Zanjeer Reviews - Page 3

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Posted: 12 years ago
#21
tarans given it 3 stars...
raja sen gave it a 0...

too lazy to post the reviews...
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Posted: 12 years ago
#22
wow pretty good reviews overall!
Raja Sen is crazy biased... I dont believe his reviews!
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Posted: 12 years ago
#23
Ram Charan teja is super talented south actress & impressive performance in Zanjeer. Good debut in bollywoood film. Read more : - http://goo.gl/0adZsr
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Posted: 12 years ago
#24

ZANJEER

Reliance Entertainment, Prakash Mehra Pictures, Flying Turtle Films and Rampage Motion Pictures Ltd.'s Zanjeer (UA) is adapted from the old Zanjeer (1973). Vijay Khanna (Ram Charan) is a principled police officer who often gets into trouble for his no-nonsense and honest nature. He has been transferred many times and his latest transfer brings him to Bombay. He is soon put in charge of investigating a cold-blooded murder, the sole eye-witness of which is Mala (Priyanka Chopra). Mala has seen a man being burnt alive and she instinctively telephones the police when she sees the crime being committed.

The investigation leads Vijay Khanna to Sher Khan (Sanjay Dutt), a notorious car dealer carrying on illegal businesses, and Rudra Pratap Teja (Prakash Raj), an evil man who has varied business interests. Vijay also soon meets Mala and convinces her to help the police identify the murderer. Mala has come from the USA to attend a friend's marriage, and is hesitant at first because she is all set to return home after the wedding. But she stays back in Vijay's home to help the police.

Even as Vijay Khanna and Mala get romantically involved, the former realises that the cold-blooded murder had taken place as the victim was trying to expose the oil mafia for black-marketing in oil. Right at the top of the illegal business is Rudra Pratap Teja. Mala also learns about the murder of Vijay Khanna's parents when he was just eight years old. Vijay is often haunted by the scene of his parents' killings soon after they had celebrated his birthday one rainy night. The only thing he remembers is that the killer had a horse tattooed on his arm. It is because of this that Vijay invariably dreams of a horse and wakes up in cold sweat.

Quite early on during the investigations, Vijay Khanna becomes friendly to Sher Khan because the latter decides to give up his illegal businesses.

What happens ultimately? Does Vijay Khanna face opposition from the police force while trying to nab the culprits behind the illegal oil trade or is he given a free hand? Does Mala prove helpful? Is the murderer of the person who was trying to expose the oil mafia, caught by inspector Vijay Khanna? Does Sher Khan aid Vijay or was he playing a game? Is Vijay Khanna able to prove that Rudra Pratap Teja is the kingpin of the oil scam and is he able to mete out punishment? Who had murdered Vijay Khanna's parents? With only the tattoo as the clue, is inspector Vijay Khanna able to trace the killer of his parents? Do Vijay Khanna and Mala unite in matrimony?

The story of the old Zanjeer has been adapted by Apoorva Lakhia and Suresh Nair. Right at the outset, it must be mentioned that the adaptation is not half as good as it ought to have been, considering that the old Zanjeer was a blockbuster and also considering that the remake is coming after 40 years!

Suresh Nair and Apoorva Lakhia have written a half-baked screenplay with absolutely no novelty. As the drama unfolds, it becomes very clear to the audience that the scenes are of the kind seen in umpteen films earlier. What's even worse is that so many things are simply not established! For example, there is a song (qawwali) in which Sher Khan swears by his bonding with inspector Vijay Khanna (very obviously inspired by the super-hit Yaari hai imaan' song of the old Zanjeer) but no - repeat, no - attempt has been made to establish the bond of friendship between Vijay Khanna and Sher Khan. Resultantly, the song in which Sher Khan claims to be ready to lay down his life for inspector Vijay Khanna looks weird and silly. For, nobody ever makes such tall claims for an acquaintance which is what inspector Vijay Khanna is for Sher Khan.

The screenplay writers have also tried to infuse some fun element through a few comic scenes between the two deputies (Daya Shankar Pandey and Aditya Lakhia) of inspector Vijay Khanna but, unfortunately, the comedy falls flat on its face. Several scenes, turns and twists are so stale that the drama often looks straight out of the seventies and eighties! Chintan Gandhi's dialogues are okay.

