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Posted: 15 years ago
#51
TIMES OF INDIA

Critic's Rating: 3.0
Cast: Neil Nitin Mukesh, Deepika Padukone, Piyush Mishra
Direction: Pradeep Sarkar
Genre: Romance
Duration: 2 hours 14 minutes
Readers Rating: 3.0
More from Lafangey Parindey
Trailer
Deepika's Plain Jane avatar from 'Lafangey Parindey'
Deepika, Neil promote 'Lafangey Parindey'
Story: Pinky Palkar (Deepika Padukone) is the archetypal Mumbai chawl girl who dreams big, despite her lowly surroundings. She may be working as a shop assistant yet she is hell bent on climbing the social ladder with her skating skills which she proposes to showcase in a television talent show, hoping to win the Rs 50 lakh award in the competition. But her best laid plans go awry when boxer-gangster, One-Shot Nandu (Neil Nitin Mukesh) hits her headlong with his car and causes her to go blind. The rest is repentance, remorse and romance, where Nandu tries to teach his victim to see with her heart, while Pinky hopes to draw the tapori away from his violent world.

Movie Review: It's a familiar world of bhais, boxers and bustee wallahs which Mumbai cinema has created and re-created, time and again that stares at you in Lafangey Parindey. And it's this familiarity of character and script that actually works against Pradeep Sarkar's third love story which comes after Parineeta and Laaga Chunari Mein Daag. There is an overriding sense of deja vu that overcomes you as you watch the cliche-ridden script unfold in a predictable fashion, where the rough-edged gangster is involuntarily drawn towards his sweet yet strong victim. And yet, it isn't easy to write off the film completely.

So what works in its favour? Mostly, it's the performances that lift the film from the mediocrity of its script. Neil Nitin Mukesh has already proved his forte at playing edgy characters in films like Johnny Gaddaar and New York. Once again, he interprets One-Shot Nandu, the blindfold boxer who fells his opponent with a single shot and works for gangster Usman Ali (Piyush Mishra), with characteristic elan. Never hysterical and suitably restrained, Neil's Nandu is the dormant volcano kinda tapori who may be an invincible fighter but desperately fights shy of all emotions. Deepika Padukone's Pinky too manages to touch your heart with her starry ambitions and her raw courage, although Deepika does pitch the emotional quotient somewhat low in an attempt to create a realistic Maharashtrian mulgi, unlike Priyanka Chopra's Sweety, the siren in Kaminey. Together, the duo manage to create a sweet love story with some unusual encounters like watching a movie together, learning to skate-dance together, getting moony on a train top.

Equally arresting is the eminently watchable Piyush Mishra who always manages to add a maniacal zeal to his portrayals. Sadly, his character remains some what undeveloped in the film and the viewer ends up wishing he had more to do.

Add to this, a lyrical music score by R Anandh, with lilting numbers like Man Lafanga and Nain Parindey and some dazzling choreography on rollerskates by Bosco-Caesar, and you have a film that makes up for pleasant viewing. A little more verve however would have gone a long way in energising the show.

http://timesofindia.indiatimes.com/enterta...iew/6337701.cms
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Posted: 15 years ago
#52
Lafangey Parindey - The Review
Friday, August 20, 2010
Subhash K. Jha

Hindi Film Review
By Subhash K Jha
Lafangey Parindey
Starring Deepika Padukone, Neil Nitin Mukesh
Rating: ***


"So this is a love story!" says the wry cop at the end of the film while closing the case that exonerates our hero 'One-Shot Nandu' of accidently blinding Pinky Palkar in a car accident.

Indeed Lafangey Parindey(LP) is a love story. And how grotesquely indecorous has been the marketing of this tender and shimmering look at an improbable love in the slums between a free-wheeling boxer and wannabe roller- skating spitfire gone blind.

Deepika Padukone gives to the timless yet time-bound yale the kind of fluent grace and eloquent spin that the audience associates with the female legends of celluloid ,namely Meena Kumari and Nutan. Deepika brings the poignant lyricism of the former and the spirited delicacy of the latter into what's unarguably one of the best-written female characters in recent times.

When Pinky goes blind all of a sudden, she doesn't flutter her eyelashes and trip over furniture like any self-respecting blind diva in our cinema would. She quickly picks up the pieces of her shattered life, and yes, also the rollerskates and leaves home to a sniggering brother's taunt and a concerned mother's encouragement to renew her dreams.

The above is one of the many finely-written and worded sequences in this film suffused with a delicate charm and infinite wisdom.

Neil Nitin Mukesh has a tough thankless role. Not only is he that archetype known as the 'Supportive Lover' in the script he must also move back in every other sequence to let Deepika walk away with the best expressions and dialogues. Neil never over-steps his boundaries. As the shy fighter who needs the blinded sports-girl's clairvoyant spirit to take him on the road to love more than she needs him to cross that traffic-laden road which she can't see, Neil gets the lower notes in the scale of the love- symphony right.

