Movie Review - Commando

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Posted: 12 years ago
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Movie Review: 'Commando' is unabashed ode to Sylvester Stallone

Home > Bollywood > Movie Review
Thursday, April 11, 2013

By Subhash K. Jha

Cast: Vidyut Jamwal, Pooja Chopra, and Jaideep Ahlawat

Director: Dilip Ghosh

Rating: * * *

Without the risk of exaggeration we can 'safely' say Vidyut Jamwal takes the kind of risks in his action scenes that we haven't seen in any screen-hero from any part of the world. The choreographic precision with which Vidyut flips, somersaults, and fells his adversaries is a sign of an exceptionally skilled action-hero.

Te be sure, a star is born in "Commando". We saw Vidyut completely upstage John Abraham in the hand-to-hand heart-in-mouth fight scenes in "Force". Now, Vidyut proves himself a maestro of unequalled sinewy skills, gliding rather than fighting, pre-empting the adversary's moves almost like a chess game.


With tongue firmly in shriek mode, Vidyut in one of the early stunts scenes of the film rips open a poster of "Force" and attacks the baddies. The action never stops. And the song breaks, especially an item song in the second-half by Nathalia Kaur, are unwelcome speed breakers.

We really don't want to see Vidyut romance the pretty Punjabi damsel in distress played by Pooja Chopra who seems a tad too well-groomed for the rigours of the jungle.


Not that we care. We just want to see Vidyut take on the bad guys, full-force. And boy, does Vidyut deliver!

Admaker-turned-feature film director Dilip Ghosh keeps the plot wisely simple ramrod-straight and to the point.

Apart from those utterly annoying song breaks, there are no digressions from the dynamics of instant score-settling.

It's a straight one-to-one fight-to-finish between the silently simmering Commando and a satanic goon from a small-town in Punjab with no eyeballs and apparently no balls either, who believes the power of the gun and the strength of Santa-Banta SMS jokes can be co-ordinated in one range of activity.


Jaideep Ahlawat, last seen giving a riveting performance in Kamal Haasan's "Vishawaroop", gives to the goon's part a wacky spin. The man is half-devil half-imbecile. The goon makes Simrit (Pooja) an offer - either a suhaag-raat with him after the wedding, or a 'suhaag raat' with him and all his battle-stained cronies right away? Hmmm?

Is it any wonder that the pretty spunky Punjabi lass makes a run for the jungles rather than accept the goon's marriage proposal. Predictably, Simrit runs into the banished army-man, our commando-hero, who seems to have seen the collected Rambo series back-to-back at least eight-10 times.


The first time Vidyut plays the saviour at a bus stand, we know he means business. He is not just a one-man army, he is also the Indian army's favourite bete noire. Despite the heavy burden of playing protector to country and the leading lady, Vidyut's fights manage to bring in a lot of warmth and some humour in their execution.

The narration is an unabashed homage to Sylvester Stallone's jungle-survival saga. And yet, thanks to Vidyut's powerful screen presence the combat between the commando-hero and the goons never slackens in pace. The physical combats, which are undoubtedly the crux of the theme, propel the plot forward in leaps of inspired action.


Happily for Vidyut, his opponents are not shown to be ineffectual jokers. The back-and-forth of fists and rhetoric are uniformly engaging. Though we know exactly where the protagonist's one-man battle against his enemies is heading, we never lose interest in the plot.

The film is shot on some interesting locations. The backwaters of Punjab and the thick jungles serve as just the right ambience for the rugged actioner.

Vidyut takes care of the rest. His action definitely speaks louder than his words.


Sejal Shah's cinematography and Ritesh Shah's dialogues constantly add to Vidyut's fist-power, imbuing his combat to the finish with some unexpected flourishes of serious socio-political comment towards the end when we are told we need to clean up our act if we want to protect the country from external threats.