Ram Charan makes an impressive debut. He has a good physique and plays the angry young man ably. He is effective in action scenes too and dances gracefully. Priyanka Chopra performs well and shines in a couple of comic scenes. Prakash Raj makes a wonderful villain but it must also be added that he is getting typecast now. Sanjay Dutt seems to have rushed through his role and hardly makes a mark. Mahie Gill looks out of place as the moll of Rudra Pratap Teja; her performance, though, is alright. Atul Kulkarni gets limited scope but he manages to leave a mark. Daya Shankar Pandey and Aditya Lakhia act well but their comedy is meaningless. Chetan Pandit makes his presence felt in a special appearance. Capt. Bikramjeet Singh and Ankur Bhatia (as Bosco) make their marks. Kavita Kaushik and Jasmine May are okay in song-dance numbers.

Apoorva Lakhia's direction is routine. There is nothing in the script or his narration to catch the audience's fancy. Yes, the action scenes would impress the masses and front-benchers but that's about all. Music (Meet Bros. Anjjan, Chirantan Bhatt and Anand Raaj Anand) is okay. The Pinky' song may be popular but it doesn't have much of a shelf life. A couple of other songs are also okay. Lyrics (Shabbir Ahmed, Ashraf Ali and Manoj Yadav) are in keeping with the film's mood and flavour. Song picturisations (by Ganesh Acharya, Pony Verma and Swarup-Himanshu) are commonplace but the picturisation of the Pinky' number is definitely eye-pleasing. Gururaj R. Jois' camerawork is okay. Javed-Eijaz's action and stunts lack novelty; also, they could've been more exciting. Sunil Nigvekar's sets are okay. Chintu Singh's editing could've been sharper.

On the whole, Zanjeer is a dull show which also looks dated. Except for action, that too, mainly for the mass audience, there is not much for the viewers. As such, the film's run at the box-office will not be exciting. The Telugu version of the film has also been released simultaneously and its fate at the ticket windows may be better due to the stardom of Telugu films' star, Ram Charan.

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Posted: 12 years ago
#25
the bad review from critic is expected the promo look dull and at the BO also very expected but lets wait and see if the film will have any chance
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Posted: 12 years ago
#26
Zanjeer' Critics Review Roundup: Ram Charan-Priyanka Starrer Gets Mixed Reaction
By IBTimes Staff Reporter: Subscribe to IBTimes's RSS feed | September 6, 2013 12:44 PM IST

Priyanka Chopra and Ram Charan Teja's latest film "Zanjeer" has hit the screens on Friday with mixed reviews from critics.


The film is a remake of 1970's classic film of the same name, starring Amitabh Bachchan, Jaya Bachchan and veteran actor Pran in the lead roles.


The film is directed by Apoorva Lakhia of "Shootout At Lokhandwala" fame and is produced by Amit Mehra, son of late filmmaker Prakash Mehra who had directed and produced the original version.

"Zanjeer" is Ram Charan's Bollywood debut that sees him stepping into the shoes of the 70s' angry young man, Amitabh, as Inspector Vijay.

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Check out the critics review here:


Mihir Fadnavis of Firstpost said: "I generally try to avoid feeling depressed while writing about a movie, especially when it's a brainless and un-classy one that stars not only the thoroughly-unthreatening Prakash Raj as a villain but also has him seducing Mahie Gill by scratching his chest and murmuring "Meeowww Meeeoowww".

"Why classic films like Zanjeer get remade into such trash is an inexplicable phenomenon, much like alchemy - except in this case gold becomes trash instead of the other way round. To those who counter Zanjeer's lack of intelligence with the ready advice of, "Hey it's a masala movie so turn off your brain and enjoy", I don't have a switch to just turn my brain off. If I did, maybe I'd be make a film like Zanjeer instead of writing about it.

"Zanjeer is not just a bad film, it is proof of a filmmaker who is barely even trying. To say this remake defecates upon the legacy of the original film would be giving it too much credit.

