The Final Battle of Arjun & Karna as per the Epic - Page 4

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Posted: 9 years ago
#31
Krishna never urged Arjun to use this Astra and that.And these people are showing Krishna sujjested Parth to use Anjalikastra. And it is not Anjali Astra. It is Anjalika.In Star B and in SPK it was pronounced wrongly.
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Posted: 9 years ago
#32
emembering the incidents alluded to by Krishna, Dhananjaya blazed up with fury. Then, O king, blazing flames of fire seemed to emanate from all the pores of the angry Partha's body. The sight seemed to be exceedingly wonderful. Beholding it, Karna, invoking thebrahmastra,showered his shafts upon Dhananjaya, and once more made an effort to extricate his car. Partha also, by the aid of thebrahmastra,poured arrowy downpours upon Karna. Baffling with his own weapon the weapon of his foe, the son of Pandu continued to strike him. The son of Kunti then, aiming at Karna sped another favourite weapon of his that was inspired with the energy of Agni. Sped by Arjuna, that weapon blazed up with its own energy. Karna, however, quenched that conflagration with the Varuna weapon. The Suta's son also, by the clouds he created, caused all the points of the compass to be shrouded with a darkness such as may be seen on a rainy day. The son of Pandu, endued with great energy, fearlessly dispelled those clouds by means of the Vayavya weapon in the very sight of Karna. The Suta's son then, for slaying the son of Pandu, took up a terrible arrow blazing like fire. When that adored shaft was fixed on the bow-string, the earth, O king, trembled with her mountains and waters and forests. Violent winds began to blow, bearing hard pebbles. All the points of the compass became enveloped with dust. Wails of grief, O Bharata, arose among the gods in the welkin. Beholding that shaft aimed by the Suta's son, O sire, the Pandavas, with cheerless hearts, gave themselves up to great sorrow. That shaft of keen point and endued with the effulgence of Sakra's thunder, sped from Karna's arms, fell upon Dhananjaya's chest and penetrated it like a mighty snake penetrating an ant-hill. That grinder of foes, viz., the high-souled Vibhatsu, thus deeply pierced in that encounter, began to reel. His grasp became loosened, at which his bow Gandiva dropped from his hand. He trembled like the prince of mountains in an earthquake. Availing himself of that opportunity, the mighty car-warrior Vrisha, desirous of extricating his car-wheel that had been swallowed up by the earth, jumped down from his vehicle. Seizing the wheel with his two arms he endeavoured to drag it up, but though possessed of great strength, he failed in his efforts, as destiny would have it. Meanwhile the diadem-decked and high-souled Arjuna, recovering his senses, took up a shaft, fatal as the rod of Death, and calledanjalika.Then Vasudeva, addressing Partha, said, "Cut off with thy arrow the head of this enemy of thine, viz., Vrisha, before he succeeds in getting upon his car." Applauding those words of the lord Vasudeva, and while the wheel of his enemy was still sunk, the mighty car-warrior Arjuna took up a razor-headed arrow of blazing effulgence and struck the standard (of Karna) bearing the elephant's rope and bright as the spotless sun. That standard bearing the device of the costly elephant's rope, was adorned with gold and pearls and gems and diamonds, and forged with care by foremost of artists excelling in knowledge, and possessed of great beauty, and variegated with pure gold. That standard always used to fill thy troops with high courage and the enemy with fear. Its form commanded applause. Celebrated over the whole world, it resembled the sun in splendour. Indeed, its effulgence was like that of fire or the sun or the moon. The diadem-decked Arjuna, with that razor-headed shaft, exceedingly sharp, equipped with wings of gold, possessed of the splendour of fire when fed with libations of clarified butter, and blazing with beauty, cut off that standard of Adhiratha's son, that great car-warrior. With that standard, as it fell, the fame, pride, hope of victory, and everything dear, as also the hearts of the Kurus, fell, and loud wails of "Oh!" and "Alas!" arose (from the Kuru army). Beholding that standard cut off and thrown down by that hero of Kuru's race possessed of great lightness of hand, thy troops, O Bharata, were no longer hopeful of Karna's victory. Hastening then for Karna's destruction, Partha took out from his quiver an excellent Anjalika weapon that resembled the thunder of Indra or the rod of fire and that was possessed of the effulgence of the thousand-rayed Sun. Capable of penetrating the very vitals, besmeared with blood and flesh, resembling fire or the sun, made of costly materials, destructive of men, steeds, and elephants, of straight course and fierce impetuosity, it measured three cubits and six feet. Endued with the force of the thousand-eyed Indra's thunder, irresistible as Rakshasas in the night, resembling Pinaka or Narayana's discus, it was exceedingly terrible and destructive of all living creatures. Partha cheerfully took up that great weapon, in the shape of an arrow, which could not be resisted by the very gods, that high-souled being which was always adored by the son of Pandu, and which was capable of vanquishing the very gods and the Asuras. Beholding that shaft grasped by Partha in that battle, the entire universe shook with its mobile and immobile creatures. Indeed, seeing that weapon