pksanam thumbnail
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Posted: 16 years ago
#1

well, now that we don't have any new movie releases.. i wonder who is right in all this debate.. what about you guys, do you stand by the producer's pov or the multiplexes pov.. and why..?

meanwhile, here's a related article..

What happened to Aamir's toilet cleaning vow?

One can recollect Aamir Khan's promise made few weeks back to clean toilets of single-screen cinema halls to get producer Vashu Bhagnani's son Jackky's debut movie Kal Kisne Dekha released?

Now going by the current scenario it doesn't seem to happen as Aamir is currently on holiday in North America and the Bhagnanis have decided to delay the launch of Kal Kisne Dekha, which was supposed to be out on May 1st.

Sources claim, the makers of the film put Aamir's statement for building publicity for the film.

A Mumbai tabloid had reported that Aamir had asked Vashu Bhagnani, who is producing the movie, to not compromise with multiplexes and release the movie in single screens if need be.

Since people did not want to go to single screens, most of which are filthy, Aamir had reportedly assured Bhagnani that he would be at hand, and clean their toilets if it came to that.

Aamir presently is off to the United States with his kids Junaid and Ira, while ironically Kal Kisne Dekha Hai seems to be living up to it's title.

Though Aamir is coming back to Mumbai for just one day on April 30th for voting for the Loksabha elections, it is out of question that he will do the cleaning toilets part on this day.

He has even mentioned in his blog that he needs a break and will be back in June or end May. So where does that leave his toilet cleaning act?

source: santabanta
Edited by pksanam - 16 years ago

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amz1990 thumbnail
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Posted: 16 years ago
#2
i actually dont get what the debate is all about anyone mind clearing my confusion
pksanam thumbnail
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Posted: 16 years ago
#3
it's actually about profit sharing..
here's an article:

Bollywood producers strike over box office takings

Posted Fri Apr 3, 2009 11:36am AEDT

Bollywood film producers are going on indefinite strike from this weekend, after failing to resolve differences with multiplex owners over their share of box office takings.

The move is likely to hurt India's $US2.1 billion a year Hindi-language movie industry, which is already feeling the fallout from the global economic slowdown as audiences dwindle. But both sides are refusing to budge.

"It is unfortunate and a reality now. We are going on strike from April 4," said producer Mukesh Bhatt.

"We have been discussing with [the multiplex owners] to sort out this issue for the last two months but no solution has been found."

A number of new releases have already been put back, including Bhatt's Jashn, Yash Raj's New York and Anil Kapoor's Short Kut. Other studios have shelved promotional work and publicity because of the uncertainty.

At issue is the producers' demand for a 50 per cent share of revenue earned from their films, following practice in other countries.

But multiplex owners are unwilling to give up their current cut, which can be as high as 60 per cent, saying they are only prepared to share takings equally if a film does well.

Producers complain that multiplex owners have effectively formed a cartel and are negotiating unfair deals with individual filmmakers.

Multiplex cinemas have taken off in India in the last five years.

There are now 240 multiplex cinemas with a total of 849 screens. Many have sprung up in new, Western-style shopping malls in big cities.

With higher ticket prices - often more than three times the price at a single screen "talkie" - multiplexes generate about 65 per cent of film revenues.

"In most countries in the world, multiplex owners share a revenue of 50:50 so why not India?" said producer-director Yash Chopra.

"We feel our demand is justified and they should agree to it."

But Tushar Dhingra, head of the Big Cinema multiplex chain promoted by Indian corporate giant Anil Ambani, said their argument against the producers is "very simple".

"If a film does well we are willing to pay 50:50 revenue to producers, but unfortunately if a film does not do well then we cannot pay that kind of money to them," he said.

"We have invested huge money in our properties and one cannot compare us to the West. In those countries the market has been saturated over the years and only then can this kind of revenue sharing agreement come into effect.

"We are still a nascent industry [compared with] them."

The managing director of the Fame Cinema chain, Shravan Shroff, added: "We have computerised the entire ticketing system in India. We update regularly the ticket sale figures to producers via email.

"We have made this business very transparent, which was not the case earlier."

- AFP

amz1990 thumbnail
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Posted: 16 years ago
#4
but thats right isnt it if the movie dont do well and they give like 50 percent of their money how are the multiplexes going to work-
pksanam thumbnail
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Posted: 16 years ago
#5

Originally posted by: amreen1990

but thats right isnt it if the movie dont do well and they give like 50 percent of their money how are the multiplexes going to work-

see, that's the point.. some of these movies are sooo crappy, just by running them i think multiplexes are doing a favour.. and this talk that the smaller producers will benefit more (which is true) but why do multiplexes should suffer if they make a stupid movie.. so it makes me think that multiplexes are right in this stand.. because the cost of operating is also high..
right now, both parties are suffering losses... and audiences have nothing new to see either.. 😡
LabRat34 thumbnail
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Posted: 16 years ago
#6
Why does it have to be 50:50? Can it not be a percentage of the profits depending on how well the film does? Kinda like tax bands...

I wish I was more clued up on this though...

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