Articles: Kareena Kapoor - Page 23

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Posted: 18 years ago
Kareena's revenge!

Earlier Abhishek Bachchan constantly refused to work with Kareena Kapoor. Now it's her turn to refuse to work with him. Reportedly, she has refused Apoorva Lakhia's next with Abhi

They say that hell hath no fury like a woman scorned. Now, Abhishek Bachchan is at the receiving end of Kareena Kapoor's anger. Earlier we heard that Abhishek Bachchan had refused to work with Kareena Kapoor in a Karan Johar production mainly because she's Karisma Kapoor's sister. Now we hear that it's Kareena's turn to reject Abhishek. She has refused a film with Jr Bachchan.

The story goes that Apoorva Lakhia, who is planning his next film with Abhishek, is a tad surprised by Kareena turning down the plum offer. Apparently, Abhishek had given his assent to the film despite knowing that Lakhia was keen on roping in Kareena for the film. But Kareena begged out of the film saying that she is uncomfortable working with Abhishek. A source close to Apoorva says, "Apoorva was very keen on having Kareena in the film. But she refused to do the film because of Abhishek's presence in it."

If sources are to be believed, the producers were looking at a patch-up between Bebo and Abhishek. The film is going on the floors at the end of this year. Ever since his break-up with Kareena's sister Karisma, Abhishek has maintained a distance from Karisma's immediate family. Although Abhishek was good friends with Kareena he made his anti-Kapoor stand very clear at a lot of events later.

Sources close to Kareena blame Abhishek for their friendship going sour. Reportedly Kareena has even made attempts to patch up with the unrelenting Bachchans. But she was irritated when Abhishek opted out of films whenever any producer considered her for a role opposite him.

Says a source close to Kareena, "After Refugee and Main Prem Ki Deewani Hoon, lots of producers have been trying to cast them together. But, Abhishek has seen to it that Kareena is never a part of any film that he works in."

However, when quizzed about the Abhishek-Kareena tiff, Apoorva Lakhia simply said, "I can't finish one film where do I have time for anything else?"

However, our sources insist that the producers are now talking to a bunch of other female actors for a role opposite Abhishek.



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Posted: 18 years ago
Living in 'Harman'y!
By: Upala KBR
May 18, 2007
------------------------------------------------------------ --------------------
After walking out of his debut film Love Story 2050, Kareena Kapoor will now star opposite Harman Baweja in Mohit Suri's untitled project



No Problem: Kareena Kapoor
It seems things are now fine between Kareena Kapoor and debutant-in-waiting Harman Baweja. The duo is said to have signed Ramesh Taurani's next untitled project to be directed by Mohit Suri (Woh Lamhe).

It may be recalled that Kareena was signed to star in Harman's debut film, Harry Baweja's Love Story 2050, last year, but suddenly opted out citing date problems.

This did not go down well with the Bawejas, who had already shot a seven-day schedule with Kareena at a cost of Rs 16,00,000.

What's more, it was rumoured that Kareena constantly demanded date changes, leaving the Bawejas in a very tight spot after her sudden walk out.

The buzz was that she had opted out Love Story 2050 for Ram Gopal Varma's Time Machine opposite Shah Rukh Khan, which later got shelved. Priyanka Chopra was then roped in to play the leading lady opposite Harman.

Excited



Kareena, who is shooting for Imtiaz Ali's untitled film with beau Shahid in Manali, confirms she is doing Suri's film.

"It's a meaningful love story with a strong message and an interesting twist.

I've seen all of Mohit's films (Zeher, Kalyug and Woh Lamhe) and I think he's a very good filmmaker. I'm very excited about this project."

As for any discomfort over working with Harman, she maintains, "I'm extremely comfortable working with Harman.

Contrary to popular perception, I opted out of Love Story 2050 because I had genuine date problems. The issue was blown out of proportion."

Baweja unsure



Still Hurting? Harman Baweja
Meanwhile, it seems Harman is playing hard-to-get with Bebo. While he was unavailable for comment, his father Harry Baweja says, "With due respect to everyone, Harman hasn't signed any film with Kareena.

However, talks are on with several production houses, including Tips (Ramesh Taurani).

