'Maine Pyar kiya' style communication *Updated*

• I still dont get it why are the CVs on this fast track when it comes to family or Ishra scene. Yes we know a big dhamaka is coming our way and we've been warned with enough of OLVs, spoilers et al...but what has been the essence of YHM is the build up to some track...so this too much happening too fast kinda is getting to be a distraction.
• I didnt watch the Shagun scenes so have no idea why Raman and the lawyer messed up about reading the document before signing the legal contract.
• Hope the Cvs slow down and give us some meaningful communication, meaningful nok jhok and meaningful romance...yes I want all of those be given as much importance as the melodrama bits are given
  

What a beautiful collage G, and your post is so very apt as well.👏👏👏

I'm going to be honest, I was on total ISHRA tunnel vision today, I think somewhere I'm just trying to soak up al the moments before it all implodes and I am crouching in a corner trying to wipe my tears with a blanket and pretending I'm not crying @ the fate of two fictional characters while convincing myself it'll be over soon... 😆

The scene was as adorable as we've seen them get in the past... really actually reminded me of the moment in the old building after her conversation with Mani when Ishu realized her feelings for Raman had changed and was ogling him as he worked on his files- that deliberate trip+ fall moment and eye lock is a personal favourite because of her feelings in that moment and this one was quite similar.

The moment began with their usual banter - I loved the silent communication , DIVAN are best with these kind of moments that require little to no dialogue, no matter what the mood and this scene stands proof of that. I loved the initial note exchange when we heard first Ishu then Raman say the words on her post it, not only showed different delivery methods for the same lines but the way the two of them said the words said so much about the character and mood at the moment- fabulous. Then their Tom & Jerry chase, similar to when he called her a witch and then the eye lock ... which was intense to say the least. The change in temperaments in those two, especially RKB, within a five minute scene was really lovely to see- from frustrated to teasing to lust to chagrin and then serious once more- KP is really making the most of this stupidity already. I can't wait to see what the rest of the week demands of him.

I am, as most of you are, frustrated about the lack of communication. Surely there is a deliberate reasoning for the CVs to take this route- so that when it all comes out the dam will burst and they will both fall apart as individuals and a couple, needing each other but not able to reach out because of the deliberate acts of omissions of these past few days. But for the characters themselves as well this kind of makes sense.

Yes ISHRA and RKB have taken long strides in their communication, but there is still a part of RKB that just wants to take care of everything by himself. Unlike with the accident track, he is not hiding this truth because he doesn't trust Ishita, but because he doesn't want to give her additional worry. His worry even today about her possible reactions to the monetary agreement with Shagun was simply about avoiding what he feels is an inevitable fight for an unavoidable situation. He knows Ishita loves his children but he also knows hat she doesn't agree with the lengths he will go to get his son. The fact is Raman is trying to protect Adhi and bring him back into the fold. Ishita is trying to protect Adhi and Raman... and Raman, he doesn't feels he needs to be protected.

And that is why he is making such fundamental mistakes in his manuvers against Shagun (and his choice of legal advisors). Raman sees Adhi as his only weakness, what Ishita sees is that his weakness for Adhi has also made him vulnerable to Shagun's ploys and manipulations- something we have all been witness from the moment Adhi was introduced. As much as the coming track is about ISHRA, ISHRARU, Adhi , the GKC concept and everything else... I see this as the track that will finally make RKB see the truth of his true vulnerability and for that, as much as anything else, I will watch.

Raman needs to face the blindness that his love for his son has given him, it will always be a part of him to some level- like her love for Ru blinds Ishita, and they both must come together and admit that in such moments they need the support of the other. They need to know and accept that that said support will come free of judgement and will that the worry will never be seen as a burden. These seem like simple lessons, but for two people who life has let down so much , especially regarding those particular children, it's a hard lesson to learn. And perhaps this is the only way to make sure that they not only learn it, but also never forget.

Random thoughts:

1. Was RKB gelling down his curls in the beginning? Wouldn't it be easier to get a trim?#Please stop these crimes against hawtness #Not fair #l need him to look pretty while he mopes for the upcoming track #Atleast give me a pretty puttar to look at #Fangirls against hawtness reduction

2. New background track... not really liking it. The BG scores just seems really off these days, is it just me?

3. Ishu's hair... NO!🤢

4. Old apartment mentioned: Finally getting rid of the curse of the service apartments? Back to quality YHM?

5. How many rooms does the Bhalla home have?😛

6. 24 hour deadline: Bullet train? or Turtle pace? Place your bets ladies and gents!😉

• Cute fights that break the ice (& the wonderful collages that capture them)
• Ishita continuing to frankly speaking your mind without aggression 👏
• The pride of men like Appa & Raman who foolishly keep money matters from their spouses