But in RR, seeing his commitment, dedication, hard work, portrayal of Rudra to a T, every single flicker of expression, emotion, conveying his feelings, thoughts, body lang, voice modulation all just as the scene/dialogue demands.
Even when he doesn't utter a single word his portrayal makes us FEEL Rudra (ie, the tear rolling out his eyes in hosp.)
And yes, it's the transition of expression he has become a master in conveying. Those swift nuanced changes take the character & scene to another level. He is a fluid actor and has a brilliant support in Sanaya.
In today's initial scene, it was a treat to view that talent playing out so beautifully. I was transfixed watching the array of of emotions move across his face, not once did he slip, nor his intense gaze. He moved between Shock, relief, disbelief, accusing, guilt, embarrassment, rage,fury at her audacity to stand in his house, in front of him and challenge him at the same time, mocking, his tone, face, equally supporting him.
Paro does have quite a list.š² esp the asking her for forgiveness, & how she won't forgive him!!!š² š I'm sure both are going to be bent on proving each other wrong.
I love the old wise wisdom of elders, from the sidelines they can see much more than the two in the ring... What Dilsher asked her today, 'y did u come back to my son', although her flashback show one thing... her list says another.š³
Can't wait for both their reactions to Dilsher accepting her as dilš¤£