Four steps backwards, two steps forward - Page 3

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smrth thumbnail
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Posted: 12 years ago
#21
^^
Ty.😊 As a 'Kumud' supporter, i don't want to nitpick on Saras. For neither is complete without the other. But facts remain. And ONUS is on him. I think next logical step should be a loud, unequivocal, AVOWAL from him, before leaving, before separation and unexpected by even Kumud- in front of whole family- repudiating the 'rejection'.

Inbt'n how many mementoes will he collect before leaving? Picture, tinkles (am sure he will regain it), silver fan? Her kerchief is already with him!!😆😆
Edited by smrth - 12 years ago
Arshics thumbnail
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Posted: 12 years ago
#22

Originally posted by: smrth

Vaishali,

You wrote everything I wanted to say. No matter how I admire GR's work, I can't help but notice a powerful tendency in the forum (and understandable, I am not complaining), which overlooks- tends to condone- some obvious lapses/ falters by the character SC, especially in his dealing with Kumud. Scriptwriters too are sometimes presenting convoluted logic/ twisting of their own previous scenes;

Two points stood out in his end speech today- (and let me tell you beforehand, on the whole I liked his confession immensely today, which is how it is in book too. He HAD accepted his love)-

  1. He says, " You called me". By now She too believes it so! We viewers are now also buying the same. But in THE Scene, cvs put up the 'challenge' as after taunt to a clear directive OTHERWISE. She had asked him to sort out his mess with father. There IN Dubai. The challenge was a 'taunt' for not doing this obvious job, (that he failed, or would be failing in convincing his father was his problem not hers), and not an 'invitation'. She was actually surprised at seeing him in RN. And even if challenge would be taken as a long scratched 'invitation' - by now scratched so by her too!- then it was more as a demand to tender apology to her father. In fact, he too was ranting the same jaap, ' I had come here only to apologize'. So now how does it become an 'invitation' by her?!
  2. Even more unsubstantial is his charge, "you didn't allow me to go." Now this I don't get at all. When?? In fact she not only didn't stop him before Yash Fiasco. She always pleaded him to go go go. Maybe I am missing something...

That the actor is doing a tremendous job. He is eye catching. He is the Lead. But all these should not alter objective facts about lapses of the character, I believe. No matter, how vulnerable his childhood was, or tragic his bind is, today his acts are directly and adversely affecting peace, reputation and prospect of a Girl and her entire family. Gumans and Sundars of the world are ready to pounce on them...But for his sheer honesty, his actions would almost be branded Casanova...he must publicly acknowledge the relationship. He must give due RESPECT to it...


All this while I was reading all the other posts on this thread and all was said so beautifully, and I felt, nothing for me to add, except wow and wonderful.

So here I found my opportunity to poke my nose in

1. You called me :

Lets not take it literally, she taunted him, dared him, he was intrigued and couldn't put her words ( and the nazuk Kamaria) out of his mind.

Something in her challenge beckoned him and he landed up

She willed him to come, remember her saying to Kusum - woh aayega

So underneath her taunt was a desire to get him here - tumne mujhe bina dekhe na kyon kaha?

So she called him, and he came, and they both realize that

2. You didn't let me go

She wouldn't show him her face

She wouldn't let him speak to her

She let him know that her father would be devastated when he finds about the rishta

She says go, but she intrigues him, attracts him, looks out for him, helps him, fights for him

When he was leaving before the Yash fiasco, she was at the gate watching him, silently.

I like to think that they were both talking about what was happening beyond the words, and beyond the sequence of events

humeshaa thumbnail
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Posted: 12 years ago
#23

Originally posted by: arshicritic


All this while I was reading all the other posts on this thread and all was said so beautifully, and I felt, nothing for me to add, except wow and wonderful.

So here I found my opportunity to poke my nose in

1. You called me :

Lets not take it literally, she taunted him, dared him, he was intrigued and couldn't put her words ( and the nazuk Kamaria) out of his mind.

Something in her challenge beckoned him and he landed up

She willed him to come, remember her saying to Kusum - woh aayega

So underneath her taunt was a desire to get him here - tumne mujhe bina dekhe na kyon kaha?