"What is most annoying about Zanjeer is that it's an extremely bad movie that simply uses the rights it owns and absolutely desecrates the sanctity of the original."

Meena Iyer of The Times of India said: "Apoorva Lakhia's Zanjeer has many similarities to its four-decade old namesake Prakash Mehra's Zanjeer (1973) that breathed fire and brimstone. The original film earned Amitabh Bachchan the epithet 'angry young man' and made him world-famous. The 2013 action thriller brings Andhra icon Chiranjeevi's son, Ram Charan (also an Andhra superstar) to Bollywood.

"Yet, this film should be judged as a stand-alone offering because attempts to compare the two versions will find the current one falling short, especially in the dialogue and music departments. Nostalgia happens when some original dialogue like 'Yeh police station hai, tere baap ka ghar nahi' and 'Sher Khan beimaani ka dhanda bhi imaandari se karta hai' are uttered.

"Ram Charan, as the brooding policeman, excels in action. His dark eyes with long lashes adeptly convey anger. Sanjay Dutt is competent and lovable. Priyanka looks smashing but is overzealous in the American Born Desi Gujarati Girl act. Mahie Gill as the gangster's girl Mona is raunchy."

Taran Adarsh of Bollywood Hungama said: "The question is, how much has Apoorva Lakhia retained from the all-time classic? The new ZANJEER borrows from the original, but it is more of an updated avatar of that film. The essence remains the same, the characters are similar too, even a dialogue or two has been retained... but let me put it this way -- it's his interpretation of a film that's admired even after four decades of its release.

"Let's get one thing right! ZANJEER is *not* a scene-to-scene reproduction of the earlier film. ZANJEER has a present-day setting, thus catering to today's spectators. Apoorva and his team of writers rely on drama and action to carry the story forward: The conflict between Ram Charan and Prakash Raj works for most parts, while the action is larger-than-life and in sync with what the present-day spectators expect from masala movies.

"A subject like ZANJEER is totally up Apoorva's alley and without comparing him with his peers, I must state that the director has handled a number of dramatic sequences adroitly, especially the ones between Ram Charan and Sanju and also between Ram Charan and Prakash Raj.

"On the whole, ZANJEER is a triumph for Ram Charan, who gets abundant opportunity to exhibit his talent and scores exceedingly well. However, the film comes across as a regular masala fare that caters to the single screen spectator mainly and also for enthusiasts of typical Bollywood entertainers. As for the comparisons with the original ZANJEER, I suggest try not to get there!"

Mohar Basu of Koimoi.com said: "I am not really a fan of remakes, but this clearly ranks amongst the shabbier ones I've encountered. Based on Prakash Mehra's vintage classic that marked the advent of Big B as Bollywood's angry young man, Zanjeer even with its share of spiffy action clearly misses the raw flair that Salim-Javed's touch had done to the screenplay. All the crashing thrills and smashing stunts simply couldn't save this film from being a flat, tiresome and sore bore.

"Watch it only if you are inclined to revisit the stories of 70s when commercial cinema wasn't synonymous with making similarly lazy films with minimal creative offering!

"Zanjeer, is yet another example of how little regard our film industry has for good cinema or cinema at all for that matter. Constantly prodding older scripts, to squeeze out the film's natural zest is a tendency young filmmakers are conveniently resorting to.

"Zanjeer is a typical product of prevalent market tricks that ensure numbers. A sloppy mishmash of slackened writing, half baked execution and slumber incurring editing, the desperate attempts of packing a few extra scenes of head banging action doesn't quite help. Lacking the spirit and marvel of Zanjeer that I went in looking, the reason why I both survived and detested the film, was the same."
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Posted: 12 years ago
#27

Zanjeer Movie Review : Sad movie, sadder performances!


Director : Apoorva Lakhia
Music : Meet Bros Anjjan Ankit, Chirantan Bhatt and Anand Raj Anand
Lyrics : Shabbir Ahmed, Ashraf Ali and Manoj Yadav
Starring : Sanjay Dutt, Ram Charan Teja, Priyanka Chopra, Mahie Gill and Prakash Raj


September 6, 2013 02:58:37 PM IST
By Martin D'Souza, Glamsham Editorial


A 'turkey' with MISSION ISTANBUL and now an 'unda' with ZANJEER. Apoorva Lakhia has come a long way (read downhill) after SHOOTOUT AT LOKHANDWALA.

view ZANJEER videos


What I would want to first know is if Mr Salim Khan and Mr Javed Akhtar were paid the Rs 6 crore they were demanding, failing which they were threatening legal action and stalling the release of the film?