raised (for being sped) in that dreadful battle, the Rishis loudly cried out, "Peace be to the universe!" The wielder of Gandiva then fixed on his bow that unrivalled arrow, uniting it with a high and mighty weapon. Drawing his bow Gandiva, he quickly said, "Let this shaft of mine be like a mighty weapon capable of quickly destroying the body and heart of my enemy, if I have ever practised ascetic austerities, gratified my superiors, and listened to the counsels of well-wishers. Let this shaft, worshipped by me and possessed of great sharpness, slay my enemy Karna by that Truth." Having said these words Dhananjaya let off that terrible shaft for the destruction of Karna, that arrow fierce and efficacious as a rite prescribed in the Atharvan of Angiras, blazing with effulgence, and incapable of being endured by Death himself in battle. And the diadem-decked Partha, desirous of slaying Karna, with great cheerfulness, said, "Let this shaft conduce to my victory. Shot by me, let this arrow possessed of the splendour of fire or the sun take Karna to the presence of Yama." Saying these words, Arjuna, decked with diadem and garlands, cherishing feelings of hostility towards Karna and desirous of slaying him, cheerfully struck his foe with that foremost of shafts which was possessed of the splendour of the sun or the moon and capable of bestowing victory. Thus sped by that mighty warrior, that shaft endued with the energy of the sun caused all the points of the compass to blaze up with light. With that weapon Arjuna struck off his enemy's head like Indra striking off the head of Vritra with his thunder. Indeed, O king, with that excellent Anjalika weapon inspired with mantras into a mighty weapon, the son of Indra cut off the head of Vaikartana in the afternoon. Thus cut off with that Anjalika, the trunk of Karna fell down on the earth. The head also of that commander of the (Kaurava) army, endued with splendour equal to that of the risen sun and resembling the meridian sun of autumn, fell down on the earth like the sun of bloody disc dropped down from the Asta hills. Indeed, that head abandoned with great unwillingness the body, exceedingly beautiful and always nursed in luxury, of Karna of noble deeds, like an owner abandoning with great unwillingness his commodious mansion filled with great wealth. Cut off with Arjuna's arrow, and deprived of life, the tall trunk of Karna endued with great splendour, with blood issuing from every wound, fell down like the thunder-riven summit of a mountain of red chalk with crimson streams running down its sides after a shower. Then from that body of the fallen Karna a light passing through the welkin penetrated the sun. This wonderful sight, O king, was beheld by the human warriors after the fall of Karna. Then the Pandavas, beholding Karna slain by Phalguna, loudly blew their conchs. Similarly, Krishna and Dhananjaya also, filled with delight, and losing no time, blew their conchs. The Somakas beholding Karna slain and lying on the field, were filled with joy and uttered loud shouts with the other troops (of the Pandava army). In great delight they blew their trumpets and waved their arms and garments. All the warriors, O king, approaching Partha, began to applaud him joyfully. Others, possessed of might, danced, embracing each other, and uttering loud shouts, said, "By good luck, Karna hath been stretched on the earth and mangled with arrows." Indeed, the severed head of Karna looked beautiful like a mountain summit loosened by a tempest, or a quenched fire after the sacrifice is over, or the image of the sun after it has reached the Asta hills. The Karna-sun, with arrows for its rays, after having scorched the hostile army, was at last caused to be set by the mighty Arjuna-time. As the Sun, while proceeding towards the Asta hills, retires taking away with him all his rays, even so that shaft (of Arjuna) passed out, taking with it Karna's life breaths. The death hour of the Suta's son, O sire, was the afternoon of that day. Cut off with the Anjalika weapon in that battle, the head of Karna fell down along with his body. Indeed, that arrow of Arjuna, in the very sight of the Kaurava troops, quickly took away the head and the body of Karna. Beholding the heroic Karna thrown down stretched on the earth, pierced with arrows and bathed in blood, the king of the Madras, went away on that car deprived of its standard. After the fall of Karna, the Kauravas, deeply pierced with shafts in that battle, and afflicted with fear, fled away from the field, frequently casting their eyes on that lofty standard of Arjuna that blazed with splendour. The beautiful head, graced with a face that resembled a lotus of a 1,000 petals, of Karna whose feats were like those of the thousand-eyed Indra, fell down on the earth like the thousand-rayed sun as he looks at the close of day.'"
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Posted: 9 years ago
#33
Ha! Suryaputra Karna!!...Here goes one more comic version on Karna- a Greek hero!
Has it not been fashionable lately to glorify this eternal victim? Mrityunjaya, Yagnaseni, Palace of illusion, All tv version 'creative minds' and many more..literary kind people, you know. After all he evokes refined sensibilities of discerning folks; Victim (and totem) of social injustice, Tragic hero with all winning capabilities and yet an underdog of fate, 'faithful friend'. And that romantic regional connection with Bong people- King of Ang (never mind his perpetual absence). So let us clap one more fanfic that is Son of Sun.