While the two protagonists' journey into love via a dance contest(Rab Ne Banadi Jodi revisited) takes centrestage in Pradeep Sarkar's deftly-cut material , the peripheral characters also get enough space to have their say aggressively without getting hysterical.

A film set in the ghetto is bound to remind the audience of Danny Boyle's Slumdog Millionaire and Vishal Bhardwaj's Kaminey . Sarkar dodges both and goes for the most unexpected reference points,namely Douglas Sirk's The Magnificent Obssession and its desi spinoff Gulzar's Kinara. As in Kinara, the hero is on a redemptive route taking the blinded girl through the corridors to her dream.

It's a journey undertaken with great warmth tenderness and loving care.

The dialogues convey a streetside sauciness without getting abusive. Street wisdom need not be eeks-rated.

But hang on . LP is not soft at the edges. Pradeep Sarkar brings to the storyboard a gritty edge-of-the-street desperation that miraculously accommodates a very supple love story.

In a moment that can only be defined as tragic-comic, one of the hero's friends walks away with one of the most expressive lines in this film . After Pinky goes blind the friend says, "Ek minute mein Hema Malini se Thenga Malini ban gayi."

The reference to Hema Malini is not lost in a film that takes Gulzar's Kinara to another shore.

The scenes are written by Gopi Puthran with utmost concern for a pitch that conveys high passion without toppling over. Deepika looking into the sky with a lovelorn look in her unseeing eyes asking Neil to describe the moon is a moment that is priceless and poignant in its poignancy.

Deepika has been shot by cinematographer C. Natarajan Subramanian with the loving care of a lensman shooting a place on the map where great events are expected to happen just as soon as the clouds disperse.

LP is an inspirational tale told with as little fuss and as much feeling as cinematically possible. Not to be missed.

http://www.ibosnetwork.com/newsmanager/tem...spx?a=22184&z=4
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Posted: 15 years ago
#53
Sooo happy DP is getting appreciated!!!👏

Originally posted by: friends_rock

Lafangey Parindey - The Review
Friday, August 20, 2010
Subhash K. Jha

Hindi Film Review
By Subhash K Jha
Lafangey Parindey
Starring Deepika Padukone, Neil Nitin Mukesh
Rating: ***



Deepika Padukone gives to the timless yet time-bound yale the kind of fluent grace and eloquent spin that the audience associates with the female legends of celluloid ,namely Meena Kumari and Nutan. Deepika brings the poignant lyricism of the former and the spirited delicacy of the latter into what's unarguably one of the best-written female characters in recent times.



WOWWW!! :D
Edited by Natss - 15 years ago
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Posted: 15 years ago
#54

Aug 20, 2010 - 08:00 PM

Lafangey Parindey

[ 0 ]

Director: Pradeep Sarkar
Cast: Neil Nitin Mukesh, Deepika Padukone
Release Date: 2010-08-20 08:00:00
Quick Take: A touching love story

So every now and then comes along a film that not just takes you by surprise but also doggedly tugs at your heartstrings. Lafangey Parindey is one such film. The title is hugely misleading-in fact you are not even sure what the hell Lafangey Parindey means and you sure hope that smelly pigeons wont be flying around the frames in the same annoying manner in which they fly around your balcony and thankfully your fears are laid to rest. The pigeon metaphor is subtle and yes the film soars on a number of counts.

You have One Shot Nandu (Neil Nitin Mukesh) a boxer who works for Usman (Piyush Mishra) a don and you have Pinky Palhar (Deepika Padukone) a skater dancer. One accident later Pinky is blind and her hopes of becoming a huge dancing star are almost shot to smithereens when Nandu decides to help her see. Why he wants to help her is also a crucial part of the story. And Pinky learns to see with her ears and also ultimately with her heart. And Nandu grapples with love and betrayal and guilt and the choice of doing what's right or going with what's easy. But it all ends well and by then you sure are rooting for these two absolutely adorable people.

The romance in Lafangey… is refreshing. It's not your average 'look into each other's eyes and sing a song on a mountain top' kind of romance. Yet its filmy at heart and it makes you smile every time Pinky tries to 'maaro line' on the extremely shy and uncomfortable Nandu. Pinky is a delight. Blind or otherwise she is tough as nails, tomboyish, won't suffer fools gladly, will chase her dreams at any cost and her undercoating of vulnerability is remarkably etched out. Nandu has nerves of steel in the boxing ring but is a puddle of emotions when it comes to Pinky. He falls in love with her but his innate taporiness makes it difficult for him to express it.

Deepika as the spunky Pinky is fabulous. She gives it the right 'namak' and you are happy to see a non-simpering normal Hindi film heroine. Neil is earnest and endearing. He scores in the emotional bits specially where all he is doing is looking and not speaking. The chemistry between the lead actors is interesting and warm.

