Blast from the Past Thread #16 Extn: The Picture Album:

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@soni19sweet

Inactive

+ 5

Posted: 12 years ago

#801

hi all i dont know what you all decision

will be after this but have to tell you all something important

i am from one month is facing many problem

that have indirectly had affected more than the extent to

my studies

now i am having no time left for them so i have decided

to be little away from the thread that is

i can visit only 2 or 3 fixed dy in the thread

and cannt be able to open each page

so i request you all to pls send your work or reply to any of my work or post by pm as a link

i know it will be little difficult but i would have not said this if i got any solution

it is only matter of 2-3 month once i will come in the level of my studies i will be back

to trouble you all with my editing and chidshish talk

i assure i will give comment to every pm

in that week itself

and will also pm you answer link if want

i will keep in mind to not send you pm of my ff

so dont worry for that while buddy me

anyone can say no to it no probe

i can understand

miss you all very much

it was such wonderful strees buster habit to be here and

spam

and i am not going anywhere will be online full time

but not active mostly

will come in a week once paka

now you can all decide to unbuddy me if want

an also whether after this i can continue with tadka or not

but they will be very very late

so i dont want to destroyt he alignment of thread

it is your decision

also can i still talk and ask for anyhting by pm or post

bye

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Preety_Nebula

@Preety_Nebula

Inactive

Posted: 12 years ago

#802

Hey Blasters...before we leave this wonderful ride lets look back...everybody i salute you for this incredible journey...👏⭐️

Edited by Preety_Nebula - 12 years ago

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hd75

@hd75

Explorer

+ 2

Posted: 12 years ago

#803

Originally posted by: hd75

"Faraq padta hai kyun ki", the one thing I love about IPK most (ok let's make it one of the zillion things I love about IPK) is this...stopping at the "kyun ki", silence and then the music says it all. We always talk about Rabba Ve but the music piece that plays in the background for these "faraq" scenes is beautiful, I sometimes feel those scenes were all the more magical because of the music.

Indi, amazing post, loved "the you who" ! Been reading all the takes and updates but most of times I don't find enough words to say how much I love all your posts and everybody's on BFTP, so let me also stop at the "kyun ki" 🤗.

I can't wait for you to write about the next episode, my favourite ASR-Khushi scene, tell me when it's "hogaya" 😳

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#804

aw harichandana,

i was missing you kyunki... 😆😳🤗

thanks for loving the "you who" i was completely zonked by that bit again and again.

you are right, there are these pieces of music that almost seem to talk. did you see after he runs back to the car and as he gets in he hears her voice... then he looks up, slowly on the silence the piano notes come... uff.

the music of ipk actually deserves a study and discussion. wish i knew a bit more about music and about raju singh... why he chose to write the music the way he did for ipk. the rahul dev burman days are certainly in the feel of asr's signature and many other pieces. also the range of instruments used. have you noticed how the powerful guitar energised asr music at the height of his asr-ness and his slower sadder pensive heart touching music use the same notes... just a different instrument, a different pace and a different emotion.

of course, this echoing of a key set of notes creating layers must be quite common and a technique... but it is done so well.. never feels forced. i realised much later they were the same notes even.

the asr music to my mind is as memorable as the bond one... i am smitten so i am like that only, you know kyunki...

i also like many of the little background pieces... a certain slickness, something urbane... and the rabba vey compositions are just too good.

ho gaya. now what can one say about that. if i get up from my swoon clutching my wrist, i will certainly do a dying i'm dying post on it... will pm and still waiting to write 75 and a smile, and 100 and hug that couldn't be.

Edited by indi52 - 12 years ago

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#805

hear ye hear ye, the riddle maker has disclosed the answer to the green thread's riddle. enjoy.