Edited by smrth - 9 years ago
ltelidevara thumbnail
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Posted: 9 years ago
#34

Originally posted by: smrth

Ha! Suryaputra Karna!!...Here goes one more comic version on Karna- a Greek hero!
Has it not been fashionable lately to glorify this eternal victim? Mrityunjaya, Yagnaseni, Palace of illusion, All tv version 'creative minds' and many more..literary kind people, you know. After all he evokes refined sensibilities of discerning folks; Victim (and totem) of social injustice, Tragic hero with all winning capabilities and yet an underdog of fate, 'faithful friend'. And that romantic regional connection with Bong people- King of Ang (never mind his perpetual absence). So let us clap one more fanfic that is Son of Sun.

Absolutely right in every word. But who cares for what is there in the original? Fan Fictions rule the roost and made into TV serials.
Parasuram who never bothered about Karna after the curse will shower his grace on him.He will literally certify him as the Sarvasresht Dhanurdhar on his death bed where as in reality Parasurama never hesitated to declare no one can stand before Arjun that too in the presence of Karna.

Kunti will run around the Sibir s and literally hangs around with Karna and even sing lullabies placing him on his lap whereas the Epic Kunti never comes to Kutukshetr.not even after Karna's death.

The CVs take so much delight in blowing off the bubble by revealing Karna's origin as all they want to show is Karna as Mahan Victim and Pandavas the villains.Epic Kunti reveals the truth only after the war ends and funeral formalities are in progress.

I must say the way they showed Duryothan's mitrprem after knowing the truth and the way they glorified his ideal friendship for Karna asking every one to get back his life,the creativity of the CVs crossed all the boundaries.In Epic Duryothan never knows Karna's origin before his death. He feels bad for his friend's death and immediately moves on by making Salya as the Chief commander.

Claps for Kaliyugi brains for making a joke of our Epic for whom?
For the great SIDPutr Karn patronised by Utkarsh Nathani and Devdutt Patnaik.




Edited by ltelidevara - 9 years ago
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Posted: 9 years ago
#35
I have not seen the charade. But from what you are describing it appears to be competing hard for the top slot in crass category of 'poi' genre. Did they show Draupadi secretly pining 'the eldest?'

As for Original, it's too subtle,wholesome and exquisite in its construction, plot and purpose for the narrow vision of fanboy retellers. 🤢
ltelidevara thumbnail
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Posted: 9 years ago
#36

Originally posted by: smrth

I have not seen the charade. But from what you are describing it appears to be competing hard for the top slot in crass category of 'poi' genre. Did they show Draupadi secretly pining 'the eldest?'

