DRONA: Director's Note

legacy, a responsibility that is passed on from generations, and is taken on with pride and never questioned. On 11th of August at midnight, Abhishek came to the hospital to see my new born, Ranveer. I discussed my idea with him and he got on board immediately. The film was to be a magical adventure, a timeless tale of good against evil, of a man rising to fulfill his destiny and be true to what he was born to be.... abhishek’s enthusiasm and conviction gave me the impetus to write a full fledged script, and slowly Drona came to life. After completing the story, I worked jointly with rohini and jaydeep on the screenplay to arrivie at the desired structure and texture that I wanted for my fantasy adventure , we arrived in the world of Drona, a world where amar chitra katha meets frank miller. We were slowly creating our very own legend. Abhishek had inspired Drona, but now, Drona was coming alive in Abhishek. His inputs were invaluable in fleshing out this grim but innocent hero, his stance, his gait, heavy with the burden he was bearing, speaking very little, with the cynical smile of someone who has grown up in a small span of time. Abhishek and I worked backwards on the charachter, even to the details of the weight of the characteristic “Drona punch”.

My story galloping as well as my imagination, I started thinking about my dream cast. Priyanka was the obvious choice for Sonia's role. She is the epitome of a beautiful, sensuous, sincere warrior, dedicated to protecting her Hero, her Drona. I couldn’t have asked for a more driven actress. She spent months learning the Gatka, which is a Sikh martial art form, and she delivers as if she was born for it .

For the formidable Riz Raizada, I needed someone who could chill you to the bone, simply by the intensity of his look. Kay Kay Menon, again was an obvious choice. Few can match him in acting prowess, and the role of the flamboyant and deviant magician, made him push his own boundaries further.

But the casting that was most special to me was that of queen jayati. Jaya auntie said yes to being in the film even before she heard the script. On her part, she was saying yes to her son, on my part, I could never have seen anyone else in the part of my elegant and ever poignant queen mother.

A directors vision starts playing and replaying itself as the cast gets Finalized

My production designer Tania Behl and my DOP Sameer Arya, along with my Costume Designer Anaita Shroff Adjania, were all in sync with the surreal, graphic feel I wanted. Wewanted to mix Indian elements and textures to western slick technique and execution, and we were working head long into it.

My team never let me think that anything was beyond reach, my producer and sister Shrishti Arya believed in me, and my vision of the world of Drona and encouraged me to create it without any compromises. Sunil and Kishore Lulla of Eros gave me the kind of backing one can only dream of by introducing me to Charles Darby, a mastermind at making fantasy possible on screen.

A film like Drona needs the best Visual effects and Action….

Thus came on board David Bush, as vfx producer and supervisor, who along with facilities such as eyecube, tata elexi, prana, ,red chillies prime focus plus and future works have strived to achieve the spectacular visuals of Drona Tom Delmar and Shyam Kaushal came on board for the action and together they gave me the prefect mix of ancient indian martial arts along with medieval roman fight forms but executed in a very contemporary fashion….

My dream would be a silent one without my Music Director Dhruv Ghanekar. He created a sound for this film that was unique and so true to its spirit. Dhruv’s score has only added to scale and emotions in Drona…

Drona has been an immense journey. I am now at the end of this journey, having lived and breathed every moment to it’s fullest. I can only hope that my quest has yielded the desired result and my sons and their grandfather will enjoy it and can be proud of it ...

Courtesy:Eros
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