In my 'Open Letter' to Mr Salim Khan I had written: ''I am of the firm opinion that classics should not be touched. Even if some producer or director has the urge of making money because of 'creative inability' or 'creative lethargy' or 'creative bankruptcy' (or whatever it is that gives them this brilliant idea), there should be a process and also a price tag (to attain the rights) which is so high that it immediately dissuades any such 'creative geniuses'.''

In my review of CHASHME BADDOOR I mentioned: ''In future, I hope a regulatory body [in its bid to protect the creativity of old] is set up to screen remakes. I also hope there is a huge fee on making remakes which would automatically deter producers from venturing into tampering with classics.''

I guess, for Bollywood to understand the implications of what they are doing, will take time. Everyone is busy making money that a regulatory body would only be a spoiler. So why spoil the fun? ''Let's milk the poor audience as much as we can,'' seems to be their mantra.

CHECK OUT: Priyanka Chopra falls sick before ZANJEER release

As the audience, you are horrified at what unfolds on screen. If the dialogues are attempted at humour, they have succeeded. A few are crass. Especially one where the villain utters referring to Mona darling's mouth. This line leaves you with your mouth open, aghast! Terrible.

A few others go thus: ''Ek doctor kum hoge toh kuch nahi hoga,'' Sher Khan tells a doctor who is attending to his friend, ACP Vijay Khanna. ''Suna hai kanoon ke haath lambe hota hai, pair nahi,''again Sher Khan goes, when he pulls the chair a little further from Vijay's reach. Speaking of Sher Khan, he disappears after a few scenes for the entire length of the first half, only to pop up again.

The entire film has a plastic feel. Actors, characters, sets, dialogues and action.

Sirf naam Zanjeer rakhne se, koi 'angry young man' Nahi Banta.

Amitabh Bachchan shook off the ashes of his flops with this film to create the 'angry young man' persona. The new lad, Ram Charan tries very, very, very hard. He will first have to loosen up to set himself free from the chains that are restricting his movements.


Even the horse which comes in a dream could not be properly duplicated. That's the tragedy of this remake.

Since there was no legal action and attempts to stall the film, I guess they (Salim-Javed) got their dues.

CHECK OUT: ZANJEER - Is remake everyone's cup of tea?

What about the viewers? Why do they have to be subjected to such juvenile crap that makes an ass of a classic?

If at all you still want to watch ZANJEER, please buy a DVD of the original. It will be worth your time and money.
Rating :
0/ 5 stars

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Posted: 12 years ago
#28
Film review: Zanjeer doesn't hold a candle to the original
Friday, Sep 6, 2013, 16:12 IST | Agency: DNA
Tushar Joshi


Film: Zanjeer
Cast: Ram Charan Teja, Priyanka Chopra, Mahie Gill, Prakash Raj
Director: Apoorva Lakhia
Rating: **1/2

What's it about
Ram Charan Teja had big shoes to fill when he decided to take on the remake to Prakash Mehra's 1973 smash hit Zanjeer. A film that gave Amitabh Bachchan the angry young man' title and paved the way for a generation of film makers wanting to imitate and aspire to replicate the sentiment of a young police officer who puts an end to crime and cleans up the system. Vijay (Ram Charan) is a honest police officer who faces the brunt of his superiors for wanting to fight corruption and expose the oil mafia. In charge of a case he stumbles upon Mala (Priyanka Chopra), the witness who he ends up protecting and romancing. Teja (Prakash Raj) is the head of the oil mafia with a Mona (Mahie) as his bimbo seductress. Wanting to cash in on the remake craze, Lakhia uses every trick in his book to make this one watchable. But does he succeed?

