\\History Department\\ 'O' Round 2 pg. 68 - Page 5

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Posted: 14 years ago
#41

Jhansi Ki Rani (With English Translation)


Sinhasan hil uthey raajvanshon ney bhrukuti tani thi,
budhey Bharat mein aayee phir se nayi jawani thi,
gumee huee azadi ki keemat sabney pehchani thi,
door phirangi ko karney ki sab ney man mein thani thi.
Chamak uthi san sattavan mein, yeh talwar purani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Kanpur key Nana ki muhn boli bahen chhaveeli thi,
Lakshmibai naam, pita ki woh santaan akeli thi,
Nana key sangh padhti thi woh Nana key sangh kheli thi
barchhi, dhal, kripan, katari, uski yehi saheli thi.
Veer Shivaji ki gaathaayen uski yaad zabani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.


Lakshmi thi ya Durga thi woh swayan veerta ki avatar,
dekh Marathey pulkit hotey uski talwaron key vaar,
nakli yudh-vyuh ki rachna aur khelna khub shikar,
sainya gherna, durg todna yeh they uskey preeya khilwad.
Maharashtra-kul-devi uski bhi aaradhya Bhavani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Huee veerta ki vaibhav key saath sagai Jhansi mein,
byah hua ban aayee Rani Lakshmi bai Jhansi mein,
rajmahal mein baji badhai khushiyan chhaee Jhansi mein,
sughat Bundelon ki viroodaavalee-si woh aayee Jhansi mein.
Chitra ney Arjun ko paya, Shiv sey mili Bhavani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Udit hua saubhagya, mudit mahalon mein ujiyali chhayee,
kintu kaalgati chupkey-chupkey kali ghata gher laayee,
teer chalaaney vaaley kar mein usey choodiyan kab bhaayee,
Rani vidhva huee hai, vidhi ko bhi nahin dayaa aayee.
Nisantan marey Rajaji, Rani shok-samani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Bujha deep Jhansi ka tab Dalhousie man mein harshaaya,
Raajya hadap karney ka yeh usney achhaa avsar paaya,
fauran fauj bhej durg par apna jhandaa phehraya,
lawaris ka waris bankar British Raj Jhansi aaya.
Ashrupurna Rani ney dekha Jhansi huee birani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Anunay vinay nahin sunti hai, vikat shaasakonki maaya,
vyapari ban daya chhahta tha jab wah Bharat aaya,
Dalhousie ney pair pasaarey, ab to palat gayee kaaya
Rajaon Nawwabon ko bhi usney pairon thukraaya.
Rani daasi bani, bani yeh daasi ab Maharani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Chheenee rajdhani Dilli ki, Lucknow chheena baaton-baat,
Qaid Peshwa tha Bithur mein, hua Nagpur ka bhi ghaat,
Udaipur, Tanjore, Satara, Karnatak ki kaun bisaat?
jabki Sindh, Punjab Brahm par abhi hua that vajra-nipaat.
Bengaaley, Madras aadi ki bhi to vahi kahani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Rani royee rinvason mein, Begum gum se thi bezaar,
unkey gehney kapdey biktey they Calcutta key bazzar,
sarey aam nilaam chhaptey they angrezon key akhbar,
"Nagpur key zewar le lo, Lucknow key lo naulakh haar".
Yon pardey ki izzat pardesi key hath bikani thi
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Kutiya mein bhi visham vedna, mahalon mein aahat apmaan,
veer sainikon key man mein tha apney purkhon ka abhmaan,
Nana Ghunghupant Peshwa joota raha tha sab saamaan,
bahen chhaveeli ney Ran-Chandi ka kar diya prakat aahvaan.
Hua yagna prarambh unhey to soyee jyoti jagani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Mahalon ney di aag, jhonpdi ney jwala sulgayee thi,
yeh swatantrata ki chingari antratam sey aayee thi,
Jhansi cheti, Dilli cheti, Lucknow laptey chhayi thi,
Merat, Kanpur, Patna ney bhari dhoom machayi thi,
Jabalpur, Kolhapur, mein bhi kuchh hulchul uksani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Is Swatantrata Mahayagna mein kayee veervar aaye kaam,
Nana Ghunghupant, Tantya, chatur Azeemullah sarnam,
Ahmedshah Moulvi, Thakur Kunwar Singh, Sainik Abhiram,
Bharat key itihaas gagan mein amar rahengey jinkey naam.
Lekin aaj jurm kehlati unki jo Qurbani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Inki gaatha chhod, chaley hum Jhansi key maidanon mein,
Jahan khadi hai Lakshmibai mard bani mardanon mein,
Lieutenant Walker aa pohoncha, aagey bada jawanon mein,
Rani ney talwaar kheench li, hua dhandh asmanon mein.
Zakhmi hokar Walker bhaga, usey ajab hairani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Rani badhi Kalpi aayee, kar sau meel nirantar paar,
ghoda thak kar gira bhoomi par, gaya swarg tatkaal sidhaar,
Yamuna tat par angrezon ney phir khayee Rani sey haar,
vijayee Rani aagey chal di, kiya Gwalior par adhikar.
Angrezon key mitra Scindia ney chhodi rajdhani thee,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Vijay mili, par Angrezon ki phir sena ghir aayee thi,
Abkey General Smith sammukh tha, usney munhki khayee thi,
Kaana aur Mandra sakhiyan Rani key sangh aayee thi,
Yudh kshetra mein un dono ney bhari maar machayi thi.
par peechey Hughrose aa gaya, Hai! gheeri ab Rani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

