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Aniruddha Guha reviews: Jism 2 has ham, cheese and breastsPublished: Friday, Aug 3, 2012, 18:00 IST | Updated: Friday, Aug 3, 2012, 17:48 IST By Aniruddha Guha | Place: Mumbai | Agency: DNA | |||
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Once upon a time, on the beautiful island of Sri Lanka, there lived two titties and two titty-crazy men. Two hours later they all died.
This pretty much sums up the story, USP and raison d'etre of Jism 2. Pooja Bhatt's Jism 2 is a lazy, annoying film that's been put on screen simply because the Bhatts — father Mahesh and daughter Pooja — saw the commotion that Sunny Leone's entry in Bigg Boss' house in December last year generated and were the first to strike.
They saw a milch cow and rushed in with their bucket. Daddy dear made Ms Leone an on-camera offer — a clever move that took care of all other producers/directors who may have been getting their own buckets ready.
The Bhatts didn't wait for her to be out. Well, how often do you get an angel-face desi po*n star? That's such a rare and exotic creature that first-mover advantage guarantees box-office bliss. But in their excitement on finding and bagging their mojo, the Bhatts forgot that just putting Ms Leone in teeny-weeny, lacy lingerie items and having her smooch two men don't maketh a story.
Jism 2's rag-tag story involves one po*n star, Izna (Sunny Leone), her yearning for Kabir (Randeep Hooda), a man she once loved and then lost, and one googly-eyed dimwit, Aayan (Arunoday Singh).
Izna picks up Aayan at a nightclub, takes him to a room and rides him. All this puts Aayan in a very good mood and he offers Izna coffee and a post-coital tete-a-tete about Kabir, once the "best police officer" in the force who went rogue.
Aayan is soon joined by his Intelligence Bureau boss, Guru (Arif Zakaria), who tells Izna that Kabir is not only alive, but is a wanted man, and that she must help them extract information from his laptop that will help them save India's VIPs. Kabir, he tells Izna, has already killed some 38 VIPs, and India can't afford to lose more.
Izna starts to pant.
Guru then tells Izna about a psychiatrist in Zurich who was treating Kabir for 'mood disorder'. According to the psychiatrist, Kabir is still in love with Izna.
Izna is now not only panting, but also pouting, because she can't believe that the man she loved and slept with and wrote love letters in blood to is alive. While panting and pouting, she says, "Use pyaar karna meri woh pyaas thi jis-se meri pyaas bujhti thi."
Jism 2 is riddled with such putrid dialogue, and every time someone mutters them, there's nothing to do except to focus on Ms Leone's ample bosom. And believe me, it's always up to something — it's either heaving, jiggling, or just smiling and saying "hello".
Anyway, a deal is struck, Rs 10 crore is deposited in Izna's bank account and they all head for Why, a resort in Sri Lanka's picturesque Galle district. Here Aayan and Izna pretend to be a soon-to-be-married couple next door to Kabir who is very seriously pretending to be a musician by singing operatic numbers in his beauteous blue den.
To prepare to spy for India, Izna is handed Barbara Taylor Bradford's Playing The Game and told to memorise a few pages in case she is asked how she and Aayan, now posing as Karan, met and fell in love. Izna is as incompetent at this spying game as her handlers, so she forgets to burn the book. But that's nothing compared what Aayan does — he shouts out their plan and abuses Kabir, with Kabir in the next bungalow, or how all the spies send each other long, detailed SMSes and leave their phones lying around.
And so this goes on, inept spying, smooching, steamy bedroom scenes and rubbish songs till we come to the sermon we were dreading. And then, they all fall down.
The Bhatts have a different take on love from, say, Yash Chopra. Their love is dark and brooding that doesn't loll about in the tulip fields in the Netherlands. Their lovers crave and loathe a bizarre sort of intense intimacy; their love drives lovers insane because true love, in their book, is obsessive, violent and physical, it's a noose that chokes and then kills. That's all very well, and it can be erotic as long as we are in on the strangulation from the beginning. If we get a peek into the lovers' neurosis, we are game.
But here, in Jism 2, we must assume that because Ms Leone has ample boobs and is nicely curvaceous and cute, men go potty just looking at her. And if they have spent a night or two with her, bus, phir toh un ki lag gayi.
