Originally posted by: -SYS-
Okay a bit late.
Just wanted to mention some things that struck me/made an impact.
The sharp turnabouts these characters produce when needed-Shaan going from completely clueless to extremely mature and worried about the Dhulwadi villagers and their problems and feeling like he owes them something.
And if he has to go on a guilt trip can he go on one regarding the whole infidelity issue first?Or at least simultaneously?
The inability of the writers to portray Shaan and Khanak as strong individual characters simultaneously- Khanak asking Shaan to return home just because he gave 2 samosas to the kid?Back to Mumbai?Even though her home village is suffering?I wouldn't mind her giving him food but this is too extreme!
Despite all my issues with the character portrayal liked the Shaan-Khanak scene.Its the first step towards a more mature Shanak.I just hope they retain their Shanak-ness though.
Oh and loved that few seconds close up we got towards the end when they face each other.It was un-intensely intense.
Sunil-Madz are the cutest buddhas! I just hope RBO doesn't go on to caricaturize their characters.
Mangal-Shaan-Sarpanch scene: Miss Pankaj Dheer.Thank god things are making sense now-them going to the Sarpanch first was very realistic.
Love Mangal! He might not be the AG but I love this guy all the same.
Loved how they ended it with hot-headed Shaan.