To bhi Rani maar kaat kar chalti bani sainya key paar,
kintu saamney naala aaya, tha woh sankat visham apaar,
ghoda adaa, naya ghoda tha, itney mein aa gaye avaar,
Rani ek, shatru bahuterey, honey lagey vaar-par-var.
Ghayal hokar giri Sinhni, isey veer gati paani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Rani gayee sidhaar chita ab uski divya sawaari thi,
mila tej se tej, tej ki woh sachchi adhikaari thi,
abhi umr kul teis ki thi, manuj nahin avtaari thi,
humko jeevit karney aayee ban Swatantrata-naree thi,
dikha gayee path, sikha gayee humko jo seekh sikhani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.

Jao Rani yaad Rakhengey yeh krutagna Bharatwasi,
yeh tera balidaan jagavega Swatantrata avinasi,
hovey chup itihaas, lagey sachchai ko chahey phansi,
ho madmaati vijay, mitaa dey golon sey chahey Jhansi.
Tera Smarak tu hi hogi, tu khud amit nishaani thi,
Bundeley Harbolon key munh hamney suni kahani thi,
Khoob ladi mardani woh to Jhansi wali Rani thi.


Jhansi Ki Rani (The Queen of Jhansi)

1
The throne got shook, and the tension erupted among the Raajvanshs, the royal heirs of the throne,
In aged India, a new wave of youth was spreading,
All the inhabitants of India had realized the worth of their lost freedom,
All of them had decided to get rid of the British rule,
The old swords started glittering again like new ones in the form of the freedom movement in 1857.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

2
She was as dear to the Nana (Nana Ghunghupant ) of Kanpur as her real sister,
Her name was Laxmibai and she was the only daughter of her parents,
She had been with Nana from her early childhood, since she was a school student.
Spear, knife, sword, axe (all different types of weapons used in her time) were her companions all the time.
She had learned by heart the valorous stories of shivaji (a renowned king of Maharashtra).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

3
No one could guess whether she was Laxmi or Durga devi ( Durga Goddess , also called Bhavani ) or reincarnation of Devi durga,
Her expertise in using a sword made the people of Marathward (Pulkit) wonder,
They learned the war strategy of how to attack the prey,
To ambush her prey and to break the vanity were among her favorite supports,
Maharashtra-kul-Devi (The goddess of the Maharashtra ) was as dear to her as Bhavani (Durga Devi )
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

4
With valor in a grand festival, she got married in Jhansi,
After her marriage, Laxmibai came to Jhansi as a queen with shower of joy,
A grand celebration took place in the royal palace of Jhansi. That was a good luck for Bandelos that she came to Jhansi,
That was as Chitra met with Arjun or Shiv had got his beloved Bhavani (Durga).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

5
She came as a good luck to the royal palace of Jhansi and for a log time the palace remained decorated with lighting candles in celebration.
But as days passed the dark clouds of misfortune covered the royal palace.
She stopped wearing bangles for that was the time for a battle.
The queen got widowed and her fate was very unkind to her.
The royal king had no children when he died and the queen was grief stricken.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

