LEGENDS OF PRINCE LAKSHMAN - Page 5

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Posted: 12 years ago
#41

Originally posted by: sanjh11

thanks alot krishni and neilu for this wonderful thread šŸ‘


krishni the story u told are very unique never heard of it thanks once againšŸ‘

neilu thanks for the temples information on lakshmanji... these details were fabulous... is lakshmanji worshipped alone in these temples or lord rama and goddess sita are also worshipped ?plz share the other mythological place related to lakshmanji as well... ...btw...i have been to sitabari its a place where sitaji gave birth to luv and kush and here sitaji alogwith her three sons luv kush and lakshman ji is worshipped the pond adjourning to is considered as pious doing the parikrama and offering water from the kund to sitamaa is considered holy practice and all the wish gets fullfilled with the grace of lord lakshman and sitaji...


@ red the ruling diety is lakshman ji in all these temples
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Posted: 12 years ago
#42
Tale 22 : Lakshman and Guha conversation
Source :Ramcharitmanas
Shared by :Arti

It happened wen lord rama lakshaman ji and sitaji seek the shelter of nishadraj guha Lord Ram and Sitaji are visibly asleep under the tree and Lakshmanji was till now massaging Lord Ram's feet. Realizing that He is asleep, he silently got up, and sat at some distance from them, to keep vigil for the night, with his magnificient bow and arrow ready at hand. He is to do this on every single night for the next fourteen years. Seeing this, Nishaadraj posted his guards at various places around the tree, and he himself went and sat with Lakshmanji, partly to keep him company and largely because he was agitated.

Guha(looking painfully in the direction of Lord Ram): The King's palace, to which even Indra's residence is hardly comparable, whose beautiful antics built of precious stones, which are equipped with charming beds, pillows and cushions, so soft and white like the froth of milk. There Sitaji and Lord Ram used to sleep at night. And now, these very same people are sleeping tired, without covers, under a tree. How did it come to this? These are the two people who least deserve such treatment. Moreover they have just married. Foolish Kaikeyi has wrought a cruel mischief and brought great trouble to these two in the times of joy. She has virtually destroyed the dynasty of Raghu.

: Saying so, Guh became greatly agitated and started weeping, while continuously staring at the sleeping couple and cursing Kaikeyi.

Lakshmanji(with serene peace of mind and heart): Dear friend, nobody can bring joy or sorrow to anybody else. All of us reap the fruit of our own actions.

Guha: How can you say that? Do you intend to mean that Lord Ram and Sitaji had committed bad deeds, and thus as a fruit of their actions they are suffering such hardships and pain. I think this is entirely Kaikeyi's fault.

Lakshmanji: My friend, why do you think that Lord Ram and Sitaji are in pain and undergoing any hardship? They are as happy and peaceful as they would have been in the palace. The source of happiness is always within and is not affected even an iota by the external circumstances.

Guha: But still, the outer world has to have some effect. In fact in our daily lives we are greatly affected by the happenings around us. Then how can you say that the source of happiness is entirely within.

Lakshmanji: Union and separation, pleasure and pain, friends and foes and neutrals, birth and death, prosperity and adversity, destiny and time, all that you hear, see and think'' these are all a delusion and have their root in ignorance. In reality, these do not exist. It is all like a dream. If a king becomes a pauper or a pauper becomes a king in a dream, then upon awakening nobody looses or gains anything.

Therefore, don't blame or curse anybody. Whether you are a king or in exile in this world doesn't matter as it is all a dream.

Guha: That is a very bold statement and one which offends common experience. We see, feel and are affected by this world and the pleasure and pain are very real.

Lakshmanji: And so are the pleasures and pains of the dream as long as you don't wake up.

Guha: But then, if this world is just a dream and whatever you do, or you are is of no REAL significance, then what does it matter whether we live like a saint or a sinner, whether we strive and achieve or idle away, whether we follow dharma or adharma. Our actions, whether good or bad, become irrelevant. The law of Karma that you just stated seems to fail then.

Lakshmanji: You are bound by your actions OF THE DREAM as long as you don't wake up. As long as you are asleep, the delusion world is the only real world for you. Only the one who has woken up to Reality can call this a dream world. And it is understood that upon waking up you do not receive reward or punishment for the actions that you performed in the dream.