It's a one-man-show off all the way. Pooja shows flashes of talent when she isn't busy brazenly aping Kareena Kapoor's voluble-Punjabi act from "Jab We Met".

Not her fault. If the hero is a silent seething ball of implosive fire, and the heroine is a talkative Punjabi girl who runs away from home to escape an unwanted marriage, 'phir toh boss "Jab We Met" banta hai'.


To its credit "Commando" creates a climate of clenched conflict for the hero to vent his voluminous talent as a martial artiste.

Indeed, a star is born.

By Santa Banta


Commando - A One Man Army
By Taran Adarsh, 11 Apr 2013, 13:54 hrs IST
Recall actors who started as antagonists, but switched to positive characters effortlessly... Several decades ago, Vinod Khanna and Shatrughan Sinha portrayed negative roles at the onset of their respective careers. Much later, Shah Rukh Khan acted in a series of career-defining [grey] characters, before he got labeled as the romantic icon of Hindi cinema. Now Vidyut Jammwal, who made his debut with FORCE, undergoes an image makeover with COMMANDO. He's cast as the conventional Hindi film hero after acting in FORCE and a couple of South Indian films as 'villain'. He fights an army of baddies single-handedly in COMMANDO. Also romances the heroine in his second Hindi outing...

COMMANDO is expected to change the action landscape of Bollywood, with Vidyut partaking in never-witnessed-before action sequences, hand-to-hand combat, mid-air splits and somersaults, extreme acrobatics et al, all done *without* body double or cables, but by the actor himself. In that respect, COMMANDO takes action in Hindi movies to another level. The skeptics may argue, we have seen it all in movies starring Tony Jaa, but COMMANDO is, perhaps, the first Hindi movie that attempts to showcase a series of death-defying, high-octane stunts performed by the lead man himself. Naturally, Vidyut is being peddled as the new action hero of Bollywood.

Karanvir Dogra [Vidyut Jammwal], a commando with the Indian Army, crashes into the Chinese territory. After being detained for a year in China and labeled an Indian spy, Karan escapes from the Chinese side and crosses into Himachal Pradesh. As Karan crosses into Punjab, India, he runs into Simrit [Pooja Chopra], who is escaping from Amrit aka AK47's [Jaideep Ahlawat] goons. Amrit wants to forcibly marry Simrit.

Karan bashes up the goons and in turn, invites the ire of Amrit. Together, Karan and Simrit escape into the jungles, when cornered by Amrit and his cronies. Thus begins a cat and mouse game between Amrit and Karan in the deep forests... Director Dilip Ghosh stays true to the essence of the premise and promises never-witnessed-before action in COMMANDO. Having said that, I wish to add that COMMANDO isn't a film that merely celebrates action or attempts to portray Vidyut's expertise in martial arts. Also integrated is a [subtle] love story, besides drama of course. In addition, the makers punctuate the mandatory songs to spice things up. But its biggest strength is, without an iota of doubt, the action sequences, especially the ones while on the run in the jungles.

COMMANDO attempts to encompass every stunt possible to entice the Indian viewer, which Vidyut implements as dexterously and effortlessly as Tony Jaa or Johnny Tri Nguyen. Nonetheless, films that focus on chase and action should stick to the core issue, hence the romance between the lead pair [in the first half of the film], the mandatory songs [especially the one filmed in Kutch, again the first hour] and the political interference [in the second hour] appear completely forced in the scheme of things. But these shortcomings are pardonable, to a large extent, for the reason that the action sequences keep you mesmerized largely.

The drama has its moments, especially when the cat and mouse game begins. The sequences in the jungle -- which forms a major chunk of the movie -- and the good versus bad altercations and confrontations are attention-grabbing. Also, the writer [Ritesh Shah] knows that the closing moments ought to give the viewer a high in a film of this genre and he serves it most convincingly. The concluding moments -- when Vidyut is attacked by a South African slayer at the behest of Jaideep, right till Jaideep's elimination -- leave you awe-struck.

