Arshics thumbnail
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Posted: 9 years ago
#1
there is saying that man proposes, but God disposes
Just as Ram's visit to Mithila was pre-ordained, similarly Ahilyas udhdhar was also

Pre-ordained ! Sita, deep in her heart, knew that Rama was the suryavanshi who will break the shrap,

As in Rama she had seen the ability to love and the quality of compassion.

While Sita has agreed to go with her father's wishes on the swayamwar, her anubhuti that she and Rama will meet is still very strong

And as she says anubhooti has no logic or reason, call it sixth sense, call it the call of a heart to its soul mate, call it niyati...

But Rama is on his way to Mithila, inspite of all odds, Sita promises shathananda that Ahilya Mata will recover soon,

And Rama hears Ahilyas call and stops by to fulfill Sita's dil ki baat!

It is as if Sita and Rama are connected and in some sort of divine communication

Where the call of ones heart is immediately heard and fulfilled by the other !

They echo each other's emotions and beliefs - is prithvi par kuch bhi shapit nahi hota!

Another good episode, where Rama and Sita are slowly but surely moving towards each other

And they know it, even without knowing it

Sita logically dismisses her anubhuti, yet every moment cherishes that anubhuti

Rama declares that he is samarpit to guru Vishwamitra, yet feels an strange kind of elation at the idea of going to Mithila !

This is the surreal connection between their souls, the secret conversation between their hearts

Of which even they themselves are not aware!

Edited by Arshics - 9 years ago

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shruthiravi thumbnail
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Posted: 9 years ago
#2
@Arshics beautifully put. Actually I am loving the heart to heart connect CVs are portraying. I mean without even the leads seeing each other we feel romance , we feel love, we feel joy. This is what a love story do to you. Make you walk with the lovers every step they take.

Remember the romance of MK , how bored we were to death even when the leads were walking together and Moh Moh ke daage was playing😃😃😃.

A script can create wonderful romance just with feelings, and the same script can ensure even physical contact doesnt enthuse any romance 😃

Now leave that what touched me today was the way Ram was touched by Ahalya's call. That compassion in his eyes for a woman who has been waiting for him years to relive her of the curse. A curse that befell her because of Lord Indra's sin.
A saintly woman who was cheated by illusion, waiting day-night for this raghuvansi to come. Ram goes, goes listening to the call. Nothing stops him. He is led only by the yearning in the call. No other story or fear comes to him.
Man becomes God when he hears the plea of those who need help and are calling out. When we decide to walk past a plea we are killing the Godliness in us.
Offer help the way you can in any situation. Never walk past a plea is my take today.
Arijit007 thumbnail
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Posted: 9 years ago
#3
kehte hain jab hum dil se pukaare, toh bhagvaan bhi khinche chale aate hain, yahaan wahi huyaa hain. sachchi pukaar kabhi bhi ansuni nahi hoti, chaahe jitni koshish karo use ansunaa karne ki.
Arshics thumbnail
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Posted: 9 years ago
#4

Originally posted by: shruthiravi

@Arshics beautifully put. Actually I am loving the heart to heart connect CVs are portraying. I mean without even the leads seeing each other we feel romance , we feel love, we feel joy. This is what a love story do to you. Make you walk with the lovers every step they take.


Remember the romance of MK , how bored we were to death even when the leads were walking together and Moh Moh ke daage was playing😃😃😃.

A script can create wonderful romance just with feelings, and the same script can ensure even physical contact doesnt enthuse any romance 😃

Now leave that what touched me today was the way Ram was touched by Ahalya's call. That compassion in his eyes for a woman who has been waiting for him years to relive her of the curse. A curse that befell her because of Lord Indra's sin.
A saintly woman who was cheated by illusion, waiting day-night for this raghuvansi to come. Ram goes, goes listening to the call. Nothing stops him. He is led only by the yearning in the call. No other story or fear comes to him.
Man becomes God when he hears the plea of those who need help and are calling out. When we decide to walk past a plea we are killing the Godliness in us.
Offer help the way you can in any situation. Never walk past a plea is my take today.


True Shruthi, romance can be created without physical contact, because what it needs is emotional connect. The ehsaas, the way the two leads can portray closeness without even being together can be just as romantic, maybe even more so, a lot depends on the elusive chemistry between the romancing couple.

I am sure if without meeting each other we can feel their emotions for each other so strongly, Rama Sita scenes together will be beautiful too.

While this show keeps showing Rishi Gautamas repentance, I still feel that it was grossly unfair to Ahilya, she was a victim twice over, by her paramour and her husband, her punishment was unduly harsh, while the two men, who were the really guilty ones, got off Scot free...
Arshics thumbnail
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Posted: 9 years ago
#5

Originally posted by: Arijit007

kehte hain jab hum dil se pukaare, toh bhagvaan bhi khinche chale aate hain, yahaan wahi huyaa hain. sachchi pukaar kabhi bhi ansuni nahi hoti, chaahe jitni koshish karo use ansunaa karne ki.


Sahi baat Arijit, kehte hain na, dil ko dil se rah hoti hai
Arshics thumbnail
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Posted: 9 years ago
#6

Thank you dear
shruthiravi thumbnail
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Posted: 9 years ago
#7
@Arshics ahalya sees Lord Vishnu and if I am right she gets moksha. I don't think rishi gautham was that lucky.
Ramyalaxmi thumbnail
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Posted: 9 years ago
#8
@Arshics: Beautiful description of the episode. Today, I expected your poetry. 😊
Coming to Ahalya's inner voice heard by Ram, its inevitable for me to compare the scene with Draupadi's call to Lord Krishna. When you sincerely have faith in god, you will be saved but when and how it depends on your karma. Ahalya didn't do any wrong of her own but why she suffered for long time to rescue from her shrap whereas draupadi who on the other hand has not done any wrong but saved at the right moment?
CutiepieAD thumbnail
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Posted: 9 years ago
#9
Beautifully written 👏
I am loving the indirect love between Ram and Sita...
deejagi thumbnail
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Posted: 9 years ago
#10

Originally posted by: Ramyalaxmi

@Arshics: Beautiful description of the episode. Today, I expected your poetry. 😊
Coming to Ahalya's inner voice heard by Ram, its inevitable for me to compare the scene with Draupadi's call to Lord Krishna. When you sincerely have faith in god, you will be saved but when and how it depends on your karma. Ahalya didn't do any wrong of her own but why she suffered for long time to rescue from her shrap whereas draupadi who on the other hand has not done any wrong but saved at the right moment?

Ramya, no even Draupadi was not saved so easily. to begin with she held back to her cloths and was screaming for help from all those present in the Rajsabha starting from Bishma pitamaha, Guro Dronacharya, Ashwatthama, Vidura when she realized her husbands will not save her from their cousins. When she didn't receive any support from the those physically available there, she called Lord Krishna for help but still she was conscious of her cloths and didn't give in to her faith in her brother (Lord Krishna) completely, she didn't get any help. Only when she became totally desperate and help up her hands and called for him, he was there to save her. that means unless we believe in god and his presence completely and have faith that he will help us and save us and there is no need for us to clung on to our destiny, the God will not come to us to help.
For Draupadi, Lord Krishna, her brother was readily available to help her while for Ahalya, Ram had to born and come to save her.
That is one reason (they both gave away their awkward feelings and believed in God and also never sinned, they are still remembered as kanyas (among pancha kanyas) and if we remember them daily all our sins will be washed out.

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