Movie Review: 'Commando' is unabashed ode to Sylvester Stallone
By Subhash K. Jha
Cast: Vidyut Jamwal, Pooja Chopra, and Jaideep Ahlawat
Director: Dilip Ghosh
Rating: * * *
Without the risk of exaggeration we can 'safely' say Vidyut Jamwal takes the kind of risks in his action scenes that we haven't seen in any screen-hero from any part of the world. The choreographic precision with which Vidyut flips, somersaults, and fells his adversaries is a sign of an exceptionally skilled action-hero.
Te be sure, a star is born in "Commando". We saw Vidyut completely upstage John Abraham in the hand-to-hand heart-in-mouth fight scenes in "Force". Now, Vidyut proves himself a maestro of unequalled sinewy skills, gliding rather than fighting, pre-empting the adversary's moves almost like a chess game.
With tongue firmly in shriek mode, Vidyut in one of the early stunts scenes of the film rips open a poster of "Force" and attacks the baddies. The action never stops. And the song breaks, especially an item song in the second-half by Nathalia Kaur, are unwelcome speed breakers.
We really don't want to see Vidyut romance the pretty Punjabi damsel in distress played by Pooja Chopra who seems a tad too well-groomed for the rigours of the jungle.
Not that we care. We just want to see Vidyut take on the bad guys, full-force. And boy, does Vidyut deliver!
Admaker-turned-feature film director Dilip Ghosh keeps the plot wisely simple ramrod-straight and to the point.
Apart from those utterly annoying song breaks, there are no digressions from the dynamics of instant score-settling.
It's a straight one-to-one fight-to-finish between the silently simmering Commando and a satanic goon from a small-town in Punjab with no eyeballs and apparently no balls either, who believes the power of the gun and the strength of Santa-Banta SMS jokes can be co-ordinated in one range of activity.
Jaideep Ahlawat, last seen giving a riveting performance in Kamal Haasan's "Vishawaroop", gives to the goon's part a wacky spin. The man is half-devil half-imbecile. The goon makes Simrit (Pooja) an offer - either a suhaag-raat with him after the wedding, or a 'suhaag raat' with him and all his battle-stained cronies right away? Hmmm?
Is it any wonder that the pretty spunky Punjabi lass makes a run for the jungles rather than accept the goon's marriage proposal. Predictably, Simrit runs into the banished army-man, our commando-hero, who seems to have seen the collected Rambo series back-to-back at least eight-10 times.
The first time Vidyut plays the saviour at a bus stand, we know he means business. He is not just a one-man army, he is also the Indian army's favourite bete noire. Despite the heavy burden of playing protector to country and the leading lady, Vidyut's fights manage to bring in a lot of warmth and some humour in their execution.
The narration is an unabashed homage to Sylvester Stallone's jungle-survival saga. And yet, thanks to Vidyut's powerful screen presence the combat between the commando-hero and the goons never slackens in pace. The physical combats, which are undoubtedly the crux of the theme, propel the plot forward in leaps of inspired action.
Happily for Vidyut, his opponents are not shown to be ineffectual jokers. The back-and-forth of fists and rhetoric are uniformly engaging. Though we know exactly where the protagonist's one-man battle against his enemies is heading, we never lose interest in the plot.
The film is shot on some interesting locations. The backwaters of Punjab and the thick jungles serve as just the right ambience for the rugged actioner.
Vidyut takes care of the rest. His action definitely speaks louder than his words.
Sejal Shah's cinematography and Ritesh Shah's dialogues constantly add to Vidyut's fist-power, imbuing his combat to the finish with some unexpected flourishes of serious socio-political comment towards the end when we are told we need to clean up our act if we want to protect the country from external threats.
It's a one-man-show off all the way. Pooja shows flashes of talent when she isn't busy brazenly aping Kareena Kapoor's voluble-Punjabi act from "Jab We Met".
Not her fault. If the hero is a silent seething ball of implosive fire, and the heroine is a talkative Punjabi girl who runs away from home to escape an unwanted marriage, 'phir toh boss "Jab We Met" banta hai'.
To its credit "Commando" creates a climate of clenched conflict for the hero to vent his voluminous talent as a martial artiste.
Indeed, a star is born.
