NH10 - Reviews and Box-Office Updates - Page 13

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NH10 movie review: Anushka Sharma's brutal action thriller will leave you speechless!

Fri, March 13, 2015 12:12am IST by Subramanian Harikumar 2 Comments
NH10 movie review: Anushka Sharma's brutal action thriller will leave you speechless!
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Packed with riveting chase sequences, well choreographed action scenes and some gobsmackingly amazing performance from film's leading lady, this taut thriller will keep you hooked

In the light of BBC's latest banned documentary, India's daughter, the rampaging rape culture in India has been exposed in broad daylight. While one might say, this country is not safe for women after dark, Anushka Sharma-Neil Bhoopalam's road film underlines the fact that in the interiors of the country, away from the bustling cities, where law and order are just for namesake, no one is actually safe. Backed by Anurag Kashyap's Phantom Films, the A rated action thriller, NH10, is not for the weak hearted. And as I left the movie theatre, I was engulfed by the feeling of numbness which comes after watching a heck of film, keeping you at the edge of your seat.

What's it about:

Meera (Anushka) and Arjun (Neil) are an upper class couple from Delhi, who go on a weekend getaway which doesn't quite go as planned. Arjun takes a wrong turn and the couple reaches a road less travel led, where they witness a boy and a girl are brutally beaten and dragged away in a vehicle. When Arjun tries to interfere, he is slapped by the leader of the gang( Darshan Kumar) who also happens to be girl's brother. Arjun's ego is hurt and he follows the goons despite numerous attempt by Meera to stop him. There, the couple witness honour killing of the boy and the girl, but are nabbed by the goons before they could make an escape. Soon, the struggle between the goons and the married couple start to fight it out, and in one such fight Arjun gets severely injured. Now it is upto Meera to find help and save herself and Arjun from the deadly goons. Does she manage to come out alive? Does she manage to save Arjun? Find out yourself.

What's good:

When you watch NH10, the first thing that comes to your mind is that it is an honest film, with a realistic take on how a fun road trip could horribly wrong. Right from the action sequences to acting to flow of narration, everything seems to be natural. The film has been rightly certified as A, as it will give you goosebumps time and again, and for thriller fan buff like me, it was like a treat. The second half completely focuses on Anushka's fight for survival, and the seesaw of hope and despair had been deftly handled by the director Navdeep. All actors have done a commendable job. Neil Bhoopalam has done full justice to his role of an egoistic husband, who gets them in trouble. Darshan Kumar is good in a small villainous role. But the film belongs to Anushka Sharma, and I must say the actress has risen up to the occasion by giving a stand out performance, which will make you want to root for her till the end. Anushka has pulled off the stunts with credibility and the vulnerability of her character stuck in hostile conditions makes for a riveting watch. Deepti Naval is the surprise factor in the film, as she leaves great impact with her small role. The chemistry between Neil and Anushka looks great onscreen. Overall, the brutality of the film and the hard hitting nature of the subject makes it hard for viewers to take their eyes off.

What's bad:

After managing to stay realistic and honest for almost throughout the length of the film, the climax left me a little disappointed as Anushka Sharma on revenge mode, goes on killing spree. While those scenes are justifiable as it completes the loop of the story, I felt a more tragic and abrupt ending would have made NH10 flawless. It looked like ghost of Uma Thurman from Kill Bill had entered Anushka's body, as it is little hard to believe that a person gone through so much trauma will turn into a killing machine within a matter of minutes. I felt a different climax, with an abrupt ending would have been apt for the film, going in flow with the film's narrative style. Darshan Kumar's role is not substantial enough to leave an impact on you.

What to do:

It is very rare to find an action film, which is so believable and which will leave you dumbfounded. Anushka's NH10 is the brave kind of cinema which I look forward from Bollywood, which is not afraid to entertain by telling disturbing truths of our society. I give two thumbs up for NH10. Watch it for hard hitting action, and Anushka's praiseworthy performance.

Rating: 4 out of 54 Star Rating

Reviewed by Subramanian Harikumar
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Posted: 10 years ago
So it turns into a revenge drama in the second half? 😕
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Posted: 10 years ago

Originally posted by: -Paro-

NH10 review: Brilliant Anushka Sharma steals the show in a gripping film

by Deepanjana Pal Mar 13, 2015 07:59 IST

http://www.firstpost.com/bollywood/nh10-review-brilliant-anushka-sharma-steals-show-gripping-film-2151225.html


😆 Where is Himani?

