TuHir FF:Never Your Wife Again:ch-34-p61: Will You..? &note-p62 - Page 61

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Posted: 2 days ago

Chap 32:

This story is the only thing right now which is connecting us to the Tuhir.. otherwise show has ruined it for me

From Karan’s findings… Noina had already ruined her husband’s life to such an extent that he was left with no option but to take his own life.Why does Mihir attract these kinds of women in his life?

Jewellery… oh man. Imagine, after she left, the jewellery was delivered. You know what? In every chapter you write, in the first half I feel so sad for Mihir, and in the second half I feel angry at him… or sometimes it’s the other way around.The man has a lot of flaws, but he is still a character I can connect with. That’s what makes him so interesting.

Gatherings like these are always about three kinds of people…The ones who genuinely care.

The ones who have already made up their minds about you and judge you based on that. (I hate those people.)

And lastly, the ones who make jokes or pass comments just to make you feel bad or to get a reaction, because it makes them feel superior.

You wrote all of this in such great detail.

I think everyone got the message that Mihir was Tulsi’s plus one. But doesn’t it also feel like Mihir is overcompensating for all the mistakes he made? Like he is trying extra hard to prove himself now.

Their lives have become a laughing stock, but people will forget after a few days when they find something more interesting.But maybe Noina will not let go of them easily, even after she has no money left, because she will find another person to leech on.

See, told you… again I am angry at Mihir. Why did he not contradict her or maintain distance from her? Why does he want to do the right thing now after cheating on his wife? I mean, even if Gayatri Chachi forced her into SN, he could have maintained a business partner relationship instead of making her his fiancée.

Now I want to see how Mihir is going to justify or explain that near-slap incident…

Are they going back to square one, or will they be able to move past this?

One thing i enjoy is Mihir- tulsi giving back to Noina or ignoring her .. thats fun to read

this line “Main tumhe bacha rahi hoon. Khud se.” one of the best line which clearly shows how much this women cares for her man

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Posted: 2 days ago

top notch joke of acp pradyuman lol

would karan gautam come in virani house? basically 3 brothers after noyona trying to uncover her secrets. maza ayega

i dont really trust suchu. and she should call gautam gautamji. not bhai. koi relationship nhi hai inka. anyways, what made suchu change tunes? pata chal gaya kya di murderer haismiley36 maybe di can even kill her now

tulsi saying she trusts mihirs hands, and that happiness and moving on is a choice...she must believe in it. but that trauma never leaves right? what happens next time any heated argument happening and mihir is in rage? does she get the flashback and scared? even with mihirs newfound attention and control? that would be interesting to watch

i mean yeah noyona did say to make tulsi fear mihir bt the words werent wrong tbh.


very sweet that tulsi thought mihir is endearing. and his planning plotting for her bday sounds sooo cute. again this truth would come out soon so tulsi would clearly be in gratitude. and mihir probably overexplain himself. cant wait for that.

lol the kids with the elephant talk. this bully raina needs some elder dose next time she troubles timsy.

tulsi would ofcrs support mitali in her modelling. i liked mitali calling mihir papa-she did before bt felt real this time. but again, what made suchu and her anti noyona now? mitali has reasons bt she dont have 1% loyalty towards noyona? and noyona not trying to lure these 2 in? huh



also i liked the physical touch of tuhir. really showed her trust in his hands, literally

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Posted: 22 hours ago

Originally posted by: ABC_1234

Hii! Here after long…

Hey dear, yes it’s lovely to see you here after sooo long😁 how have you been doing?

This chapter is remarkable for one reason above all: it trusts its characters. There are no melodramatic speeches, no convenient misunderstandings, no last-minute twists carrying the emotional weight. Instead, every revelation comes from people who have spent decades learning—and mislearning—each other. That makes every conversation feel earned.
Yes I am trying to keep my story as realistic and avoiding as many cliches as possible. Glad I am succeeding to a large extent

Tulsi’s realization that loving someone means loving the whole person without erasing accountability is one of the strongest passages in the story. It doesn’t excuse Mihir’s past, but it refuses to let Noina redefine forty-four years of marriage through one moment. That’s an incredibly mature distinction to write.

Thank you so much 😊

Yes, very correct, I am not trying to excuse any of Mihirs misdeeds nor tulsis passivity. I am trying to show both of them maturing up and finding their way to the newer versions of each other



Mihir’s side is equally compelling. His reaction to Noina’s words isn’t “How could she say that?”—it’s “What if it’s true?” That guilt runs through everything he does afterward, from taking his medicine because Tulsi reminded him to, to the quiet panic over his own hands. The bedroom scene where Tulsi simply holds those hands is probably one of the most emotionally powerful moments in the novel. It says more than pages of dialogue ever could.

Thank u dear - I too felt that one gesture spoke more than chapters and chapters could do.

I also loved how the Timsy rainbow scene isn’t just a cute family interlude—it becomes the emotional thesis of the chapter. Tulsi isn’t only teaching a child about bullies; she’s reminding Mihir, and herself, that they don’t have to let Noina decide whether they remain broken. That’s elegant writing.

Thank you again. Yes I have been taught the same by my mom that don’t give others the power over yourself to decide whether you are happy.

Structurally, the chapter is impressive as well. It moves naturally from intimate marital healing to strategic family action without feeling disjointed. Everyone—from Angad and Karan to Mitali, Suchitra, and even Dr. Joshi—advances the same larger theme: people are finally acting instead of merely reacting.

So happy to read this - so glad the structure works coherently.

My favorite aspect, though, is Mihir’s birthday project. Lesser stories would have him buying an expensive gift. Here, he wants to restore Tulsi’s professional identity while remaining completely invisible. That tells us everything about how much he has changed. His love language has become recognition rather than possession.

Exactly!! You have articulated Mihir’s growth so well 👏👏

Given the - mere paise - wound, he will think a lot before “buying” something for her.

The final balcony scene is especially beautiful because it ends on something so small: Tulsi laughing, Mihir simply watching her laugh. After everything they’ve endured, that quiet moment feels bigger than any dramatic declaration of love.

Even I felt that - exactly that.


Overall, this chapter feels less like plot progression and more like emotional payoff. It rewards readers who have stayed with these characters for a long time. It’s restrained, deeply humane, and one of the strongest chapters in the story because every emotional beat grows organically from years of history rather than from the needs of the plot.

so happy it came out so well

Thank you again for this beautiful review!! I hope you will continue giving your reviews for every single chapter now onwards!!


Thank you dear

My replies are in red.

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Posted: 19 hours ago

Originally posted by: Gazala1995

I"ll try my best to continue!

hi again dear, yes please continue this. I will wait after every chapter

Here is the review for the recent chapter review:

thank you for this beautiful review

I really loved the emotional depth of this chapter, especially the way Tulsi and Mihir are slowly learning to speak, listen, and carry things together. Their kaada, chai, balcony, and quiet morning routines are written beautifully, and I understand why they matter so much. These small domestic rituals show comfort, familiarity, healing, and the long history between them.

Yes I am trying to show the healing realistically especially given the long history between them.

At the same time, I do wish we could see a little more romance between them beyond the regular kaada and chai moments. Not anything that goes against the tone of the story, but something that feels emotionally romantic in a mature TuHir way. Maybe a quiet handhold that lasts longer than usual, Mihir fixing her saree pallu, Tulsi resting her head on his shoulder for a moment, a small walk together, an old song playing in the background, or Mihir doing something only a husband who knows her deeply would think to do.

Well. All I can say is that the next chapter is for you.. I hope this and next few chapters will make you happy

I know the show and the makers have decided not to bring TUHIR now, so you are the only one that can make us imagine the beautiful journey of them.

yes the makers have cheated us so badly. I just hope I don’t lose my connect with TuHir till I finish this story because I don’t get to see them onscreen

Will try my best to satisfy TuHir fans

Overall, this chapter felt like a turning point. Tulsi and Mihir are still carrying pain, but they are finally learning to carry it together instead of separately. The emotional writing, the symbolism, and the small domestic moments made the chapter very impactful. I am especially looking forward to seeing how Mihir’s birthday surprise for Tulsi unfolds, how Noina responds when her control starts slipping, and hopefully some more soft romantic TuHir moments along the way.

Thank you dear - I’m glad the emotions and the symbolism come out right.. yes new 2-3 chapters will have all of these.

Also, I would be super excited to see Mihir and Tulsi together in a more romantic, emotionally warm moment. But it would truly be the cherry on the cake if Noina somehow sees that closeness and burns from the inside. After everything she has tried to break, watching Tulsi and Mihir become stronger, softer, and more united in front of her would be the most satisfying answer to all her manipulation.

TuHir signature romance is right on the way - will try to put scenes where Noina sees and burns

thank you sooo very much dear. My replies are in red.


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Posted: 18 hours ago

Originally posted by: bpatil3

Hey dear, thank u so much for this beautifully analytical review- I loved it..


Toofan aur shanti ek hi sikke ke do pehlu hai.

Exactly

Bahar ka toofan shayad tham ne ke baad insan apne aap ko shant kar leta hai. Leke man me uthe toofan ko har koi bardasht nhi kar pata hai, na hi chain milti hai jab tak wo jaan na lo jo aapko andar se hila chuki hai.