The narrative by Gopi Puthran is fairly taut and engrossing. Production design by Eldridge Rodrigues and Madhu Sarkar Kuriakose is stupendous and great production and art design has always been director Pradeep Sarkar's forte. The music by R Anandh is like silken rain drops on a wet window specially Nain parindey and Man lafanga bada… Cinematography by Natarajan Subramanium lends the film a great atmosphere and texture. After a limp Laaga Chunari Mein Daag Pradeep Sarkar returns with a bang.

Lafangey is ultimately a sweet love story. Of course there are flaws, like for instance Pinky who has just been in a life threatening accident which leaves her blind is almost immediately up on her feet and wants to get back to skating and dancing. What about dealing with day-to-day things first, as someone who is suddenly blind? But then nothing is perfect least of all love. And Lafangey Parindey is ultimately a film about love and trust. And we can never have enough of those.


Sukanya Venkatraghavan


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Posted: 15 years ago
#55

Awwwleeee...I am sooo hazzppyy for Deepi And these are mixed reviews so thats good. I hope the film does rocking well 😳 I am just so happy for Deepika <3 And Neil too (:

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Posted: 15 years ago
#56

Lafangey Parindey review: An immersing, sensitive story
Movie
Lafangey Parindey
Director
Pradeep Sarkar
Cast
Neil Nitin Mukesh,Deepika Padukone,Kay Kay Menon
Sonia Chopra
You can see the steely resolve in her eyes - a magnificent roller-skating dancer, Pinky (Deepika Padukone) wants a "passport" out of her current situation by winning a reality talent hunt show. Out from TilakWadi, a bustling chawl where they call her "dance bar" for her ambition and disturb her dance practice with their antics. She's not one to be discouraged though. The practice venue is shifted, to a storehouse with live chickens. But she's up for this struggle.

Meanwhile she's biding her time working as a skating instructor, and making rotis for her no-good brother. Her mother is the only one who supports her, simultaneously wondering how Pinky's skating will be of any use after marriage.

Just as we're cheering her, Pinky loses her eyesight. She's then encouraged by local friend Nandu (Neil Nitin Mukesh), a champion street fighter famous for knocking down his opponents blindfolded and with a single punch. We then observe this unlikely love story unfold. The characterisation is a tad wonky. You don't quite get Nandu's character who enjoys the fighting, is obviously drawn to the world of crime, and yet agrees to the prospect of dancing all too easily. Again, Pinky's almost-immediate emotional recovery after the handicap is unexplained and glossed over. But there are moments that touch your heart, too. Her first journey home after becoming blind is beautifully portrayed: from falling face - down in a muddy pothole, to taking help from strangers to cross the road - you feel overwhelmed by this character's extraordinary spirit. In fact, the fire in her eyes only gets more intense, once they can see no more. The portions where the local gang helps Pinky cope with blindness, making her independent, are fun. Pradeep Sarkar (Parineeta, Laaga Chunnari Mein Daag) weaves dexterously a tale combining multiple stories: that of a middle-class girl's aspirations and her struggle with a handicap, Nandu's constant dilemma, and a parallel track involving a persistent cop. Dialogue by Gopi Puthran is engaging and has the propensity to make a point using humour. The Mumbai tapori lingo appears authentic in parts. The places it doesn't work is when kids are given the cheeky dialogues to amuse the viewer. Music by first-timer R Anandh is lilting, further enhanced by Swanand Kirkire's lyrics. Zubin Balaporia's alive background score is a huge plus.
Deepika Padukone is a delight throughout: when she's delivering her smart-alecky dialogue, to her icy cool nerves before a competition, the scenes where her pride is hurt for being dependant on others, and her utterly graceful dance moves. The character has depth, intelligence and range, and Deepika grabs this wonderful opportunity wholeheartedly, giving us a memorable rendering.

Neil Nitin Mukesh again proves to be an actor who can make solid impact quietly. His underplayed acting style complements the character's sketch perfectly. K K Menon is memorable even in his special appearance role.

It's interesting to find a parallel between Lafangey Parindey and Rangeela. Pinky's ambition to make something of her talent reminds us of Milli (Urmila Matondkar) from Rangeela. The other similarity, of course, being their modest backgrounds and a portrayal of the 'charming' middle-class life. In Lafangey Parindey, too, the characters belong to a chawl where there is bonhomie and camaraderie. It's a world where Pinky's success becomes TilakWadi's honour, and where firecrackers are burst to welcome her after she clears the first round of auditions. So yes, it's a romanticised outsider gaze into a world where the friendships are real, tears are shed for others, and festivals celebrated loudly. But if you peel through this superficial portrayal, you'll be touched by this immersing, sensitive story that couldn't have made it as a mainstream release a few years ago. Worth a watch!

