sevak thumbnail
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Posted: 17 years ago
#1
"Why should I try to outsing Saigal? Let him remain enshrined in our memory. Let his songs remain just HIS songs. Let not even one person say that Kishore Kumar sang them better"
"I was the biggest draw after Dilip Kumar. There were so many films I was doing in those days that I had to run from one set to the other, changing on the way. Imagine me. My shirts flying off, my trousers falling off, my wig coming off while I'm running from one set to the other. Very often I would mix up my lines and look angry in a romantic scene or romantic in the midst of a fierce battle. It was terrible and I hated it. It evoked nightmares of school. Directors were like schoolteachers. Do this. Do that. Don't do this. Don't do that. I dreaded it. That's why I would often escape"
"Look, I don't smoke, drink or socialise. I never go to parties. If that makes me a loner, fine. I am happy this way. I go to work and I come back straight home. To watch my horror movies, play with my spooks, talk to my trees, sing. In this avaricious world, every creative person is bound to be lonely. How can you deny me that right?"
"People bore me. Film people particularly bore me. I prefer talking to my trees"
"There was this interior decorator-a suited, booted fellow who came to see me in a three-piece woollen, Saville Row suit in the thick of summer- and began to lecture me about aesthetics, design, visual sense and all that. After listening to him for about half an hour and trying to figure out what he was saying through his peculiar American accent, I told him that I wanted something very simple for my living room. Just water-several feet deep- and little boats floating around, instead of large sofas. I told him that the centre-piece should be anchored down so that the tea service could be placed on it and all of us could row up to it in our boats and take sips from our cups. But the boats should be properly balanced, I said, otherwise we might whizz past each other and conversation would be difficult. He looked a bit alarmed but that alarm gave way to sheer horror when I began to describe the wall decor. I told him that I wanted live crows hanging from the walls instead of paintings-since I liked nature so much. And, instead of fans, we could have monkeys farting from the ceiling. That's when he slowly backed out from the room with a strange look in his eyes. The last I saw of him was him running out of the front gate, at a pace that would have put an electric train to shame. What's crazy about having a living room like that, you tell me? If he can wear a woollen, three-piece suit in the height of summer, why can't I hang live crows on my walls?"
"I play different roles at different times. For different people. In this crazy world, only the truly sane man appears to be mad. Look at me. Do you think I'm mad? Do you think I can be manipulative?"
"Good business, rats. One can make money from them if one is enterprising"
"I was shooting in the South once. I think the film was Miss Mary and these chaps kept me waiting in the hotel room for five days without shooting. So I got fed up and started cutting my hair. First I chopped off some hair from the right side of my head and then, to balance it, I chopped off some from the left. By mistake I overdid it. So I cut off some more from the right. Again I overdid it. So I had to cut from the left again. This went on till I had virtually no hair left- and that's when the call came from the sets. When I turned up the way I was, they all collapsed. That's how rumours reached Bombay. They said I had gone cuckoo. I didn't know. I returned and found everyone wishing me from long distance and keeping a safe distance of 10 feet while talking. Even those chaps who would come and embrace me waved out from a distance and said Hi. Then, someone asked me a little hesitantly how I was feeling. I said: Fine. I spoke a little abruptly perhaps. Suddenly I found him turning around and running. Far, far away from me"
"Leena is a very different kind of person. She too is an actress like all of them but she's very different. She's seen tragedy. She's faced grief. When your husband is shot dead, you change. You understand life. You realize the ephemeral quality of all things..."
"I'm mad, true. But only about one thing. Horror movies. I love spooks. They are a friendly fearsome lot. Very nice people, actually, if you get to know them. Not like these industry chaps out here. Do you know any spooks?"
😛 Enjoy!

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sevak thumbnail
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Posted: 17 years ago
#2
A tribute to Kishore Kumar on his 79th birth anniversary
He never attended parties. He loved watching horror flicks. He played with his toy spooks. He made friends with the trees in his garden; he talked to them. And when he felt like it, he sang.

Kishore Kumar Ganguly treated life as a foolish game, wherein rules were made to be broken. "In this avaricious world, every creative person is bound to be lonely. How can you deny me that right?" he asked. Yet, he married four times!!!!

He could not read the notations. Nor could he name more than three classical singers without prompting. Yet, he sang as if he was possessed!

He complained of his filmmakers "who know nothing". But when Satyajit Ray offered him a role in the famous comedy, 'Parash Pathar', he literally ran away."I was so scared," he said. He loved to live life, Kishore-size!
As with all other great men, it was contradictions that made Kishore Kumar.

When he arrived in Bombay in the 1940s, Abhas Kumar Ganguly (the real name) had four idols: K.L. Saigal, Marlon Brando, Boris Karloff and Topol (the star of 'Fiddler on the Roof'). And he had a superstar for a sibling: Ashok Kumar!
His greatest wish was to meet the legendary Kundan Lal Saigal. He also wanted to be a singer. "The younger brother of Ashok Kumar" was, however, coerced into acting. And soon, he found himself doing cameos on screen. He hated acting but was too scared to communicate this to his brother. Singing was confined to the toilet.
Kishore hit the silver screen with a new brand of comedy that bordered on insanity. He tried his best to shrug off the actor's robes. He troubled his directors to the ends of the world -- He filled his eyes with romance while on an action routine. He looked into the eyes of his heroine like a monster on the prowl. The more he tried to escape, the more he was loved. And he became the second biggest draw after Dilip Kumar!

Paradox: He was so busy that Mohammed Rafi was assigned to sing for him in 'Sharaarat'.