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HomeMovie Reviews

NH10 Movie Review

Saibal Chatterjee | Friday, March 13, 2015

Rating:

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NH10 Movie Review" title="NH10 Movie Review">
  • Genre:
    Action-Thriller
  • Cast:
    Anushka Sharma, Neil Bhoopalam, Darshan Kumaar
  • Director:
    Navdeep Singh
SPOILERS ALERT

A taut and riveting thriller, NH10 paints a disturbing portrait of an inherently violent village on the edge of a glittering boomtown.

Director Navdeep Singh employs deftly minimalist and consistently effective touches to create a crackling, tension-filled on-screen atmosphere that could shake the toughest of souls out of their complacent stupor.

NH10 is not half as complex and multi-layered as Singh's critically lauded debut film Manorama Six Feet Under, released nearly eight years ago.

It is, in fact, a touch simplistic in its depiction of the social and economic chasm between the two Indias that exist cheek-by-jowl across large swathes of the country.

But what the film lacks by way of depth of vision is largely offset by the strength of its frill-less and focussed storytelling.

The sinewy narrative is gritty, gripping and grinding. Dialogue is sparse, the editing is crisp, and the cinematography is of the finest order.

Some of the violence in NH10 is gut-wrenchingly gruesome, but much of it mercifully stays off camera.

NH10 centres on an innocuous road trip that turns into a nightmare for a well-heeled Gurgaon couple.

As the two ride deeper and deeper into trouble, the film ventures into a dystopia where human life is of little value.

This is a landscape where might is right, and women are disposable commodities that are completely subservient to brutal societal diktats.

This belt is within shouting distance of the swanky office blocks and the luxury residential high-rises that dot the NCR skyline, but utter lawlessness, senseless criminality, police apathy and honour killings are rampant here.

As one creepily cynical character points out without batting an eyelid, democracy and the Indian Constitution have no currency beyond where "the last mall of Gurgaon ends".

In an attempt at chilling humour, the selfsame man says: "Electricity hasn't arrived here, forget the Constitution."

The screenplay (by Sudip Sharma, who is also the dialogue writer) is woven around only a handful of characters. Not all of them are equally well etched out.

Especially unconvincing is the carefree husband, who thinks nothing of exposing himself and his wife to danger simply because his ego has been hurt by a criminal. And to think of it, he repeatedly claims to be friends with a senior Delhi police officer.

The focus of NH10 is primarily on the harried figure that is fleshed out by co-producer and lead actress Anushka Sharma.

She bears the burden rather well, conveying a range of moods as she moves from the vulnerable to the fearless in a battle in which the odds are stacked heavily against her.

Here, darkness hangs around the bright lights of a seemingly thriving but dangerous city, and the director wastes no time to get to the point.

As the film opens, the razzle-dazzle of a glitzy Gurgaon night floats dreamily across the screen.

Over the flickering neon flashes, the voices of Meera (Anushka Sharma) and Arjun (Neil Bhoopalam) waft through the windshield of an off-screen SUV.

The two are talking about a party that they are headed to but are not very keen to attend. But they do drop by.

An office emergency compels Meera to leave the bash halfway through. On the way, she is waylaid by a bunch of hoodlums. She escapes by the skin of her teeth.

Panic-stricken, the couple applies for a gun for self defence. And to get Meera's mind off the harrowing incident, Arjun promises to make up to his wife for a skipped honeymoon with a romantic birthday getaway.

The much in love couple drive right into a violent fracas at a highway dhaba.

A young village girl and her husband are dragged into a vehicle by her violent brother (Darshan Kumaar). Arjun jumps in to play saviour.

His bravado backfires and their trip careens out of control.

The film, however, holds its path right down to the shocking final moments.

NH10 is an adventurous Bollywood film that breaks the shackles of convention and is none the worse for it. Eminently watchable.




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Posted: 10 years ago
RATING: 4/5 BULL'S EYE

by Rajat Srivastav


Written on March 12, 2015 -3pm EST.

NH 10 turns super expressway !

Don't lock yourself with a cat in a dark room otherwise...!

...An old Bollywood saying

You know what, take a deep breath, control your heartbeat, chew some strong digestives, complete the restroom formalities and park your phone out of reach...And only then you are ready to enjoy one of the most amazingly filmed thriller experienced in the last many years of Bollywood.

It actually ticks all the points of that perfect thriller checklist-

Time keeps running, you keep gasping,

You want the mouse to switch places in this jaw-dropping cat and mouse game

You occasionally shout out to save characters you love and live with

You punch invariably, curse the wrong doers...ALOUD

Edgier as it gets..constantly your heart keeps pumping in your mouth.

Technically brilliant , color tones match the mood, eerie sounds, near-perfect background score, real-time screenplay and a super-filmi climax. the second half might dip in the energy levels but as compared to the first half draws to a brilliant filmy culmination which is sure to draw whistles.