Guha: Well then, who is awake? Or is there anyone who is awake?

Lakshmanji: Everyone is slumbering in the night of Ignorance. But the Yogi alone is awake. And because he is awake, he doesn't see this dream world, rather he sees the Reality.

Guha: How do we recognize a yogi? What are his characteristics?

Lakshmanji: There are no outward characteristics by which you can point out a yogi in the crowd. In fact he may be a king, a soldier or a pauper in this world of delusion. The mark of a Yogi is within, and it is a complete INWARD aversion to all the objects of the senses of the world, Vairagya. Simply because he knows that they aren't real and so he won't be attracted to them at all.

Guha: Fine, that much is understood. But if the Yogi doesn't see this dream as we see it, what then does he see? What is reality? The real reality I mean and not this delusion that we call reality.

Lakshmanji: He, for whom you just wept, whom you see sleeping under the tree is the Supreme Reality. Him the Yogi sees. And Him, they seek those who are on the path of Yoga.

Guha: How '''''.? I don't get it. Please elaborate.

Lakshmanji: He isn't just a person as He appears to you right now. He is the Brahman of the Upanishads, the Unknown, the Imperceptible and the One without any beginning, Incomparable, Immutable and beyond all diversity. Him the Vedas describe in negative terms (neti neti).

Guha: If that is so, what then is He, the Creator and Lord of all worlds, doing here?

Lakshmanji: He is here to wake us up, so that we can see Him, the Reality.

Guha: And how does he do it? How will we all transcend this world of ignorance?

Lakshmanji: He is here, having assumed the form of a human, moving among humans and performing deeds (Lila) merely hearing and discussing which the snares of the world are broken asunder. Hence, my friend, shed all infatuation and take refuge in Him. Come, it is almost dawn, and is time that they wake up. We must make necessary preparations. Come brother, and now onwards, don't grieve for Him.


Edited by nneeiill - 12 years ago
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Posted: 12 years ago
#43
Tale 23 : Urmila and Kaushalya - an ideal daughter in law and pillar of support
source : sermons from renowned spiritual guru and also from valmiki ramayan
shared by :arti

It is said tht after the sad demise of King Dasharatha, Kausalya lamented greatly her suffering was beyond imagination immdetiately after the demise kauslya ran in kaikeyi chamber and rebuked her in the words of sage valmiki (excerpts from valmiki ramayana)
"O Kaikeyi the cruel one and the doer of evils! You be there, having fulfilled your desires. Deserting the king, you can enjoy the kingdom undisturbed and without any hindrance..."Rama has left me and gone to the forest. My husband too has left for heaven. I do not wish to live, as one left behind by a caravan in a wrong road..."Which woman would wish to survive, leaving her husband who was divine, except Kaikeyi who kicked off righteousness?""A greedy person cannot understand one's faults, like one who eats a forbidden dish. Due to that hump- backed woman, Kaikeyi has ruined the race of Raghu dynasty.""Today itself, I too in devotion to my husband, will meet my appointed end. I shall enter the fire, duly embracing this body of my husband...
sarga 66ayodhya kand
http://www.valmikiramayan.net/ayodhya/sarga66/ayodhya_66_frame.htm

