OUATIMD - Review + BO Thread - Page 16

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Chippeshwini thumbnail
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Posted: 12 years ago
Reviews are not shocking at all

looked shit in trailers, ended up being shit apparently
643898 thumbnail
Posted: 12 years ago
OMG so many bad reviews
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Posted: 12 years ago

OUATIMD Thursday (First Day) Collection Early Trends. Earth Shattering Start.

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Posted by Kaalia You May Also Like News on: Sonakshi Sinha at Thursday, August 15, 2013
Once Upon Ay Time in Mumbai Dobaara has taken an earth shattering start at the box office on 15th August (Independence Day). Film although released in 1200+ screens all India, went berserk literally from the first Morning show.

Film opened to bumper response all over India in limited screens registering 80-90%+ occupancy in Morning shows. Coming to Noon time film is registering 95-100% occupancy in almost all Cinemas wherever it has released. Many audiences who are out in numbers found shortage of tickets. Looks like the distribution war between OUATIMD and Chennai Express has affected OUATIMD more than the later. If OUATIMD had got grand release today, then it might have recorded big numbers for the day. Another reason is that although Chennai Express got good opening today, still there are many cinemas where occupancy was little below for CE. That means people wanted to see OUATIMD, but where are the screens. Demand is more, supply is less.

OUATIMD face another wrath of oppostion in Rajasthan where its screening was stopped. Latest heard that problem is resolved, but already many shows are lost. Just for calculation, how much a film can collect with a 1100+ screening in one day? OUATIMD has opened to fullest as much possible by it. It will be miracle of sort of if OUATIMD heads on to collect 9-10 crore nett for tomorrow, with such limited release. But early trend suggest this miracle is possible. Also, latest report from interiors and single screens are also good for the film and bumper opening has taken place there on also.
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Posted: 12 years ago

Originally posted by: _NaughtyBoy_

OMG so many bad reviews


mayb ekta didnt pay them enuf😆
Kya.Bolta.Tu thumbnail
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Posted: 12 years ago
Reading the reviews I am having second thoughts of seeing it.
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Posted: 12 years ago
the reviews are bit neg then CE the reviews didnt affect the collection!!! lets whether OUTMD cn collect well over the week!!
ViccoTurmeric thumbnail
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Posted: 12 years ago
Collections look good!
So WOM is finally negative one... LMAO Not Suprised At All!
Sequels can never be good... So many times it has been proved!
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Posted: 12 years ago

ONCE UPON AY TIME IN MUMBAI DOBAARA!

Balaji Telefilms' Once Upon Ay Time In Mumbai Dobaara! (UA) is a sequel to Once Upon A Time In Mumbaai. After Sultan's (Ajay Devgan's) death in the first part, Shoaib (Emraan Hashmi) has become the don of Bombay. This film traces the love story of Shoaib (Akshay Kumar in place of Emraan Hashmi of the first part). Aslam (Imran Khan), whom Shoaib had taken under his wings in his childhood, is the trusted lieutenant of don Shoaib who rules over Bombay city. Don Rawal (Mahesh Manjrekar) resents the growing hold of Shoaib on Bombay, and he (Rawal) is, therefore, out to eliminate him.

Shoaib comes from abroad to Bombay and meets Jasmine (Sonakshi Sinha) who is a new actress, working in DK's (Akash Khurana) film. Jasmine's simplicity and straightforwardness greatly impress Shoaib who, in any case, is a womaniser, and has his old flame, Mumtaz (Sonali Bendre Behl, in place of Prachi Desai of Once Upon A Time In Mumbaai), for company. Jasmine treats Shoaib as a good friend but she is neither in the know of his activities as a don nor aware that he has fallen in love with her.

Aslam, who teaches Jasmine to speak English even though he himself is illiterate, also falls in love with her. Aslam meets her while he is helping his friend, Dedh Tang (Pitobash Tripathi), establish contact with Shireen, the girl he loves.

All hell breaks loose when Shoaib tells Jasmine that he loves her and wants to possess her. She also learns of his underworld activities and is petrified.

Shoaib soon learns that Aslam, his protg, loves the same Jasmine whom he loves. Obviously, Shoaib's frustratation increases. On the one hand, Shoaib has Rawal to settle scores with. He also has to contend with an unrelenting Jasmine and a junior, Aslam, who he thinks has back-stabbed him. Then, there's Bombay police who is thirsting for Shoaib's blood.

What happens thereafter? Whom does Jasmine actually love – Shoaib, Aslam or none of them? Does she marry Shoaib or Aslam or none of them? Does Shoaib confront Aslam about Jasmine? Do cracks develop in the relationship between Shoaib and Aslam? What happens to Rawal? Does the police get Shoaib?

