The drama was made to cash on Wahaj's hype after TB quickly. The KDH ladies said this, and I agree. Kaddu wanted to lock in Wahaj for a project asap. TB2 was not happening soon, so Kaddu retrieved this dead script from the grave where it was buried. Wahaj doesn't care about the script, but why Haseeb or Maya signed this is beyond me. Haseeb seemed desperate to have a commercial hit and thought having Wahaj and replicating Mann Mayal 2.0 with Maya (minus Sallu's arc) would be his lottery.
The screenplay does not have enough situations or plots to constitute so many episodes. Even before Haseeb's stretching, there are too many repetitions in the script and useless meandering dialogue that dilutes the scene. This might have worked as a film or a miniseries of 10-12 episodes at best, but the content isn't there for 40 episodes. Just count # of scenes here with # of scenes in other dramas. Even compare this with # of scenes in KRQ's other dramas. KRQ writes long scenes, but I've never seen a KRQ drama where a single episode has only four scenes.
The writer has written something else, but instead of telling the story the writer wrote, the makers and marketers have tried to make it into something else without making any required changes to the script. If I focus on the writing alone, this is a commentary on love. It is not a love story, it is not a romance, it is not about chemistry, it is not a story of Bilal's one-sided love, nor is it a story of Bilal and Sadaf. This is a story of how different philosophies of love impact Sadaf's life and journey. Our main protagonist and pov character is Sadaf. The love philosophies of other characters around Sadaf (B, A, H, D) are the push and pull factors that shape her life and journey toward understanding the meaning of love. The Ammar, Dania, and Humsha dynamics are as important to determining Sadaf's trajectory as the Bilsad dynamic. That is why they get equal space in the script.
Bilal's role was never meant for someone like Wahaj. Ammar and Bilal are intended to be played by actors of equal standing (but not at the level of Wahaj), while Sadaf is designed to be played by a star of Wahaj's standing. SMD is similar to Mannjali, which KRQ also wrote. In it, Mehwish Hayat played the Sadaf character. Mikaal played the Ammar character, and Faris Shafi played the Bilal character. That's the casting SMD's script needed.
Execution and direction are pathetic. If the writing is terrible, the director made it ten times worse. This script needed a restrained and contemporary execution, but instead, Haseeb went OTT, sensationalistic, dated melodrama. Instead of emotions coming out and hitting us on the head with their authenticity, we get overwhelmed by flimsy nighties, alcohol, cringe intimacies, eye locks, nibba-nibbi staring, and beauty shots. There is forced Hitchcockian air with the BGM when neither the situation nor the dialogues call for it. The long, drawn-out scenes with so many mundane details that are over-emphasized just kill the scene's impact. The slo-mo dialogue delivery, where everyone says every word slowly and with breaks in between, is unbearable. No one can connect with the emotion with such a pathetic delivery. The long pauses, the zooms, the useless, irrelevant filler scenes, the slow pace, the poor editing, the dull, gloomy, and ugly filters, the lighting, etc. - none makes the show palatable to watch. And for the director to act like he made some masterpiece and is some SLB is enough to make me want to punch him in the face.
Huge performance issues. Even Wahaj overacts in several scenes. Maya was good in scenes with her dad and brother, but her dialogue delivery has been the worst. No one speaks as slowly and breaks up her sentences as much as she does. The way Maya played Sadaf and some poor editing choices made Sadaf look bipolar instead of conflicted and ambivalent. Wahaj's depiction of alcoholism never rose above that of a caricature. Whereas 2-to-3 scenes of BA sulking and brooding would have been impactful, having 20 to 30 scenes with the same three expressions that rarely serve any narrative purpose brings down Wahaj's performance. Ammar and Dania - the less said, the better. Neither the director nor the actors could understand or get in the characters' skins.
Sorry to say, but this whole project from A to Z smacks of insincerity. No one wanted to tell a good story or the story they had on paper. Everybody wanted to get something else out of it.
Edited by hypnotoad - 10 months ago
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