The comic roles he played in films such as 'Half Ticket', 'Chalti ka Naam Gaadi', 'Padosan' and 'Jhumroo' made him popular, but he remained a prisoner of slapstick. This forced him into film-making. In films such as 'Door Gagan ki Chaon Mein' (1964) and 'Door ka Rahi' (1971), Kishore did what he always wanted to do – "sing sad songs and do serious roles".

After a long wait of almost three decades, Kishore struck gold as a singer.
sevak thumbnail
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Posted: 17 years ago
#3
Rejected by almost all major music directors in the dawn of his career, Kishore found his mentor in S. D. Burman and a lifelong friend in R. D. Burman. He had no guru who could teach him the nuances of music. But when he sang, his voice transformed the song into an emotional entity.

Arguably, Kishore was the only Indian playback singer, who acted out his songs. His renditions were earthy, if not ethereal. Constantly bullied by the music critics of his age, Kishore was looked down as a symbol of irreverence that marked the Hindi movies of the Seventies. But he outlived the critics, and went on yodeling into the hearts of thousands of admirers the world over.
The Kishore, who we remember today, is only a fragment of the phenomenon he actually was. Nobody could say they knew the real Kishore Kumar. Not even the protagonist himself. He kept the world guessing. He acted, he sang, he wrote, he made music, he directed films…

Kishore Kumar constantly complained about the world he found himself in. "In this crazy world, only the truly sane man appears to be mad," he said, a few days before his death. He used to keep a skull in the bedroom, with red light emerging from its eyes, just to keep himself posted on "the futility of life". He braved the emotional disasters in his life with the mind of a clown. The sadness, he invested in his songs.

The world called Kishore Kumar "crazy". He sang innumerable songs that carried his answer to the world: "Rote hue aate hain sab, hansta hua jo jaayega, woh muqaddar ka sikander kehlayega...!"
Kishore Kumar. Rock star. Maverick. Genius.
sevak thumbnail
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Posted: 17 years ago
#4

Kishore da - if only i was fortunate to have watched atleast one of your live shows!

sevak thumbnail
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Posted: 17 years ago
#5
The Kishore Kumar Fact File
While rendering the song 'Khaike Paan Banareswala', Kishore Kumar actually chewed on paan and spat it on a plastic sheet on the floor to get a natural effect.
The real name of this legendary singer is Abhas Kumar Ganguly
Kishore considered Kundan Lal Saigal as his Guru.
Kishore started his cinema career as a chorus singer at Bombay Talkies, where Ashok Kumar, his elder brother, was a star.
Kishore started his career in film as an actor! His first film as an actor was 'Shikari' (1946), in which Ashok Kumar played the lead role.
Music director Khemchand Prakash gave him the first chance to sing a song - "Marne ki duayen kyon mangu" for the film 'Ziddi' (1948).
Kishore played hero in the Bombay Talkies film 'Andolan' (1951), directed by Phani Majumdar.
Salil Chowdhury, the music director for 'Naukri' was initially dismissive of him as a singer, when he came to know that Kishore didn't have any formal training in music. However, after hearing his voice, he gave him the song "Chhota sa ghar hoga", which was assigned for Hemant Kumar.
Kishore Kumar, as an actor, built notoriety for coming late for the shootings, or bunking them altogether.
Kishore's character in the film 'Padosan', where he portrayed a dramatist-musician, was inspired by the personality of his uncle, Dhananjay Banerjee (a classical singer).
sevak thumbnail
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Posted: 17 years ago
#6
When Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, during the Indian Emergency, he refused. The Government put a ban on playing Kishore Kumar songs on the All India Radio/Doordarshan. But Kishore refused to apologize. Finally, the ban was lifted after some prominent producers and directors lobbied against it.
His last appearance as an actor was in 'Door Wadiyon Mein Kahin'
The famous American animated soap, 'The Simpsons', used Kishore Kumar's song "Pal Bhar Ke Liye" from the film 'Johny Mera Naam' (1970) in an episode of titled 'Kiss Kiss Bang Bangalore'. His songs have also featured in several films, including 'Such a Long Journey' (1998) and 'Side Streets' (1998).
Madhubala, the famous actress of yesteryears, was a Muslim, who married Kishore in 1960, much against the will of her family. The two had a civil marriage, for which Kishore Kumar reportedly converted to Islam and changed his name to 'Karim Abdul'
"Aadha paisa to aadha make-up" - Kishore Kumar was well known for his paranoia about not being paid. During recordings, he would begin singing only after his secretary confirmed that the producer had made the payment. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).
"Paanch Hazzar Rupaiya" - Kishore Kumar refused to cooperate on the sets of 'Bhai Bhai' because the director M V Raman owed him five thousand rupees. His brother Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, "Paanch Hazzar Rupaiya," (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.
sevak thumbnail
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Posted: 17 years ago
#8
Kishore, in spite of his "no money, no work" principle, sometimes recorded free, even when the producers were willing to pay. He recorded free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film 'Dal Mein Kala' (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Mukherjee was one of the first persons to appreciate Kishore's singing talent.
'Beware of Kishore' – Journalists writing on Kishore's seemingly eccentric behavior, couldn't be blamed altogether. Kishore put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. And, when the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues, Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn't you see the sign?"
"Cut" and "No Cut" - Kishore Kumar was notorious for defying producers and directors. Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. It didn't end there. After a car scene in Mumbai, he drove on until Khandala because the director forgot to say "Cut"
Summer3 thumbnail
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Posted: 17 years ago
#9
Sevakji thanks a lot. "Talking to trees is better than talking to humans"😆 Looks like he acted weird at times.
sevak thumbnail
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Posted: 17 years ago
#10
😆 He did but I guess that's what being genius is all about - think differently & feel differently...

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