Originally posted by: Gauri_3
You broke my heart, girl😠I was so happy and convinced that my intellectual and witty posts were the reason for your fascination😆
Aww Gauri, don't be so heartbroken. Thats just one of the reasons for the object of my fascination. I think intellectualism and witty posts count big time. But your soapwala AV is false advertising no, specially when there are so many soap nuts around?
Now to speak about television shows and viewership.
There was a time when television shows reached out to wider audiences. However, with the introduction of niche and cable channels, viewership is getting a lot more targetted. Typically, a viewer watches a show based on the genre and appeal of the show. Prime time has the most broad appeal shows which is desigened to appeal to the average person. Cable shows tend to be edgy, racy, niche as the viewers are paying for something that is too edgy for public TV. Fad shows like American Idol etc ride on bandwagon effects. With the niche channels like Sci-Fi, Discovery, History, Food Network, HGTV etc the shows are based on the market segment the channel is designed for.
Show producers carefully select the market they intend to target. A lot of it is based on the old marketing adage, find a need and fulfill it. They try to see if there is a new niche they can bank on, what they can do for an existing segment. Sex and the City catered too the urban woman, targetting the niche of portraying sex from a female perspective, CSI, L&O follow the age old niche of whodunnit and suspense.
People get addicted because shows use hooks. Like hooks in literature or rhetoric shows try to include events that create reactions like shock, suspense, surprise, disgust, apprehension etc. They try to end on reactions so people have to come back to resolve their reactions. There is a certain lifetime for a story arch before hooks become repetive or useless. Smart producers know to write off a show before they hit this point. Others try to employ ridiculous tactics like jumping the shark or writing in new characters. Soaps and bandwagon shows are exceptions as their USP is repetitive and predictable hooks and cliches. Sometimes some shows fail to generate hooks to lure in the audiences, others are just too good at it.