Originally posted by: chiapudding
In that case you must know the story of how Sonata quasi una fantasia', in C# minor, Opus 27, Number 2 got famous as a romantic piece known by a very different name despite the feelings of hopeless melancholy the composer experienced whilst writing it
It's all about perspective. For those watching bits and pieces may accept new Katha for who she is but for some of those watching from the beginning, new Katha makes no sense
Let's not go there, tis' not the forum for classics of any kind
Yes, I know about it. Moonlight Sonata by Beethoven. First movement is still melancholic and that can be heard. Beethoven always has a tenacity in his pieces, its very normal. Chopin is on whole other level of pessimism.
But, I wanted to present a different message to it. How notes of a music feel aimless and pathetic when not played with intended dynamics just like how actors feel when they do a scene. Only directors/writers/composers can see the full picture. Just on the basis of your surroundings actors will complain like those aimless notes. 
If you know about moonlight sonata then you should also know the story behind fantasie impromptu don't you? Fantasie impromptu is a bad example bcoz of that but, it was perfect for the message I wanted to convey because I felt similar while learning this. I was like wtf is this, it sounds so bad 