As far as our problems with Kareena are concerned, that is in the past and we've all moved on. Harman has no problems working with Kareena in the future."
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Posted: 18 years ago
so this is the movie kareena refused

Bollywood plans film on al-Qaeda

Mumbai, May 18: A Bollywood director is making a film on the al- Qaeda network and the attacks on London's underground system, a report said on Friday.


The film will, however, not refer to the Sept. 11 attacks in the United States, and it is still not clear if the group's leader, Osama bin Laden, will be characterised in the movie, a news daily said.

The makers of Mission Istanbul have signed actors from various countries including Turkey who have a strong resemblance to some well-known al Qaeda members, the paper said.

"It has to be shot in Turkey, Afghanistan, Srinagar and Mumbai," filmmaker Apoorva Lakhia, who has just completed a film on a true incident of a shootout between Indian police and gangsters, was quoted as saying.
Lakhia is now seeking permission to shoot in Afghanistan, but says he can replicate the Afghan terrain in a western desert state in India if he was not allowed to shoot in the war-ravaged nation.

A few other Bollywood filmmakers are also tackling the issue of international terrorism, including another on the 2005 suicide attacks on London's transport system which killed 52 commuters


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Posted: 18 years ago
Friday, May 18, 2007 3:44:47 PM (IST)
Kareena Kapoor may Star Opposite Shah Rukh Khan


Thumbay Group - UAE




Agencies

Kareena Kapoor may star opposite her favourite hero Shah Rukh Khan in her favourite director Karan Johar 's next production.

The film is reported to be set in set in New York and is an 'unusual' love story and will be directed by Siddharth Malhotra who's presently writing the screenplay of the film.

Malhotra has previously assisted Johar in Kal Ho Na Ho . Johar has approved the script and Malhotra is writing it out now. The rest of the cast would be finalised in a month's time.



All know that Kareena has been very keen on working with her favourite director (Johar) for a long time, after a period of fallout.

Be it interviews or brief appearances on television, Kareena has been vocal about her aspirations. Her last appearance in a Dharma Production film was for Kabhi Khushi Kabhie Gham .

Kareena has been in talks with Johar for sometime for various projects. But nothing has really materialised.

Johar, however, refuses to spell the name of her leading lady. When quizzed about Kareena, he says she hasn't been confirmed yet. the film though is a one-guy-one-gal romantic film."

Kareena is yet to sign on the dotted line, but she has been more or less finalised for the role says a source.

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Posted: 18 years ago
Kareena Kapoor gives as good as she gets
Posted on Friday, May 18, 2007 (EST)
You don't mess with Kareena because, as she is brashly inclined to say, she is a Kapoor! She maybe out of work from August onwards if, as is being reported, 'Lajjo' is stalled but she has still declined to act opposite Dad's 31-year-old baby Abhishek Bachchan.


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Kareena Kapoor on KBC. Photo Credit: TV Grab
By Vimla Patil

18 May 2007 (Sawf News) - You don't mess with Kareena because, as she is brashly inclined to say, she is a Kapoor! She maybe out of work from August onwards if, as is being reported, Lajjo is stalled but she has still declined to act opposite Dad's 31-year-old baby Abhishek Bachchan.

Hell hath no fury like a woman scorned reminds Mumbai Mirror in its story, adding that Kareena turned down the plum offer saying she was 'uncomfortable working with Abhishek'.

The producers were looking for a patch-up between the two stars. But ever since Abhishek broke up with Karisma, he has maintained a distance from her immediate family.

Though he was friendly with Kareena, he made his anti-Kapoor stand clear many times in recent events.

Abhishek had given his assent to the film though he knew that Apoorva Lakhia was roping in Kareena for the lead. So the director was a tad surprised that Kareena turned down the role.

It was recently reported that Mani Ratnam's Lajjo, with Kareena and Aamir Khan in the lead, is stalled because of creative differences between Aamir and Mani. Creative differences are, as we all know, the showbiz euphemism for super sized ego clashes.

By her own admission Kareena has nothing on her calendar other than Lajjo from August till the end of this year. So either the reports about Lajjo are incorrect or the Kapoor lass is in a '[bleep] it' frame of mind.

