Rajiv Vijayakar
Team spirit is what his latest script, Chak De ! India, is all about, and that's what Jaideep Sahni roots for in his professional life. Screen profiles a writer who is going from strength to strength with every new release
"Making a film is a collaborative effort in more than just the practical or technical senses. We have to remain to support each other during the different stages of making a film. For example, if Aditya Chopra and Shimit Amin are there for me at the scripting level, it is Aditya and me for Shimit when he is shooting."
Right now, the young man with an IT background ("I was a nerdy computer engineer who became an IT consultant, moved on to advertising and then started writing") is onto his third script for Yash Raj Films after Bunty Aur Babli and Chak De! India in Madhuri Dixit's Aaja Nachle.
So what's Chak De! India's USP? Says Jaideep, "All I can say is that there have been so many films on sports, but this is the first full-fledged film with a ******* action-filled script that also has a lot of heart and emotions."
The spark for the completely fictional plot came from a newspaper report on the victory of a small-town women's hockey team. "The language used by the journalist made my heart swell with pride, but I could not help reflect that the space allotted to the news would have been five-fold if they had been a cricket team!"
Jaideep then went into research mode and came across amazing stories of triumph both in print as well as real life. Making a profound remark, he says, "I think that pure emotion is left only in our armed forces and in sports people, by which I mean the team spirit of forgetting everything for the flag, which is instilled in us from school. Every other area of life is corrupted today!"
A rough plotline had been worked out by Jaideep, which he sounded off casually to Aditya Chopra when the filmmaker asked him to ideate after Bunty Aur Babli. "When he heard my idea, he was as strongly motivated as I was. 'Leave everything and work on this subject!' he told me."
Jaideep recalls screening girls for the in-film hockey team for six long months across the country. "Adi and I were hooked on not going on the floors till everyone looked real. There are sequences where the girls had to be really good at hockey, and there were others that required strong acting."
The detailing did not end with the selection of actresses. "We put them on a gruelling schedule: from 4.30 a.m. to past noon they were in a hockey training camp. After lunch it was acting lessons, and after that, since the girls were chosen from all over the country, we had dialect coaching."
Jaideep's limited yet varied oeuvre has yet to include a flop films (Jungle, Company, Bunty Aur Babli, Khosla Ka Ghosla and lyrics for Salaam Namaste, Bluffmaster! and Bollywood/Hollywood besides Shubha Mudgal's Ab Ke Sawan and Euphoria's Phir Dhoom) and he has taken care to see that it is varied.
"I believe that the so-called commercial formula has been thrown out of the window largely by the audience," he says. "To make Khosla Ka Ghosla, which was based on the bad experiences of a close relative, I had to turn 'Creative Producer' with the backing of the producer and director. By conventional wisdom, it should not have survived at the box-office, but it was a major hit. The country has changed beyond belief since the last few years and as writers we have to be immersed in the change."
Because of this paradigm shift, Jaideep sees no contradiction in casting Shah Rukh Khan as the coach without any mainstream masala or even a heroine for him. "SRK is perhaps the only superstar who has done it all - street theatre, television, ads and all kinds of films," he points out. "Besides this experience, Shah Rukh brings in the full power of his personality, intensity and credibility besides style. And he was the captain of the Delhi Hansraj College hockey team and had represented it in various tournaments!"
Jaideep also sees no clash in starting out with the Ram Gopal Varma school and moving to Yash Raj. "You learn something in college and different lessons after stepping out. From Yash Raj I have especially learnt the art of being at one with the audience."
We move to Aaja Nachle, a film in which he has also written seven songs for the most musical actor of our times, Madhuri Dixit. How much was the pressure of doing justice to an icon's comeback film? "I think that it was more of a responsibility," he muses. "Once again, my back-up was amazing-Aditya Chopra, director Anil Mehta and my music directors Salim-Sulaiman. We have an ensemble cast that also includes Akshaye Khanna, Konkona Sen Sharma, Ranvir Shorey and Vinay Pathak, so we feel we are on to something special. Aaja Nachle is the fun-filled story of a woman's attachment to a town, and the bridge in their relationship is music and dance."
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