Yeah wohi toh - very difficult- andar ke toofan se ubharnaa

Par ye bhi sach hai ki insan ki sochne ki shakti kam ho jaati hai jab, hum apne aap ko doshi paake, uss apradhi bhaav se jeene lagte hai, kal ki apni hi galtiya hum mita nhi payenge. Par koshish zaroor karsakte hai ki daubara aisa na ho. Aur aise cheezoan ko door se hi bhaap ke, apne aap ko usske liye tayyar karna. Bas Mihir aur Tulsi me yhi ek antar hai, Tulsi cheezoan,usske peeche ki rachna, saajish ko pehchanke apne aap ko control karleti hai lekin Mihir ko aisi sazishoan se nafrat hai, aur usska seedha seedha asar usski baatoan me, usske ankhoan me, usski haav bhav me dikhne laggta hai. Aur baatoan me bhi jhalkti hai. 🙄 jo bechaini aur dard Mihir ko mili hai, apni galtiyoan k wajah se hai, kahi na kahi usme abhi ye himmat nhi bachi hai ki wo akele lade. Na hi Tulsi akele lade, wo saath khada hona chahta hai, apne rishte me kisi aur ko aane nhi dena chahta, khud ki inferiority, ego, doubtt, aur jo galti se usske muh se Tulsi ke liye nikle the wo apshabd bhi shayad eo bardasht nhi karna chahta. Bcoz Mihir ko ye ehsas hai ki Tulsi sirf usski Patni hone ki saza kaat rhi hai, kyunki apradh Mihir ka tha Tulsi ko maan na dena, kisi bhi aire gaire ke samne chillana , haath uthana, and Noina ne to bas ussi ka fayda uthaya.

Exactly’n I m amazed at your depth and analysis. Wohi toh - all mistakes Mihir made aur aaj tak bhugatna tulsi ko pad raha hai
Sahi hai ussne har kadam phoonkh phoonkh k rkhi hai, jaise Tulsi ne samjha ki kaise Mihir n Tulsi dono ki soch, moods, temparment samjh ke sochi samjhi jaal buni, aur mansik roop se dabav daala dono pe. Ek ko guilt me rakha, dusre ko ye samjhaya ki tum kisi ki doormat ho, ye man ne pe majboor kiya ki Mihir Noina se pyar karta hai, to Tulsi ko ye man na pada ki jisse wo pyar karti hai, agar usski khushi kisi aur ke saath hai to, wo apni pyar ki bali de degi, Noina ne sahi jagah pe maara, sahi waqt pe jab Tulsi khud bhi tooti hui thi. Kuch hadh tak dono ko alag kar paayi, pehla kaam dono ki baat cheet band karwakr.

noina was actually a good antagonist- smart suave and of course attractive. if the writers wanted they could have used her so much better
Exactly she could separate them by finding and widening the communication gaps between them and finding the fault lines between them…

Having set the above backdrop, aaj jo kuch bhi hogya Noina ki ussi plan ka ek extended bhaag tha. Bolte hain na aakhiri daav bas wahi. Par abhi Tulsi iss daav ko acche samjh chuki hai, aur wo khud ye jaanti hai ki apne pyar ko khone ka darr ab nhi hai, balki usse sawar ke rkhna hai, Tulsi khud bhi emotional ho ke, tute hue dil, haara hua vishwas leke uss sazish ki shikar hui thi.

Yes Noina is running out of road - the entire conclave usne socha tha uske opposite hi gaya so her aakhri Daav as u right said.. but ab tulsi usko Samajh gayi hai

Tulsi ko Abhi usske pyar k liye ladna ya jeetna nhi hai,bas use sanjog ke rkhna hai, usse pyar se rkhna hai, na hi usse apradhi bhaav me jeene chod dena hai. When she said Tumhare itne gusse me ab kuch sunne se kuch nhi badlega, aur bigdega, main tum ko bacha rhi hoon khud se, so cheezoan ko dekhna shuru kiya hai Tulsi ne apni drishti se, na ki kisi aur ki dabav me, na usi ki bhaav se. Wo khud aankalan kar chuki hai, kyun wo khud ki rai aur vishwas apne aap k dum par kare, apni buddhi aur sich vichar se kare? Dusroan ki dikhayi hui, batayi hui baatoan ko sach kyun maane, uski baatoan me kyun aaye?? Jab ki tum uss aadmi k saath itne saal reh chuki ho, jeeye ho, apna sab kuch nichawar kar diya, usski har ek aahat ko pehchanti ho, apni man ki suno, apni buddhi pe vishwas rakho.
Yes tulsi mein ab bahut baaton ko lejar clarity aayi hai

Ye itni asan bhi nhi hai, bahot klisht, kathin hai, bahar ki hawa ka jhonka apni rishte ko kharab karne me der nhi laggti. Manushya ka man bahot zaldi vichalit ho jaata hai, bhavuk hota hai . It's an art to learn self control, Tulsi ne ye seekh liya, ya shayad apne andar ki iss shakti ko dhund liya hai, aur issi karan aaj wo thodi bhi vichlit nhi hui, na hi Mihir ko hone diya.
The pain of loss has made her stronger and especially where Noina is concerned she knows woh TuHir ko ek nahi hone dena chahti hai.. yes she tried to protect Mihir from those words but Iss baar Mihir was adamant

Par wo jaanti hai Mihir ko sachayi sune bagair chain nhi, and she told the truth, he is devastated, and fir ussi guilt ke fande fas gya. Tulsi ko pata hai ki how to help him come out of it, dono ko pata kab ek dusre ki dhaal banna hai, himmat ban na hai. The way Tulsi entered their room consoled him, then said we shouldn't give importance to the person who didn't matter or who should not get affected by their words.

yes they try to shield each other - yes actually my mom used to tell me this in childhood- kisi ko itni power hi mat do ki woh decide Kare if you will be happy or sad
The ease with which Tulsi entered their she knew exactly what would be Mihir doing with this fact, she found him. She knew it for years, that's exactly how you fit into each others life, without knowing. Surrendering your ownself among your loved once is not out of compulsion but by heart, heart always needs someone to be byvyour side, listen to you, console you, love you that's it. Baat choti si samjhdaari ki hai, par wo situation ke hisab se usse ujagar hona hai, Tulsi ne wahi kiya. The scene shifted to Timsy and Rithik apologizing, Shobha let her mom know her father's dishelved and lost state.

Yes - exactly

that scene of Mihir putting his head at the back of her hands was a gesture of surrender

Shobha is a fab daughter

Then Mihir ne khud ko himmat di, jab Tulsi uski taqat bangyi hai. He wanted her to shine, her intelligence and hardwork should come into the public platform, his visit to the professor and his request to highlight her achievements, he will be the backbone of the research but anonymous support will be given as a Fan, ir admirer as a businessman, also she deserves all appreciation for her work. Years together she had been his backbone, his business success is bcoz of her moral support, her presence in his life, her love n respect for him. Probably, it's time to payback. More because she was accused, blamed, treated as a victim, pitied, named bechari women, maa, one needs financial support so she came back, but the world should know how she utilized her bad time, broken heart, enormous pain into building something like Bandhej and it's people, Bandhej and it's capabilities, Bandhej and it's core competencies, Bandhej and it's heritage, Bandhej and rural upliftment, Bandhej and economic support to the weaker section, Bandhej and identity to women, Bandhej and self respect, Bandhej and finding hidden gems of rural people and empowering them etc.

Haan ab Mihir ko ek purpose mila hai so he’s fully into it..

She is more successful as a woman, not just as Business woman. She lived one among many, many joined hands with her, she gave wings to those who dreamt of flying, she found skills helped them know their worth so seekhte seekhte kuch log ko saath laayi, dusroan ke liye jiya, khud bhi khadi hogyi dusroan ko bhi khada hone me madat ki. Mihir as a husband se zyada as a true admirer wants her to shine and the world should know her as her alone

I think its right to do so.

Exactly - he couldn’t “see” her when they were married and took her for granted so ab he wants the world to see her for what she is actually

She caught him twicesmiley36 Indigo GST thing and Mihir's lie to visit professor and his facial expressions and his hurriedness to escape. smiley37Biwi to Husband's Lie Detection Machine ki tarah work karti hai.

Yes woh scenes Likhne me bahut mazaa aaya😜😂

This chapter has been superb again, i loved the pace, flow and Tulsi Mihir's emotions.

Thank you so much - glad you enjoyed the chapter

Angad ne sahi strategy use kiya as directed by Mihir, machli khud jaal me fasi😂😂. Ek taraf Angad Dusri taraf Karan, good move. Ghee ko tedhi ungli se hi nikalna padega abhi.

Yes ek taraf Angad, doosri taraf Karan aur teesri taraf Gautam

Thank you for the beautiful chapter again. ❤️🙏

My pleasure ❤️🤗


The metaphors used in this chapter :

One Tulsi's jewellery fitting into it's designated place in the box and her self thought, she loves Mihir, the whole of him, she cannot discard the one she dislikes or disagree of him, afterall it's not right to compare human with things.

Second one, we shouldn't give importance to people more than ownself or get affected by their words and ruin our happiness. Self control, apn khushi ki chaabhi apne haath me rakho, don't get influenced by others. Happiness mantra

Glad these metaphors landed well!!

Thank you sooo much dear!! My replies in red.

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Posted: 13 hours ago

Originally posted by: jasminerahul

Loved mihir telling gautam that he has loved only tulsi in his life. Damini planning for job interview and tulsi telling her to come to SN and will check her aptitude was nice.damini and tulsi's conversation was very nice.mentioning therapy was also nice.

Hey dear, thank you so much.

Yes even I loved the way Mihir and Gautam’s conversation came out - especially when he said that line and then said- ye koi love story nahi hai jo main tujhe suna raha hoon..

Damini wanted to work only because she didn’t know what to do with her time.. tulsi as always found the root cause (loneliness) and suggested a solution to that.