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Posted: 18 years ago
Those Musical Guests

Rajiv Vijayakar

Kareena Kapoor, unwittingly, salvaged Kya Love Story Hai with the Alisha Chinai rocker 'It's rocking'. In times to come there is little else likely to be remembered about this film. Earlier this year, we saw Mallika Sherawat sauce up the Istanbul chapter of Mani Ratnam's Guru with the high-octane Rahman number 'Mayya mayya'. While guest appearances have been a dime-a-dozen in Hindi cinema, it is interesting to observe that the girls outnumber the boys when it comes to 'guests' who come in to musically entertain us. And thanks to an entity called the 'Item Song' the tribe is growing. Screen looks at these musical maidens over the years.
AISHWARYA RAI: 'Kajra re'/Bunty Aur Babli
There are those who would say that the film owed a huge chunk of its success to this Shankar-Ehsaan-Loy-Gulzar collaboration, as rendered by Shankar Mahadevan and Javed Ali along with the sensuous vocals of Alisha Chinai. Today, the song gains archival importance as that historic song that features her with both her future husband and father-in-law. Ms Rai reinvented herself, so did Alisha, and in any case we had Hindi cinema's only 'family' hit after 'Tik tik tik tik', in a different context, went on Raj Kapoor, Randhir Kapoor and Babita in the 1971 Kal Aaj Aur Kal.
AISHWARYA RAI (with SHAH RUKH KHAN): 'Ishq kameena'/ Shakti - The Power
Not that BAB was Aishwarya's first tryst with a musical cameo. Her tango with SRK was brought in as the face-saver for the Karisma Kapoor-Nana Patekar-Sanjay Kapoor melodrama. The song was panned for its verse, but at least they had an audio hit on the hands even if it did not save the film.


ISHAA KOPPIKAR: 'Khallas' /Company & 'Ishq samandar'/Kaante
Film facts are a lot stranger than fiction, and so 'Khallas' (Marathi for 'It's over!') actually ended the struggle phase of Ishaa Koppikar and prevented her career from being finished. Suddenly everyone looked at Ishaa with a new perspective as the plain Jane of Fiza and Aamdani Atthani Kharchaa Rupaiya bowled everyone over with her new glam-wham look envisioned by Ram Gopal Varma. And so when Kaante too came along a few months later, Ishaa never had to look back. Admittedly, the latter song has an edge today, but Kaante would have arguably not happened if 'Khallas' had not given Ms Koppikar a new beginning.

KAREENA KAPOOR: 'It's rocking' / Kya Love Story Hai & 'Yeh mera dil'/Don - The Chase Begins
Ms Kapoor was given the rare honour of doing Helen's cameo in the 2006 Don remake even before her rocking number in KLSH. What's more, the song was a remixed version of the evergreen Asha-Kalyanji-Anandji hit in the original Don. But Kareena (whose role did extend to a few minutes more as with Helen's turn in the earlier film) did not let the S-E-L-treated song, Sunidhi Chauhan's charged singing or Helen down. In one word, Ms Kapoor was 'rocking' in both films.

LARA DUTTA: 'Aisa jadoo'/Khakee
She began her career with Akshay Kumar in Andaaz. In Rajkumar Santoshi's punch-packed actioner, Lara sizzled to a Ram Sampath-Sameer-Sunidhi chartbuster with the same actor. None of Lara's songs as a heroine match this one in popularity.



Bride Groom
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MALLIKA SHERAWAT: 'Mayya mayya'/Guru
This was high-octane erotica set in an Istanbul den. Rahman even used unusual lead vocals to lend an authentic Arabic feel to this super-sensuous guest. Ms Sherawat will, if reports are accurate, also reprise the sizzle of Sholay's 'Mehbooba o mehbooba' in the voice of Asha Bhosle as remixed by Himesh Reshammiya in his own acting debut film Aap Ka Surroor - The Moviee - The Real Luv Story.