6
So the candle of the royal castle blew off and Dalhousie (a British governor) became very happy in his heart about the situation (that the royal palace had no king or someone strong to defend the throne).
He thought that the time was right to usurp the kingdom.
He sent his soldiers to Citadel and raised the British flag on the royal palace.
The British rule came to Jhansi as the guardian of an orphan.
The Rani saw everything with tears in her eyes that how Jhansi got deserted.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

7
Strong (and Cruel) kings do not care about the cajoling.
They (The British Rulers) came to India in the disguise of poor merchants.
The British governor (Dalhousi) then extended his influence in India and so the fate of India turned over.
He insulted even the feudal and heads of state of India.
The queen took the gesture of a maidservant; the maid was the real queen.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

8
First of all Indian rulers lost the capital of India, Delhi and subsequently they lost the control of Lucknow.
Peshwa was imprisoned in Bithur and then the Nagpur tragedy occurred.
After the fall of Nagpur, it was not a big task for the intruders to take the control of Udaipur, Tanjore satara and Karnatak.
They already had the control of Sindh, Punjab and Assam.
The tale of fall of Bengal, Madras and many other states was also the same.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

9
Rani(the queen) wept in her quarter for all that disaster. She was rather lost and was sick of the situation.
Her ornaments and royal clothes were being sold in the markets of Calcutta.
The advertisements for the sale of the royal stuff were being published in the daily newspapers of the British Government.
"Buy the ornaments of Nagpur, Buy the Naulakha locket of Lucknow" had been the highlights of such advertisements.
In this manner the honor of the royal ladies had to be sold to foreigners.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

10
The cottages of poor were full of grief and the royal houses were also full of insult (the royal ladies were maltreated and insulted by the British intruders whereas the poor folk were also in the clutches of the atrocities by the British rulers).
Brave soldiers of India had in their mind the prestige of their ancestors.
The name of Ghunghupant and Nana, the titles of the great warriors and their weapons, they have lost all such treasure as well.
The beloved sisters of Nana (queen of Jhansi- Rani) invited Nana to visit Ran-Chandi.
The ritual of the holy war of freedom started because they had to awake the divine spirit of the people of India, which had been sleeping so far.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

11
The fire of revolt started from royal palace, which became hot like burning sun when reached to the houses of the poor or common folk.
This spark of freedom started from the inner soul of the people.
It captured Jhansi first then spread in Delhi and also engulfed Lucknow.
The freedom struggle was also in full swing in Merat, Kanpur and Patna.
The people of Jabalpur, Kolhapur were also being inspired from others.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

12
In that great freedom struggle, many brave brothers lost their lives.
Among them were Nana GhunGhupant, Tantya, great Azeemullah,
And many others like Ahmedshah Moulvi, Thakur Kunwar singh, Sainik Abhiram.
Their names will always be shining in the heavens of the ancient history of India,
but they were considered rebels at that time and their great sacrifice was considered a crime against the state of British India.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

13
Well, leave the tale of the bravery of those great men and let us go to the battlefields of Jhansi,
Where Laxmibai is standing boldly like a man among the other brave men.
Lieutenant Walker reached there and proceeded further in the people's army of the brave men,
Rani drew her sword, the beating of the drums started in the heavens,
Walker ran away from the battlefield as Rani defectively wounded him. He was astonished on the agility of Rani.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

14
Rani preceded further and reached Kalpi after taking a hard journey of hundreds of miles.
The horse got exhausted and fell to the ground and the rider (Walker) also fell down immediately .
In the field of Yamuna again Rani was defeating the British.
The victorious Rani proceeded further and took the control of Gawalior.
The British thus left the Vsindia (capital of Gawalior) and their rule ended in Gawalior.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

15
Although the freedom fighters had won, the British army was again getting organized. This time, general smith was in command but he was also being defeated by the brave freedom fighters – he had to be defeated.
Kaana and Mandra (the associates of Rani) were also accompanying her in the war zone. In the battlefield they both were fighting furiously.
But a British commander, Hughrose came from the backside to help his soldiers – Alas! The British soldiers surrounded the Rani from all sides.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

16
Though Rani was deeply wounded, still she was fighting and had managed to get through the British army,
But she got stuck because a sewerage canal was there on the other end and she was in deep trouble,
Her horse got stuck there - the horse was untrained, in the mean time, the British soldiers, riding on their horses reached there.
Rani was all alone while enemies were numerous who were attacking her with their sword from all sides,
Rani, who was fighting like a lioness, succumbed to the wounds and fell down. She had to achieve a glorious death in war ( Martyrdom ).
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