So she called him, and he came, and they both realize that

2. You didn't let me go

She wouldn't show him her face

She wouldn't let him speak to her

She let him know that her father would be devastated when he finds about the rishta

She says go, but she intrigues him, attracts him, looks out for him, helps him, fights for him

When he was leaving before the Yash fiasco, she was at the gate watching him, silently.

I like to think that they were both talking about what was happening beyond the words, and beyond the sequence of events


@red: Thanks arshicritic, you've managed to bring up what I wanted to say but was unable to.

When Saras started talking, he did have a defiant attitude and pointed out where Kumud's contribution was in the situation. However, when he took that second step towards her, his questions were all rhetorical! His point at the end of it was.. "Yes, we've both erred, but you know WHY??" This "Why" is so important for them to realize and I'm very glad he verbalized it. This why will force her to think why she wanted to be rejected AGAIN and that too in front of his parents?(something seems off to me there; could she have not said that he should re-send the letter to VC instead of her?) This why also nudges at him to think about why he loses control every time Kumud is around him despite touting that he will obey the 4 kadam rule. I refuse to point a finger at either one because they both acted out of impulse initially and now their actions are unconsciously led by their pull for each other(as veera mentioned). However, I will mention again that Kumud has a much steeper slope to climb than Saras.

MistyDawn thumbnail
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Posted: 12 years ago
#24

Originally posted by: arshicritic


All this while I was reading all the other posts on this thread and all was said so beautifully, and I felt, nothing for me to add, except wow and wonderful.

So here I found my opportunity to poke my nose in

1. You called me :

Lets not take it literally, she taunted him, dared him, he was intrigued and couldn't put her words ( and the nazuk Kamaria) out of his mind.

Something in her challenge beckoned him and he landed up

She willed him to come, remember her saying to Kusum - woh aayega

So underneath her taunt was a desire to get him here - tumne mujhe bina dekhe na kyon kaha?

So she called him, and he came, and they both realize that

2. You didn't let me go

She wouldn't show him her face

She wouldn't let him speak to her

She let him know that her father would be devastated when he finds about the rishta

She says go, but she intrigues him, attracts him, looks out for him, helps him, fights for him

When he was leaving before the Yash fiasco, she was at the gate watching him, silently.

I like to think that they were both talking about what was happening beyond the words, and beyond the sequence of events


@bold- now I would like to think that too...!! :)) Thanks for showing me that perspective..It makes sense now..I took the words more on its face value and misjudged..Maybe that's what he wanted to say '' Awaz yahan tak khinch layi ,par chehra tau ...'' Her voice, the words and the way she spoke to him on skype did intrigue him which is why he came to Ratnagiri ...And by denying him a look at her face after he came , that he so desperately wanted to see, she kind of indirectly forced him to stay back.. makes sense, yeah! :))


smrth thumbnail
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Posted: 12 years ago
#25

Originally posted by: arshicritic


All this while I was reading all the other posts on this thread and all was said so beautifully, and I felt, nothing for me to add, except wow and wonderful.

So here I found my opportunity to poke my nose in

1. You called me :

Lets not take it literally, she taunted him, dared him, he was intrigued and couldn't put her words ( and the nazuk Kamaria) out of his mind.

Something in her challenge beckoned him and he landed up

She willed him to come, remember her saying to Kusum - woh aayega

So underneath her taunt was a desire to get him here - tumne mujhe bina dekhe na kyon kaha?

So she called him, and he came, and they both realize that

2. You didn't let me go

She wouldn't show him her face

She wouldn't let him speak to her

She let him know that her father would be devastated when he finds about the rishta

She says go, but she intrigues him, attracts him, looks out for him, helps him, fights for him

When he was leaving before the Yash fiasco, she was at the gate watching him, silently.