MUMTAZ: 'Tik tik tik'/Humjoli
The spitfire siren of the '60s and '70s was the first known instance of a top star-guest in Hindi cinema with this Lata-Rafi Laxmikant-Pyarelal sizzler in the 1970 hit Humjoli. In a well-crafted situation, the hero (Jeetendra) is shown serenading the club dancer solely to incense his lady-love, played by Leena Chandavarkar.

NAMRATA SHIRODKAR: 'Tun tunak tun'/Hera Pheri
Another simple girl image bit the dust when Namrata Shirodkar came in for this pulsating number in the Priyadarshan comic masterpiece Hera Pheri, for which even a guest composer was brought in. The grapevine has it, however, that the last-minute addition of this song was an indicator of the producer's lack of confidence in the unique product.

NANDA: 'Ek pyar ka naghma hai'/Shor
Strictly speaking, this was not just a musical appearance by the one-time top star of the '60s - Nanda also had a few scenes as the hero's wife. But the magnificence of the song made her short appearance literally seem limited to the spellbinding, phased use of this Lata-Mukesh-LP masterpiece.

NEETU SINGH: 'Lekar hum deewane dil'/Yaadon Ki Baraat
Neetu Singh was just taking off when this film released in 1973 - in fact the film and the song were her first-ever hits. But despite the presence of a swinger like Zeenat Aman as heroine, Neetu made her own distinctive mark with this Asha-Kishore-R.D.Burman hit.

RAVEENA TANDON: 'My adorable darling'/Main Khiladi Tu Anari
It's a moot point whether this song - or Raveena - were added after the cult success of Raveena's breakthrough song 'Tu cheez badi hai mast mast' from Mohra. But in a classy Anu Malik-Alisha Chinai combination, Raveena managed another surefire hit to her name, with the nimble-footed Saif Ali Khan for company.

REKHA: 'Kaisi paheli'/Parineeta & 'Pyar lo pyar do'/Janbaaz
Rekha was lucky enough to get two 'guest' packages. At the peak of her career, she gyrated to the Kalyanji-Anandji chart-topper 'Pyar lo pyar do' from the 1986 Janbaaz, helping launch Sapna Mukherjee's career as singer. Almost two decades later, the fire was no less in the Shantanu Moitra-Sunidhi Chauhan collaboration, 'Kaisi paheli zindagani', with the actress playing a Kolkata club diva of the 1940s.

SHAMITA SHETTY: 'Sharara'/Mere Yaar Ki Shaadi Hai & 'Chori pe chori'/Saathiya
Shamita Shetty got greater mileage from the first cameo sung by Asha Bhosle than from her lead performance in Mohabbatein. The song's popularity transcended national boundaries and swept the nightclubs of Europe. Then came 'Chori pe chori' from another Yash Chopra presentation, also with Asha, but though Shamita was bolder, the song did not rock half as much.

SHILPA SHETTY: 'Main aayi hoon U.P.-Bihar lootne'/Shool
If Shamita got cameo chartbusters, Big Sister (oops!) Shilpa got most of her 'item' hits only as a leading lady. There was an exception though - 'Main aayi hoon U.P.-Bihar lootne' from that orgy of violence named Shool. Ironically Raveena Tandon, an older master of 'hit' dance numbers, played the sedate leading lady in this orgy of violence.

SONALI BENDRE: 'Hamma hamma'/Bombay & 'Mujhe saajan ke ghar'/Lajja
Comparatively, Sonali's forays into the arena of song-studded cameos were dignified and low-key. In the Bombay song she tangoed without lip-synching any vocals, and the Lajja number lost out to the sensuous Urmila-enacted track from the same film.

SUSHMITA SEN: 'Mujhe mast mahoul'/Fiza & 'Shakalaka Baby'/Nayak
Miss Universe charged up the dark and negative Fiza with her positive persona and Sunidhi Chauhan's humdinger 'Mujhe mast mahoul'. Later in Nayak, she enacted the Hindi version of the Rahman chartbuster in Tamil, 'Shakalaka boom boom'. Both songs came at an early stage in Sen's career, a ploy employed by many such stars to network with big-name filmmakers.