What's hot
The action scenes, especially the introductory fight encounter between Teja and Dutt is well choreographed. The background score is over the top, yet it brings in the right amount of drama when required. Ram Charan is earnest in his approach and oozes the right amount of confidence especially when he's standing next to senior actors. Priyanka's bubbly act has some enjoyable moments, but we wish she put a restraint order on those giggles! Pinky song comes in early but has an infectious beat and is well shot.

What's not
Zanjeer struggles to find its own ground. The first half is a land mine of unnecessary songs and hackneyed dialogues that seem written for an audience for a different era. Whenever Lakhia tries to create a reference point to the original or recreate a moment, the initiative falls flat. It's not just originality but also lack of novelty that mars the film from being anything but ordinary. Prakash Raj needs a break from playing the same roles where his accent and bulging eyes do the rehearsed cha cha cha routine. Mahie Gill's Mona looks like a Comedy Circus aspirant who never made it to the finale. Priyanka and Ram Charan's chemistry takes a back beating as one goes overboard with emoting while the other underplays it beyond belief.

What to do
Zanjeer doesn't hold a candle to the original, instead it feels like a modern day adaptation of a yet another cop drama.
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Posted: 12 years ago
#29
Bollywood review: Ram Charan puts up a good fight in Zanjeer'
But, he's clearly no match for the legendary Amitabh Bachchan, who rocked the scene with his sensational "angry young man" act in the 1970 original
By Sneha May Francis
Published Thursday, September 05, 2013

Keeping up with Bollywood's latest trend of remaking Hindi classics of the years gone by, director Apoorva Lakhia decides to revisit an Amitabh Bachchan cult movie and make it his own. Only, his adaptation isn't as commanding as the 1973 original.

While the first movie had created history of sorts and had magnanimously recreated Bachchan's screen image, the latest version just hold enough promise to be that promising a game-changer.

What it does do, instead, is piggyback on the 70s' magnetism.

Considering comparisons with the original are inevitable, the latest version will only expose Bollywood's inability to fine-tune or even, convincingly rehash a story that had once thrilled the audience.



From Salim-Javed's legendary one-liners to Amitabh's "angry young man" persona, Lakhia has retained much of the flavour, even paying an ode to the original by allowing his villain to witness the menacing powers of the original baddie through a TV screen.

However, writer Chintan Gandhi is unable to match what the legends had once penned, and in turn, resorts to elementary school rhymes to cash in on the chuckles and giggles. It had worked back then, but clearly Lakhia forgot to update that tactic with current sensibilities.

This despite, the new villain lecturing an unsuspecting criminal about how Bollywood ideas and trends have changed since the 1970s.

Alas, Lakhia and writer Suresh Nair are unable to adapt their own theory on paper. And, it's this oversight that damages the movie immensely.
Zooming on images of lions to announce the arrival of the baddie is a trick used a great deal in the 70s, that Lakhia readily borrows even in 2013!
He tweaks the narrative just a little bit, and textures some of the action sequences with aplomb, but leaves much of the revenge-saga untouched.

Angry young cop Vijay Khanna is unable to contain his anger at the deteriorating system, and flexes his muscle to bring about a change.

It doesn't hold him in good stead, and gets him 17 transfers in 5 years. But, undeterred by his botched career, Vijay races ahead and goes about doing things his way.

His lonely life is only rarely shaken by a recurring nightmare that flashes images of his parent's murderers.

A recent move to Mumbai finds him locking horns with the don of the oil mafia, and in turn, wins him a pretty witness who is key to his gruesome activities.


Telegu star-kid Ram Charan bursts on the screen as the macho cop, flaunting his ribbed abs and muscles with immense flamboyance. The staple aviators, gruff voice and broody expressions complete the look. Bu, it remains constant, never allowing us to experience Ram's versatility.

That aside, his Hindi diction, chiseled body and action drills are top-notch, but just not enough to match Bachchan's iconic screen image. Expecting a debutant to fit into Bachchan's shoes is way too ambitious, and any slip-up is easily forgiven.

Ram flashes a smile, only rarely, during his hasty romance with the dainty Priyanka Chopra, who takes on Jaya Bachchan's Mala armed with nothing more than a toned body and luscious eyelashes. For an actress of her caliber, you'd expect her to do a lot more than just shake a leg and look glam.