Chalo, I say, yeh bhi maan lete hain. But kuch toh batao, about why this love is driving everyone insane. Nothing. Jism 2 is just two perky boobs with an idiotic, flimsy story woven around them.
Director Amit Saxena's 2003 Jism was an erotic thriller which had a story, because it was written by Billy Wilder (Double Indemnity) that Mahesh Bhatt copied and took credit for, as is his wont to do. For Jism 2, Mr Bhatt should have just copied another Hollywood thriller, put his name to it and saved us from this nonsense. But he didn't. So while Jism 2 doesn't have a coherent story, it uses up all Bollywood clich and corny lines.
No doubt Ms Leone distracts us from the film's off-putting proceedings. She is sexy and has a refreshingly brazen attitude to smooching, fore-play and fornication — she uses her body more than her face as an invitation. She strikes sexy poses, thrusts her stuff nicely and does interesting lip action that put you in the mood. But one look at her expression and you start to laugh. And you laugh every time Arunoday Singh arrives. Poor thing, he has been given a village idiot haircut and character to match. And he manages to make it worse with his gargoyle-like expressions.
Though Randeep Hooda is always good when he is horny and brings interesting, dark shades to the film when he arrives, there's little he can do when he has to mouth dialogue like "Tumhari maang sitaron se bhar doonga," immediately followed by "Meri is raat ki subah hogi ke nahin?" Don't know about his, but hamari raat is dark and dreary.
Yes, to be fair to the film, it begins with Sunny in a bathtub with a love making scene soon after with a sizzling red lingerie doing the trick. However, once the novelty factor wears off and the actual story begins, you know that the film is going downhill.
For starters, the so-called twist in the tale is something that you can see in the first 15 minutes itself. Okay, so you may not realise the exact nature of the tale but the twist in characters would occur can be 100 minutes in advance.
Even if one leaves this aside, the way everyone on the scene starts acting for camera makes you wonder who is trying to outsmart other in the ham department. The one who tops the list is Arunoday Singh who, after a very good act in 'Yeh Saali Zindagi', just doesn't get it right in the acting department.
So you take the best route out which is gaze on Sunny. However what turns out to be a distraction is her heavy panting that went out of vogue in the 90s itself. Here it is mighty misplaced as she either seems to be overtly worried in a scene when there was no demand for that while being strictly blank when better emoting would have saved the scene.
Well, perhaps the makers wanted Randeep Hooda to take care of the emoting part. This is the reason why not just does he find himself in the middle of lengthy monologues (which are way too many) but also abstract in the name of being poetic.
It is tough to really keep pace with his emotions, especially when the makers have established at the very beginning that the man is going through some psychiatric issues.
What doesn't help the cause are dialogues of the film that range from being highly philosophical to unintentionally funny at close to a dozen instances. Everyone gets fair share of such dialogues though, whether it is Sunny, Arunoday or Randeep which means there is no partiality whatsoever.
So what still manages to keep some interest alive in the proceedings? Well, to begin with the film has a very striking look to it, what with the entire production design being top notch. Whether it is the interiors of the villa where the protagonists are staying or Randeep's special designed private adobe, everything has a touch of class to it.
The music works well though one has to admit that they sounded much better when just heard in isolation instead of being explored in the context of the film.
There are a few scenes that one does remember as well after the end credit roll is through. Randeep's flashback with Sunny has a few tender moments while the sequence leading to the interval point is good too. However quite a few 'now what was that' sequences outweigh the ones that leave an impact, hence disallowing 'Jism 2' from becoming a plus outing.
Moreover, Sunny's flip-flop till the very end is puzzling while it is rather surprising to see Randeep being taken for a ride with much more ease than a child would be when told about the stories of Santa Claus.
When an erotic thriller drama does everything but arouse, excite and fetch your attention, there is something really wrong with the way the film unfolds. Worse, when there is unintentional laughter at more than just one junction, you know for sure that things have gone for a toss. Just to know more about that and experience it first hand, the film deserves a watch.
Rating: **
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https://x.com/UmairSandu/status/1962932305451716881
Has any one seen this movie...
https://x.com/vivekagnihotri/status/1946940660067803443...
https://x.com/umairsandu/status/1954950592771895651?s=46 Tis is review thread ?
...
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