And finally the camera is the real Hero of the movie, which runs like blood in the screenplay with brilliant shots capturing the dark and shady highway in all its glory. Props like 'Objects in the mirror appear closer than they are' are superb and enhance the script value.

The story is simple yet pulls you from your slick lifestyle to the vagaries of the area which begins soon after the last Gurgaon mall ends. You actually experience prevalent honor killings, caste-ridden mindsets and blood-hungry villagers.

And yes Anushka is the cat locked/chased in the dark ...rest has to be felt and absorbed..No more details.

So all in all a real movie with a full dash of thrilling entertainment with bravura performances by Hero Anushka (that says it all), wicked Darshan, subtle and suave Neil, an out of ordinary Deepti Naval, the movie can't be rolled without some downers. Violence is unabashed and will require a hard stomach to digest. Free use of expletives to capture the region. Drop in energy levels in the second half, A little more crispy editing would have done wonders blah blah.. All Ignored in the radiance of NH 10...No technical glitches other than a few cinematic liberties.

And as they say it will take 100 years to reach the current level of Hollywood, movies like NH 10 might lessen the journey considerably.

Go hit this highway now !

briahna thumbnail
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Posted: 10 years ago

NH10 is a need of the hour. There may be many road trips that you have taken but there can be nothing as gruesome as this. Watch it for girl power. I am going with a 3.5/5 for this film.
Anushka Sharma had forever been termed as the bubbly, effervescent self when it comes to films, but this one is her honest attempt at breaking the stereotype. She screams, yells, is soaked in blood and she is hungry to kill. Anushka Sharma breaks the damsel in distress myth and she says it out loud why we don't need a hero for a film or why an actress can't be the hero. She is ferocious and this is her special performance.

3.5/5
http://www.koimoi.com/reviews/nh10-review/
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Posted: 10 years ago
Film review: Run, Meera, run! Even Gurgaon is better than the place that lies beyond in NH10
Navdeep Singh's second movie is an effective thriller set in the badlands of Haryana.
Nandini Ramnath
Today 08:30 pm



Photo Credit: Clean Slate/Phantom

NH10 is set in the backward backwoods through which countless men and woman have already fled, with axe-wielding lunatics and malevolent spirits in delirious pursuit.

Navdeep Singh's movie, which he also wrote along with Sudip Sharma, relocates the backwoods to the bits of Haryana that border Gurgaon. The jungle baddies are now grim-faced rural folk who live by medieval-era codes of justice and believe in the equilibrium-restoring powers of honour killing. NH10 is a genre piece that follows the formula of similarly themed films from the first frame to the last, but which also layers its predictability with social commentary. The 115-minute movie pits two Indias against each other: one that is staring blindly into an uncertain future and another whose head is turned towards an idealised past. In NH10's telling, it's best that these worlds never meet.

East or west, Gurgaon is the best

The movie opens in Gurgaon, depicted in a striking opening sequence by cinematographer Arvind Kannabiran as an endless steel-and-glass illusion. Meera (Anushka Sharma), who works for a consumer goods company, can easily combat casual workplace sexism, but she has no defence against a pair of leery bikers. Her influential husband Arjun (Neil Bhoopalam) procures a gun for her safety. Since the screenplay plays it by the book, it follows that the weapon displayed in an early sequence will be discharged soon after.

Other narrative staples falls into place as Meera and Arjun set out for a weekend getaway that is intended to be dirty but only ends up as messy as it possibly could. The couple witness an honour killing. As Satbir (Darshan Kumar) drags his sister, Pinky, and her husband away to their deaths, Arjun decides, in a moment of misguided machismo, to pursue the matter. Meera bears the consequences of his actions over a night that seemingly has no end.

Meera's discovery of previously unknown reserves of bravery isn't new to followers of such films, but the economical and crisp writing ensures that her reactions are organic to the situations in which she finds herself. Whether she is pleading for help from a reluctant cop or facing her attackers in their backyard, Meera behaves like the urbane and intelligent woman she is - which is why the movie's closing moments feel borrowed from elsewhere. The proceedings are drenched in grim realism, but Meera's fate belongs strictly to the reel world.

The horrors of rural India

NH10 joins a growing category of films and books that examine the contradictions between cities and the small towns and villages that are not as far away as one wishes. Siddharth Srinivasan's 2010 indie Pairon Talle explores brutality, misogyny and lawlessness on the outskirts of Delhi, while Imtiaz Ali's Highway yanks together two brutalised souls, one urban and the other rural.