17
Rani was martyred in the battlefield.Her departed soul was then riding a divine vehicle, moving towards heavens
the Light of her divine soul met with the divine light in the heavens, she was the real heir of divinity,
She was only thirty years of age. She was not a human; rather she was divine spirit (a holy being),
Who did come, in the gesture of a female freedom fighter, to give us a respectable life of light and freedom ,
She showed us the path of freedom, and taught us the lesson of courage, she taught us what we might have learned.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

18
The people of India will remember this debt of yours (O! Rani Laxmaibai), may you be blessed, dear Rani,
Your this life sacrifice will awake an indestructible soul of freedom in the people,
History may be made silent or if truth is hanged or killed, or if the drinkers become victorious or if they destroy jhansi with cannonballs,
You, by yourself be the memorial of Rani (queen of Jhansi) because you had been an eternal token of courage.
From the mouths of the Bandelas and the Harbolas (Religious singers of Bandelkhand), we heard the tale of the courage of the Queen of Jhansi relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi.

Notes

Notes
The above poem is in the hindi script, it may not appear on some browsers and may instead appear as a host of garbled symbols. If so please bear with us.
The poem is on The Rani of Jhansi who valiantly fought against the British in 1857. It is a fitting tribute to a great and extremely brave queen, one of India's many heroines.
Today it is a part of the school curriculum and every child learning hindi in India, at some point in school has to memorize it.

Budele harbolon ke munh hamney suni kahani thi
Khoob ladi mardani woh to Jhansi wali rani thi
"From the mouths of the Bundelas and the Harbolas we have heard the story
Bravely she fought as a man, she was the Queen of Jhansi"

Bundelas were the people of Bundelkhand.

Words Index
Sinhasan - Throne
Raajvanshon - Royal heirs (royal family)
Bhrukuti - eyebrow (Bhrukuti tani thi - raised eyebrow )
san sattavan - year 1857
Bundeley Harbolon - Religious singer (of Bundel khard)
Chhaveeli - beautiful
Santaan - Daughter (or son as the case may be)
Barchhi, dhal, kripan, katari - Spear, knive, sword, axe ( all are different types of weapons used in that time)
Shivaji ki gaathaayen - Valorous stories of Shivaji (A renowned King of Maharashtra)
Bundeley Harbolon - Religious singer (of Bundel khard)
Swayan Veerta ki avatar - reincarnation of Devi Durga
Marathey pulkit - People of Marathwada
Yudh-vyuh - War stratagy ( In the olden India kings planned in advance the formation of their soldiers in different styles and this stratagy is called Yudh-vyuh)
Khelna khub shikar - hunting game
Sainya gherna, durg - Cordoning off the opposition army
Preeya - desirable or lovable
Aaradhya Bhavani - Favourite Goddess Durga Goddess Durga is also known as Bhavani)
Veerta - Valour
Vaibhav - Festival
Sughat Bundelon ki viroodaavalee-si -
Udit hua saubhagya - Good luck
Kintu kaalgati - But as days passed
Vidhi - Fate or destiny
Nisantan - Without children
Rajaji - His excellency the king
Shok-samani - Grief striken ( rani shok-samani thi - the queen was grief striken)
Dalhousie - British governer (name)
Harshaaya - Became happy
Raajya hadap - To usurp the kingdom
Avsar - Opportunity
Durg - Citadel
Ashrupurna - With tears in her eyes
Birani - Deserted
Anunay vinay - cajoling
Vikat Shaasakonki - Strong King
Vyapari - Merchant (or tradesman)
Dalhousi - British governer (name)
Daasi - Maid servant
Brahm -
Vajra-nipaat
Aadi - etc
Rinvason - Queen's quarters in the palace
Visham Vedna - Too much grief
Apmaan - Insult
Veer Sainikon - Brave soldiers
Abhimaan - Prestige
Nana Ghunghupant peshwa joota -
Prakat aahvaan - Call for visit (invitation to visit)
Yagna prarambh - Yagna started (yagna - ritual)
Jyoti - Divine light
Swatantrata - Freedom or independence
Antratam - soul (inner soul)
Cheti -
Laptey - Flame (of fire)
Uksani - Inspire
Swatantrata Mahayagna - Freedom struggle (Great struggle for freedom)
Ithihaas - Ancient history
Gaatha - Story (or stories)
Kalpi - (name of a place)
Nirantar - Permanent
Bhoom - Earth (or ground)
Tatkaal - Immediate
Mitra Scindia - (Mitra -Friend, Scindia - Capital of the country Gwalior, also a title of the kings of Gwalior)
Sena - Army
Sammukh - In front of (or in the presence of) - Like saying in the presence of the king
Kshetra - war zone or Battlefield (The place were war takes place)
Hughrose - Name of a British army commander
Sainya - Army
Kintu - But
Sankat visham apaar - In deep trouble
Avaar -
Shatru - enemy
Sinhni - Lioness (female Lion)
Veer Gati - Glorious death in war
Divya Sawaari - Divine vehicle or divine travel
Tej - Light
Adhikaari - heir
Manuj - Human
Avtaari - Messiah
Swatantrata - freedom or independence
Krutagna - Indebted
Avinasi - Indestructible or Undestroyable
Madvaati - Drunken victory
Smarak - Memorial
Udit hua saubhagya - Good luck risen (udit - rising)
Brahm - NAME OF PLACE (PRESENT ASSAM)
Vajra-nipaat - CONQUERED
Nana Ghunghupant peshwa joota - ( GRANDFATHER Ghunghupant (NAME) PESHWA - TITLE FOR A GREAT WARRIOR, JOOTA - PREPARED (WEAPONS)
Avaar - THIS MUST BE SAVAAR WHICH MEANS THE RIDER OF A HORSE
Notes and words index by Mr.Joel (Poet Raja)

