I have been watching Maryada on and off for the last few months –more off then on and cannot contain my anger at the way this once promising serial is panning out. It was billed as the bold story of four Indian women who will cross all limits to save their maryada. Unfortunately as is the case with most Indian serials the original concept has gone astray and not reflected the original premise. The four intertwining stories of Priya, Vidya, Uttara and Devyani are anything but bold. Let me explain why I say that. First take Vidya the country bumpkin who has been trying to win the love of her homosexual husband. In true filmi style she was ready to get her Gauruvji married to another woman when she was unaware of her husband's sexual tendencies. And now that she is aware I bet that she will be the bharatya nari and return to her sasural where she was used and abused by her in- laws to save their reputation. Uttara the punching bag murders her husband and retreats into the shadows only to be pulled out by Brahma who attempts to fill her life with colours due to his perverse lust for his sister in law. Priya the symbol of generation X- simply melted when she was confronted by her father in law attacker on her wedding night and by a twist of fate ended up calling him papa. And Devyani the matriarch of the dysfunctional Jakker family will resort to any lengths to prevent the family name from getting tarnished including turning a blind eye to her husband's infidelities, even if that includes her own sister.
The treatment of Maryada and the responses of the four main protagonists to their adversities are regressive – Each has accepted their lot in life and retreated behind the veil of Indian values to justify their positions. What is bold about that I ask? It would have been bold to show the village girl Vidya walking out on her marriage due to the presence of a third person in her marriage, for Uttara to live alone after marriage like millions of widows the world over, for Priya to inform the world of her father in laws deeds (the most disappointing of all four characters in my eyes) even at the expense of her relationship with Adi and Devyani confronting the infidelities met out by Brahma. Now that would have been bold and sent a shining example to women that one's maryada is not in putting up with adversity but lies in confronting such adversity.