Cute but controversial - Page 4

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Kumuda-123 thumbnail
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Posted: 3 years ago
#31

Originally posted by: sadiltl

Yeah i did learn a bit bengali. annd I agree it is dialogue heavy. I loved all their confrontations. I am very few who like Rono, as a character. He is very unique!

I heard he character assasinates emon again by just seeing her talking with another man in shruti track. Is it true.
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Posted: 3 years ago
#32

Originally posted by: sadiltl

Yeah i did learn a bit bengali. annd I agree it is dialogue heavy. I loved all their confrontations. I am very few who like Rono, as a character. He is very unique!

i like virat .. he is more warm and funny ..Rono was very selfish …. I can’t see virat hurting Sai like this .

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Posted: 3 years ago
#33

But worrying about kaku's words is not studying na! Book khuli thi but dhyaan pachai par nahi tha. I dont blame her for being stressed about all this chiraag talk. But Basically it definitely isnt cool of makers to insert a dialogue where Sai is clearly prioritizing ninads wish to do shopping over something much more crucial- her readmission n TC issue which is important to continuing her education.

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Posted: 3 years ago
#34

Originally posted by: Nja91

But worrying about kaku's words is not studying na! Book khuli thi but dhyaan pachai par nahi tha. I dont blame her for being stressed about all this chiraag talk. But Basically it definitely isnt cool of makers to insert a dialogue where Sai is clearly prioritizing ninads wish to do shopping over something much more crucial- her readmission n TC issue which is important to continuing her education.

What I meant is she thought about opening her books & study instead of being idle. I stopping taking their dialogues seriously. Makers themselves wouldn't have thought about it. They wanted to show virakhi lifting scene in sai presence so they showed her readmission as a reason. After that they wanted to show sai virat going for shopping so they gave reason for readmission thing by inserting a dialogue that they are postponing it. But I do understand what you meant.
Edited by Kumuda-123 - 3 years ago
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Posted: 3 years ago
#35

Ya but my makers putting it there, it irks me. I wish they would pay attention to these little things. Dialogues ainvayi kyu likhte hai. There should be a reasoning. Random scenes kyun insert karna hai when it makes no sense like virat pp lift scene. Just like Virats reaction to Sai pointing out pp's actions and virat ignoring it bothers me, similarly Sai putting ninad's shopping request above admission n it being mentioned is bothersome. If she had prioritized ninad over readmission because ninad was unwell or hospitalized, I'd still accept it n give leeway. But for shopping! 🙄 Its not like shopping couldn't happen post college ka kaam. I hope they dont create problems with Sais readmission....

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Posted: 3 years ago
#36

Originally posted by: Kumuda-123

I heard he character assasinates emon again by just seeing her talking with another man in shruti track. Is it true.


I dont know about that. I watched till confession. The way they fight, it could be possible he could have crossed the line....

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Posted: 3 years ago
#37

So Sai IS open to the idea of having kids with Virat or was the 'hum' said in the flow? What does everyone feel?

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Posted: 3 years ago
#38

Sai was a woman when she got married, mature beyond her years because she had been through so much. They're making her very childish and whiny now.


And I want some more monologues from her...she seems really happy with the current status quo🤣. And not wanting to move ahead at all.. separate boxes..why?? Such a small thing.

Confession is being stretched too too long. And without showing any default attraction scenes... they're always in each other's room. Kuch toh accident ho sakta hai.

But they were together for one year in one room and no accidents happened...so....


PS: I love Sai. I started watching for her and continue to watch for her.

Edited by scarlett22 - 3 years ago
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Posted: 3 years ago
#39

Originally posted by: Nja91

KD was abrupt in love realization, ghkkpm is slightly cringe...but in terms of travk progression actually ghkkpm is surprisingly better. It's more organic. KD is like abrupt transitions. Everything was extreme..

Yes..The transition was abrupt in KD.. Ghum is more cringe but progression is better.. I felt in kd they spoke more but expressed less...But Ghum is completely opposite

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Posted: 3 years ago
#40

Originally posted by: Shaome

Yes..The transition was abrupt in KD.. Ghum is more cringe but progression is better.. I felt in kd they spoke more but expressed less...But Ghum is completely opposite

No matter how much cringe some aspects of ghum is but it is actually better than kd. I still wonder how the hell emon realised her feelings all of a sudden when just 2-3 days back she was in hospital because of him. I watched kd till confession and as far as I know emon rono didn't have proper conversation except jelabies. One the day of emon discharge rono announces his transfer to family, rono badshah,rk argument,next day emon anniversary surprise,one week of anniversary episodes where some nok joks of emon rono, everyone praising rk singing skills,rk taunts. On the anniversary night rono talks to emon about cafe incident same dialogues as virat, emon talks about rono rk eloping which makes rono pissed, emon says she never allowed herself to see him as husband so he makes his tranfer decision final. On that night emon fakes a ghost story to sleep with rono by hugging him. Next day emon begs him to not leave, despite her begging him he will leave. I nowhere see love, angst, care, attraction, longing here atleast from rono side . I just pity emon when she realised her feelings.
Edited by Kumuda-123 - 3 years ago

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