Finally heading back to Delhi after an exhausting few days, and I couldn’t keep up with the BTS or the episodes. Thank you for the updates it honestly feels like I didn’t miss much. I really wanted to meet Adsha, but the work commitments and deadlines were insane; hopefully next time. Since I couldn’t read the articles properly, I checked X and IF, and it seems the show has slipped back into the same repetitive pattern. A wedding usually brings positive energy, but in Mannat’s world everything moves in the opposite direction. The writers and directors focus on tiny details when it comes to certain scenes, yet they completely lose consistency and depth when portraying the positive characters. Sometimes it genuinely feels like we’re watching a different show altogether. Few characters like Raveena, Dadi, and Gagan appear only during functions, almost like guest appearance. Even Shruti–Mannat moments are missing, which is surprising because this is the phase where emotional bonding is usually highlighted. Instead, the bride is shown running around doing detective work or pacifying others. Whenever the team claims that lead wedding means the story ends it only reflects weak writing and execution. ITV has plenty of shows where leads married early and still ran successfully without a leap. The problem with Mannat is that the writers start tracks, leave them incomplete, and pick them up later with a completely different direction, making the story feel disjointed. Mannat and Vikrant were built beautifully and are the heart of the story. So it’s strange that the creators are now destroying their own foundation with inconsistent writing. It genuinely feels as if the writer has lost interest and the director’s vision has faded. That’s why it’s hard to imagine how Mukta and the team plan to reach 1500 episodes, as Jassi casually mentioned during the 100-episode celebration. They already seem out of ideas, considering a leap was introduced in less than a year. When your show is loved primarily because of the lead pair, the logical move is to explore their depth, not sideline it. There is so much untouched potential tracks like Mezbaani’s struggles to grow again, the chawl reconnecting with Mannat and Shruti, Mannat’s professional challenges, and parallel character arcs that blend meaningfully with the leads. Instead, we are stuck watching Malla and Vish endlessly. Even Aish’s plotting was entertaining earlier, but the track has overstretched itself. Her character logic has completely vanished she once had a clear motive, but after committing a crime and faking her death, expecting to return and live peacefully in SM makes no sense. Depending solely on Vik’s anger doesn’t erase basic law and order. A balanced narrative shows both positive and negative wins, but right now the storyline feels so forced that it reflects in the actors’ performances, including Manvik. I was excited for the Aman track, but the writers turned it into something so chaotic that it didn’t resemble a coherent story at all. Morever the TRP’s not great, so anything can get them 1.2 they don’t have to show this crap.
Edited by Daman17 - 3 hours ago
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