The soundtrack [Mannan Shaah] is perfect, but amalgamating the songs with the chase sequences didn't really work for me. However, the raunchy song filmed in the second hour seems most appropriate vis--vis its placement. The DoP [Sejal Shah] is the behind-the-scene star of the enterprise. He captures the opaque terrain marvelously on celluloid. The stunts/action, as highlighted earlier, are top notch. The pacing too is swift, except when the songs show up. The background score [Prasad Sashte] captures the mood of the movie fruitfully when the characters embark on the chase.

COMMANDO clearly belongs to Vidyut and the liberty of watching him crushing everything and everyone in sight leaves you tongue-tied. By doing the stunts without a body double or cables, he fits into the definition of India's Next Gen action hero without a hitch. He's a fine actor too, although it's the action that takes precedence over histrionics here. Pooja Chopra couldn't have asked for a better launch pad. Sure, COMMANDO is, at heart, an action fare, but as the reels unfold, you realize her role in the film has shades that are essential for a Hindi film heroine and Pooja gives it her best shot. She's photogenic, but most significantly, comes across as a poised and self-assured actress. Jaideep Ahlawat delivers an unparalleled performance, yet again. He's one of the finest talents around and even though he plays the conventional baddie, he will be recalled in the same breath as the protagonist of the film. Darshan Jariwala is alright in a cameo.

On the whole, COMMANDO is vintage good versus evil saga in a strikingly new avatar. A high-voltage action fare that's racy, pulsating and packed with some adrenaline-pumping stunts. Watch it!

http://www.bollywoodhungama.com/moviemicro/criticreview/id/566667



Edited by -ChillMahaul- - 12 years ago

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MakhannMalaai thumbnail
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Posted: 12 years ago
#2
Happy for Vid.. he acts good and looks so good..😳
.Tanya. thumbnail
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Posted: 12 years ago
#3

Movie review: Commando

(Action, Drama)
Saibal Chatterjee
Thursday, April 11, 2013

Movie review: Commando

Cast:Vidyut Jamwal, Pooja Chopra and Jaideep Ahlawat
Director: Dilip Ghosh

SPOILERS AHEAD

A strapping, beefy soldier on a mission takes on a particularly repugnant small-town rogue to keep a pretty damsel out of harm's way in this predictably visceral action flick that plays out more like a violent cut-and-thrust computer game than a movie about real, believable people.

While the stunt scenes are impressively staged and filmed, the good versus evil confrontation is as old as the stunning peaks and vales around which the action unfolds.

The adrenaline-pumping Commando ' A One Man Army arouses about as much emotion as an early morning jog on a treadmill.

Produced by Vipul Shah and directed by Dilip Ghosh, the film un-spools at a fair clip (if you discount a ridiculously out-of-place love ditty in the first half and a gratuitous item number in the second), but it makes no impression either on the mind or the heart.

The film alludes to the "ten thousand" power-crazed, greedy people who have been gnawing at the entrails of the nation, but the well-meaning spiel somehow rings hollow amid all the vacuous hullabaloo that Commando rustles up.

As the male protagonist puts it through a stray line of dialogue, the law of the jungle prevails here. You either kill or get killed. So, even if you were to treat this as a game of cat and mouse, it would run out of surprises within the first 30 minutes.

When the film opens, the hero, Karan Vir Dogra (Vidyut Jamwal) of the 9 Para Commandos of the Indian Army, is in a Chinese army prison. He has been captured on suspicion of being on an espionage mission.

A slimy minister (neither his portfolio nor is location is specified with any clarity) orders the commando's officer, Colonel Akhilesh Sinha (Darshan Jariwala), to erase the man's name from the rolls in order to prevent the China from using him as a political pawn.

The colonel launches into a passionate eulogy on the commando's many physical and mental virtues and his superhuman powers of endurance to make a case for a rescue mission.

The politician responds with utter nonchalance: "The nation is more important than a soldier." The officer has no answer.

