In 5-7 second shot, the emotions Sobti managed to bring out not just in Arnav but those watching this phenomena is indescribable. taarif karu kya uski? words are not enough sometimes for this bundle of talent that has me hypnotized with heavenly looks as cherry on top.
Anjali finds her brother in a trans, she finds him like this a lot lately. She's curious as to what has him captivated, but only saw a door with a lock on it "Chotey?"
Trans broken, startled Chotey swiftly looks at her, he just can't let anyone know about his little crush, after all, he's Arnav Singh Raizada .
"Tum yahan kya kar rahe ho?(what are you doing here?)" Anjali asks
His his eyes do the talking as he tries to think of an answer fast
"kuchh nahi, chalen(nothing, shall we go)?"
Anjali tells Arnav that she thinks she saw her husband but the thought is quickly dismissed by him, "what could possibly bring jijaji here?? ghar chalte hai(lets go home)" but a woman's intuition at play here and Anjali lingers
"Di lets go!" Arnav rushes her, while he opens the door for Anjali, he steals another look at the GH, rabba ve, a wish for another chance to make things right. Regret for so many things said/done and regret for so many things left unsaid, he longs for her, the "dard (pain)" in this ishq (Love) is making an apearance. Ishq, a feeling that he is now fully aware of...but just doesn't have a word for it
On their way, Anjali spots a distraught Shyam, and this time no doubts, she really sees him. She tells Arnv to stop the car, who also has to take his shades off to confirm its his jijaji.
She calls him and he picks up, lucky for him Arnav honks the horn and he sees them before he could lie about his whereabouts.
Both Arnav and Anjali get out of the car and make their way to Shyam as he shoos away someone who knows him only as the paying guest of Buaji. "who was that?" she asks. His conniving mind is quick "he is a client and wanted me to look into his father's pentions...you know how i am when it comes to other people's money."[ya, you like to use it]
"aap bhi na, aap ko sab ki chinta lagi rehti hai, hai na Chotey?" Anjali marvels at her good-hearted husband
Arnav also believes him and put his hand on Shyam's shoulder with a slight sweet smile, might I add.
As they make their way back to the car, Arnav takes one last look at the locked door and Shyam does the same. Both shaken by her absence, her destiny and her disaster show streaks of determination to find her IMO.
[Ami's alternate scenes😃: I wish Khushi did go to Lucknow prompting Arnav to make a business trip as an excuse to see her again, another meeting at the sheesh mahal perhaps??? more explosive tiffs he comes back to dehli wanting to forget her more than ever while Khushi and her family forced to move back to Dehli selling the house to start all over with a new sweet shop picking up at mahe epi 57??? what say? wish they would've asked me before for proceeding...sigh]
The kichen has become somewhat of circus today the RM and La is unintentionally make a clown out of Mamiji. "ee cockerva bhi saasu me se pooch kar citi bajaayega ka (Is this cooker going to ask mom-in-law before it goes off)?"
Mami working against time to "help" La make dinner, by helping i mean doing everything. From her lack of onion cutting skills, to trying to make roti dough with spoons, to putting 7 spoons of sugar carefully leaving 1 spoon out for ASR, La shocks Maami with her IQ level with each task...the cost of her friendship with La is rising every minute.
Was happy Mami spoke my mind in 52 "Hum ta samajhe the ki ee rajdhani express hai, par ee ta nikly ekdham passanger t-rain (train) (i thought she was a fast express train, but she turned out be just a passenger train)" 🤣 [Mamiji simply at her best] the dialogues were too funny, my personal favorite when La misunderstands Mamiji thinking her 50the wedding anniversary is coming and congratulates Mami ji
"Arrey constipation baad mein, pehle kaam"🤣
Arnav, Shyam and Anjali reach their home and Anjali remebers the chuni she got for Chotey's car, to keep him safe. How wonderfully they've put this chuni to use , first DM used her chuni in various ways to give Khushi signs, and now the chuni becomes Khushi in Anjali's hands. Anajali gives her to Arnav, who instantly feels the connection,
but Shyam takes her from him...regardless of his boori nazar(evil intentions)
Arnav's connection doesn't loosen... Is the chunni reaching out for Arnav?
On their way to the train station, Khushi is gum-sum and usdaas (sad), something about leaving just doesn't feel right. This "bina dil ki Dehli (heartless Dehli)" has made its way into her dil (heart)...heartless rakshas...
Khushi's udaasi(sadness) doesn't go unnoticed by Buaji, who has very sweetly made jilebi for her chatori #1, Payal even gets slap on the wrist for trying to snatch one. The smile on Buaji's face seeing khushi's eyes light up as she opens her jilebis, just lovely.
She loves this girl, just has a funny way of showing it. Buaji knows that when she is upset, the jilebis get her through, and prays that she always finds ther answers in these "gol gol" jilebis...her prayer took effect right away as Khushi's "batti jal gayee! (lightbulb went on)"
'Buaji, zara idhar aaye" and a BIG hug follows, the kind that often leaves Buaji gasping for air and "nand kisor" on her lips.
She asks the driver to turn around leaving both Payal and Buaji stumped. They reach the GH. Although Buaji is going on and on about the endless sanak(craziness) of the great sanka devi (Goddess of craziness), she must bee ecstatic she didn't come home to an empty house. Khushi finally decides to tell everyone the "upaaye (idea)" that DM has bestowed upon her, a sweet shop!!!! she jumps with joy,
can't help but think a big part of that joy has more to do with the fact that she gets to stay in the this heartless city longer😉. After a bit of convincing, Buaji suggests a name for the new stop after her name, just like that, their new venture begins.
Thank you for your comment! Please drop by again when you have a chance! We have too much fun here! 😆 
Kyunki Saas Bhi Kabhi Bahu Thi 2
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