Rajat Aroraa's script concentrates on the love life of don Shoaib and almost completely remains away from his professional activities. Since Once Upon A Time In Mumbaai dealt with both, the personal and professional lives of Sultan, the audience which comes to watch this film as a sequel, may feel cheated because it is more about the personal life of don Shoaib. Also, although comparisons are odious, the viewers are bound to search for similarities in this film and OUATIM, and they will not find the screenplay of the sequel as engrossing, gripping and entertaining as that of the first part. No doubt, the love story is quite different from many love stories seen in earlier films but the mere novelty does not make up for the lack of entertainment value in the screenplay.

Although the drama keeps the audience involved, it does get repetitive and boring at places. For instance, the scenes between Aslam and Jasmine are not half as exciting as those between Shoaib and Jasmine. The comedy of Aslam is quite boring. Also, the viewer, at places, gets the impression that the screenplay is one of convenience. For example, showing Jasmine to be so innocent and even more ignorant makes it a case of convenient writing. Again, Shoaib asking Aslam to pretend that he also loves Jasmine (which, the audience knows and Shoaib doesn't know, is actually the case) is a bit too much of a coincidence.

While Rajat Aroraa's story and screenplay are not upto the mark, his dialogues are extraordinary. There is more humour and drama in his dialogues than in his screenplay. It wouldn't be incorrect to say that Aroraa's dialogues are a major asset of the film.

Akshay Kumar does a truly fantastic job as underworld don Shoaib. His facial expressions and body language, when he is livid, are a treat to watch. He has worked hard on his acting to make the character of Shoaib look different and the results show. Imran Khan is good in the role of Aslam. He comes up with an easy-going performance but needs to brush up his act in comic scenes. Sonakshi Sinha springs a wonderful surprise and shines in the role of Jasmine. She is brilliant in emotional and dramatic scenes and cute in the scenes in which she has to appear innocent. Mahesh Manjrekar get very limited scope and does well. Pitobash Tripathi leaves a mark as Dedh Tang. Sarfaraz Khan makes his presence felt as Shoaib's Man Friday, Javed. Abhimanyu Shekhar Singh gets limited scope as the police inspector and he is earnest. Sonali Bendre Behl, in a special appearance, stands out in her scene with Shoaib in the post-interval portion. Vidya Balan makes a very tiny special appearance in a song. Mushtaq Khan is fair. Hussain Shaikh lends able support as Akbar. Sophie Choudry gets her expressions perfectly right in the role of the glamorous sex kitten she plays. Chetan Hansraj, Vidya Malavade, Tiku Talsania, Akash Khurana and the others provide able support.

Milan Luthria handles the love triangle with maturity. His direction is able but his choice of subject is not very appropriate as the sequel comes with the formidable brand of OUATIM which was loved by the audience. Pritam's music lacks hit songs but two songs – 'Ye tune kya kiya' and 'Chugliyaan' – are appealing, besides the remixed version of the super-hit 'Tayyab Ali' song of Amar Akbar Anthony. 'Tu hi khwahish' is a fair fast-paced song. Rajat Aroraa's lyrics are of a good standard. Song picturisations (Raju Khan) are alright. Sandeep Shirodkar's background music is very fine. Ayananka Bose's cinematography is wonderful. Priya Suhas and Sunil Jaiswal's sets are nice. Javed-Aejaz's action scenes provide thrill to the masses and front-benchers but the audience would expect more action. Akiv Ali's editing could've been sharper.

On the whole, Once Upon Ay Time In Mumbai Dobaara! is an average film with dialogues and performances as its big plus points and the burden of Once Upon A Time In Mumbaai and limited action as it minus points. Its huge cost is probably its biggest problem as the merits are not enough considering the investment in the film (around Rs. 85 crore). The holidays (Independence day, Raksha Bandhan) will help boost its collections but the haphazard release (it opened in limited/small-capacity auditoria of multiplexes, that too, in very limited number of shows on Thursday) will reduce its box-office takings. Business in Muslim centres will be better. Considering all the pros and cons, it will barely be able to recover its heavy cost

Kya.Bolta.Tu thumbnail
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Posted: 12 years ago
Why they had to take Imraan in the movie!
theprince thumbnail
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Posted: 12 years ago

Very bad review from critic and BO opening is very full .Some people said the film opening rith 80-100 thats because the film has only 7 show and asmall release but if the film has abigger release then will not open like this .The wom till now from people isn egative but its too early to say today iwith holiday its all bout CE and thamls for Ekta who kill this film with these kind of story and dull promos the only hope for this film is next weekto score and have avery good won or we will have the biggest disapointef of the year

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