Saying tht Kauslya ordered maid to lit the pyre as she wished to be sati alongwith her husband...the condition was crucial as lord rama lord lakshmana sitaji were in the forest exile bharat and shatrughan were away with their wives and saumitra wasnt in her senses in such scenario the ministers paid visit to urmila and pleaded her to handle the situation wen urmila heard about kausalya pran she immediately ran and fall on the feet of kausalya she said " oh mother...u r my source of energy my spirit my soul ur blessing is like the cool breeze in the desert...my lady my lord had bestowed me to you he had asked me to look after u... u r laskhman's treasure tht he kept under my responsibility if something dreadful happens how will i show my face to lord rama my sister sita and my lakshmana they had shown their faith on me..plz dont do this to me...oh mother its a request plz gave up ur vow plz mother show mercy on me...i could bear the separation from lakshman becoz the mother like u is present my besides plz mother dont leave me i need u in the time of distress i m like a lifeless branch i m like dry shriveled leaf without my lord its u who fuel pran in me...plz mother i beg of u and if u have decided to be sati plz order another pyre i will burn to ashes with you i wife of lakshmana would rather die than to show my face to my husband...mother i know ur plight but for ur ayodhya u have to stay alive for ram for sita for lakshman and for ur daughter urmila u have to stay alive
kausalya looked in her teary eyes and embraced her she gave up the thought of being sati and since tht day
in other passage in chitrakoot wen saumitra asked lakshmanji about the message to urmila he said plz ask her to take care of kakeyi maa too..mother, mandavi and shutakirti are there to serve u and kausalya maa but for kakeyi maa there is noone ask urmila to plz serve her and consider her as mother like...wen urmila heard this urmila became the first maid of kakeyi she moved in her chamber and her sole purpose was to make her mother in laws: kakeyi and kausalya happy ...she served them whole day and night and like lakshmanji she never closed her eyelid and remained awakened serving her mother -in- lawand praying for her husband

wen sitaji returned to ayodhya she took the lessons on how to serve rightousley mother in law from urmila it was the gratitude tht sitaji showed to urmila...😳
Edited by nneeiill - 12 years ago
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Posted: 12 years ago
#44
TALE-24

Sacredness of Urmila

Urmila was Janaka's own daughter, and Sita was found when he was ploughing the field. So, Sita can be called his foster daughter, whereas Urmila was his own daughter. So, he had decided to give Sita and Urmila in marriage to Rama and Lakshmana, respectively.

Sita was the embodiment of shakti (energy). What type of shakti was it? Sita ,being the daughter of mother earth, was full of magnetic power. Rama, being Divine, was the very personification of magnetic power. Hence, Sita was married to Rama.

Urmila was wedded to Lakshmana. Who was Lakshmana? He was Adhisesha himself, who bears the weight of mother earth. Urmila was one of noble qualities. She was such a great painter that she could draw anything in no time.She remained in the same room where she was when he left for the forest, for fourteen long years, until he returned. She never had any worldly desires.

Sita wore a yellow colour Sari for coronation. She spent all fourteen years in the forest wearing the same Sari. The same with Urmila. She wore the same Sari till Lakshmana returned. Being the daughters of King Janaka, they had no body attachment. That is why they were known as Vaidehis (those without body attachment). King Janaka was known as Videha, one without body attachment.

Edited by Krishni51 - 12 years ago
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#45
FIVE FAMOUS LAKSHMAN TEMPLES IN KERALA
1)Thirumoozhikkulam Lakshmana Perumal Temple

Thirumoozhikkulathappan - Ohm Lakshmanaya Nama!

This shrine is associated with legends from the Ramayanam. Legend has it that while Bharata the brother of Rama and Lakshmana, came to invite Rama, then in exile, to take over the reins of the kingdom, an angry Lakshmana suspecting Bharata's intentions intended to kill him; however, Bharata's innocence was very soon revealed, and then the two of them offered worship together at Tirumoozhikkalam. Worship is offered to Rama, Sita and Hanuman at this spot acknowledging their presence. No music is played during worship services here, unlike other temples. The annual festival which falls in the malayalam month of Makaram used to be an occasion of great festivity, with performances of koothu and Koodiyaattam for a 41 day period in the temple Koothambalam.


Inscriptions from the 11th century CE (Bhaskara Ravivarman) are seen in this temple. The Thirumoozhikualam Lekshmana Perumal Temple had a superior status and it had a command over the other local temples. It attracted most of the Tamil Vaishnavite pilgrims who visited ancient Kerala. The temple had a bylaw by name 'Moozhikkulam katcha' which applied to all other temples of Kerala.


Vakkay Kaimal, had a dream one night in which some mysterious person appeared before him and told him that four idols have been washed ashore and that these idols are to be consecrated at such and such places. The Kaimal being an ardent devotee hastened to the sea shore there lay four idols as indicated in the dream. They were duly installed in four temples as directed in the dream. Rama at Thriprayar. Bharata at Irinjalakuda, Lakshmana at Moozhikkulam and Shathrughna at Payammal. It is believed that worship at all these four temples on the same day is especially meritorious. In the Malayalam month of Karkidakam (July 15th to August 15th) - the Ramayana Masa, thousands of devotees do this special pilgrimge, which is popularly known as Nalambalam Yatra a pilgrimage to the four temples.