Amor. thumbnail
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Posted: 14 years ago
#42
dnt thnk me megha u noe i love history

These r the Coins of Prithiviraj Chauhan or Chahamanas of Ajmer/Delhi , circa 1179 AD -1192 AD.


Hope u like this info

megha01 thumbnail
14th Anniversary Thumbnail Dazzler Thumbnail
Posted: 14 years ago
#43

Originally posted by: BhartiKhushi909


Veer shivaji ki gathaye usko yaad zubani thi

mere paas info hai

gr8 di

its an awesome experience to b here...........hai na

chalo c u ........thodi der baad.............dis student will b back😊

Amor. thumbnail
17th Anniversary Thumbnail Stunner Thumbnail + 5
Posted: 14 years ago
#44

Originally posted by: megha01

gr8 di

its an awesome experience to b here...........hai na

chalo c u ........thodi der baad.............dis student will b back😊


okies now m adding info abt my fav hero prc see u soon😳
Amor. thumbnail
17th Anniversary Thumbnail Stunner Thumbnail + 5
Posted: 14 years ago
#45

Hey..😊 i searched the net on this fort, and found some pics, so i thought i'd share them with you..


here the pics anyways.

FORTS & MONUMENTS -

The giant fort stands guarding the city. It has six gates. The fort also has Miran Saheb ki Dargha who was the governor of the fort and laid down his life in an encounter. It gives a panoramic view of the city situated in Nagpahari of Aravalli ranges, this fort has immense archaeological and historical importance.

This is a masterpiece of Indo - Islamic architecture. As legend goes its was constructed in two and a-half days (Adhi-Din). It is a relic of an old mosque consisting of a quadrangle with a front screen wall of seven pointed arches. The distinct pillars and arched screen with its ruined minarets make it a splendid

Taragarh fort



It was built in 1345 and is great ramble around at leisure. This is rather a ramshackle fort, with its overgrown vegetation.
The view over the town and surrounding countryside from the top are magical, especially at sun set. Inside the ramparts are huge reservoirs carved out of solid rock, and the Bhim Burj, the largest of the battle-
fields, on which there is mounted a famous cannon. Taragarh is reached by steep road leading up the hillside to its enormous gateway. Take a path up behind the chitra Shala, go east along the inside of the ramparts then left up the steep stone ramp just before the Dudha Mahal, a small disused building 200m from the palace.

Taragarh Fort


The colossal fort stands watching the city. There are six entrance points in the fort. The fort houses Miran-Saheb-ki-Dargah, the governor of the fort who died fighting in an encounter. The fort offers a panoramic view of the city situated in Nagpahari hills of Aravalli ranges. This fort has immeasurable historical and archaeological importance.