Thank you. Glad you liked that tulsi-Damini conversation- yes correct - that therapy part was needed - for physical ailments we don’t hesitate to go to doc but for psychological issues we always hesitate


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Posted: 9 hours ago

Originally posted by: saloni_306

hey dear, thank you soo much for the review
Chap 32:

This story is the only thing right now which is connecting us to the Tuhir.. otherwise show has ruined it for me

I know - the show has completely ruined TuHir - the one thing that’s always attracted us to the show

From Karan’s findings… Noina had already ruined her husband’s life to such an extent that he was left with no option but to take his own life.Why does Mihir attract these kinds of women in his life?

yes she’s responsible for her husbands death- ye toh show me bhi dikhaya hi tha - but the makers dint explore this line further!

Wohi toh - but in a way, good men seedha men like Mihir always attract such women - his wealth and charisma add to it.

Jewellery… oh man. Imagine, after she left, the jewellery was delivered. You know what? In every chapter you write, in the first half I feel so sad for Mihir, and in the second half I feel angry at him… or sometimes it’s the other way around.The man has a lot of flaws, but he is still a character I can connect with. That’s what makes him so interesting.


Absolutely correct- he’s so likeable despite being so full of flaws😂 it’s fun to write him

Show me hi made sooooo many mistakes that I have to leave proofs of his fidelity and love for tulsi to find

Gatherings like these are always about three kinds of people…The ones who genuinely care.

The ones who have already made up their minds about you and judge you based on that. (I hate those people.)

And lastly, the ones who make jokes or pass comments just to make you feel bad or to get a reaction, because it makes them feel superior.

You wrote all of this in such great detail.

exactly- I hate the second type too! They’re the ones I have encountered in my life the most - I simply ignore them - don’t engage with them

Well I tried to show the various kind of people

If you see no one was exactly rude to them - yet almost every interaction (except 2-3) were designed to hurt.

I think everyone got the message that Mihir was Tulsi’s plus one. But doesn’t it also feel like Mihir is overcompensating for all the mistakes he made? Like he is trying extra hard to prove himself now.

right - you can say that- overcompensating, trying extra hard - ye sab toh hai hi… but if you see closely he’s not overriding her agency or shielding her as the society was probably expecting- he’s letting her take the limelight she deserved.


Their lives have become a laughing stock, but people will forget after a few days when they find something more interesting.But maybe Noina will not let go of them easily, even after she has no money left, because she will find another person to leech on.

Exactly- the media circus orchestrated by Noina in Feb beginning made sure of that - their lives became laughing stock

See, told you… again I am angry at Mihir. Why did he not contradict her or maintain distance from her? Why does he want to do the right thing now after cheating on his wife? I mean, even if Gayatri Chachi forced her into SN, he could have maintained a business partner relationship instead of making her his fiancée.

Yes - that part made no sense to me at all but still I tried to justify it all in tulsis thoughts before dhuleti

Now I want to see how Mihir is going to justify or explain that near-slap incident…

He can’t!! Although he already accepted it as his gravest mistake during confession night

Are they going back to square one, or will they be able to move past this?

Read it in next chapter- you are 1 chapter behind 😊

One thing i enjoy is Mihir- tulsi giving back to Noina or ignoring her .. thats fun to read

Yes - Abhi toh aage bhi hai..


this line “Main tumhe bacha rahi hoon. Khud se.” one of the best line which clearly shows how much this women cares for her man

Exactly! The way only a woman can!!

thank you again dear
My replies in red

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Posted: 8 hours ago

Originally posted by: Phir_Mohabbat

Hi dear so good to see you here again😇

top notch joke of acp pradyuman lol

thanks🤣


would karan gautam come in virani house?
Karan has promised to move back in Aug/Sept. abhi it’s March end as per this chapter

Gautam ka dekho..

basically 3 brothers after noyona trying to uncover her secrets. maza ayega

Correct- Karan is uncovering her secrets - angad and Mihir are unraveling her finances and credit standing with banks and Gautam will attack her legally

i dont really trust suchu. and she should call gautam gautamji. not bhai. koi relationship nhi hai inka. anyways, what made suchu change tunes? pata chal gaya kya di murderer haismiley36 maybe di can even kill her now

Mitali called him bhaiya - not suchu- suchu ka redemption arc toh kab se chal raha hai!! Since shareholders meeting

tulsi saying she trusts mihirs hands, and that happiness and moving on is a choice...she must believe in it. but that trauma never leaves right?
Exactly

what happens next time any heated argument happening and mihir is in rage? does she get the flashback and scared? even with mihirs newfound attention and control? that would be interesting to watch

Yehi Sab toh future chapters mein dekhenge..

i mean yeah noyona did say to make tulsi fear mihir bt the words werent wrong tbh.

Yehi toh Noina ka game tha naa - usi ke saamne hua tha - with that outsiders line - she’s like saying- woh dobara haath toh uthaayega hi tum pe - the only consolation will be if no outsiders see it again,


very sweet that tulsi thought mihir is endearing. and his planning plotting for her bday sounds sooo cute. again this truth would come out soon so tulsi would clearly be in gratitude. and mihir probably overexplain himself. cant wait for that.
Glad it came out well - dekho how the birthday surprise comes out - next chapter - coming in 15 mins max,

lol the kids with the elephant talk. this bully raina needs some elder dose next time she troubles timsy.

Yes.. I try my best to make kids behave exactly kid like. Raina I may not Pursue that line further

tulsi would ofcrs support mitali in her modelling. i liked mitali calling mihir papa-she did before bt felt real this time. but again, what made suchu and her anti noyona now? mitali has reasons bt she dont have 1% loyalty towards noyona? and noyona not trying to lure these 2 in? huh

This Mitali suchu arc has been going on since quote long.. nothing is happening suddenly

also i liked the physical touch of tuhir. really showed her trust in his hands, literally

Glad it came out well,

Thank you so much dear

My replies in red.

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Posted: 8 hours ago

Chapter 34: Will You..?

The breakfast table was at its usual Sunday volume when Damini said it — caught between Akshay’s refusal to eat his paratha unless it was cut diagonally and Madhvi’s insistence that squares were “easier for sharing,” Garima already negotiating her exit from the table before her plate was half-finished.

“Gomzi aa raha hai,” Damini said, not looking up from lightly buttering her toast. “Do din mein. Mumbai mein koi case hai.”

The table didn’t go silent — children rarely allow that kind of silence — but something shifted in the adults around it, a small recalibration passed between them without anyone performing it.

“Kitne din ke liye?” Shobha asked, already doing the math of school runs and spare rooms in her head.

“Ek din ka kaam hai bas,” Damini said. “Subah aayega, doosre din tak nikal jayega wapas.” She said it plainly, without the particular weight that might once have lived underneath those words — not flinching, only the old, familiar tiredness of someone who had long since stopped expecting more than what was offered and had learned, slowly, that wanting more wasn’t the same as being owed it. “Dinner karega humare saath, phir hotel chala jayega raat ko. Maine bola ki ghar pe reh lena. Lekin bola- hotel court ke paas hai. Practical rahega.”

Mihir glanced at Damini for a moment, something unreadable passing behind his eyes, before he looked down at his own chai. He, of everyone at this table, knew exactly how many versions of this sentence Gautam had said to him over the years, and exactly how often the second half of it had turned out to be true.

“Last time bhi sirf dinner ke liye aaye the,” Ritik said, not unkindly, simply naming the pattern the way the young sometimes do without quite registering what they’re naming. “Bole the ek ghanta hai, phir teen ghante baith gaye. Lekin raat ko nahi ruke the.”

“Haan,” Damini said. “Issi baar bhi wahi hoga shayad. Dinner, thodi der baithna, phir nikal jayega.” She said this evenly, the way you describe weather you’ve stopped hoping will change — not bitter, simply accurate.

Tulsi, sitting beside Mihir the way she had for thirty-eight years before either of them had learned what it cost to lose that closeness, felt something tighten briefly in her chest, listening to Damini describe a pattern she had clearly made peace with.

Mihir had his own guilt to reckon with. Six and a half years. If Noina had never found her way into this house, into Mihir’s weaker moments, Gomzi would never have had reason to keep his own distance from the house the way he had — wouldn’t have learned, from his own parents’ broken example, that leaving before anyone could be hurt further was sometimes mistaken for kindness. Whatever had grown wrong between Gautam and Damini in these years, some part of its root reached all the way back to Mihir’s failures long before either of their children’s marriages had needed protecting from anything.

She reached for his hand under the table without looking at him, her fingers finding his the way they always did now — easily, certainly. Not an accusation. She had long since stopped carrying this particular weight as anything sharp enough to wound him with. Only a reminder, offered quietly to herself as much as to him: that they were close enough now to such mending themselves, and that whatever Gomzi and Damini still owed each other, there was time yet for it to be repaid.

Mihir’s hand turned in hers, holding on rather than simply being held. Whether he had followed the exact shape of her thought or only felt the change in her grip, she couldn’t tell — but something in the way he tightened his fingers around hers said he understood enough of it. *Soon,* the grip seemed to say, for both of their unfinished things at once. *Everything will be fine.*

“Bas use bata dena,” Tulsi said to Damini, “hum uska intezaar karte hain. Jitna time woh de sakta hai, utna hi sahi.”

Something in Damini’s face eased slightly — not hope, exactly, just the relief of not being asked to want anything more than what was realistic. “Bata dungi,” she said.

Just then Garima ran past, freed at last from the table, Timsy close behind her, both of them shouting something about the rainbow they’d drawn that morning being “naya wala, pehle wale se bhi acha” — and at the far end of the table, only two people understood exactly what that meant.

Mihir’s eyes found Tulsi’s. He said nothing for a moment, then leaned slightly toward her, his voice pitched low enough to stay only between them.

“Hume bhi apna naya rainbow banana hai.”

Tulsi didn’t answer right away. She only looked at him — really looked — before turning back to her chai, something quiet and unfinished settling into the space where an answer might have gone.

