I am a silent reader of this Forum but find this discussion interesting.
In my view, Sanaya's Chanchan stint helped for the main reason that is a learning experience. I am not qualified to talk much of Chanchan because I did not watch much of it. While I could watch Khushi even when the character was badly mauled and the story all haywire and I could do so only because it was Sanaya, I couldn't do the same for Chanchan because of the lack of story and the poor execution. In that sense Sanaya's acting couldn't rescue it for me. But that is not her fault - an actor needs a good script and direction to deliver and Sanaya herself has admitted that an actor cannot deliver successfully all the time. But I am sure she can chalk this down to a learning experience - there is perhaps no actor who has not faced failure, but failures help you grow and learn.Like some others I too wanted her to take some time and choose wisely and was apprehensive of her her signing another venture so quickly. The genre does not worry me as almost every show will have a love story within it and if one is a lead then the love story will involve the lead too. The difference in how the story is told and the execution and in this I hope the character is written very differently to Khushi. While I think Sanaya is very good at complex dialogue delivery and has very clear diction and can use voice modulation, I think she does very well in emotional scenes which require minimal dialogue - she can use her eyes, expressions and body language in place of words to make the audience connect. I am watching the IPK reruns and Khushi's unhappiness over being asked to marry Shyam, her confusion over her feelings for Arnav, and her the conflict over pleasing or defying her family are all so wonderfully conveyed without any dialogues or crying. I would love to see Sanaya doing similarly in RR. She is capable and talented and I hope she is given every opportunity to show that and be a character that can connect.
Something that I posted in the previous thread also , very nice work...😊
Credit to MuffinSobti
I am a silent reader of this Forum but find this discussion interesting.
In my view, Sanaya's Chanchan stint helped for the main reason that is a learning experience. I am not qualified to talk much of Chanchan because I did not watch much of it. While I could watch Khushi even when the character was badly mauled and the story all haywire and I could do so only because it was Sanaya, I couldn't do the same for Chanchan because of the lack of story and the poor execution. In that sense Sanaya's acting couldn't rescue it for me. But that is not her fault - an actor needs a good script and direction to deliver and Sanaya herself has admitted that an actor cannot deliver successfully all the time. But I am sure she can chalk this down to a learning experience - there is perhaps no actor who has not faced failure, but failures help you grow and learn.Like some others I too wanted her to take some time and choose wisely and was apprehensive of her her signing another venture so quickly. The genre does not worry me as almost every show will have a love story within it and if one is a lead then the love story will involve the lead too. The difference in how the story is told and the execution and in this I hope the character is written very differently to Khushi. While I think Sanaya is very good at complex dialogue delivery and has very clear diction and can use voice modulation, I think she does very well in emotional scenes which require minimal dialogue - she can use her eyes, expressions and body language in place of words to make the audience connect. I am watching the IPK reruns and Khushi's unhappiness over being asked to marry Shyam, her confusion over her feelings for Arnav, and her the conflict over pleasing or defying her family are all so wonderfully conveyed without any dialogues or crying. I would love to see Sanaya doing similarly in RR. She is capable and talented and I hope she is given every opportunity to show that and be a character that can connect.
Something that I posted in the previous thread also , very nice work...😊
Credit to MuffinSobti
Yesss, the second and especially the third snaps make it very clear ... it's alta all right.Again attention to detail ... in most villages, they would use the traditional methods of applying alta, which is either by hand or by very coarse brushes made from the hair from a camel's tail, or whatever other animal they rear. The fine designs made by mehndi cones are very much an urban innovation ... so if they're planning to show a village which is still backward in terms of culture and traditions, they're going about it right.
Yes, but why do they do it, Diya?!! What's the meaning behind it!! Is it because she's a widow?!!
Shreya
Originally posted by: leanne_1983
LOL...So watching on mute does help :p Cause your missing water-bottle observation was hilariou. Oh...and don't worry about watching the promo on TV. I'm sure watching it on laptop must be 10times better than watching on my non-smartphone, very small screen mobile. Maybe thats why I found such a huge difference.
Sanaya's look was lovely in those pictures , though honestly lace sleeves are not a very rajasthani thing 😆 But that much creative liberty is allowed I guess...Very curious to see sanaya's everyday look in the show , in the promos she is the gorgeous bride in red ...hope the everyday look is similar to the photos we saw , would be nice 😊
Originally posted by: princessunara
u know this really can't prove anything lol.. for all intents and purposes she is simply keeping both her hands on it and not in the moment.. its what we do when we contemplate.. u can't see the needle at all to make that assumption just by the half crouched angle of her right hand..
but anyway i still say team right hand for me! 😆
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