed of love and now this. how hard she has tried to make things better, though she had no clue why this craziness had been unleashed on her. yet she couldn't hate him, not really... she could pester him and fight with him... but not hate... then had come his heer ranjha words followed by complete denial of any feelings and then a right royal tantrum out of nowhere. gussa fit. she was tired, worn down by this emotional roller coaster ride... drooping. her sunny side badly in the shade. and he goes and tells her she's made his life hell, he'd rather not see her. the feelings that flow through her.
Just like in hate he can't , she is no different either.
but of course, in the middle of all that... "kuchh dhang ka karo..." he would like her to do something with her life. and she too despite her suffering has to get him the file, though without a ward. interrupted in the middle of hsi rant to aman, he must look at the file, then her turned away face, react to it completely, and snatch the file away.
had he not been nasty to her. had he not snatched the file. had she not gone into a hurt angry quiet... there might have been cause for concern. but this complete lack of indifference to each other. this reacting to every beat and breath of the other... what was this if not love.
a nearly 30 year long relationship has taught me all this happens. including the senselessness and hurt and misery when love is involved. in fact, these are possibly as characteristic of that thing as are joy, ecstacy, euphoria, wonder, teasing, humour, happiness, desire.
the acting took a written thing to another level. khushi and asr looked like themselves, young and beautiful and sexy, but the feelings they plumbed and expressed were deep and timeless. the way his eyes searched for her, you could feel the lift and fall and longing and pain and need of his heart. 👏
This is true jise pyar karte hain ussi se gussa bhi because this is life and the most we are close to someone the more rights we cast without blinking and thinking...
how they created the atmosphere they did with shot of tacky things like salman poster, plastic taarey, garish mobile remains unfathomable for me. ipk is not at all sophisticated in terms of production values. its creatives, pushed for time, shooting every day, working nonstop... had hardly any time to devise arty options, such as shooting a particular way to create a mood, a look. but somehow they knew how to get the maximum out of a thing. it is true perhaps that if you have the content, the form really does not matter that much. nice to have it, if not, the content still sees you though.👏👏👏
That's the key of IPK...content and acting...
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there were lighter segments in the episode. some creepy shyam tactics though to what end we never knew. a lovely grandma grandson interlude, again a set of emotions there.😃 and ipk really was all about emotions. there was the opening scene with di, key to introducing the main theme of the day, and of course mami the virulent with payal the vapid. all of thesewere there i felt to just punctuate and hold the central emotion in place, to accentuate it somehow. it was good to rusn into some eye flickering by snake, a little tycoon talk on i make my own kismet, etc., and then dash back to a poolside tryst, a conversation with a loved one's back and eyes filling up.
the episode had a poignance, a "dard"😭 in it that really reminded me of a ghazal. a song written to express longing for the lover, extreme longing, perhaps the lover doesn't return the love, or has lost interest...
often have asr and khushi and their thing for each other brought music to the mind. when they canoodled by the poolside, they were definitely "i wanna hold your hand". here they were like a ghazal... he was perhaps "ranjish hi sahi", she maybe "yun hasraton ke daag". i may not have chosen the most apt songs, but the pleading for the loved one in a ghazal, the dard which is a mix of pain and sadness and all its sweetness, it was all there. and because this was asr in this frame of mind, there was a touch of the blues and jazz in it. a mournful sax played somewhere. picking up when he turned sharply at the sound of her voice.
"yun hasraton ke daag mohabbat mein dho liye
Khud dil se dil ke baat kahi aur ro liye ❤️
ghar se chale they hum to khushi ki talaash mein
khushi ki talaash mein
gam raah mein khade they wo hi saath ho liye
khud dil se dil ke baat kahi aur ro liye ❤️
the stains of desires I washed in love
had a heart-to-heart talk with my heart and cried away
i left my abode in my quest for happiness
in my quest for happiness
found sadness in my path and picked it up
had a heart-to-heart talk with my heart and cried away"
"ranjish hi sahi dil hi dukhaane ke liye aa ❤️
if it is grief so be it, come to break my heart again
aa phir se mujhe chhoR ke jaane ke liye aa ❤️
do come, if only for the act of leaving me again"
credit for lyrics and translation to uploader.
end note
this is the end, my friends, between the first shot and the second one, indi rolled over and died. and the man buttons his top button after knotting his tie, how precise and specific and aaa.
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