Outdoing Medusa..leap in soaps

mona05 thumbnail
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Posted: 19 years ago
#1
since we have been discussing time leaps ...thought I would share this artcle from Business Standards


Outdoing Medusa

Priyanka Joshi / New Delhi July 11, 2006



ENTERTAINMENT: The secret of soap opera success: fast and furious generational leaps.
If Medusa turned men to stone, TV soaps are doing even better. They have got their audience nicely lobotomised to their TRP advantage. A testament to the times?
Yes they are, the makers of Kyunki Saas Bhi Bahu Thi, Kahnii Ghar Ghar Kii and other serials assure you, if that's the word. "The characters are lifted straight out of real life — they are you and me" is the common refrain.
Strained marriages, secret affairs, twisted relationships, surprise appearances, shock disappearances, exotic diseases, afflictions of amnesia, quaint murders, weird kidnappings, returns from the dead and, not to forget, instant plastic surgeries. You and me?
When in doubt, reach for research data. And the ratings (the TRPs) display a sustained affinity to most soaps. The secret, it seems, is what the soap makers have been saying.
The serials have kept up with the times, in a sense — by deploying a natty device called the generational leap. This device simply moves a story ahead at warp speed to attain the desired level of contemporarisation.
On available evidence, it works. "A character gets fatigued after it has gone through all the emotions and trials of life," rationalises Shailja Kejriwal, senior creative director, Star India.
"When its shelf life is over, you need to make additions to sustain the original brand (the serial)." She can afford to speak. Star Plus has mastered the craft of 20-year leaps, having executed the idea nicely for Kyunkii and Kahanii. "The TAM numbers are good enough to prove that we did not go wrong in our content," says Kejriwal.
Best of all, the soap formula is such that it is amenable to such leaps. In soaps, characters are the interest sustainers — people the audience identifies with.
"Soap characters are like everyday people, but then again, they are a bit fictional too. Every script wants to make its characters the strongest element, a character that can gather people's love or wrath," says Monisha Singh, vice-president, TV content, UTV, which has given Bhabhi a 10-year leap (with terrific results too). "It was a natural progression to the story," she adds, "Leaps bring in the much needed freshness to a storyline."
Yes, the storyline. Soaps seem readymade for leaps on this count too. Most soaps are a heady mix of patriarchal characterisation of old wives' fables, coupled with vain babbling between, say, the prodigal and a crew of villainous characters.
A generation change simply throws an innocent new protagonist onto the scene, with the old matrix of emotions providing the dramatic irony for the new challenges to be faced.
No wonder the leap trend set off by Ekta Kapoor's K-serials are now all the rage on television. Just look at the leap list. Tumhari Disha (on Zee TV), produced by Film Farm, opted for a 25-year leap; Woh Rehane Wali Mahalon ki (Sahara One), produced by Rajshri, zoomed two decades ahead; and Kesar and Kkumkum (both Star Plus) flipped forward with finger-snapping alacrity.
The other convenience of these leaps is that the turbulence allows characters to be shaken up, dropped off, replaced and so on at ease — and actors do need to move on. "Soaps have been the jumping board for social issues, health issues and even political issues," says Singh.
"Actors have gotten their start on soaps, and moved on to bigger — sometimes better — projects and writers, while producers have found homes on different channels that broadcast them."
Soaps, after all, are a rare genre of software in which a narrative is started without the end in mind — expected, in theory, to keep running in perpetuity. Leaps are therefore a useful soap-sustaining tool for the producer.
But yet, even after all this time-travel, we're left with a kind of twins' paradox. Twenty years this way or that, the sari-clad damsels stay supremely suffused with sindoor.
Plus c change...

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Halz25 thumbnail
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Posted: 19 years ago
#2
Thanks Mona!!!
Sorry but I didnt really understand what do this mean?
mona05 thumbnail
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Posted: 19 years ago
#3
it is trying to analyse why serials take leaps ...as per the creative heads they need leaps to refresh a story which is no longer able to sustain audience interest...and also to get new actors and characters in.
harsy thumbnail
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Posted: 19 years ago
#4
Thanks Monaji...If the story is interesting from teh beginning n it continues with the same pace then there wont be any need of these leap....this is my opinion....first of all every maker should have a good creative writer n director for continuity without leap....these days creativity n logic is lacking in each n every show..... 😡 🤢 The very same plotting n scheming on teh property or making the main protagonist suffer has become the theme of teh shows these days.... 😕 Trend must be changed....
mona05 thumbnail
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Posted: 19 years ago
#5
Harsy...even the crew from production houses admit that crreativity is lacking in daily shows...it is just a rush to get the episodes shot and delivered..and as the article says ...show is started without end in sight...they keep twisting it according to TRPs...so the original storyline is lost quite early on..

Take KS for instance...so many different storyline hints are thrown at the audience through the media...when the episodes are aired ...it turns out to be different from what was advertised..
harsy thumbnail
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Posted: 19 years ago
#6
Monaji....its time to stop dailies n start some weeklies n cultural programmes n also educational programmes which r lacking these days......ppl r becoming addicted to these dailies n cant come out of it......especially elders at home.... 😕
mona05 thumbnail
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Posted: 19 years ago
#7
I agree ......channels should bring on more weeklies...and cultural ...Indian music ...dance programmes..

but with so many channels and competition...no one wants to take the first step speacially in the prime time ...evenings ...evenings are loaded with daily soaps
Edited by mona05 - 19 years ago
Halz25 thumbnail
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Posted: 19 years ago
#8
Yes I agree as TD's storyline before the leap had become uninteresting to watch that is why the channel had asked the makers to do a leap.
mona05 thumbnail
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Posted: 19 years ago
#9
how long can a story continue with new man in Heroine's life every 5 months?...it was such a drag...next generation had to come in..
harsy thumbnail
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Posted: 19 years ago
#10
sooo truely said monaji....it is very annoying to see new man in dishas life for every 5 months....it is better to move with leap n carry teh storyline differently than making teh protagonist cry all teh while....i m fed up of Dishas crying....the only thing i have seen in Disha after her marriage was only crying....it really irritates the viewers..... 😡 Makers should make the show some positivity also in the show..... 😕

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