-----

Tulsi found her in the garden that morning after breakfast sitting alone on the swing with her phone face-down beside her, untouched — the particular stillness of someone who’d run out of things to scroll past and hadn’t yet found anything to replace it with.

She lowered herself onto the swing beside Mitali without asking permission for it, the way she’d slowly given herself permission to do with all the children of this house since coming back — a right she knew she still held over every member of this family.

“Mitali,” she said, watching the garden rather than the young woman beside her, giving the question somewhere else to land besides directly on her face. “Kuch socha tumne? Career ke baare mein. Ya phir studies continue karne ke baare mein.”

Mitali’s shoulders rose and fell once — not quite a shrug, more the particular weariness of being asked a question that had stopped feeling like curiosity from anyone and started feeling like a test she kept failing. “Pata nahi, Maa.” Her eyes stayed on her own hands, folded in her lap. “Kabhi socha hi nahi maine iske baare mein. Toh ab soch hi paa rahi ki mujhe kya karna hai. Itne saalon mein kisi ne poocha bhi nahi tha — toh maine bhi nahi socha. Ab recently aapne poocha toh kuch —“.

She didn’t know how to finish that sentence.

Tulsi let that sit a moment, the swing’s small creak filling the space where a quicker response might have gone.

“Suchitra ne mujhe bataya tha,” she said finally, “ki tumne pehle modeling ki thi.”

Something flickered across Mitali’s face — not quite alarm, but close to its edge. “Haan. Lekin woh — bas time pass tha. Kuch serious nahi tha usmein.”

“Toh modeling ko as a career kyun nahi sochti?” Tulsi asked her.

“Modeling?” Mitali looked at her uncertainly.

After a pause, she said, “maine bataya na time pass tha woh”

“Time pass tha,” Tulsi repeated, the way she had with Suchitra that morning, not letting the phrase pass unexamined this time either. “Lekin tumhe achha laga tha karte hue?”

A pause, longer than the question needed — Mitali visibly weighing whether the honest answer was even allowed here. “Haan,” she admitted at last, quietly, as if confessing to something. “Mujhe pasand tha. Camera ke saamne hona, naye outfits, naye looks. Lagta tha jaise main kuch — main khud kuch hoon. Apne aap mein.” She stopped herself there, the sentence folding back in on itself before it could go any further, and looked away toward the flowerbeds instead.

Tulsi watched her for a moment — the careful posture, the old habit of making herself smaller than the room required, the same instinct she imagined had once let Noina shape this girl into exactly the tool she’d needed.

“Mitali.” She waited until the girl’s eyes came back to hers before she went on. “Tumhare paas uske liye beauty bhi hai, figure bhi hai, aur jo confidence camera ke saamne dikhta hai tumhare chehre par jab tum iske baare mein baat karti ho — woh sabko nahi milta. Kam logon ko milta hai, itni asaani se. Toh tumhare liye isse acha career kya hi hoga?”

Mitali looked up, genuinely confused now. She started saying, “Ab? Kaise Maa? Iss family ka part banne ke baad kaise? Virani family ki ek traditional image hai society mein.”

She paused, then added, more to her own lap than to Tulsi, “Aur waise bhi — Maasi, Noina ke kaaran iss family ki reputation already kharaab hui hai. Main aur add nahi karna chahti usmein.”

Tulsi turned to look at her properly now.

“Tumhe galat lagta hai modeling karna?” she asked. “Sharam aati hai karte hue?”

“Nahi, Maa, bilkul nahi.” Mitali shook her head quickly, as if the suggestion itself needed correcting before anything else could be said. “Lekin society—”

“Society ki, logon ki parwah na maine kabhi ki hai, naa hi tumhe karni chahiye.” Tulsi’s voice stayed even, but something settled and certain underneath it. “Aur jo Noina ne kiya hai — uska bojh tumhe uthane ki zaroorat nahi hai. Woh uska kiya hua hai. Tumhara nahi.”

Something in Mitali’s face came undone slightly — the particular unguarded look of someone hearing, for the first time in years, an opinion about herself that she’d actually let herself want to be true. Noina’s voice had shaped most of her life until very recently, and Noina had never once told her anything was hers to want. Suchitra had only ever told her what was safe. This was neither of those.

This was Maa, who had stood beside her when she decided on the legal case against her aunt without once making her feel like a pawn in it, who had been happy to hear “Maa” the very first time Mitali had used the word — and whose opinion, somewhere in these past months without either of them quite naming the moment it happened, had come to matter to her more than anyone else’s left standing.​​​​​​​​​​​​​​​​

“Sochungi,” she said, barely above the garden’s own quiet. “Sach mein sochungi, Maa.”

They sat a while after that, the swing moving in its own small rhythm, neither of them in any hurry to fill the quiet with more than it needed.

“Lekin—” Mitali said eventually, almost reluctant to bring it up at all, “maine weight put on kar liya hai. Kaafi.”

“Toh lose kar lo,” Tulsi said, simply, as if this were the least complicated part of the entire conversation. “Young ho. Koi badi baat nahi hai.” She thought for a second. “Damini ki ek friend hai, fitness trainer hai — uska centre hai yahan paas hi mein. Join kar lo. Damini se number le lena uska.”

Mitali nodded, something almost like relief in the gesture — the relief of a problem being handed back to her in a size she could actually manage.

After a moment, Tulsi gave her a look, mock-stern, the corner of her mouth not quite cooperating with the seriousness she was aiming for.

“Aur ab agar kabhi tumhare haath mein chips ya junk food dekha — toh bahut bura hoga, Mitali.“​​​​​​​​​​​​​​​​

Mitali smiled and side-hugged her, “Maa.”

Tulsi put her hand on her head briefly and then smiled back, “chalo, mujhe nikalna hai bandhej ke liye.”

-----

He had seen them from the drawing room window — Tulsi and Mitali on the garden swing, Mitali’s shoulders doing that thing they did when she was being asked something she hadn’t let herself want an answer to yet, and Tulsi sitting beside her the way she sat beside all of them when something needed to be said without being forced.

He stepped back from the window, away from the glass, and dialed.

Aarti picked up on the second ring.

“Mihir uncle. Sab theek?”

“Sab theek hai,” he said, keeping his voice low. “Ek baat batani thi. Joshi sahab aa rahe hain Anjaar — do teen din mein. Interview ke liye, records dekhne ke liye.”

“Haan, uncle, Vaishnavi ne bataya tha. Sab taiyaar hai. Purani workers ko bhi bol diya hai — jo Kaki ke saath shuru se hain. Sab aa jaayenge. Aur baaki sab bhi taiyaar hain - woh jo dekhna chahen, jisse bhi baat karna chahen, kar sakte hain.

“Achha kiya.” He glanced toward the garden once — Tulsi was nodding at something Mitali had said, her hand moving in that particular way it did when she was making a point she considered obvious. He turned back. “Ek baat aur. Mandir ke baare mein — jo Kaki karti hain, jo paisa jaata hai wahan — Joshi sahab ke saamne uska koi zikr nahi.”

A small pause. “Lekin uncle, yeh toh achi baat hai—”

“Mujhe pata hai,” he said. “Issi liye nahi chahta.”

He let that sit a moment.

“Tumhari Kaki ne yeh kabhi apne naam ke liye nahi kiya,” he said. “Kisi ko dikhane ke liye nahi kiya. Unke liye ye personal hai. Agar kahin likha gaya toh woh cheez jo sirf unki thi — unki hi nahi rahegi.”

“Samajh gayi,” Aarti said, the earlier brightness in her voice settling into something quieter. “Vaishnavi ko bhi bata dungi. Aur kuch preparation?”

“Bas itna hi. Baaki sab dikha dena unhe — records, purane ledgers, jo bhi maangein. Sirf yeh ek cheez.”

“Theek hai, uncle. Kaki ki cheez hai — humein kya haq hai batane ka.”

He thanked her and hung up.

He pocketed the phone and stood there a moment, the relief arriving slowly, the way it does when you realize you’ve caught something just before it fell.

Thankfully, it had occurred to him on time. If Joshi’s team had stumbled onto the temple donations without warning — if it had appeared in print, her name attached to something she had always kept entirely her own — she would have felt it as a violation, however well-intentioned. He knew her well enough to know that. What she gave, she gave without wanting it witnessed. That was the whole point of the giving.

He hoped there was nothing else he’d missed. He ran back through everything — Vaishnavi, Aarti, the records, the ledgers, the workers being interviewed — searching for some detail he hadn’t thought to protect, some corner of her life he’d inadvertently left exposed. He couldn’t find one. But the hope sat uneasy anyway, the way it does when you love someone who has already absorbed more hurt than any one life should reasonably hold, and the thought of adding even the smallest fraction more — even accidentally, even in the course of trying to honor her — is genuinely unbearable.

*Bas,* he told himself. *Yeh kaafi hai. Ab kuch nahi chookega.*

Through the window, Tulsi was getting up from the swing now, her hand briefly on Mitali’s head before she turned toward the house.

He moved away from the window before she could see him standing there.​​​​​​​​​​​​​​​​

-----

Gautam arrived a little after six, the cab pulling up just as the evening light was beginning to soften over the garden. He came in with his usual brisk efficiency — briefcase in one hand, phone still half-raised to his ear finishing a call — and for a moment the house simply watched him the way it always did, recalibrating itself around a presence that came so rarely it never quite stopped being an occasion.

“Gomzi!” Mihir reached him first, pulling him into a brief, solid embrace before holding him back by the shoulders to look at him properly. “Kitna thaka hua dikh raha. Case kaisa chal raha hai?”

“Thik chal raha hai, Dad. Bas lamba din ho gaya aaj.”