The temple was sacked by during Tippus invation, like the temple at Thiruvanjikkulam. The image of the presiding deity is in a damaged state . A silver kavacham or armour was made as a covering for the image; however soon after installation of the kavacham an attempt was made to steal it. Afterwards a Devaprasnam was conducted, which insisted that the Perumal wanted to be in that state only, he didn't want to hide the damage or replace the original idol. Since then it stays like that.

The 'Periya Thiruvaymozhi' composed by Nammazhvar praises the greatness of deity of Thirumoozhikkulam. The deity of this temple Lakshmanan is said to be kind to those who suffer and the wish of the devotees get fulfilled. Devotees vouch of their wish getting good children by visiting the temple which is also claimed to ail illness of heart.

There are idols of Shiva as Dakshinamoorthi(south side) Ganapati, Sree Rama, Seetha, Hanuman Ayyappa, Sree Krishna (as goshala Krishnan) and Bhagavathy in this temple. There is an order in visiting the deities of this temple. Which is described below, enter through the eastern gate and first visit and pray to the main deity Lakshmana, after praying there then visit Ganapathy, Shiva and other deities then come back to Lakshmana to offer a second prayer after the pradikshana visit Ayyappa and Bhagavathy and then Krishna, and final visit to Lakshmana's steps to offer prayers before returning.

2)Koodappulam Lakshmana Temple

Koodappulam Lakshmana Temple is situated in Rampuram Panchayt near Ramapuram in Kottayam district.

3)Mulakkulam Sree Lakshmana Temple

Mulakkulam Lakshmana Swami Temple is situated at Mulakkulam in Kottayam district. Devotees can reach here through Piravam - Peruva road. Kottayam district is the only district in India having three Lakshmana Temples. The other two Lakshmana Temples in Kottayam are Vennimala Rama-Lakshmana Perumal Temple and Koodappulam Lakshmana Temple.

Mulakkulam temple is closely associated with Thirumarayoor Sree Rama Swami Temple. The main specialty of this temple is that the Lakshmana Prathishta is in the form of a Sheeveli Thidambu. This west facing temple has a copper dwaja prathishta and Manayathattu Nampoothiri is the Tantri. Mulakkulam temple is a major temple under Travancore Devaswom Board having five poojas and three sheevelees daily. The nine day long annual festival is in the moth of Medam in whioch the Thriuaarattu is held in the ninth day (Thiruvonam)

The main deity Lakshmna is positioned on the Sheeveli Thidambu. The history behind this temple is as follows. The Brahmin Kings of Edappalli and Paravoor had a vigorous argument in the case of Daasiyattom at the famous Thirumoozhikkulam Lakshmana Temple in Ernakulam District. The Edappalli King failed and it is said that the King himself took the Sheeveli Thidambu of Thirumoozhikkulam Lakshmana Perumal and later he constructed a temple in Mulakkulam and installed the Thidambu there. He named the place as Mulakkulam to remember the connection with Moozhikkulam.

Another story says that the Ooralar families (owners of temple) of Thirumoozhikkulam quarreled with each other and with the Paravoor King and brought the Thidambu of Lakshmana to this place. The quarrel was held between the "Akakkoyma and Purakkoyma" families of Thirumoozhikkulam.

There is also a history which says that the Lakshmana Thidambu belongs to the Thirumarayoor Rama Temple. Originally the Thirumarayoor Temple had Rama and Lakshmana Prathishtas. Due to the revolt between Brahmins of Thirumarayoor some Brahmins took the Lakshmana Thidambu which was ought to move for Para Ezhunnallathu ritual, to Moozhikkulam. The Thirumarayoor and Mulakkulam temples which are situated on the opposite banks of Moovattupuzha river points to this fact.Ganapathi, Shiva in the form of Kirathamoorthy and Shastha are the upa devatas of this temple.

