Varun Dhawan and Keerthy Suresh's 'Baby John' Struggles at the Box Office, Grossing 38.50 Crores in 12 Days
The film, starring Varun Dhawan and Keerthy Suresh, has faced challenges in attracting audiences, leading to a significant decline in earnings.
Published: Monday,Jan 06, 2025 19:27 PM GMT-07:00

Varun Dhawan and Keerthy Suresh's action thriller, Baby John, has faced a challenging journey at the box office since its release on December 25, 2024. Despite high expectations, the film's performance has been underwhelming, with collections stagnating at approximately ?38.5 crore over the first 12 days. The film's opening week saw a net collection of ?36.4 crore, followed by a modest ?2.01 crore in its second weekend. This brings the total to ?38.5 crore, which is significantly below the production budget of ?160 crore. This indicates that only about 24% of the investment has been recouped so far.
The underperformance of Baby John can be attributed to several factors. The film received mixed reviews from critics and audiences, which likely impacted its box office appeal. Additionally, the release coincided with other major films, such as Pushpa 2 and Mufasa: The Lion King, which may have diverted audience attention.
Looking ahead, the film faces stiff competition with upcoming releases like Fateh, starring Sonu Sood and Jacqueline Fernandez, and Game Changer, featuring Ram Charan and Kiara Advani, both scheduled for January 10, 2025. These films are expected to draw significant audience interest, further challenging Baby John's box office prospects.
In terms of its narrative, Baby John follows the story of a single father, portrayed by Varun Dhawan, who is also a fearless police officer. The film includes a special cameo by Salman Khan, adding to its star power. Despite these elements, the film has struggled to make a significant impact at the box office.
In conclusion, Baby John has faced a challenging box office journey, with collections falling short of expectations. The film's performance underscores the unpredictable nature of audience reception and the competitive landscape of the film industry.
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