He bent to touch Tulsi’s feet next, the gesture unhurried, neither performed nor perfunctory — something that had settled into its proper place between them over these months, the way it hadn’t, perhaps, in years before. Tulsi rested her hand briefly on his head before he straightened, and something passed across her face in that half-second that she didn’t try to hide — not quite guilt, not quite tenderness, but some private reckoning with years of his absence that she knew, somewhere underneath everything else, she and Mihir’s own unraveling had played its part in lengthening.

“Bhabhi,” Ritik said, grinning, “ab toh pooc lo Bhaiya se ki ghar pe rukne mein kya problem hai.”

“Koi problem nahi hai,” Gautam said, easy, practiced, the answer arriving before the question had even fully landed. “Bas court ke paas hotel zyaada convenient hai.”

He paused a moment, surprised at the ease with which he had replied to Ritik.

No one pushed it. No one asked him to stay home after that. But Tulsi caught the small, familiar weariness pass over Damini’s face — not hurt exactly, just the old shape of an answer she’d stopped expecting to change.

Dinner was loud in its usual way — Garima narrating a story about a substitute teacher to anyone who’d listen, Timsy more invested in cutting her roti to smaller and smaller pieces than eating any. Gautam sat between his father and Damini, and Tulsi noticed, quietly, the way she noticed most things now, that he laughed more easily tonight than he had on his last visit.

Once the plates had cleared, he reached for his briefcase.

“Mitali,” he said, “yeh tumhare papers hain. Maine khud check kiye hain. Sirf yahan, aur yahan sign karna hai.” He slid two folders toward her. “Padh lena pehle. Koi doubt ho toh abhi poochh lo, before you sign them.”

“Thank you, Bhaiya,” Mitali said, the weight of the moment settling into her hands along with the papers.

“Mention not. Tumhara haq hai. Maine sirf kaagaz banwaye hain.”

By the time dinner wound down, the sky outside had gone fully dark, and Gautam rose, glancing at his watch. “Achha, main nikalta hoon.”

“Itni raat mein cab mein jaoge?” Damini asked. “Traffic bhi hoga abhi.”

“Thik hai, manage ho jayega.”

Mihir didn’t say anything immediately. He simply looked at his son for a moment — the particular look of a man who had spent a year apart from his own wife once, and knew exactly the shape of the excuse being offered here.

“Apna ghar hote hue,” he said finally, quiet, without any edge to it, “tu hotel mein kyun rehta hai, Gomzi?”

A pause.

Then Mihir added, “Thaka hua lag raha hai beta. Aaj raat ruk jaa.”

Gautam didn’t answer right away. Something worked behind his eyes — a man standing at the edge of a decision he’d perhaps already half-made days ago, only now admitting it to himself in front of the people who’d notice.

“Dad,” he said, almost apologetic, “main kapde nahi laya. Night wear, I mean.”

“Mere paas hain,” Mihir said, already waving the objection away before it had finished landing. “Track pants, t-shirts — brand new pade hain, kabhi pehne nahi. Tujhe fit bhi aa jayenge.”

Gautam looked at his father a second longer, then exhaled, something in his shoulders giving way. “Theek hai,” he said. “Aaj ruk jaata hoon.”

The room didn’t erupt — there was no need for that kind of noise, not for something this quietly significant — but something passed through it all the same, a small current shared between the adults, none of them saying anything that might make Gautam feel cornered into a decision he’d arrived at on his own.

Damini said nothing. She only nodded once and turned toward the stairs, leaving him to follow at whatever pace he needed.

-----

He changed into Mihir’s track pants in silence, the unfamiliar softness of borrowed clothes somehow making him feel more like a guest in his own life than the hotel room ever had.

Damini was sitting at the edge of the bed when he came out of the attached bathroom, her hands folded in her lap, not quite looking at him.

“Damini.” He sat beside her, leaving a careful, deliberate distance between them, the kind a man leaves when he isn’t yet sure he has the right to close it. “Listen.”

She turned to him.

A pause — long enough that the air conditioner’s low hum became the only sound in the room.

“Tum khush ho yahan?” he asked. “Wapas ghar aakar?”

“Bahut zyaada,” she said. “Aur shayad bilkul nahi.”

He frowned, the contradiction sitting strangely against the careful evenness of her voice. “Matlab?”

“Ghar aake bahut khush hoon, sab ke saath.” She looked down at her own hands before lifting her eyes back to his. “Lekin tumhare bina kuch achha nahi lagta, Gomzi. Kuch bhi.”

He said nothing for a moment, the words settling into him slower than they should have, given how plainly she’d said them.

“I miss you too, Damini,” he said finally. “I can’t really express - kitna.”

Another pause, longer than the first — neither of them rushing to fill it, both of them simply sitting inside it, the way two people do when they’ve finally stopped performing the distance they no longer actually want.

“I love you,” he said.

“I love you too,” she said. “Itna ki kabhi keh hi nahi paayi properly. Tumse, ya khud se.”

They looked at each other in silence - the coldness that had been characteristic of their interactions until a few months back, replaced by something else.

Their faces had drifted closer somewhere in the silence, neither of them marking the exact moment it happened.

He reached for her hand then, turned palm-up in his — and then closed the distance between their lips himself, slow enough that she could have pulled back if she’d wanted to. She didn’t. Her free hand came up to rest against his chest, not pushing, only feeling the unevenness of his breath under her palm, the proof that this mattered to him exactly as much as it did to her.

When they finally drew back, just far enough to see each other properly, neither one reached for the lamp.

The night was only beginning for them.​​​​​​​​​​​​​​​​

When Gautam left Shantiniketan early the next morning, he left Damini with a hope she had not allowed herself in a long time.

-----

A few days later, after the house had settled back into its ordinary rhythm and Gautam’s borrowed track pants had been washed and folded and returned to Mihir’s cupboard without comment, the call came.

Dr. Joshi. Brisk as always, no preamble.

“Mr. Virani. The Anjaar visit went well — excellent material, excellent people. Your Vaishnavi is remarkably precise for someone her age. Aarti is equally capable and helpful. A pause, the particular pause of a man moving efficiently from one item to the next. “One small request remains. We need a photograph of Tulsiji — mid-work, factory in the background. The image should tell the story before the article even begins. A founder on her own factory floor. That’s what gives the piece its credibility — not a studio, not a posed shot. The real thing.”

“Kitne din mein chahiye?”

“Two, three days at most. I’ll send you my photographer Arun’s contact — he’s worked with me on three publications. You can coordinate directly with him. What she wears, how the shot is framed — I’ll leave that side entirely to you, Mr. Virani.” The faintest note of dry amusement in his voice before he rang off. “I imagine you’ll know better than I would.”

Mihir called Vaishnavi within the hour.

She picked up immediately, already slightly braced — he’d felt she always was now, whenever his name appeared on her screen.

“Uncle.”

“Vaishnavi. Ek kaam hai. Article ke liye ek photo chahiye — tumhari Kaki ki, kaam karte hue, factory background mein. Joshi sahab ke photographer aa rahe hain — Arun, do teen din mein. Achhi saree pehnani hai unhe, Bandhej ka sabse achha design — aur shot factory mein hoga.”

The pause that followed had its own particular texture — not reluctance exactly, more the sound of someone rapidly calculating how impossible a task actually was before committing to it.

“Uncle — main? Kaise? Kya bolke pehnaaoon unhe? Aap toh jaante hi hain Kaki factory mein simple cotton sarees mein aati hain, hamesha. Agar maine kaha aaj yeh pehen lijiye toh woh seedha poochhengi kyun. Aur main unse jhooth bol nahi sakti — aap jaante hain yeh bhi.”

“Jhooth nahi bolna hai,” he said. “Sach bolna — photographer aa rahe hain, Bandhej ke liye, website ke liye. Itna hi. Baaki tum sambhal lena.”

He heard her exhale. “Theek hai, uncle. Try karungi.”

“Tumpe bharosa hai.”

A small silence, then — quieter, almost to herself: “Bas Kaki ko jab pata chalega — mujhe lagta hai woh mujhe maaf kar dengi. Aap zyaada mushkil mein hain.”

He didn’t have an answer for that. He thanked her and hung up.

-----

Three days later, Vaishnavi found Tulsi in the cabin, bent over the worksheets the way she always was by mid-morning, pencil tucked behind her ear without her noticing it was there.

“Kaki, main website pe kaam kar rahi thi—”

“Acha hai, Vaishnavi,” Tulsi said, not looking up.

Vaishnavi set the folded saree down on the edge of the desk — deep maroon, the bandhej work on it dense and fine, clearly not factory floor material. “Kaki, aap yeh pehen lijiye. Maine ek photographer ko bulaya hai aapki photos lene ke liye.”

Tulsi’s pencil stopped. She looked up. “Meri photos? Kyun?” A small frown. “Sarees ki photos lo. Karigar ki photos lo. Meri kyun? Bandhej mere akele ka thode na hai — hum sab ka hai.”

“Unn sab ki bhi lenge, Kaki,” Vaishnavi said, already prepared for this. “Lekin jo website designer hai, woh bolta hai pehle founder ki chahiye. Uss hisaab se color theme decide karega website ke liye.”

Tulsi made a small, unconvinced sound and went back to her worksheets. And said without looking up:

“Theek hai. Ek photo lo. Lekin aise hi — jaise main abhi baithi hoon.”

“Kaki.” Vaishnavi’s voice climbed half a note, the exasperation entirely genuine. “Ek photo hi toh maang rahi hoon.”

“Toh lo,” Tulsi said, gesturing at herself — the cotton saree, the dye on two fingers, the pencil she’d just retrieved from behind her ear.