TANUSHREE DUTTA: 'Jab kabhi'/36 China Town & 'Signal pyar ka signal'/Bhagam Bhag
Interestingly Tanushree Dutta followed the same strategy to get into big banners with her 'item' appearances with Shahid Kapur, Akshay Kumar and Govinda. What was further interesting was that in both these films, Tanushree played a stage and screen actress respectively.

URMILA: 'Chhamma chhamma'/ China Gate & 'Aaiye aa jaaiye'/Lajja
Urmila could be called the most 'experienced' of the 'item' songs, as she had some more but weak appearances in films like Company and Chhota Chetan. Nevertheless, she sizzled to 'Aaiye aa jaaiye' and dazzled even more as she stole the thunder from powerful lead artistes in China Gate with just one song.

'MALE'ODY:
Here's presenting the creme-de-la-creme of the rarer male counterparts.


ABHISHEK BACHCHAN: 'One love'/Rakht
Abhishek as a hero had yet to enter the 'hit'-bracket when Rakht earned him appreciative whistles and claps as he serenaded heroine Bipasha Basu to 'One love'.

DHARMENDRA & AMITABH BACHCHAN: 'Dekh lo'/Charandass
Senior Bachchan, too has had a string of cameos, but the song that has recall value, despite featuring in a flop, was the Amitabh-Dharmendra qawwali rendered by Yesudas and Aziz Nazan.

RAJESH KHANNA: 'Zindagi ek safar' /Andaz
Yes, there was a small role attached to the cameo, but all that one recalls of Rajesh Khanna in the Ramesh Sippy hit, or prefers to, is his mobike melody with Hema Malini.

RISHI KAPOOR: 'Patjhad saawan basant bahaar'/Sindoor & 'Zindagi ka naam dosti'/Khudgarz
The nimble-footed Rishi Kapoor did make musical forays into Nauker Biwi Ka and Pahunchey Huwey Log, but the songs that stood out were those twin '87 hits from Khudgarz (in which he played a singing mendicant) and Sindoor (in which he was the heroine's co-singer whom her husband suspects of having an affair with his wife).

SHAH RUKH KHAN: 'Iss kaal kaal mein'/Kaal
As co-producer, SRK had no place in the script of Kaal. He decided to do a promo song - the title-track.

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Posted: 18 years ago
Shrabani confident of spy princess film


Akhilesh Patel

Sunday, May 20, 2007: (London):


The life of Noor Inayat Khan will soon come alive on screen in an adaptation of Shrabani Basu's book on the famous descendent of Tipu Sultan.

She was the first female radio operator sent by the British secret Service into Nazi-occupied France.

The film will be made by none other than Shyam Benegal with the screenplay being written by Lord Meghnand Desai, a member of the British Parliament.

Born to an Indian father and an American mother, Noor resisted the Nazis and was killed by the Gestapo.

She is the only Indian to have perished in a Nazi concentration camp and was awarded the George Cross for her bravery during the Second World War.

In a small chat Shrabani says her novel is in safe hands.

NDTV: Shrabani, your book is to be made into a film by Shyam Benegal how did that come about?

Shrabani: Lord Meghnand Desai and his wife Kishwar loved the book, they talked to producers and directors and now Shyam Benegal is directing it. So it's wonderful.

NDTV: How much control do you have over the film?

Shrabani: I'm in the background and helping as much as I can on family details but it's time for me to step back and look at the product.

NDTV: If you had the control what would be your three top choices for the actress?

Shrabani: Shyam Benegal would know, he's worked with a whole lot of actresses. We've seen his whole body of work, he understands women and can do women centric roles very well. So I think Noor is in safe hands.

NDTV: What about the music in the film?

Shrabani: There will be a lot of music in the film, the whole family were musicians, she played the harp her father was a singer. But I don't think she'll quite be singing from the jail.

Even though he's known to a perfect director, Shyam Benegal is yet to finalise the actress who will play Noor.

"Someone say like Norah Jones would be very good. She's got the musical background, multiple nationality but there are other artists. Kareena Kapoor, Audrey Tatou but these are just dreams. I haven't signed anybody up. So to name one particular person is to make a lot of enemies," said Benegal.

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Posted: 18 years ago
Aamir breaks 'Lajjo' Kareena's heart, 'KJo' comes to her rescue.

