Why audience picked 'Housefull 5A' over '5B'; we explain
Housefull 5 launched with two endings, 'A' and 'B', letting audiences choose. Version 'A' quickly dominated shows and the 'B' version couldn't.
Published: Tuesday,Jun 10, 2025 11:31 AM GMT-06:00

A Bollywood experiment with its audience's choice has yielded fascinating if perhaps unintended, results. The recently released comedy mystery, Housefull 5, embarked on an unconventional distribution strategy, offering two distinct versions – Housefull 5A and Housefull 5B – each presenting a different culprit in its whodunit plot. This innovative approach allowed moviegoers to pre-select their preferred narrative resolution through online booking platforms. While initially both versions were allotted comparable screening slots upon the film's June 6 debut, a significant shift in audience preference quickly became apparent, influencing exhibition strategies across the nation.
By the end of the opening weekend, the scales had tipped dramatically in favor of Housefull 5A. Reports from major multiplex chains in the Mumbai region, such as Cinepolis Thane, indicated a clear preference, with Housefull 5A commanding a significantly higher number of shows compared to its counterpart. This trend intensified into the new week, as theaters recalibrated their schedules to align with consumer demand. A similar pattern emerged in other metropolitan centers like Delhi, Kolkata, and Jaipur, and even in smaller cities, suggesting a widespread inclination towards the 'A' version.

Industry observers noted that some multiplexes, particularly those that had already pre-sold tickets for the entire weekend, maintained the initial balanced schedule until Monday. However, from Monday onwards, a strategic reallocation of showtimes was implemented, prioritizing Housefull 5A. For instance, PVR Lower Parel, which initially offered an even split, adjusted its programming to reflect the stronger demand for Housefull 5A. This commercial pragmatism, driven by box office performance, led to a substantial reduction in Housefull 5B screenings.
Curiously, there were a few isolated instances where this trend was not universally adopted. Miraj Wadala in Mumbai, for example, maintained an equitable distribution of shows for both versions. Conversely, Wide Angle Ahmedabad showed a surprising inclination towards Housefull 5B, allocating it more screenings than Housefull 5A. Furthermore, some cinema halls, like Cinepolis Mohali and the historic Raj Mandir in Jaipur, opted to exclusively screen Housefull 5A, completely sidelining Housefull 5B.
The reasons behind this pronounced tilt towards Housefull 5A appear to be multi-faceted. Feedback from exhibitors, like Kiritbhai T Vaghasia, owner of The Friday Cinema in Surat, shed light on a crucial misstep in audience perception. Many moviegoers, unaware of the dual-ending concept, mistakenly perceived Housefull 5B as a continuation or sequel to Housefull 5A. Consequently, they instinctively chose to watch Housefull 5A first, intending to catch Housefull 5B later. This misinterpretation inadvertently channeled more footfalls towards the 'A' version.

Moreover, the digital interface of movie ticket booking platforms inadvertently contributed to this disparity. As an exhibitor from North India pointed out, Housefull 5A typically appeared as the primary option when patrons navigated to the film's booking page. This default visibility led to a higher conversion rate for Housefull 5A, with many users simply selecting the readily available option without exploring further. This technological nuance, coupled with the audience's initial confusion, created a snowball effect, propelling Housefull 5A's popularity and diminishing the viewership for Housefull 5B.
Despite these internal distribution challenges and the varied reception to its dual-ending concept, Housefull 5 has emerged as a significant commercial success. The film, featuring an expansive ensemble cast including Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, and Sanjay Dutt, has achieved a remarkable feat by crossing the Rs 100 crore mark at the Indian box office within just four days of its release. Its global collection stands even higher, surpassing Rs 160 crore.
This robust financial performance underscores the enduring appeal of the Housefull franchise and the star power of its lead actors, proving that even with an unconventional release strategy and audience confusion, a strong commercial foundation can be laid. The film's robust performance, despite the split-ending scenario, offers valuable lessons for future cinematic ventures contemplating similar innovative distribution models.
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