“Aap samajhti kyun nahi,” Vaishnavi said, and now something almost wounded entered her voice, real enough that Tulsi looked up properly. “Yeh ek mauka hai hamare designs ko showcase karne ka. Maine yeh saree kitni mehnat se design ki hai, Kaki — aur yeh design aapki age ki ladies pe perfectly suit karegi. Issi liye aapko keh rahi hoon. Kisi aur ko nahi.”

Tulsi looked at her a moment — at the saree, at the particular stubbornness on Vaishnavi’s face, the one she recognized because she’d worn it herself often enough in Anjaar, fighting for some small thing that no one else had thought worth fighting for.

“Acha, theek hai,” she said, picking up the saree at last. “Lao. Pehen leti hoon.”

Vaishnavi exhaled — relief arriving a half-second before she could compose her face around it — and slipped out to call Arun before Tulsi could ask anything else.​​​​​​​​​​​​​​​​

-----

The days that followed slid by without either Tulsi or Mihir quite marking their passing — the kind of stretch that only reveals its own shape afterward, looking back. Mornings on the balcony, kaada and chai arriving and leaving without comment now, the silences or conversations between them no longer requiring anything to fill them. Late evenings with chamomile folded into ordinary things — a child’s homework, a missed phone call returned, dinner eaten a little later than planned. Nothing about it announced itself as healing. It simply accumulated, the way trust always had between them, long before either of them had needed a word for it — and would, it seemed, need none now either.

-----

It was the dawn of April 4th.

She woke a few minutes before her alarm, the way she always did, the body keeping its own time regardless of what the clock said.

The first thing she did, before her eyes had even properly adjusted to the grey light at the window, was reach for her phone.

Nothing.

No message at midnight. Not from him.

There had been a time — years and years of it, before everything — when he would shake her awake at the stroke of twelve, however deep she’d already gone into sleep, however many times she swatted his hand away and mumbled at him to let her sleep, *kal subah bata dena*. He never once let her finish the sentence. *Aaj hi aur abhi hi kehna hai,* he’d say, every single year, as if the date itself might slip away from them both if he waited even six hours to say it. She used to find it faintly ridiculous. She missed it now with an intensity that surprised her, lying here in a room that wasn’t even the same room, on a morning he very possibly hadn’t realized had arrived yet.

They don’t share a room anymore, she reminded herself. *He can’t very well descend the stairs at midnight to wake me. But a message — surely a message wasn’t too much to expect.* Unless he was simply asleep. Unless this year, somehow, the date had passed him by entirely, folded into everything else that had needed his attention these past weeks — the trip to Gujarat, whatever business had kept pulling him away in such oddly secretive bursts, the deflections at her polite inquiries, she’d decided, for now, not to push on.

She set the phone face-down on the side table and got up.

In the bathroom, running the water hotter than she needed it, she caught her own reflection in the fogged mirror and laughed quietly at herself — actually laughed, a short exhale through her nose. *Look at you. Over sixty years old, standing here disappointed because no one remembered to wish you at midnight.* Birthdays were for children, surely — for Garima’s excited countdown, for Timsy’s solemn insistence on choosing the cake flavour herself, for Akshay and Madhvi’s annual argument over who got to blow out which half of the candles. Not for a grandmother to so many kids, who had built a company, survived six and a half years of exile, and come home to a husband who could, apparently, still surprise her — usually for the better these days, but evidently capable of forgetting things too, like anyone else.

*Vanity,* she thought, working shampoo through her hair, almost amused at herself now. *That’s all this is. Plain vanity, wanting to be remembered.* She let the water run a moment longer than necessary, the warmth of it some small private indulgence on a morning that otherwise seemed determined to pass like any other.

Still — when she stepped out and reached for the towel, she found herself reaching for the phone again before she’d even properly dried her hands.

Nothing.

Not from him. Not from Vaishnavi either, which struck her as its own small oddity. Vaishnavi, who had gone half-mad with planning every year in Anjaar — insisting on a cake even when Tulsi told her not to bother, showing up at six in the morning with flowers from her own garden, once driving forty minutes to a town with a proper bakery because the local one’s icing wasn’t “good enough for Kaki’s birthday” — Vaishnavi had not so much as texted.

*No matter,* she told herself, setting the phone down for good this time, refusing to let it sit in her hand a moment longer like something she was waiting on. *It’s only a date. The house will remember when it remembers. There’s an order to finish today, and Bandhej doesn’t care what day it is.*

She dressed, then crossed to the wall where Baa and Bapuji watched over the room from a single framed photograph, the diya and dhoop already laid out beside it in the prayer corner from the night before. She lit the dhoop first, watching the thread of smoke climb and curl toward the photograph, then the diya, cupping the flame steady with one hand until it caught. She stood a moment in the familiar quiet of it — the same ritual every morning of her life, untouched by any of the six and a half years that had touched everything else.

Then she bent and touched the photograph itself, her fingers grazing the glass over where Baa’s feet would have been, then Bapuji’s, the gesture worn smooth from repetition. *Aashirwad dena, Baa, Bapuji. Aaj bhi, jaise hamesha.* She didn’t ask for anything specific. She never had. Only the blessing, asked for and received the same way every morning — birthday or otherwise.

Then she straightened her saree, picked up her phone one last time out of habit rather than hope, and went out to start her day.​​​​​​​​​​​​​​​​

She went to open the main door quietly, the way she always did at this hour — not wanting to wake anyone who might still be sleeping, the house not yet fully into its morning noise.

But the main door was already open. He was already there. Not inside, not yet at the balcony — standing just at the threshold, close enough to the doorway that she nearly walked into him, his eyes on the gate at the far end of the path.

Maybe he wanted to wish her in person, first thing as she came out of her room, and was waiting for her here, she thought. But then why was he looking outside rather than towards her room?

“Jai Shree Krishna,” he said distractedly, barely turning his head.

“Jai Shree Krishna,” she said, looking at him for a moment before stepping past him toward the tulsi plant.

She lifted the small pot she kept by the door and filled it from the outdoor outlet, the water running cold over her fingers in the early morning air. Then back to the plant — pouring slowly, evenly, the way she had every morning of her adult life, the ritual of it settling into her hands without needing her attention. She then folded her hands briefly, eyes closed, the prayer moving through her the way breathing did, present without requiring thought.

When she opened her eyes she carefully plucked a few leaves — the good ones, the ones that had caught enough sun — and held them loosely in her palm.

She glanced back toward the door.

He was still there. Still looking at the gate with that particular quality of attention that had nothing to do with the gate itself — the studied looseness of a man trying very hard to look like he wasn’t waiting for anything in particular.

Strange, she thought, to be this on edge over newspapers. But she had already decided, somewhere between the tulsi plant and the cold water on her fingers, that he had simply forgotten what day it was — and so she let it go.

“Wahan kya kar rahe ho?” she asked, the leaves still in her hand.

“Kuch nahi,” he said, too casually, his eyes still on the gate. “Bas socha — newspapers aayen toh le loon.”

She looked at him for one more moment, that studied profile, the careful ordinary of his posture.

“Acha,” she said. “Main kitchen mein jaa rahi hoon.”

“Haan, theek hai,” he said, still not quite looking at her. “Main papers leke balcony jaata hoon.”

She went inside, the tulsi leaves warm now in her closed palm, and behind her she felt him settle back into his waiting as if she had never interrupted it at all.​​​​​​​​​​​​​​​​

The moment she was out of sight, the papers slid through the gap at the bottom of the half-closed door, and he was on them before they’d even fully landed — gathering the stack, flipping through with quick, practiced movements until he reached it: the Saturday premium supplement of the Trade & Industry Gazette, and there it was, a photograph of Tulsi mid-work at the Mumbai factory, the bandhej work on the maroon saree catching the light just the way Arun had promised it would.

He carried the whole stack to the balcony almost at a run, settling into the chair, eyes flicking up toward the kitchen door every few seconds even as he scanned it — the entire supplement given over to Bandhej, page after page of it, Tulsi’s photograph from the Mumbai factory floor sitting beneath a headline he had read perhaps a dozen times already in drafts Joshi had shared with him, and yet it read differently now, printed, real, irreversible.

He heard her footsteps on the stairs before he’d finished the second paragraph.

In one motion he set the stack down on the table, the Gazette deliberately on top — and then, almost as fast, thought better of it and slid the Times of India over it instead, smoothing the pile with the flat of his hand just as she stepped out onto the balcony, tray in hand.

He stepped forward to take it from her, the way he always did, setting it down beside the newspapers, on the table between them. But he didn’t sit.

He moved instead to the railing, one hand resting on it, and looked at her for a moment longer than the moment required.

“Tumse kuch kehna hai,” he said.​​​​​​​​​​​​​​​​

She was about to sit when something in his voice made her pause — a particular gravity she hadn’t heard from him in weeks, not since the car ride after the conclave.

“Kya?” she asked, coming to stand beside him at the railing rather than sitting across from him at the table. The kaada sat behind them, untouched, the morning suddenly feeling like it had narrowed down to this one stretch of railing and whatever he was working up to say.

He didn’t look at her right away. His eyes were on the garden below, on nothing in particular.

“Jab tum wapas aayi thi, mahino pehle,” he said, “tumne kaha tha — tum kabhi dobara meri patni nahi banogi. Haina?”

Something in her went very still. *Is he—* The thought arrived half-formed and unwelcome. *Is this about to be about separation? Has something changed?* She had not let herself consider, in weeks now, that the ground beneath them could shift again, and the sudden possibility of it landed with a sharpness she hadn’t braced for.