As for Original, it's too subtle,wholesome and exquisite in its construction, plot and purpose for the narrow vision of fanboy retellers. 🤢

Well. SPK deserves top slot . There are no two ways about it.
Thankfully They did not show Draupadi pining for Jyesht. One POI is enough.Not again.
To know the greatness of Vyasa's masterpiece noble hearts should atleast try
But no. These days people admire Distorted versions and doubt the original.Period.

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Posted: 9 years ago
#37



Is it? I was about to bet. But on second thought, obviously they must have gone gaga over Vrushali (Shivaji Samant fame). Then Angle D becomes immaterial, even negative towards a trailblazing Glory...☢️

But how was actual blaze? Vyas has eloquently described his trail in laments from various characters. Bhishma, Dron, Shalya, Gandhari, Narad, even Shakuni in the end and a few others... but most cutting was the summary indictment by Govind. ⭐️

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Posted: 9 years ago
#38
I read some convos in pinned section and got some drift. Highly amusing. Apparently in their bid to deify the hero creatives overdid it so crappy that even hard core Karna fans cannot digest it.😆

Every Time the whitewash turns out artificial. It has to. For source writer is unambiguous in this characterisation- a negative persona.
The trouble is; Vyas in his classical prose has bedecked all characters with exuberent adjectives. Heroes or Villain. Add to this it's natural sophistry and admirers will always find the effusive praises. But what is missed is core intent of the author. Vyas emphasised negativity. In single most repeated phrase he mentions him as unequivocal member of the evil quartet. Chandal chokdi. Its fiercest corner, Willing and active. To the extent, it was he who secured the war stalling last minute negotiations.

Any bid to tweak or suppress the faults leads to distortions or compromise and unsustainable plot lines. The great writes may come up with interesting ideas, touching perspectives (mostly based on birth time tragedy) and awesome prose. In the end it remains a fanfic. A Greek hero in an Indian epic.

Edited by smrth - 9 years ago
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Posted: 9 years ago
#39
it's natural sophistry and admirers will always find the effusive praises. But what is missed is core intent of the author. Vyas emphasised negativity. In single most repeated phrase he mentions him as unequivocal member of the evil quartet. Chandal chokdi. Its fiercest corner, Willing and active. To the extent, it was he who secured the war stalling last minute negotiations.
------------------------------------------------------------------------------------------------------------Nice to come across some one who understood Vyasa's perspective.Yes. He is the fiercest corner of the evil quartet.The war negotiations would have been fruitful if this so great important member of Kurusabha courtesy Duryothan won't meddle with the proceedings.
You must have known that Parashuram treated him as a straw of grass in Udyoga Parv when Krishna came as an envoy. In Karna's presence Parasuram emphasised that no one knows the Astras or the Vidhis as Arjun did. He said none can stand before Arjun with three of his desciples sitting there listening Bheeshm,Dron and Karna.
Now know what SPK makers threw at us.Parasuram all the way comes to Kurukshetra to wish good luck to Karna. He again appears when Karna is dying and declares him Sarvasresht Dhanurdhar.He did Pranam also. Disgusting mind sets I must say.
Arjun's Anjalika cuts off his head immediately but here the great SPK hero mouths dialogues till two episodes and literally tests our patience.
And that Vijay Dhanush!Less said the better. Karna could not get any advantage despite having that bow.He is the one who runs away most of the times. From Arjun,Bheem,Satyaki..

And I wonder how could one be Sarvasresht without knowing the five vidhis of archery and without having various kinds of shafts as described by Parasurama and without possessing wide range of Astras.
You know the frustrated writer of SPK adorned Salya with Karna's armour and showed him as invincible even to Arjuna.He defeats Bheema which is ridiculous. Mostly Salya and Bheema's encounters in the Epic are equally balanced .
Now I desparately want to post exactly what Salya did on 17thand 18th day. I forgot to tell they showed Salya apologise Duryothan for his misbehaviour with Karn that he never did.
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Posted: 9 years ago
#40
@smrth . welcome
so glad to see your views.

Lakshmi both of you making much interesting this place with your discussions ..

Lakshmi please post wat shalya did exactly in war .. yesterday so pissed off by watching shalya n his fangiri ..

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