Riddle No. 16:😃

What happened to Arnav when he saw Khushi in green? 😉

He turned over a new leaf! 😆

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hd75

@hd75

Explorer

+ 2

Posted: 12 years ago

#806

Originally posted by: indi52
aw harichandana,

i was missing you kyunki... 😆😳🤗

thanks for loving the "you who" i was completely zonked by that bit again and again.

you are right, there are these pieces of music that almost seem to talk. did you see after he runs back to the car and as he gets in he hears her voice... then he looks up, slowly on the silence the piano notes come... uff.

the music of ipk actually deserves a study and discussion. wish i knew a bit more about music and about raju singh... why he chose to write the music the way he did for ipk. the rahul dev burman days are certainly in the feel of asr's signature and many other pieces. also the range of instruments used. have you noticed how the powerful guitar energised asr music at the height of his asr-ness and his slower sadder pensive heart touching music use the same notes... just a different instrument, a different pace and a different emotion.

of course, this echoing of a key set of notes creating layers must be quite common and a technique... but it is done so well.. never feels forced. i realised much later they were the same notes even.

the asr music to my mind is as memorable as the bond one... i am smitten so i am like that only, you know kyunki...

i also like many of the little background pieces... a certain slickness, something urbane... and the rabba vey compositions are just too good.

ho gaya. now what can one say about that. if i get up from my swoon clutching my wrist, i will certainly do a dying i'm dying post on it... will pm and still waiting to write 75 and a smile, and 100 and hug that couldn't be.

Uff...ASR music as sexy as the character and the actor ! My knowledge of the technicalities of music is almost zero but as you say the music of IPK played an important role in the story telling, where words couldn't be put into an emotion, the music did. I really want to know more about Raju Singh, Hitesh Kewalya, the two unsung heroes of IPK.

As for hogaya, @ bold 🤣 !! With that one scene and that one word, hamara satyanash hogaya !

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Ravina

@Ravinanaik

Sparkler

+ 2

Posted: 12 years ago

#807

ohhh thanku sooo much ki mujhe phir se old days main le jane ke lieee awsomeee job...

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DurgaS

@DurgaS

Dazzler

+ 3

Posted: 12 years ago

#808

Happy Onam

to all those who are celebrating

😊

Source wiki:

Onam: is a festival celebrated by the people of Kerala, India It is also the Harvest Festival of Kerala with State holidays on 4 days starting from Onam Eve (Uthradom) to the fourth Onam Day. It is also a secular festival, celebrated by people of all religions and castes with the same zeal . The festival falls during the Malayalam month of Chingam (Aug - Sep) and marks the homecoming of the mythical King Mahabali who Malayalees consider as their King. Onam is reminiscent of Kerala's agrarian past, as it is considered to be a harvest festival . Also, it is one of the very few festivals that is celebrated with most number of cultural elements such as Vallam Kali, Pulikkali, Pookkalam, Onatthappan, Thumbi Thullal,Onavillu, Kazhchakkula, Athachamayam etc.

Edited by DurgaS - 12 years ago

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#809

Originally posted by: hd75

Uff...ASR music as sexy as the character and the actor ! My knowledge of the technicalities of music is almost zero but as you say the music of IPK played an important role in the story telling, where words couldn't be put into an emotion, the music did. I really want to know more about Raju Singh, Hitesh Kewalya, the two unsung heroes of IPK.

As for hogaya, @ bold 🤣 !! With that one scene and that one word, hamara satyanash hogaya !

hitesh kewaliya...

quiet, young, sort of unassuming... brilliant at dialogues.

joota hai ya padosi ka kutta, one of khushi's early days dialogues. i might be off by a word or two. but dialogues used to absolutely sparkle most times. and hites/ritesh/team mainly in charge.

the characterisation through dialogues was superb i thought.

asr's hindi and sentence construction is so different fro shyam's, each one's traits are in their words. and of course khushi at times... 😆 eve the mumbling akash, just perfect.

i once saw a lovely interview with him, where he speaks of how dialogues for serials are approached and about mami ji's hello he bye bye, i think he'd heard it somewhere in another context and felt it would suit the character perfectly. unfortunately that video is private now. but some stuff still on the net. there was also a ritesh...

too many retiring, non publicity sorts made this show, including the other director arshad khan. would like to know about the sound editors too... great work... especially given the pace and lack of time. sometime, the sync points take your breath away.

and often that unconventional call on sound. silence where you expect dramatic music, sweetness where you think there will be action or something... not at all like other serials.

of course, lots of improvisation too in dialogues, but the basic structures, punches... etc., from hitesh k i'm sure.