“Haan,” she said carefully. “Lekin—”

“Poori baat sun lo, Tulsi.” He turned to face her now, and whatever was in his expression wasn’t grief, wasn’t retreat — something steadier than that, something that had clearly been decided long before this morning. “Isse pehle ki tum kuch aur expect karne lago, main ek baat clear kar dena chahta hoon. Aaj main bhi yehi kehta hoon.” He paused. “I never want to treat you or see you as my wife again. Except legally. On paper.”

She stared at him. Whatever she had braced herself for — and she realized now she’d braced for something — it had not been this. The words didn’t assemble into sense fast enough, and for a moment she simply stood there, the railing cool under her hand, waiting for the rest of it to make the first part bearable.

He didn’t make her wait long.

“Jo bhi galatiyan mujhse hui hain itne saalon mein,” he went on, “woh isiliye hui ki — kaafi hadd tak, I took you for granted. Only because tum meri wife thi.” His jaw tightened slightly around the admission, the old discipline of not letting himself look away from his own failure even now. “Ab main nahi chahta dobara kabhi aisa ho. Iska ek hi tareeka hai jo mujhe saaf dikhta hai.”

He stopped there.

“Kya?” she asked, and heard her own voice come out smaller than she meant it to.

“Batata hoon,” he said. “Lekin usse pehle kuch aur bhi bolna tha. Shayad tumhe thoda off tangent lage.” A faint, almost nervous breath. “Lekin — yaad hai, chauntaalis saal pehle kya hua tha?”

She blinked, thrown by the turn, though something in her chest had already begun, cautiously, to loosen.

“Hum bachpan ke dost the,” he said, before she could answer. “Main uss waqt Payal se engaged tha — family ke dabaav mein hi sahi. Ek baar toda, phir wapas rekindle ki thi engagement. Tab main tumhare paas aaya, aur kaha ki mujhe tumse pyaar hai. Tumhari feelings jo bhi ho, sochke bata dena, maine kaha tha.” A small, private smile crossed his face, gone almost as soon as it arrived. “Tumne kuch din baad mera pyaar accept kiya. Aur phir humne — Baa aur Bapuji ke aashirwaad se, mere cousins ke sehyog se — bhaag ke mandir mein shaadi kar li.”

“Yeh sab baatein ab kyun keh rahe ho?” she said, the question coming out sharper than she intended, the not-knowing finally too much to hold politely. “Jo bhi kehna hai, saaf saaf, seedhi tarah kaho na.”

“Main yeh kehna chahta hoon,” he said, holding her gaze now, “ki — humne courtship kabhi enjoy nahi ki.”

For a second she only looked at him, the sentence arriving somewhere she hadn’t expected it to land — not grief, not separation, something else entirely, something she didn’t yet have the shape of.

And then he was lowering himself onto one knee in front of her, right there on the balcony, a single rose appearing from his pocket — and she had just enough time to think, absurdly, *where has he been keeping that* — before he spoke again.

“Tulsi.” His voice had dropped into something quieter than she’d heard from him in years, all the performance gone out of it entirely. “Will you be the one and only love of my life?” A breath. “Kya tum mujhe permission deti ho — main tumhe waise hi pamper aur cherish karoon, jaise tum hamesha se deserve karti thi. Jaise mujhe shuru se karna chahiye tha.”

She looked down at him — this man on his knee on their balcony, the rose held up toward her with a steadiness that had clearly cost him something to find — and felt something in her chest crack open in a way that had nothing to do with old wounds at all.

“Umar dekhi hai hamari?” she managed, the words arriving before the feeling had fully caught up to them. “Iss umar mein courtship, pamper, cherish — kya bol rahe ho, Mihir? Theek toh ho?”

“Umar ka pyaar se kya connection?” he said, entirely undeterred. “Hum dono ek doosre ko boodha hone hi nahi denge.” His eyes held hers, something pleading and amused both at once. “Ab jaldi batao — main apne hi ghutne pe hoon, kisi aur ke nahi.”

She let the silence stretch, just slightly, just to watch what it did to his face. “Sochne toh do thoda,” she said.

“Itna kya soch rahi ho,” he said, “deal buri nahi hai. Tum full-on tantrums throw kar sakti ho. Rooth sakti ho — aur main tumhe manaata rahoonga.”

“Naa. Deal kuch khaas achi nahi hai,” she said, fighting to keep her face as composed as his had been a moment ago.

His eyebrows rose, something delighted breaking through the seriousness. “Negotiate kar rahi ho? I like it.” He shifted slightly on his knee. “Batao — how can I sweeten the deal?”

“Ek janam se kya hoga?” she said. “Saat janam ki baat hoti thi na hamari? Ab bhi saat janam ki deal de sakte ho, toh theek hai.”

“Of course,” he said, without a second’s hesitation. “Sirf saat janam nahi — aane wale har janam ki hai yeh.”

“Paaku?”

“Ekdum paaku.” He smiled as he said it.

She took the rose from his hand — the stem still slightly warm from his pocket — and then reached down and took his other hand, pulling him up to standing in front of her.

They stood there a moment, just looking at each other, thirty-eight years and six and a half years and one rose all folded into the same small space between them.

He raised his arms slightly, then hesitated — the old, careful uncertainty of a man still asking permission with his body even after she’d already given it with her words — and she answered by stepping into him before he could finish deciding.

His arms closed around her like she was the only thing on the balcony, on the property, on the earth that morning that mattered at all. He bent his head and pressed the lightest kiss to her hair, barely a kiss at all, more the suggestion of one.

“A very happy birthday, Tulsi,” he said, quietly, into the top of her head.​​​​​​​​​​​​​

She pulled back just enough to look at him. “Tumhe yaad tha?”

“Raat ko barah baje se hi wait kar raha tha,” he said. “Lekin socha — pehle yeh baat kar loon, phir wish karoonga.” A small, sheepish breath. “Sorry — agar tumne wait kiya toh.”

“Wait toh kiya,” she admitted, something rueful tugging at her mouth. “Aur thodi disappointment bhi hui, sach kahoon toh.”

His hands came up to his own ears, properly contrite, the gesture so sudden and so familiar — something out of a much younger version of him — that it caught her entirely off guard. “Really, very sorry.”

She reached up and pulled his hands back down, holding them in hers instead. “Lekin yeh andaaz mujhe bahut acha laga.“​​​​​​​​​​​​​​​​

“Ab kaada pee len?” she said, finally easing back from him, something soft still lingering in her voice. “Thanda ho jaayega.”

They settled into their chairs, the rose set carefully aside on the table, and reached for their cups. She watched him over the rim of hers — still faintly unable to believe the last ten minutes had happened at all — and was mildly startled to see his eyes drop, almost immediately, to the headlines of the Times of India sitting on top of the stack.

Today, of all days. She’d expected the papers to stay folded entirely this morning, the way they sometimes still did when neither of them could be bothered to reach for them. Instead here he was, scanning headlines that, as far as she could tell, held nothing of any particular interest — no election news, no market crisis, nothing that would normally hold his attention this closely. Clearly, she thought, with a small private amusement that didn’t quite manage to cover the sting underneath it, the newspaper is more interesting to him than I am, this morning of all mornings.

He picked it up properly now, holding it slightly higher than usual, his eyes still fixed on the page.

She looked at her kaada in the meantime, took a sip — and that was when she saw it. The paper beneath, its top half visible, and on it, unmistakably, her own face.

“Arre,” she said, the sound escaping before she could stop it.

“Kya hua?” His voice came out almost steady, almost, the paper still held up at the exact height needed to keep his own face hidden behind it.

“Kuch nahi,” she said, already setting down her cup and reaching across for the paper now lying exposed on the table — the one that had been beneath the Times of India a moment ago.​​​​​​​​​​​​​​​​

She held up the paper properly now, both hands around it — and the first thing she saw, before the headline, before anything else, was her own face.

She stared at it for a moment, not quite reading yet, just absorbing the fact of it. The Mumbai factory blurred just enough behind her to read as context rather than subject. Her own hands visible at the edges of the frame, mid-movement, caught in the middle of something rather than posed for anything. She looked — and this struck her as strange, looking at her own photograph — entirely like herself.

Above it, in bold serif type:

***Bandhej — More Than a Business: An Ecosystem of Trust***

On top of it, slightly towards the right, in smaller fonts:

*Trade & Industry Gazette, Saturday Special Supplement.*

-----

Beneath the headline, in smaller type:

*By Dr. Harshvardhan Joshi, Independent Textile Historian.*

She stilled at the name.

Dr. Joshi. She placed him immediately — at the Conclave, perhaps fifteen days ago, the man who had drawn her into a conversation about indigo-vat fermentation with the ease of someone who already knew enough to ask the right questions and enough to listen properly to the answers. She had liked him. His interest had felt entirely genuine — the focused attention of a historian encountering work he considered significant, nothing more complicated than that.

She looked at his name again, then at the date on the masthead.

*Pehle se toh nahi tha yeh sab,* she thought, and then stopped herself. The conclave meeting had felt accidental — two people at an event, finding common ground. There had been nothing staged about his curiosity, nothing performed about his engagement.

And yet.

She filed the question away without answering it, the way she’d been filing things away all morning, and turned her attention back to the page.​​​​​​​​​​​​​​​​

She found her name almost immediately, the way you always look for your own name first without meaning to. It appeared exactly once, in the photograph caption.

*Tulsi Virani, Founder.*

Nothing else attached to it. No qualifier. No mention of Virani Industries. No mention of a husband, a family name, a lineage she had married into. Just her name, and the factory behind her.

She read the caption twice.

*Strange,* she thought, the first thread of something she couldn’t yet name pulling at her, quiet and insistent. *Every smallest piece ever written about Bandhej has found a way to mention him. Even the ones that had no reason to.*

She turned the page.