I like to think that they were both talking about what was happening beyond the words, and beyond the sequence of events



I too would like to see it that way. But let me say why your beautiful perspective is not working for me... Unfortunately Cvs are making him little too dodgy on 'blame' part, not in 'words' only, in actions too.
1) How else would he think even for a moment, let alone speak, "it was your 'ego/ vanity' which was slighted and you 'called'?!" Or Why would he not own up 'intrigue' part? Why would he dodge it on her 'invitation call'? Was it not an unsolicited intrusion by His Family?
The want here is a respect to her sensitivity. The miss here is in a slight want of sensitivity to her predicament, in "you called". Until he shows this respect due to her, owns up a realistic accountability to their entwined fate, instead of abstract fatalism based on superstition- (Despite perceiving that 'ahesaas'...and eloquently verbalising that 'ahesaas'), I can't admire. He may turn up on all these next week, till then it would be just "dodgy 'you called' ", for me.
Here, as you said, to see beyond the words and read in between the lines is subtle and creative. But to refuse them altogether even while they were hurled repeatedly, is like refusing objective facts of the scenes aside in favour of a subjective perspective that attunes to our liking but not registering their (cvs) bungling perhaps. Which is what I was pointing out.
2.) Now this part is even more subjective that favours his 'impact full' dialogues or our predisposed perspective. Yes, she pined it so, as you described. He might even claim to have sensed it so. But at same time, she was more emphatic about a sooner end to all these too, for they were threatening peace of 'her family'- more important to her than her 'pining'. Here her 'words' (go) did have meaning. Her retracted nonchalance, " tumhari yahan rahne ki har vazud mere liye khatam ho gayi he." Now not only words here, her 'meaning' too. So why would he hold her responsible, "you didn't let me go " ?

In the end, Let me appreciate beauty of your perspective. Only that, I need more from him- towards her- to applaud his claims, their 'union'. Till then its words, like you said.

MistyDawn thumbnail
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Posted: 12 years ago
#26
@smrth- I agree with you on everything.. Saras has made some grave mistakes.. Its not just writing the letter. I am sure there's more than the rejection in that infamous letter that has hurt her..She keeps mentioning how he said relationships are burden and that she shouldn't put the burden of marriage on him.. That had completely ruined the image of the man she had pictured in her dreams..A girl of her stature ( morally speaking) will want the man of her dreams to be ''up there'' Saras had ruined that image of him by writing that letter.. I wish they had let us know the full content of the letter..After coming this far, knowing the fact about the painting, her dream, from Kumari and then all that transpired between them eversince, I would expect Saras not to confront her with her ''weakness'' , the fact that he is her weakness.. respect the woman in her..be a little sensitive thats it..! Repeatedly saying that you called me, you stopped me on her face is kinda ... not right, specially when he has an idea what she feels for him..After witnessing the whole family drama, where his own mom tried to tarnish her honor, I was expecting him to be little more patient and sensitive when she yelled at him.. That wasnt the moment to say you stopped me, you called me..Because I love Saras so much, I am willing to look at it the way Arshicritic explained..but from a neutral point of view and just on face value, those words sounded inappropriate and unecessary in that situation.. The last lines where he admits about their ''ehsaas'' made up for it..just about it..!!

Having said all that, I do think that it would be wrong to say who is more wrong or right than the other.. The whole point is Saras is misguided by his own inner conflicts and contradictions.. His feelings , actions and words are not in tandem.. rather all over the place.. Kumud will show him the way..she is the light in his darkness..she will guide him through..the first phase of their love story seems to be that..the focus of the later being on how Saras guides her through in her dark times...
Edited by vaishali-AR - 12 years ago
Arshics thumbnail
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Posted: 12 years ago
#27
@ all who posted here

Lets all agree to disagree for now. That was the beauty of yesterday's episode, and I hope for many more such episodes.

It could be interpreted in so many ways and at so many levels. In fact I suspect my own feelings abt this epi might change depending on my thoughts and moods.

That is what makes a show great, that characters are complex and less than perfect, that they are not black or white caricatures.

We can agree , disagree with them, love them one day and hate them the next and through them learn about life, relationships and its complexities.

And between yesterday and today, I got to read about so many perspectives to the same situations, that have given so much food for thought, and new ideas.