Filed under: All News
Posted: May 18th 2007 by Kimaya De

Kareena Kapoort AKA Bebo

Another setback for Kareena Kapoor as her soon to be shot 'Lajjo' has been shelved. Bebo was all excited about this project as she was gearing up to work for the very first time with Aamir Khan.

Mani Ratnam, who has delivered 2007's so far biggest hit 'Guru', has decided to postpone the shoot of the movie and based on insiders the reason is creative differences with actor Aamir Khan. Now, we all know about the oh-so perfectionist Aamir, who always likes to take charge of things but, this didn't work quite well with Mani Ratnam, who put his foot down and decided not to go ahead with the movie.

Aamir, who had committed shooting schedule dates from September onwards to Mani, has gone ahead and started shooting for 'Ghajni'. Poor Bebo is in a shock, as she has not signed any other project and kept her calendar open for 'Lajjo'.

The actress however, has something to hope for as Karan is most likely to sign her for his project as Kajol is not keen on working with Karan.

So Bebo may not have 'Lajjo' but she could get lucky with 'KJo'.

http://www.bollywoodblog.com/category/All-...-to-her-rescue/



dont know if this is 100% correct info or not but i really hope this film is not shelved and we get to watch bebo n aamir together in this film.
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Posted: 18 years ago
Kareena is my all-time favourite: Karan

Urvashi Yadav
CNN-IBN
Posted Sunday , May 20, 2007 at 11:21
Updated Sunday , May 20, 2007 at 11:36 Email Print

LOOK DOESN'T MATTER: 'Actually, they believe that I am not that good looking,' said Karan.




Other stories in the section

To catch a star: Aamir Khan
Kabul kites fly away to Hollywood
Why Aamir Khan doesn't like awards
Lakdawala takes supari to kill Santoshi
You can't fire me, I quit: Trump to NBC
New Delhi: As a host or the guest, filmmaker Karan Johar surely does the juggling act well.


Johar, one of the most versatile directors of Bollywood, was in the city on Saturday morning for some brand endorsement duty.


Talking to CNN-IBN, he tried to explain what's all this hype around him these days and shared a few things from his heart.


Why is there so much hype around Karan Johar?


"Actually, they believe that I am not that good looking," said Karan.


The filmmaker was in the capital in a new role, for the launch of a clothing store. If Karan is its social ambassador, then Hollywood hottie Jude Law is its brand ambassador.


So, what does Karan have to say about this good-looking actor?


"Looks are all about an individual opinion. I think there are lots of good-looking women and men in the industry. But I think it's all about personality," said Karan.


And what is his first love?


"Making films is my first and foremost passion and it will always be," replied Karan.


And who does he think has contributed the most for his TRPs for Koffee with Karan, his other passion?


"Kareena is always like my all-time favourite, bean spiller. I think she always says rather interesting things. She is frank, she is forthright and she is fabulous. She is the best bean spiller, very honest," Karan said.


And we couldn't resist quizzing Karan about having Rakhi Sawant on the couch.


"She is terrific. I am actually a fan of her personality, of her honesty and just the way she is. There are very few people in whom you get what you see," said Karan.

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Noor Anayat Khan: The princess who became a spy
She was a Sufi pacifist who fought for Britain and died at the hands of the Gestapo. As a new biography separates truth from myth, Boyd Tonkin celebrates the remarkable Noor Anayat Khan
Published: 20 February 2006
This is the story of a young Indian Muslim woman who joined a secret organisation dedicated to acts of sabotage, subversion and terrorism across Europe. A fierce critic of British imperialism, she worked with passion and audacity to damage and disrupt the forces of law and order. Captured, she proved impenitent and uncontrollable. She died a horrific death in custody. And now, perhaps, is the right time to revisit the life of Princess Noor-un-nisa Inayat Khan, George Cross, Croix de Guerre with gold star, MBE: the British secret agent who was kicked into a "bloody mess" on the stone floors of Dachau concentration camp through the night of 13 September 1944, and then shot with the word "Libert" on her lips. Hers, after all, is a remarkable chapter in the history of Muslims in Britain and the West.