4)Vennimala Sree Rama Lakshamana Perumal Temple

Vennimala Sree Rama Lakshamana Perumal Temple is one among the oldest Rama Temples in South India. Vennimala Sree Rama-Laksmana temple, situated in 4th ward of Puthupally, is 2 km south to Vellor in Kottayam district. Devotees can reach here through K.K.Road from Kottayam via Manarkad and turn right at the 8th mile. A board of Vennimala Temple shows the way. The place is about 15 km from Kottayam.

It is believed that Lord Rama and Lakshmana during their period of exile visited this hillside. At that time numerous sages meditated in the caves of Vennimala. Upon the request of the sages Lakshmana killed many demons who were a threat and nuisance to the sages. Thus the place came to be called 'Vijayadri' in Sanskrit. The name means 'hill of victory' as Lakshmana won the battle with demons. Vijayadri in Malayalam became Vennimala.

Cheraman Perumal Bhaskara Revivarma, the King of Kerala built the temple. The legend goes that Cheraman Perumal constructed this temple as per the direction of Kapila Maharshi. The place name was Iravipuram originally. The king who reached this place by canal route as per astronomical directions, was shown the idol in this hill by a hunter named Iravi. Cheraman Perumal was attracted by the beauty of this place and stayed here and built a palace. He earmarked the hill as a sacred and protected place.But the palace doesn't remain today. Cheraman Perumal accepted Lord Rama as his King and he declared that Lord Rama of this temple will be called by the name "Vennimala Perumal".

Later on, the temple came under the Thekkumkoor kings who ruled this region. Vennimala was once the Capital of Thekkumkoor Kingdom. Unnuneeli sandesam written in 14th century AD describes Vennimala in Thekkumkoor. In AD 1749 King Marthanda Varma of Venadu captured Thekkumkoor and there after it was portion of Thiruvuithamkoor.

The temple is more than thousand years old as judged from the mrgamala in the namaskara mantapa, even though the present structures may be of later period.

Even though the main idol is that of Lakshmana Perumal, Sri Rama is also present in the srikovil by conviction. Reinforcing this conviction, there are two bronze dhwajastambhas (flagmasts) in the front yard. Previously the temple was a Mahakshetra with five poojas and three sreebalis daily. Now, only three poojas are performed. Earlier there was a 28 day festival from Rohini in Makaram to Rohini in Kumbhom culminating in the Arattu. For the arattu, during the forward journey Lakshmana was in front followed by Sri Rama while for the return after the arattu Sri Rama used to come in front. All the 28 days were punctuated by Chakyar Koothu. The koothambalam is part of Valiambalam. Pothiyil Chakyars had the hereditory rights of performing Koothu in this temple. Only Ramayanam story used to be played here. Koothu for 16 days followed by Koodiyattom for 12 days was the routine. Vennimala Koothu has been an integral part of the cultural scene of Kerala for centuries. At present, the festival goes on for reduced duration of ten days.

The temple is facing West. The entrance to the temple is through a dwara gopura in Kerala style followed by an Anappandal. Then come the two dhwajastambhas followed by the Agra Mantapam or Balikkalpura. This is followed by the Valiambalam with an in-built koothambalam. The Nalambalm is of wood and tile and on the exterior there is a Vilakkumadom as well.

The valiambalam leads to the inner prasada (courtyard) containing the Srikovil and the namaskara mantapa. The namskara mantapa of medium size contains four pillars and has been reconstructed in teak quite recently with tiled roofing. On the south side of the namaskara mantapa, in between the two pillars is the ancient Kanikka Vanchi of Teak with brass locking system etc., a rare find.

Beyond the namaskara mantapa comes the unique srikovil only one of its kind in South India. It is the 'Ghata Prasada' type with a pot shape, the Srikovil proper is in circular form with a neck shaped mukhamantapa in front. The srikovil has been constructed in stone and the mukhamantapa has ornamented wooden panels in between stone pillars. Both are roofed over by an integral copper roof supported by rafters. The exterior of the srikovil has beautiful daru silpas (wooden idols) at intervals along the periphery. Sopanam as well as pillars in the mantapa have been enclosed by brass membrane. Of the daru silpas special mention can be made of Siva, Venugopal, Ravana, Sri Rama and Mahalakshmi.