After braving all manner of third degree torture for a year in a dark and dank prison cell, the unbreakable commando manages to escape, with hatred embedded in his heart for the rulers of the nation.

He makes it over the border into a nondescript Punjab town that is lorded over by a brutal hoodlum named Amrit Kanwal (Jaideep Ahlawat), who calls himself AK-74 because he was born on a moonless night that year.

Politicians and policemen do the baddie's bidding. He also has his sights on the town's hottest lass, Simrit Kaur (Pooja Chopra), and is bent upon marrying her.

The girl takes to her heels and runs into the commando, who himself is on the run from a variety of foes.

The rest of the film is a string of chases and bloody skirmishes in the jungle that leave a trail of corpses.

The protagonist is a man of few words and expresses himself mainly through his prowess as a hand to hand combatant.

One can say pretty much the same about the film itself: it allows the action to take precedence over character development.

So the dramatis personae aren't flesh and blood figures the audience can develop any empathy with. The hero is an automaton-like terminator, the villain, a man born without pupils in his eyes, is a complete caricature and the motor-mouth female protagonist is pretty and pretty dumb.

There is no denying that both Jamwal and Ahlawat, each in his own way, have tremendous screen presence.

Jamwal does make a good action hero because he isn't just brawn. He also has expressive eyes that can be put to infinitely better use than they are here.

Ahlawat's venal villain, who reads SMS jokes to his human quarries and cracks up before he kills them, is more funny than menacing.

The two actors would be better advised to choose better vehicles than this film to display their wares.

Despite all the bravura technical effort that has clearly been put into Commando, the end result simply isn't compelling enough to merit more than two stars.


Edited by .Tanya. - 12 years ago
Sultan.Mirza thumbnail
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Posted: 12 years ago
#4
Commando Scoring Over Nauntaki Saala Due To Single Screens

Friday 12th April 2013 14.00 IST

Boxofficeindia.Com Trade Network

Commando had a decent opening at single screens at around 40-50% which is pretty good compared to low 15% opening at multiplexes. UP, Rajasthan and CI all had decent figures.

The film is scoring over Nautanki Saala due to the business in single screens though Nautanki Saala being a multiplex film may get a bit better in the evening.

Commando has chances to cross the 3 crore nett mark on day one due to single screens while Nautanki Saala depends on the evening crowds otherwise it will be 30-35% lower than Commando going by afternoon trends. Eventually both the film's fate depends on Saturday and Sunday growth as apart from Commando at single screens in ceratin circuits the initials are dull.


SRC

Rolzz thumbnail
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Posted: 12 years ago
#5
I loved that guy in Force... He was amazing in trailers too... Will def watch this!!
Its time some real action hero movies come , not the comical bafoons of Rohit Shetty!!
Hello_kitta thumbnail
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Posted: 12 years ago
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Which one is worth to watch? (If anyone has seen both). Tough I don't like that girl in Commando. She is so irritating in trailer.

Sultan.Mirza thumbnail
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Sarcastic Chatterbox

Posted: 12 years ago
#7
This is Vidyut's 1st SOLO HERO movie, earning 3+ cr on Day 1 is biggest achievement he can get. Not so big hyped music, only on the basis of his Action Skill... Amazing...

I Want this movie to be at least in Average category, it will give his career good boom...
Sultan.Mirza thumbnail
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Posted: 12 years ago
#8

Originally posted by: New_nova

Which one is worth to watch? (If anyone has seen both). Tough I don't like that girl in Commando. She is so irritating in trailer.


Watch this one, it has some hardcore real action, vidyut has performed stunts on his own... at least something new 2 see apart from comedy which NS is offering.
.Anamika. thumbnail
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Posted: 12 years ago
#9
Indeed a star is born. I usually don't like action but I'm going to catch this one.
MR.KooL thumbnail
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Posted: 12 years ago
#10
the trailer has good action scenes ...will watch this one..

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