For more than half a century, myths, misconceptions and outright fantasies have crowded around the memory of Noor Inayat Khan. She was the first female radio operator sent into Nazi-occupied France by the Special Operations Executive (SOE). Through the frantic, terrifying summer of 1943, the untried 29-year-old spy found herself virtually in charge of Resistance communications in the Paris area as the Gestapo arrested cell after cell around her. The daughter of a famous Sufi mystic and musician, and an Indianised American mother, she was remembered by all as a "dreamy", sensitive child. Yet Noor the spy became a tigress whose bravery and defiance startled - and outraged - her German jailers and torturers. A few responded differently. When told during his postwar interrogation about her death in Dachau, Hans Josef Kieffer - head of the Gestapo headquarters in Paris - apparently broke down in tears.

Controversies and rumours still abound. Noor's posthumous career as a war heroine began in earnest in 1952, when her friend and comrade Jean Overton Fuller did her best to dispel the fog of confusion and misinformation left by her death in a book, Madeleine - Noor's Resistance codename. Maurice Buckmaster, Noor's colonel in SOE, and the top cryptographer Leo Marks both recalled her in their memoirs with an intense, possessive - but rather patronising - affection that often makes for more heat than light. Marks, briefed to expect as his latest apprentice a "potty princess", typically begins his recollections of their first encounter by writing that "no one had mentioned Noor's extraordinary beauty".

From her spellbound SOE trainers at Beaulieu Manor to the governor of Pforzheim jail who came almost to revere the prisoner he kept in chains, Noor left no one unmoved. Yet her quiet charisma made fancy corrupt fact. In recent years, two colourful novels have embroidered her tale with the interests and penchants of their authors: the French writer Laurent Joffrin's frankly romanticised All That I Have, and Shauna Singh Baldwin's more politically engaged The Tiger Claw.

However, the recent declassification of personal files has allowed the always-murky deeds of SOE and its "F Section" agents who spied (and died) in France to emerge further into the light of history. Fresh material surfaced when, last year, Sarah Helm's A Life in Secrets traced the biography of Vera Atkins: the SOE staff officer who, plagued by remorse at the hideous fate of so many of her F Section "girls", made a secret postwar enquiry into their betrayal and capture. Now, Shrabani Basu - a historian and journalist based in London as correspondent for an Indian newspaper group - has pieced together Noor's story more fully and reliably than ever before in a new biography, Spy Princess.

For Basu, "60 years after the war, Noor's vision and courage are inspirational". She has proposed to English Heritage that a blue plaque should mark Noor's address at 4 Taviton Street in Bloomsbury, and a decision will be made in June. Thanks to her book, a new generation can grasp what Noor did, and how she did it, with much greater clarity. Yet the "why" remains, in some sense, as elusive as ever.

Noor Inayat Khan was the great-great-great granddaughter of Tipu Sultan, the Muslim ruler of Mysore whose celebrated military prowess stalled the advance of East India Company forces at the end of the 18th century. Ever after, the British in India treated the family with the utmost suspicion. Yet Hazrat, her father, turned his back on this rebel and warrior tradition when he became a Sufi teacher and founded an order to spread - via music - his peaceful, tolerant and non-dogmatic faith to the world. A gifted singer and instrumentalist from a family of virtuosi, he met his American wife on tour in California. By the time Noor was born, in January 1914, the Inayat Khans were living and performing in Moscow, and her mother, the former Ora Ray Baker, had donned sari and veil as "Amina Begum".

After an infancy in the chilly wartime squares of Bloomsbury, Noor grew up in the suburbs of Paris, at "Fazal Manzil": a much-loved house in Suresnes outside which a military band still plays in her honour every 14 July. The eldest child of four, seen by all as kind, vague and artistic, she suddenly had to take charge of the family when her father's death on a visit to India in 1927 left her mother immobilised by grief. For the first, but not the last, time, crisis turned Noor the dreamer into Noor the leader.

In the 1930s, Noor studied music (especially the harp) at the Paris conservatory, and child psychology at the Sorbonne. She also became a talented writer and broadcaster of children's stories. On Amazon you can find Noor's Twenty Jataka Tales (1939): charming Buddhist fables in which, eerily, animals overcome their fragility to perform feats of bravery and sacrifice. At this time, she got engaged to a pianist of Jewish origin, one aspect - together with rumours of a later, wartime engagement to a fellow British officer - of a still-mysterious emotional life.