-----

The second spread stopped her almost immediately — not the text, but the photographs. Ten sarees, laid out in a careful grid, each one captioned with a date, a name, a location. *The First Ten.* She recognized the sarees before she read a single caption — recognized the dye lots, the resist patterns, the slight variations in the tie-work that told her exactly which week of which month each one had come from, because she had been there for every single one of them.

She hadn’t expected to see them here. Photographed, traced, documented — each one found wherever it had landed in the years since.

Three still in Anjaar. The first caption made her go very still: a karigar’s daughter she had known since the girl was fifteen, photographed at her own wedding two years ago, wearing her mother’s saree — the fabric softened with washing and wearing, the bandhej work still intact, still holding. She read the woman’s name twice. Set the paper down for a moment without realizing she’d done it.

Picked it up again.

Four scattered across India — Kolkata, Pune, Hyderabad, one in a small town in Rajasthan she hadn’t known had any awareness of Bandhej at all. Three abroad — a name in New Jersey, one in Hamburg, one in Barcelona. The Germany caption was simple: a woman who had seen the saree at an exhibition, had bought it for the indigo gradation in the border work, and had been contacted years later by a researcher asking if she still had it. She did. She’d kept it carefully.

*a researcher,* the caption said.

She read that phrase once, then moved on, the thread pulling a little tighter without her quite letting herself follow it yet.

She almost missed the third spread entirely — her eyes had gone back to the karigar’s daughter in Anjaar, the wedding photograph, without her deciding to return there. She made herself turn the page.

The lost techniques section was where her reading slowed to almost nothing.

A resist-tie pattern unpracticed for forty years — she remembered the woman who had taught it to her, remembered sitting on the floor of her house for three months of Sundays until her own hands could approximate what the woman’s hands did without thinking. She remembered the afternoon the woman had said, *Ab tumhara haath bolne laga* — now your hands are speaking — and how she had returned to Amba Kutir that evening unable to say why her eyes kept blurring.

The article knew about the three months. It knew about the floor. It knew about the woman’s name, her age, the fact that she had believed until Tulsi came that the pattern would die with her.

Tulsi set the paper down again.

This time she was aware of doing it — aware of her own hands on the table, the paper face-up between them, the morning suddenly requiring more air than the balcony seemed to be providing.

She looked up — not at him, just up, at the garden, at the neem tree, at nothing.

Across the table, she was peripherally aware of the Times of India. Perfectly still. Not turning.

She picked the supplement back up.

The natural dye process. The double-weave. Each one described with a specificity that made her read certain sentences two and three times, not because they were unclear but because she kept stopping at the details — *the surviving notebook, the half-remembered instructions, the two women in their eighties* — and feeling the ground shift slightly beneath each one.

*How,* she thought, and then stopped the thought before it finished forming, the way you stop yourself from pulling a thread you aren’t ready to unravel yet.

She read on.

It was somewhere in the middle of the double-weave section — a detail about the specific shed sequence Tulsi had reconstructed over four attempts before it held — that she lowered the paper without meaning to, her hands dropping slightly, her eyes going unfocused for just a moment as something too large to immediately process moved through her.

Across the table, the Times of India rose. Smoothly, quickly — a fraction too quickly, the adjustment of a man who had been watching for exactly this moment and had very nearly been caught doing it. The paper settled at a height that covered him completely.

But not before she saw his grip on it.

Both hands. Knuckles slightly whitened. Held with the particular tension of someone maintaining a position that required more effort than it should.

She looked at his hands for one moment — just one — before dropping her eyes back to the supplement.

*Wahan kya kar rahe the,* she thought, *gate pe. Newspapers ke liye.* The studied looseness of his posture at the door this morning. The Times of India placed on top of the stack with a precision that had nothing to do with reading preference. The way his eyes had gone to the papers the moment she’d sat down, as if confirming something he already knew was there.

And then — arriving so quietly she almost didn’t catch it — the image of him at the gate, collecting the papers as they slid through. The moment he would have seen it. And she knew him only too well to know that he wouldn’t have been able to contain his loud exclamation, had he been genuinely surprised.

He had known.

He had known before he brought the papers to the balcony. Had known when he placed the Times of India on top.

She looked at the supplement in her hands.

*And yet,* she thought. *He said nothing. Showed me nothing. Let me find it myself.*

She turned to the last page.

**When One Woman Builds, a Community Rises**

The numbers arrived first — and she had to read them twice, not because they were unfamiliar but because seeing them assembled like this, in print, gave them a weight they didn’t quite have when she was living inside them. The count of women currently employed. The count of households where this represented the first independent income. The count of girls in school whose fees came, in part or in whole, from wages their mothers had earned at Bandhej.

Then the names.

A widow in Anjaar she knew well — had known since the first year, when the woman had come to the cooperative with nothing except a skill she’d been told had no market value, and had left three years later running her own small dye unit within the network. A girl, barely twenty, who had used her Bandhej wages to remove herself from an engagement her family had arranged before they understood she didn’t need it to survive. Vandana, quoted at length — Vandana, who had been there since Amba Kutir had four workers and no orders and no certainty of either, who spoke now about what the cooperative had meant for a town that had long since accepted its skilled women as invisible.

Her eyes were blurring slightly by the time she reached the closing paragraph of the section. She blinked, steadied herself, read on.

*Within artisan circles, Tulsi Virani is regarded less as an entrepreneur and more as a preservationist — a woman who built a commercially sustainable structure around something far harder to manufacture than fabric: trust.*

She read the word and something in her chest pulled tight and then released, the way a knot does when the right thread is finally found.

*Trust.*

A tear slid free before she’d finished deciding whether to let it. Then a second one, quieter than the first. She made no move to wipe either away, only kept reading, the words going slightly soft at the edges and then steadying again as she blinked.

-----

***Acknowledgments***

*Special thanks to the artisans, dye workers, and cooperative members of Anjaar, who opened their homes, their records, and their memories to our research team across prolonged visits over the past fortnight. Their generosity made this documentation possible. They are thanked first because they should always have been.*

She read the last sentence twice.

*They are thanked first because they should always have been.*

No researcher writing from the outside would know to say that. No historian, however thorough, would understand why the karigars needed to come before the publication, before the Institute, before everyone else — unless someone had told them. Unless someone had sat with them long enough to understand that the work and the workers were not two separate things, had never been, and that any document which failed to honor that in its very first acknowledgment had already missed the point.

Only one person would have known to say that.

Only one person had ever understood, without being told, that for her, the karigars came first.

She sat very still for a long moment, the supplement open in her lap, both hands flat against the page.

The Gujarat trip about 20 days back. The bell on the phone call — that specific bronze resonance she had recognized from six years of daily morning prayers and had told herself she’d imagined. The indigo-vat question at the conclave, answered with a precision no one acquires secondhand. The briefcase put away too quickly at lunch. The deflected questions, one after another, each one met with a deflection so smooth she had almost let herself believe it.

Almost.

And most telling of all: The article had been published in today’s issue. On her birthday.

She looked up.

Across the table, the Times of India had come down at some point without her noticing — it sat forgotten in his lap now, and he was no longer pretending to read anything at all. He was watching her with the particular stillness of a man who has been waiting a very long time for something, and is now watching it arrive, and doesn’t quite know what to do with his own face in the meantime.

Their eyes met.

He held her gaze for exactly one second — and then reached for the supplement still in her hands with an expression of fresh, entirely unconvincing curiosity.

“Yeh — yeh kya hai?” He turned it toward himself, as if seeing it for the first time, his eyebrows rising with what she had to admit was a remarkable performance. “Arre. Dikhao — poora supplement hai. Bandhej ke baare mein.” He looked up at her, something lighting in his face that was trying very hard to be surprise and was, in fact, something else entirely. “Tumne dekha? Aaj ka—”

“Haan,” she said.

Her voice came out perfectly steady.

“Dekha.”

She reached for her kaada, found it had gone completely cold, and drank it anyway, her eyes on the garden, on the neem tree, on the morning light moving through it the way it always did at this hour — ordinary and unhurried, asking nothing of anyone.

*Ekdum paaku,* she thought, and said nothing at all.​​​​​​​​​​​​​​​​

-----


**Author’s Note:**

Hello everyone — and thank you, as always, for being here.

This chapter was a long time coming, and I’ll be honest — it was one of the most carefully written ones I’ve attempted in this entire story. The proposal scene especially. I wanted it to feel earned rather than dramatic, playful rather than performative, and above all — *them.* These two people who have known each other for forty-four years and somehow still managed to never quite do things in the conventional order.

I hope the “Will you?” landed the way I intended it to — not as a grand romantic gesture but as something quieter and more permanent than that. A reframing. A choice made consciously this time, with full knowledge of everything it has already cost both of them.

And yes — for those of you wondering — the Trade & Industry Gazette supplement is only the *first* part of Mihir’s birthday gift to Tulsi. The second part is still on its way. I’ll say nothing more except that it arrives before the morning is over.

As always, I write faster when I know you’re reading. If this chapter moved you — if any moment in it stayed with you — please do leave a comment or review. It genuinely matters more than I can say. And if you’ve been reading silently until now, this might be a good chapter to finally say hello.

See you in Chapter 35.

— ElitePerfumer

Edited by ElitePerfumer - 7 hours ago
bpatil3 thumbnail
13th Anniversary Thumbnail Visit Streak 180 Thumbnail + 4
Posted: 6 hours ago

Hi thank you so much for the PM..

It's beautiful. The proposal part is even more beautiful, Mihir on his toes now😂. Detailed review will be posted later 😃

Please clean up your inbox.. Unable to send messages. PS:As a Navigator you have limited inbox outbox capacity allotted, exceeding that limit would stop relaying messags.

Edited by bpatil3 - 6 hours ago

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