Forts of Rajathsan

The rajputs were prolific builders who left behind a legacy of some of the most imposing and magnificent forts and palaces in the world. A bid for survival in the harsh Thar Desert and a history replete with valour, romance and tragedy: the forts and palaces of Rajasthan are a microcosm of the images from the past. Cities, towns and villages - all had their forts and protective ramparts. It was customary to build the palace within the fort, outside which lay the city, enclosed within a fortified wall, as in Jaipur and Udaipur. Some forts occupies commanding heights on hills overlooking the city, as in Jodhpur and Alwar. At Amber and Bundi, the ramparts start at the base of the hill, the palace stands against the hillside, while the fort is on the summit. In Jaisalmer, Jumbhalgarh and Chittaur, the entire settlement is within the fortifications as enclosed unit, while the Bharatpur and Deeg forts had moats. And the palaces set in the sylvan setting of gardens, delicately constructed pavilions and the gaily sprinkling fountains

The 14th century Taragarh Fort sprawls on top of 500 ft hill. There are huge water reservoirs inside the fort. It has strong battlements and bastions. The Bhim Burj housed the huge 16th century Garbh Ganjam cannon reputed to burst the eardrums with its noise. Below Taragarh is the Bundi Palace, which is a typical example of architecture. In Ratan Daulat, the chamber of public audience, stands a simple white marble throne. The Chhatra Mahal has beautiful wall paintings of the Bundi School. Ratan Mahal has many pillars, each mounted with four small black-stone elephants. The Zanana Mahal and Badal Mahal also have very good wall paintings. In Chitra Shala, once can see the best of Bundi wall paintings in varied themes.

Amidst beautifully laid garden, a top the bund of Jait Sagar is the Sikh Niwas. There are some very good sculptures in the garden.

The Phool Sagar Palace, about 10 kms west of Bundi, is an excellent structure. The location is well planned, as also the decoration of this Rajput edifice.

well the info can go on, but i'l stop there😊hope it helps you to understand, some of the histroy!😊

Amor. thumbnail
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Posted: 14 years ago
#46

thnx r u joining it😳
Debipriya thumbnail
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Posted: 14 years ago
#47

Originally posted by: BhartiKhushi909


thnx dear for reminding me 😳

Be ative in history class 😉


You are Welcome Dear! 🤗

Yeah Sure!! Will definitely try to go thr' the posts and be active here 😊
anu93 thumbnail
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Posted: 14 years ago
#48
Friends I would like to share a poem on Samadhi of Jhansi Ki Rani posted on JKR forum byJKRrulezz
Iss samadhi me chupe hui hai, ek rakh ke dheri,
jalkar jesne swatantrata ke divya arati pheri,
ye samadhi ye laghu samadhi hai, jhansi ki rani ki,
antem lilasthan ye hai laxmi mardani ki👏

yehi kahee par bikhar gaee ve, bhagna vijay mala see,
uske phool yaha sanchit hai,hai yaha smruti shala see,
sahe var par var antt tak, ladee veer bala see,👏
aahutisee gir chadhi chita par,chamak uthee jwala see,👏

badh jata hai mann veer ka,rann me bali hoone se,👏
mulyavati hote sone ke bhasma, yatha sone(gold) se,
rani se ab adhik hame, yaha samadhi hai pyari,
yaha nihit hai swatantratakee,asha kee chingari👏

Iss se bhi sunder samadhiya ,hum jag me hai pate,
unke gatha par nishit me,shudra jantu he gaate,
par kaveyoein(poet) kee amar geera me, isske amitt kahanee,
sneh aur shradha se gate hai, veeroon ke bani

Bundele Harbolo ke muhh humne sune kahani,
kubh ladi mardani vah thi Jhansi wali rani,
yaha samadhi ,chir samadhi hai, Jhansi ki rani ki,
antem lilastan yaha hai ,laxmi mardani ki 👏

Nandini25 thumbnail
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Posted: 14 years ago
#49


Statue of Rani Laxmibai:


Pictures of rani Laxmibai:




Nandini25 thumbnail
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Posted: 14 years ago
#50
Guys i hv found a book on Prithviraj Chauhan by chandrasekhar pathak. Its in hindi. So tell me guys if u want me 2 share it here I'll post it in small parts and will try 2 translate it in hindi.

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