After Germany invaded France in June 1940, Noor the Muslim Sufi pacifist - and passionate believer in India's right to independence from colonial rule - made the moral choice that fixed the course of her life, and death. She and her brother Vilayet decided, in the face of Nazi aggression, that non-violence was not enough. They jointly vowed that they would work - as Vilayat told Shrabani Basu in 2003 - "to thwart the aggression of the tyrant".

Surviving the chaos of the mass flight from Paris to Bordeaux, they made a dramatic seaborne escape to England. There, Noor volunteered for the WAAF (Women's Auxiliary Air Force) and started on the long road of signals and wireless training that would lead her - a woman raised in France, perfectly bilingual, and with advanced radio skills - to recruitment as a secret agent in November 1942. Selwyn Jepson, the novelist-turned-spy who first interviewed her for SOE, later found himself remembering Noor with a "very personal vividness... the small, still features, the dark quiet eyes, the soft voice, and the fine spirit glowing in her". No one ever forgot Noor, or ever felt indifferent about her, though some SOE trainers doubted her suitability for espionage and tried to block her progress into the field.

They failed, and within days of her arrival in France in June 1943 she had proved them wrong. As the broken Prosper network of Resistance cells collapsed, Noor dodged from safe house to safe house in Paris, outwitting the Gestapo and transmitting messages with immense speed and accuracy in hostile conditions. "Single-handedly," according to Basu, "she did the work of six radio operators." In London, code-master Leo Marks noted that "her transmissions were flawless, with all their security checks intact".

With F Section still in disarray, but starting to rebuild thanks to her work, Noor was finally betrayed in October - probably by Rene Garry, sister of her first contact in Paris. Within minutes of being taken to the Gestapo HQ at 84 avenue Foch, she had climbed onto a bathroom window ledge in an escape attempt. Forced by the Germans to keep up radio transmissions (the "radio game" inflicted on captured agents), Noor duly sent the agreed 18-letter signal to alert SOE about her capture. It was ignored: one of a catalogue of SOE blunders. Later in her interrogation, she joined with other agents to plan another daring escape that involved loosening, and then removing, the bars on their windows. It almost succeeded - ironically, a simultaneous RAF air raid on Paris prompted a sudden security check.

Now viewed as incorrigibly dangerous and uncooperative, Noor was sent in November 1942 to Pforzheim prison in Germany, where - bound by three chains, in solitary confinement - she endured 10 months of medieval abuse. She ranked as a Nacht und Nebel ("Night and Fog") inmate, earmarked only for oblivion and death. Shackled, starved, beaten, she never talked. Then, in September 1944, came the transfer to Dachau along with three other female agents, and the end of her sufferings.

Knowing the whole truth - or almost the whole truth - about Noor does not make her any less paradoxical. Basu, who quashes so many myths about this "Muslim woman of Indian origin who made the highest sacrifice for Britain", also stresses that she fervently backed the struggle for Indian liberty. Indeed, Noor shocked - and maybe rather impressed - the interview panel when she went for an WAAF commission in 1942 by arguing that, after the war, she might feel obliged to fight the British in India. That makes her - although a commissioned British officer, and a holder of the George Cross - a curious national heroine. As for her Muslim identity, the Inayat Khans' brand of all-inclusive Sufism would count as heresy or worse to the kind of hardliner who now presumes to speak for Islam in and to the West.

The key to her career may be that this child of a liberal, cultured home freely chose her fate. She chose to fight Nazism; she chose to do it alongside the British; she chose the risks of espionage; and she chose to stay in Paris when SOE ordered her home. At a memorial service in Paris, General de Gaulle's niece summed up her achievement: "Nothing, neither her nationality, nor the traditions of her family, none of these obliged her to take her position in the war. However, she chose it. It is our fight that she chose, that she pursued with an admirable, an invincible courage." When she died with "freedom" on her lips, it was hers. And it was ours as well.


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