Among the subsidiary shrines, that of Sri Krishna is unique. Located in the North-West corner of the outer prakara, it is a small square srikovil abutted in front by a square mukhamantapa. The inside of the srikovil is hexagaonal shape. The srikovil and mukhamantapa are surrounded by pillars enclosing a small walk-way around and tile over. Ther is a namaskaramantapa and balikkal in front of the shrine. Other upadevatas are Ganapathy, Nagaraja and Yakshi.

The tantra rights of this temple are vested in the Thazhaman Matom. There are a number of small wells and ponds around the temple. The hill had more than sixty large and small ponds scattered throughout the forest. Even today about a dozen such ponds are remaining with sparkling fresh water even in hot summers. Balikarmas take place during Thulam and Karkidagam vavu days in the temple tank nearby with rocky outcrops. The temple pond is located about 100m from the temple and it is said that the sacred channel of the temple opens to this pond. There is a huge cave on one side of the hill located barely one kilometer from the temple. It is said that the cave runs up to the banyan tree in front of the temple, but it is closed today by big boulders fallen in place. The cave can accommodate nearly ten people at a time. The inside of the cave is cool and moist and the spot offers a fine view of the undulating rubber plantations below.

Vennimala temple is on a hill 1500 feet high from sea level. The temple comes under the administrative control of the Uranma Devaswom Board.

Outside the nalambalam are the flagmasts and the anapandal (the elephant portico) on the eastern side culminating in the dvara-sala. The Sastha shrine is located on the south-west side while Bhagavathi, Nagaraja and Yakshi are accommodated on the north-west side of the outer prakara.

The huge rock in Kattankunnu in Velloor is called "Pampurumpara" - the rock where snakes crawl. According to second school from this, the name Pampady was derived. Another view is that the name was derived from Payampady (area where water is available).

Famous sopana musician Shadkala Govinda Marar, contemporary of Swathi Thirunal was born near the temple in Pulikkal house. Iythihyamala written by Kottarathil Sankunni details the legend behind the Venniamala temple and historical importance of this place.

5)Puzhakkattiri Lakshmana Swami Temple

(no description available)


RAM,LAKSHMAN,BHARAT AND SHATRUGHNA IN NALAMBALAM YATRA




Edited by Krishni51 - 12 years ago
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Posted: 12 years ago
#46
@Krishni...

five temples in kerala...and i dint even knew that..wow thanks
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Posted: 12 years ago
#47

Originally posted by: nneeiill

@Krishni...


five temples in kerala...and i dint even knew that..wow thanks

FEELING LIKE TO VISIT THEM
ANYWAYS CAN ANYONE DISTINGUISH BTN RAM,LAKSHMAN,BHARAT AND SHATRUGHNA...PLZ...NOW ALL FOUR ARE BLUE...BELOW EACH DEITY SOMETHING IS WRITTEN IN MALAYALAM I GUESS...😳
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Posted: 12 years ago
#48

Originally posted by: Krishni51

FEELING LIKE TO VISIT THEM
ANYWAYS CAN ANYONE DISTINGUISH BTN RAM,LAKSHMAN,BHARAT AND SHATRUGHNA...PLZ...NOW ALL FOUR ARE BLUE...BELOW EACH DEITY SOMETHING IS WRITTEN IN MALAYALAM I GUESS...😳

yes i can read malayalam but struggle at writing..infact i cant except few words may be šŸ˜•..anyways here you go

on top left ram, on top right bharat
left bottom -lakshman and then shatrugnan on bottom right😳
Edited by nneeiill - 12 years ago
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#49
BUT SEE RAM IS NOT HOLDING HIS DISC...INSTEAD LAKSHMAN AND SHATRUGHNA ARE HOLDING...THIS IS SOMETHING DIFFERENT FROM ROUTINE...RIGHT😊
RAM HAS SOMETHING SEMICIRCULAR IN HIS HAND!!!😳
Edited by Krishni51 - 12 years ago
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Posted: 12 years ago
#50
i see all four holding disc like thing..

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