First time posting here. My friend Nels here asked me to watch the show and I did watch the entire show in the weekend. Crazy it is, but I did it anyways.
So coming back to the popular post of today.
I would neither agree or disagree to the post and yet respond to this post by explaining why I do not choose to take the matter that seriously.
I had an offline discussion with one of other dormant forum friend and she queried puzzlingly to me asking, if I did not find it childish enough to want to have seen all the episodes. Then my answers to her were many. And here I compile all that in one go.
1) Towards the Post. @koolsadhu1000. We just need to gulp it down, as many of these soap stories are essentially what you write. Nothing different about these love stories. The writers and Production Houses write fiction that sells. And People at large in the world are not greatly influenced by TV Soap Dramas...thanks to contrasting ground work by activist organizations world wide and Policies and Governance formulated by Governments closely working through women's groups. Now if we keep out the inspiring and influential aspect out of the Indian soap drama and just concentrate on the doled out pulp fiction of a supposed to be passionate and limitless love stories, then we can go for story construction, which now follows.
2) When I watched the soap, I could not help remembering the love stories on all the channels. I had long time back written few lines when I watched Madhubala. It basically is the same formula for all soap stories.
Kabhi Humne kheencha tumhe toh Kabhi tumne hameh sambhaala |
Dekhenge tumhe hum sadaa, kabhi tukur tukur ke, Kabhi ghoor ghoor ke|
Kabhi dard mein, kabhi gusse mein, kabhi khushi mein, kabhi madhoshi mein |
Yeh ishq aur junoon jo nibhaana hai hameh tumse ||
I just laugh at it everytime I read that.
3) Now of all the lovestories that I could see traces of, the most recurring images were from two soaps. a) Pyaar ka Dard Meetha Meetha Pyara Pyara b) Madhubala Ek Ishq Ek Junoon
Then I asked myself, why I keep seeing so many similarities here. Then ofcourse the answer was that MEIEJ was Colors Love Story formula. And I looked at the Writing team. I saw the name Sonali Jaffer. Instantly, I saw, Yeah! She did write the inception and initial glory of MEIEJ. Then I checked Pyaar Ka Dard. And there she was. Sonali Jaffer wrote that as well.
4) So we know the common stuff across Telly world and the challenges of keeping a daily soap running 5 times a week every day until it keeps itself afloat. To me its a writer and Production House and Channel's daily husting business. When I call it a hustling Business, it pretty much takes away the capacity of principled business that runs on a established timeline for sure, such as for a Season atleast like in international arena. For me hustling is not character, its mere survival through creativity or recycling of same ideas, that sell.
5) And yet the hustling business also needs a product and its marketable package. What is that product and what is the package. ofcourse that is your title track, that later on gets expanded as per increasing storyline. Ding Ding ...here the winner is title track, which tells us the stuff, we should actually look for being critical of the story or main characters. These days there is no life to supporting characters. They are just pillars and walls for holding the house of the main characters. The pillars of the story ofcourse are Usman Abdulla (Zain's father) and Shabana Ghulam Hyder (Aaliya's mother). Rest every one are walls and they will be dismantled and rebuilt as per story's requirements. These are the props of today's TV world. Song, Lead characters, Supporting Cast for Pillars and Walls, Guest Actors for catalystic addition to the plot, as in plot drivers that cause change in lead characters and Walls of the house.
6) Now I must say that I liked the original sound track. Here listen to the lyrics.
That pretty much gives us the story line and story direction. Anything in the story dynamics, it has to reflect the question of being BeIntehaa (Limitless and Boundless) ...An infinite love amidst Not limited in any capacity, Not Binding in any capacity. Now is the story true in that regard ?!!! Yes, it is. It hold true even now.