Rating: 3 stars

Edited by sania_12 - 15 years ago
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Posted: 15 years ago
#57

Originally posted by: ttxl

Movie Review: Lafangey Parindey

Bracingly Inept and Uninteresting

Who says critics are useless? Now you don't have to see this movie, unless of course, you derive some satisfaction/pleasure from graphic violence, unforgivably cliched scripts, migraine-inducing songs, and/or repeated sightings of Neil Nitin Mukesh's bare arms.

Make no mistake, this is a film replete with awful acting that glorifies nihilism - this is in-your-face movie-making by people with a moral compass badly askew. The title 'Lafangey Parindey' is an apt metaphor for the production house behind this flick which ultimately bobs and weaves a lot but ends up all empty air. Maybe it's a cultural thing but there's nothing remotely entertaining in 'Lafangey Parindey' - its just an exercise in silliness designed to rob you of Rs 300+. Director Pradeep Sarkar (of Laga Chunari me Daag fame) offers a lame attempt to do what Guy Ritchie has frequently done better - and with far more cinematic artistry. If he earns no other accolades for this directorial effort - a distinct likelihood - Sarkar deserves some kind of award just for assembling the most bizarrely inept cast and ideas of this young century. He's put together this film with the offhand shoddiness of a government worker thinking about his Saturday evening beer.

It's hard to pinpoint the exact moment when it becomes clear that this lurid, steroidal 'masala entertainer' is certifiably insane (or at least a lot funnier than it means to be), but it's pretty early on. Everyone seems to be sleepwalking through this film. Except for Deepika Padukone, who is such a terrible actress that she couldn't even act like she's sleepwalking. She is so staggeringly awful, such an ordeal to sit through, that it's hard to know where to start talking about it. But even the film's cast is done in by the deathless mediocrity of the production, an assemblage of random camera shots, messy editing, redundant scenes, and witless dialogue as haphazardly stitched together as the flesh on a burn victim's face. In 'Lafangey Parindey', Neil Nitin Mukesh plays Nandu, a yuppie biker who likes to punch folks in the face. So how come he couldn't yank director Sarkar out of his coma with his one-shot? All Neil does is stride around in gelled hair, talk fake tapori and ham to the hilt, deplorably abusing the good will he garnered after surprising everyone with 'Johnny Gaddar'.

Gopi Puthran's script can't quite get a grasp on character depth, yet it also can't quite deliver the cheap thrills such a trashy tale might otherwise provide. The storytelling is so overwrought and misguided, 'Lafangey Parindey' winds up as a colossal car wreck. It doesn't take long to figure out that Deepika, as a blind rollerskating dancer, and Neil Nitin as her doting, blindfolded hero are the most unconvincing team of hired actors in Bollywood history. Really, why bother roping in Deepika for a role in which she's supposed to dance? What's more, Mr Sarkar is so lazy that he doesn't even bother concealing the body double used for the dancing/rollerskating Ballerina scenes. After what seems like an eternity of bludgeoning us into open-jawed bafflement, 'Lafangey Parindey' is best aborted, and flushed away as one of 2010's more unpleasant memories.

You can surely tell 'Lafangey Parindey' has been passed through Sanjib Datta's editing bay one too many times. Style over substance is the norm as the whole film looks like what someone might vomit up after partially digesting Natarajan Subramanian's digitised footage. Eldridge Rodrigues' insistently fussy and grandiose production design mistakes extra-crisp textures, brilliant colors and high contrast backdrops for story atmosphere and style. Yes it's flashy as hell, but amphetamine-fueled methods do not compensate for distinct lack of substance. Sham Kaushal's action all but forces its bulky, twitching mass down your throat until you realise you haven't been entertained but assaulted.

'Lafangey Parindey' is certainly a front runner for one of the worst mainstream Bollywood releases of the year. It will try your patience and give you a throbbing headache - about all it does with any success. The only people who deserve to see this film are Rahul Mahajan and the CEO of British Petroleum.


Source: http://www.india.com/movies/movie-reviews/movie-review-lafangey-parindey_7949

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Posted: 15 years ago
#58
^😆 that was my first reaction, too (all those 😆's) .Apparently, Deepika's getting praised for her performance. I'd feel bad for the girl, if she has put in that much effort/ come up with a decent performance n the script turns out to be bad 😛
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Posted: 15 years ago
#59
wow deepika getting lots of praises. I think I'll love this movie because sarkar is my fav director, I loved both his hit and flop movie
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Posted: 15 years ago
#60
The film has bits of comedy, romance, & action. Overall, I really enjoyed the film. About time Yrf has given us good film. Performance wise defiantly Deepika's best performance so far. Neil is exceptional also he fits his role perfectly. I laughed I cried it was perfect good film 👏

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