Thank you all, Mazaa aa gaya.
smrth thumbnail
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Posted: 12 years ago
#28

Originally posted by: vaishali-AR

@smrth- I agree with you on everything.. Saras has made some grave mistakes.. Its not just writing the letter. I am sure there's more than the rejection in that infamous letter that has hurt her..She keeps mentioning how he said relationships are burden and that she shouldn't put the burden of marriage on him.. That had completely ruined the image of the man she had pictured in her dreams..A girl of her stature ( morally speaking) will want the man of her dreams to be ''up there'' Saras had ruined that image of him by writing that letter.. I wish they had let us know the full content of the letter..After coming this far, knowing the fact about the painting, her dream, from Kumari and then all that transpired between them eversince, I would expect Saras not to confront her with her ''weakness'' , the fact that he is her weakness.. respect the woman in her..be a little sensitive thats it..! Repeatedly saying that you called me, you stopped me on her face is kinda ... not right, specially when he has an idea what she feels for him..After witnessing the whole family drama, where his own mom tried to tarnish her honor, I was expecting him to be little more patient and sensitive when she yelled at him.. That wasnt the moment to say you stopped me, you called me..Because I love Saras so much, I am willing to look at it the way Arshicritic explained..but from a neutral point of view and just on face value, those words sounded inappropriate and unecessary in that situation.. The last lines where he admits about their ''ehsaas'' made up for it..just about it..!!


Having said all that, I do think that it would be wrong to say who is more wrong or right than the other.. The whole point is Saras is misguided by his own inner conflicts and contradictions.. His feelings , actions and words are not in tandem.. rather all over the place.. Kumud will show him the way..she is the light in his darkness..she will guide him through..the first phase of their love story seems to be that..the focus of the later being on how Saras guides her through in her dark times...


Red above...

Vaishali again you hit the Point I wanted to say. It's a basic respect to her- her essence that he has already started adoring- is missing in his aggressive assertions, despite his visible 'plunging' and verbalized admissions. That is bothering and not permitting a full convincement on his role. Unfortunately, it appears, 'disrespect' quotient is going to continue in next track- 'Kumud after disinterested Saras'- too! Here Cvs' ploy to justify his outward coldness covertly, his superstition, is little artificial, shaky and untenable on the long run. A weakness, that was never there in the book. And cant help but notice, even a well-contemplated deviation from the book (no suicide, no demons, no superstition there) is going awry in first steps.😕

Central theme slightly deviates; In book SC-Kumud had fallen headlong for each other post engagement and they had unambiguously admitted their love. To mention, how it has irrevocably seized Kumud's consciousness, quoting author's one sentence (from many such on both) ," nadi na nirmal jal ma aakash nu pratibimb anivarya atyajaya thai pade tem Saraswatichandra na antahkaran nu pratibimb nirdosh kanya ni mansik srushti ma sampurna, apratihat ane sarvakalin avakaash paami gayu..." Such kind of impact requires 'two way' call and mutual respects, not one sided 'deferments.😊

Am I going unnecessarily deep? Pardon me, if so.

SahirsBeard thumbnail
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Posted: 12 years ago
#29

Originally posted by: humeshaa


Anything to bring SaMud closer lol.. and don't worry about the chappals.. "main hoon na, Kumud".. i mean veera..😆


HAHAHAHAA, kaisa dialogue ka istamaal kiya aapne! 😉 thank you so much Humeshaa! At least I know I'm protected now! What a lovely gesture! 😳

Of course, I would do the same for you! 😆
smrth thumbnail
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Posted: 12 years ago
#30

Originally posted by: smrth


Central theme slightly deviates; In book SC-Kumud had fallen headlong for each other post engagement and they had unambiguously admitted their love. To mention, how it has irrevocably seized Kumud's consciousness, quoting author's one sentence (from many such on both) ," nadi na nirmal jal ma aakash nu pratibimb anivarya atyajaya thai pade tem Saraswatichandra na antahkaran nu pratibimb nirdosh kanya ni mansik srushti ma sampurna, apratihat ane sarvakalin avakaash paami gayu..." Such kind of impact requires 'two way' call and mutual respects, not one sided 'deferments.😊

Am I going unnecessarily deep? Pardon me, if so.


Above Green….
Vaishali, Arshi do you remember this conversation? Well this is the dialogue they put for Kumud today…more later, after a dinner outing…Thanks Cvs for preserving the essence.😊

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