7) What is the story and the relationship of the protagonists like ?!! To quote myself what I was writing to my other friend in a chat,
"Yes, childishness, is the essence of the relationship. The children at heart suddenly thrown before each other after growing up and forced to marry under circumstances. They are adults before everyone except themselves. The silver line in the cloud is that their admiration for each other as man and woman, the mutual attraction, that the children at heart find it hard to see the lining that clearly demarcates that they stop being what they were to each other and accept that they are no more children. However the most memorable line to abt that song is...ranjish...jahaan ki bandish. Now I am thinking jahaan ki ranjish.
Jahaan ki bandish...is following conventions. And person like me...who is strongly respecful of valuable traditions is at the same time is abhorrent of every kind of convention that limits freedom. Convention should be security, wisdom and cheat sheet of construction of happiness but not happiness itself.
Coming back to the two kids...the conventions liking girl is god praying and seeking direction through her god and elders advice. But the same conventional girl who finds happiness serving her parents and mamoos wishes and teachings, is thrilled and excited at the unconventional cousin and now husband in front of her. She finds it hard to believe that other person is competitive and that too not being like her. The girl when she understands that happiness is when you look at the outcome and not the details and deviations of way to that happiness is when she would have matured and life becomes easy for her. And she has to understand that she feels the guilt of it, of liking a person that her conventions tell her not to like it. It is eternal fight on telesoap romantic fiction...
But the lyrics talk about freedom from conventions of creations, beginnings, conventions of purity through tests, talks abt flowing truths like the elemental waves and currents of water mass through wind, space and fire dynamics.
That is what comes across to my mind when I listened to the song. And perhaps that's why my friend was wanting me to listen and see it so much so that she can express to me what she felt. Its embarrassing that one gets these epiphanies through a crappy telesoap...but true is the emotional experience through listening to a lyrical musical accompaniment.
8)When we see all this through this kind of charitable eye, we would just dismiss Aaliya, action of going to Maika, as any normal action that comes from a Colors Lead female character. They act righteously but not intelligently, as otherwise, how would their dark hero explain how he compliments her?!!! Zain is going be intelligent but act most unscrupulously as he is going be a problem solver for the female lead who actually is the problem solver for not only all the characters of the story, is also the changer of the hero. But then she needs support. So the hero will support her and get changed too. The heroine then becomes a winner - all round.
9)How to explain an unintelligent action as the most right thing to do.
a) Make the clear headed hero commit a mistake, not too grave, just enough to upset the heroine. That way he irks female lead fans and also ensures his fan following. So Zain, being very clear and having done right things so far, has been still able to maintain his boyish immaturity before the female lead. That is actually the story. But then when he says, if you think it is compromise, why the pretense of taking care of me. Don't do it. Those are the last words which are actually wise. Upon this the Aaliya has acted. She cannot undermine what Zain has said, and cannot continue doing things for him at his discomfort. And she also is confident that for Zain the marriage holds true except for being a bookish husband of her dreams.
b)On that confidence she thinks of giving space to her husband for few days, gets away from the problem causing Zubbu and sends a diplomatic message to her husband that shows him, that she is still in their game and not ready to lose.
c)Now this action gets a befitting response from her husband. At first he panics, then it dawns on him in few seconds, why is he running, when his wife already said that she will return back. So why worry and why not enjoy few days of freedom without her, even if to show off to her, his resilience. On a different note, this action of her absence is the plot driving action for Barkat to create enough mess that has to have befalling bad consequences/times on BarkatVilla.
10) And all of it is appealing to the viewers. Because, very gaurdedly, they have made the matter of love, hurt as private matter between the two. If Aaliya wishes, she can just slap Zain. But since she does not want to, she will not. And this is actually the most magnetic appeal towards Aaliya for Zain. He can forever be playful with his wife, as she provides game for him all the time. While he was on fun roll before marriage, after marriage, he has started work and being responsible, but he still gets fun of being gamer and having fun through his wife. After all, when you have a partner that brings the best and worst out of you, you are more likely to pledge yourself with him/her, as it is a home and security without any masking.
Edited by 0-SD-0 - 11 years ago