By Santa Banta
COMMANDO is expected to change the action landscape of Bollywood, with Vidyut partaking in never-witnessed-before action sequences, hand-to-hand combat, mid-air splits and somersaults, extreme acrobatics et al, all done *without* body double or cables, but by the actor himself. In that respect, COMMANDO takes action in Hindi movies to another level. The skeptics may argue, we have seen it all in movies starring Tony Jaa, but COMMANDO is, perhaps, the first Hindi movie that attempts to showcase a series of death-defying, high-octane stunts performed by the lead man himself. Naturally, Vidyut is being peddled as the new action hero of Bollywood.
Karanvir Dogra [Vidyut Jammwal], a commando with the Indian Army, crashes into the Chinese territory. After being detained for a year in China and labeled an Indian spy, Karan escapes from the Chinese side and crosses into Himachal Pradesh. As Karan crosses into Punjab, India, he runs into Simrit [Pooja Chopra], who is escaping from Amrit aka AK47's [Jaideep Ahlawat] goons. Amrit wants to forcibly marry Simrit.
Karan bashes up the goons and in turn, invites the ire of Amrit. Together, Karan and Simrit escape into the jungles, when cornered by Amrit and his cronies. Thus begins a cat and mouse game between Amrit and Karan in the deep forests... Director Dilip Ghosh stays true to the essence of the premise and promises never-witnessed-before action in COMMANDO. Having said that, I wish to add that COMMANDO isn't a film that merely celebrates action or attempts to portray Vidyut's expertise in martial arts. Also integrated is a [subtle] love story, besides drama of course. In addition, the makers punctuate the mandatory songs to spice things up. But its biggest strength is, without an iota of doubt, the action sequences, especially the ones while on the run in the jungles.
COMMANDO attempts to encompass every stunt possible to entice the Indian viewer, which Vidyut implements as dexterously and effortlessly as Tony Jaa or Johnny Tri Nguyen. Nonetheless, films that focus on chase and action should stick to the core issue, hence the romance between the lead pair [in the first half of the film], the mandatory songs [especially the one filmed in Kutch, again the first hour] and the political interference [in the second hour] appear completely forced in the scheme of things. But these shortcomings are pardonable, to a large extent, for the reason that the action sequences keep you mesmerized largely.
The drama has its moments, especially when the cat and mouse game begins. The sequences in the jungle -- which forms a major chunk of the movie -- and the good versus bad altercations and confrontations are attention-grabbing. Also, the writer [Ritesh Shah] knows that the closing moments ought to give the viewer a high in a film of this genre and he serves it most convincingly. The concluding moments -- when Vidyut is attacked by a South African slayer at the behest of Jaideep, right till Jaideep's elimination -- leave you awe-struck.
The soundtrack [Mannan Shaah] is perfect, but amalgamating the songs with the chase sequences didn't really work for me. However, the raunchy song filmed in the second hour seems most appropriate vis--vis its placement. The DoP [Sejal Shah] is the behind-the-scene star of the enterprise. He captures the opaque terrain marvelously on celluloid. The stunts/action, as highlighted earlier, are top notch. The pacing too is swift, except when the songs show up. The background score [Prasad Sashte] captures the mood of the movie fruitfully when the characters embark on the chase.
COMMANDO clearly belongs to Vidyut and the liberty of watching him crushing everything and everyone in sight leaves you tongue-tied. By doing the stunts without a body double or cables, he fits into the definition of India's Next Gen action hero without a hitch. He's a fine actor too, although it's the action that takes precedence over histrionics here. Pooja Chopra couldn't have asked for a better launch pad. Sure, COMMANDO is, at heart, an action fare, but as the reels unfold, you realize her role in the film has shades that are essential for a Hindi film heroine and Pooja gives it her best shot. She's photogenic, but most significantly, comes across as a poised and self-assured actress. Jaideep Ahlawat delivers an unparalleled performance, yet again. He's one of the finest talents around and even though he plays the conventional baddie, he will be recalled in the same breath as the protagonist of the film. Darshan Jariwala is alright in a cameo.
On the whole, COMMANDO is vintage good versus evil saga in a strikingly new avatar. A high-voltage action fare that's racy, pulsating and packed with some adrenaline-pumping stunts. Watch it!
http://www.bollywoodhungama.com/moviemicro/criticreview/id/566667
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