Of all its stated references, NH10 is closest to the 2008 British thriller Eden Lake, in which a middle-class British couple are attacked by a nasty and resentful group of working-class boys. The conflict that Eden Lake sets up between two classes is faithfully translated as a battle between opposing value systems in NH10. Meera is the kind of city-bred Indian who mutters endearments in Tamil to her husband and who doesn't know the details of her caste. Her opponents know their social position a bit too well. There is no middle ground between this neat polarisation, just as in Eden Lake, and no acknowledgement of the daily negotiation that characterises this interaction in actual life.

The social commentary can sometimes be a bit too subtle in NH10, and it has been further blunted by the Central Board of Film Certification's schoolmarmish attitude to profanity despite the movie's Adults only certification. The coarse language exchanged by Satbir and his community members, which reveals their derogatory attitude to women, has been mostly bleeped out, as has the use of the word randi (prostitute) that is used here not for the purposes of titillation but as evidence of the widespread misogyny that women encounter on the walls of toilets and everywhere else.

NH10 never glorifies its ample violence, and its moral compass is unerringly fixed. The filmmakers see no difference between the backwoods lunatics who have harassed hapless campers and adolescents in previous movies and the deeply hateful men and women who will go to extreme lengths to defend their social standing in this film. By dragging the character and audiences to rural Haryana and all too effectively marshalling support in Meera's favour, the movie misses the chance to confront the true horrors of the issue at stake. Did Meera need to leave Gurgaon to discover the sometimes brutal consequences of patriarchy and become a reluctant symbol of feminism? NH10 is not curious enough.

Navdeep Singh might not care too much for the motivations of his perpetrators, but he has a firm handle on the movie's technical aspects. NH10 delivers its shocks and twists with impeccable timing. Jabeen Merchant's sharp editing and Karan Gour's moody background score create several heart-stopping moments, and only the use of redundant songs interrupt an otherwise unrelenting mood of tension and fear that unfolds in harsh and unforgiving terrain. Anushka Sharma superbly combines resourcefulness with vulnerability to depict a character whose own class dynamics are never fully explored. Sharma's performances gains strides as she races through a take-no-prisoners zone, probably wishing she never left the illusory comforts of her glass palace.

http://scroll.in/article/713019/Film-review:-Run,-Meera,-run!-Even-Gurgaon-is-better-than-the-place-that-lies-beyond-in-NH10
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Posted: 10 years ago

Bhawana Somaaya @bhawanasomaaya

#DeeptiNava #DarshanKumar #AnushkaSharma deliver heartfelt performances. #NH10 is violent but needs to be watched http://bhawanasomaaya.blogspot.com


Thursday, 12 March 2015

Cutting Chai with Bhawana Somaaya - Day 546

Cheers to Anushka producer.
13.3.2015


Anushka Sharma produced aur Navdeep Singh directed Nh10 do Bharat ki kahani hain.

Ek Bharat, jahan Delhi mein basne wali Meera, ad agency ki creative head hain, aur samaj ke liye nirnay leti hain.
Doosra Bharat, jahan Haryana mein basi Pinky ko apni pasand ke ladke se shaadi karne ki bhi ijaazat nahi.
Aur inn dono yaane Gurgaon aur Punjab ke beech hain National Highway, jahaan koi surakshit nahin - na aurat, na mard, hathyaar ke saath ya hathyaar ke bagair!


Director Navdeep Singh apne kirdaar, shehar aur roz ke mauhaul ko behad naturally pesh karte hain.

Pehle scene se interval tak film mein ek tension hain jo aap ko jakad kar rakhta hain!!

Writer Sudip Sharma ki kahani dilchasp hain magar contrived bhi. Film ka action hard hitting hain aur excessively violent bhi...

Film ka plus fiilm ka extra-ordinary sound aur samajik vishay. Film ki anokhi casting aur performances - Ammaji ki bhumika mein Deepti Naval aur negative role mein DarshanKumar.

2007 ki Rab Ne Bana Di Jodi mein debut karne wali Anushka Sharma sirf saat saal mein producer ban gayi hain aur wo bhi aisi film ki producer, jismein manorajan nahi muddein hain!

NH 10 mein beshaq khamiyaan hain - magar neeyat nek hain, film ke sandesh mein matbhed hain magar himmat bhi.

Anushka Sharma ki Meera daudti hain, thakti nahi, zakhmi hoti hain, tootti nahin!

NH 10 ko actor aur producer Anushka Sharma ke vishwas ke liye Big Entertainment Ratings milte hain 3.5 stars.

Bhawana Somaaya/ @bhawanasomaaya
Edited by briahna - 10 years ago
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Posted: 10 years ago
lol..i never knew that anu is the producer of this movie. good going gal.

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