Priyanka, however, doesn't spring any surprises.

Prakash Raj and Mahie Gill play out the Teja-Mona-darling chit-chat impressively, but even they can't save the movie from turning into a slog. Apart from the retro costumes, that indicate where his character evolved from, to his menacing laugh, Raj nails Teja's madness, but he has embarked on similar journeys before to merit any applause.

If there's anyone worthy of mention it is Sanjay Dutt, who effectively takes on Pran's khol-smeared Sher Khan with gusto. Even Atul Kulkarni is robust as an earnest journalist, but limited screen time doesn't allow him much scope to flaunt his talent.

While it'd be unfair to bracket 'Zanjeer' along with director Ram Gopal Verma's infamous take on the iconic Sholay' or Karan Malhotra's bearable, yet mediocre adaptation of Agneepath', Lakhia's fractured and glossy attempt just doesn't make the cut.
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Posted: 12 years ago
#30


Film Review | Zanjeer
Meet the grumpy young man
Nandini Ramnath
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First Published: Fri, Sep 06 2013. 11 26 AM IST



Ram Charan as the square-jawed Vijay and Priyanka Chopra as an overgrown adolescent in Apoorva Lakhia's yawn-inducing Zanjeer'
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Updated: Fri, Sep 06 2013. 05 40 PM IST
Apoorva Lakhia's redundant remake of Prakash Mehra's Zanjeer seems to have been commissioned with the sole purpose of launching Telugu actor Ram Charan's career in Hindi cinema. There's little reason otherwise to retool the ordinary 1973 cop drama, which has been accorded the status of a classic only because it transformed Amitabh Bachchan from a struggling actor into a star.

Ram Charan, a hunk of epilated flesh with scant acting skills, steps into Bachchan's boots as the police officer who is plagued by dreams of the murder of his parents at the hands of a man with a horse tattooed on his wrist. Ram Charan's Vijay is not so much an angry young man as a grumpy young man who is forever in trouble with his bosses because he prefers to slap first and ask questions later. Vijay goes about smashing an oil mafia run by campy gangster Teja (Prakash Raj) with some help from Pathan don Sher Khan, played by an exhausted-looking Sanjay Dutt who struggles to move, let alone fit into Pran's very large shoes. The Jaya Bachchan role is performed by Priyanka Chopra as an overgrown adolescent who witnesses an oil scam-related crime and moves into Vijay's home and bedroom when Teja starts gunning for her.



Ram Charan's Vijay is not so much an angry young man as a grumpy young man
Prakash Raj, who has been humiliated by a series of beefcake heroes in recent years, from Suriya in Tamil cinema to Salman Khan in Hindi, gamely tries to channel Ajit's campy villain from the original movie. Mahie Gill, her mouth as open as her cleavage, vamps it up in the Bindu part, and there's even a scene in which don and moll watch a scene from the original Zanjeer together, but there is never any danger of confusing 1973 for 2013. There is gender parity in a movie that introduces Chopra through an item song"Gill shows as much skin as Ram Charan, whose permanently open top shirt button must surely violate police service rules. The movie's biggest embarrassment isn't the square-jawed Ram Charan, or Dutt, who turns up in a series of fluorescent coloured salwar suits, or air-headed Chopra, or even Prakash Raj, who is less villain than comic relief and whose sartorial sense goes from colourful to lurid as Vijay starts to get the better of his character. It's Gill, who is capable of better stuff but who seems bent on continuing the panting and simpering she displayed in the Saheb Biwi aur Gangster films.
At least Gill fares better than Atul Kulkarni, who reprises the investigative journalist role he played in Page 3. Kulkarni's Jaydev is modelled on Mumbai journalist Jyotirmoy Dey, who was shot dead in 2011, and whose killing was linked to an investigation he was conducting into an oil mafia in Maharashtra. It's almost touching that Lakhia and co-writer Suresh Nair want to draw attention to Dey's shocking murder, but cynicism, rather than homage, is the order of the day in this yawn-inducing 137-minute movie, which assembles the usual dose of slow-motion fight sequences, songs and flat comic sequences between the first frame and the last.

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