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vinit_1242 thumbnail
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Posted: 19 years ago
#11

She is Kim ...Former Vj of channel V.. She is very sweet.....

ChameliKaYaar thumbnail
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Posted: 19 years ago
#12

Originally posted by: vinit_1242

She is Kim ...Former Vj of channel V.. She is very sweet.....

Wow ... She is gorgeous...😈

By the way, is the forum slow as a whole or is it just me?

deepboy thumbnail
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Posted: 19 years ago
#13
Vinit can you please stop posting the same pics over and over????????
I appreciate your efforts when you give you the studio updates and you are just fantastic there.May be people will enjoy if you post some new pics here. But being repetitive doesn't suit you.You can do much better than that,trust me.

Edited by deepboy - 19 years ago
dynamo thumbnail
Posted: 19 years ago
#14
Sharib lost in part due to the song itself. Sharib's voice truly excels when he sings higher scale songs with a more classical complexity to them. During C2005, his renditions of "lagi tumse lagan", "tadap tadap", and "Aashiq banaya aapne" were better than even the originals. All of this (or at least the first two) were very difficult songs and Sharib had the opportunity to shine.

With all due respect to RDBurman, the late 70s-early 80s was a terrible period for indian film music. after a great era of romantics in teh 60s and early 70s, the backlash that gave rise to Amitabh's "angry young man" image left no room for melody and tender emotions that make a music shine. Hence, we suffered through over a decade of "yamma yamma" and "accident ho gaya rabba rabba" - not to mention Jitendra-Sridevi's "ice cream khaogi". thankfully, the revival of the romantics came with QSQT in 1988 and carried on with Dil Hai to manta nahin and aashiqui.

In short, you give a solid singer a terrible song, and you are going to suffer. As it is said, "if you want to turn a lion into a monkey is to feed him bananas".
musiclover7 thumbnail
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Posted: 19 years ago
#15

Originally posted by: dynamo

Sharib lost in part due to the song itself. Sharib's voice truly excels when he sings higher scale songs with a more classical complexity to them. During C2005, his renditions of "lagi tumse lagan", "tadap tadap", and "Aashiq banaya aapne" were better than even the originals. All of this (or at least the first two) were very difficult songs and Sharib had the opportunity to shine.

With all due respect to RDBurman, the late 70s-early 80s was a terrible period for indian film music. after a great era of romantics in teh 60s and early 70s, the backlash that gave rise to Amitabh's "angry young man" image left no room for melody and tender emotions that make a music shine. Hence, we suffered through over a decade of "yamma yamma" and "accident ho gaya rabba rabba" - not to mention Jitendra-Sridevi's "ice cream khaogi". thankfully, the revival of the romantics came with QSQT in 1988 and carried on with Dil Hai to manta nahin and aashiqui.

In short, you give a solid singer a terrible song, and you are going to suffer. As it is said, "if you want to turn a lion into a monkey is to feed him bananas".



agreed. he caught my eye from "tadap tadap" -- that is the single best performance i have seen in any musical show on tv ever.
sujay1974 thumbnail
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Posted: 19 years ago
#16
Sharib was very good in "tadap tadap" but the best performance of C2005 was "nahi samne" by hemu followed closely by "mausam ki adla badli" by ujjaini
ppa88 thumbnail
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Posted: 19 years ago
#17

Originally posted by: musiclover7



Actually on SRGMP Challenge 2005, there was an episode where they were showcasing all top 12 finalists, and for Sharib they introduced him as "Sabri brothers ke shehzade". Sharib himself has also said in an interview that he has taken training under Ustad Akram Sabri, who is one of the Sabri brothers I believe. Sharib is related to the Sabri brothers, which is why he has SUCH good control of his voice -- he's learned music extremely well.
Link to Sharib's interview: http://cities.expressindia.com/fullstory.php?newsid=165639

Thanks for that reference. Sabri brothers are great exponents of Quawali and have music in their blood.

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