RR currently is a SINKING ship, it neads a new LEASE on life. - Page 3

Originally posted by: PhoenixRising

This track is horrible period. Everything Laila does looks forced I seriously doubt this track will fetch TRP.

CVS wake up already before it's too late!

Originally posted by: Exprimere

Someone had to say this. The show is reaching a point of no return. I wonder how they can possibly salvage it. I hope they figure out a way.

What irritates me the MOST is that the Laila track doesn't have to be this redundant. There are many mature ways to deal with her. Yes, she's evil, but she's also hurt; she's jealous, but she's a woman who has lost her love. She can be the antagonist. But can't she also be a person? Not just a black puppet working in tandem with Mohini (whose characteristic features have eroded as well).

Had I watched the PaRud scene with a good supporting story, I would have loved it. But the entire thing didn't make sense, and the magic just passed by without me being able to grasp it. Even the dance. The actual performance was one of the prettiest Sanaya has delivered. But the motives were too flimsy.

Originally posted by: jyoti06

Viji thanks for making a separate post on it .. Much needed 👍🏼

Thanks hun...I thought so too😊

U know we discussed this in chat that instead of changing multiple directors every 2-3 weeks , they need to change that writer because problem is not with direction , its with the screenplay and writing dept .

I know comparison is not the way to go about but look at some of the top shows today they have a storyline that gives them power. A shows success definitely lies in how intelligently and smartly the writing team and creatives come up with something. Actors, acting, director directing yeh sab toh secondary hai...unless there is a strong solid script there is not way RR can reach the heights it is supposed to

Directors r doing their job according to the script given to them and I find the execution of scenes good too .But story ka kya and thats the major worry

Worry toh hai bohat bada worry hai.

U r right , Romantic moments should b part of a story and story should not b made with few romantic moments put together ... thats where RR is lacking ... they hv brilliant actors and sizzling chemistry between leads .. all they need is to weave a story around these ingriedents they hv ...

Exactly ST has managed to pull of a dream pair and every time they come close, sparks fly and it's there for all to see. Only he can do something about this and I really hope he does.

I felt they sort of packed up Tejawat and thakurain track too quickly .. that was a major story and trps would hv definitely picked up if they kept Thakurain and Tejawat in picture with the curiosity of whether mother-son will meet or not or how will Paro find out the truth ...

Bingo I agree...they should have played around it...and since Paro knows Mala, it would have been great to see some of the integral characters play it out.

Laila should hv been brought later on and not so soon .

Yeap...this is like making a khichidi and it has come to my understanding that all these stunts are for TRP's...seriously some people are delirious.

Anyways we cant do much but wait and watch and try to make sure CVs read this feedback and do the needful in terms of writing a proper gripping story around PaRud .

On it already 😉

Originally posted by: Exprimere

Someone had to say this. The show is reaching a point of no return. I wonder how they can possibly salvage it. I hope they figure out a way.

What irritates me the MOST is that the Laila track doesn't have to be this redundant. There are many mature ways to deal with her. Yes, she's evil, but she's also hurt; she's jealous, but she's a woman who has lost her love. She can be the antagonist. But can't she also be a person? Not just a black puppet working in tandem with Mohini (whose characteristic features have eroded as well).

Had I watched the PaRud scene with a good supporting story, I would have loved it. But the entire thing didn't make sense, and the magic just passed by without me being able to grasp it. Even the dance. The actual performance was one of the prettiest Sanaya has delivered. But the motives were too flimsy.

Originally posted by: .bohemian.

The writers are currently concentrating on tracks, rather than the story. The characterization are being modified on a whim to suit the track. Does not make sense at all. Neither does the break-neck speed in closing the tracks.

It is time they went back to the drawing board, and decide what is it exactly they want to show. The show has a stellar cast and fabulous characterization that are systematically getting butchered. A show cannot just survive on romantic scenes.