Dunk (ARY) Noman Ijaz , Bilal Abbas , Sana Javed , - Page 69

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Romantic Reveries

Posted: 4 years ago

Originally posted by: azaanabbas

Its probably because he dosent wanna do typical shows. Geo hasnt made anything different other than two wive one husband or suffering woman plots since the last 2+ years. I’m glad he’s kinda selective.

But he can do at least one show with geo right if he is getting offers. Although the storyline of that show would be typical but he would get a blockbuster show in his kitty, it would make him a bankable star.

In my opinion all of his shows have performed averagely and in many of his shows he has got very less screenspace.Only cheekh and balaa performed better in comparison to his other shows. So he if does one typical show with geo and then one nicely scripted show with hum so there can be a good balance.

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Romantic Reveries

Posted: 4 years ago

Originally posted by: -shabz-

I don’t want to see Sana doing any show unless she completely changes her look. She looks the same in all shows.

What a drag fest this was just to show Amal getting punished in the last episode. Total waste of time. Would not recommend at all.

B - her look is the same since khaani, same pony on every salwar, straight hair, simple, light coloured clothes. It's getting very repetitive. Even in her new show with feroze, her styling and look is exactly similar to that of amal.

Agree there's no head and tail only in this show, instead of recording all this at the last if he would have recorded it before only when amal came to him to ask why he backed off from their marriage then he could have showed the recording to the college committee and they would have given their verdict but no they wanted to stretch this drama like a rubber band. And seriously this drama isn't even worth watching, there's no entertainment only. Sirf depression hai is show mein. The ratings clearly indicate that this drama is a disaster.

Edited by Rashi23 - 4 years ago
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Posted: 4 years ago

Mohsin Ali is a good writer

His last Kaisi Hain tanhayi and ishqiya have been a blockbuster

I also liked his other shows as well

He was underrated until Kaisi Hain tanhayi

Hence dunk had a lot of hype

But looks like they could not show properly what they wanted to show

Pak drama court room scenes lack the real touch

I have noticed this in quite a few shows ....

They give all these big monologues by the culprit or the victim in court which never happen in reality

I don't mind some drama the way they show in Indian films or Korean dramas....

But they are not as over dramatic and unrealistic the way it's been portrayed in Pak dramas


The writer or the director should themselves experience a few real court hearings and then write the sequence accordingly

Edited by ABBY_JERAN - 4 years ago
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Posted: 4 years ago

His other shows which I liked were....i

Ishq parast with Ahmed Ali Arij Fatima Sayed jibrun and amreena


Yaar e bewafa with Arij Imran Abbas and Sarah


Meri Beti with Arij


I watched all these shows for Arij but later got to know they r all written by the same writer


And Arij seems to be his favorite...just like me

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Posted: 4 years ago

Kindly read this and let me know if anyone agrees:

I just don’t understand why do Paki shows show villains repenting in the end? Especially psychopaths (Amal was a psychopath, not a sociopath!) Psychopaths lack empathy or remorse. We saw Amal exhibiting glibness, manipulation and callousness for like 30 and a half episodes straight and all of a sudden the other half we see her folding hands k maaf kar do? She wasn’t sorry when a girl lost her father because of her. She wasn’t sorry when she accused her lover of rape. She wasn’t sorry when everyone was a pawn on her chessboard. She wasn’t sorry for being unfaithful to her husband. And now she’s sorry because her father died? Psychopaths are incapable of forming attachment bonds even with their parents. Parents say itna pyar hota tu unhain istemaal naa karti. Amal was obsessed with herself and struggled to see the point in other people's feelings. People around her were manipulated, used, and tricked into believing what she wanted them to believe. She never really loved anyone. Not even Haider. She was a real narcissist. There was never primal instinct to protect and encourage Haider because he was not seen as a separate entity, but merely a tool at her disposal. So no, she didn’t fake her harassment for him. She did it for herself. And what was that buffoonery k aap log bohat achay hain? A psychopath would never say that lol. Who’s the writer btw? I can tell that he/she did no research for this drama. Kyun k pehle tu Amal being a psycho makes so sense since her family seemed pretty normal to me so I don’t understand how she grew up without a sense of self? She was not really sure about what boundaries are. Now you can question me that Amal never looked menacing and easily recognizable villain so how’s she a psychopath? The answer is actually chilling that psychopaths do not come across as violent or frightening. They often seem perfectly normal and not exhibit any extreme or violent behaviors. They can be ruthless or charismatic and Amal was both. Which is why I’m angry how they ended her story. Why is it important for bad people to acknowledge their wrong doings in the end? Wouldn’t it be more chilling if they’re burning and still give you a sinister smile? I’m just waiting for the day someone writes a drama where a maniac remains a maniac towards the very end.

Edited by nanette - 4 years ago
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Posted: 4 years ago

I had similar issues with Wajih’s character in Cheekh. He was a even bigger psychopath than Amal. But both him and Amal were cold, heartless, inhuman beings. Both of them repenting at the end shows that psychopaths do care which is WRONG. Because according to psychology, they are supposed to lack normal emotional capacities and empathy. Is repentance say aik aur ghalat cheez hoti hai k public starts sympathizing with the bad people no matter what they did. Especially if they’re men. As we saw in Wajih’s case.

Edited by nanette - 4 years ago
Posted: 4 years ago

They show the ending which the audience wants to see. They want to see the villain realising their mistake/repenting or suffering for it even thats not how it works in real life. I am pretty sure the audience would be disappointed if the villain had no transformation or suffering throughout the story as that just defeats the purpose.

It also depends in what way the writer eecutes it.

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Posted: 4 years ago

What is the need of such long monologues from culprits woh bhi in court. Whole court scene was so over dramatic.

Still happy that drama ended on high note

Haider and minal are together and reunited with their families

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Posted: 4 years ago

Originally posted by: evilxbalaa

They show the ending which the audience wants to see. They want to see the villain realising their mistake/repenting or suffering for it even thats not how it works in real life. I am pretty sure the audience would be disappointed if the villain had no transformation or suffering throughout the story as that just defeats the purpose.

It also depends in what way the writer eecutes it.

If they are catering to audience, then there is also a fraction of audience who’s fed up of toxic dramas. Who’s fed up of them conflating romance and abuse again and again. Who’s fed up of Saas Bahu nonsense. So will they stop writing crap for that fraction? No! And they shouldn’t either. Yes! They shouldn’t always write to please viewers. There’s a thing called personal vision or statement. Tell us what’s YOUR in-depth look at life or characters. Not OURS! Nearly all the actors or directors defend their projects by saying Reality hai. Theek hai maan lia reality hai but then stick to it. Reality main a psychopath won’t be sorry just because things aren’t in his control anymore. Agar phir bhi repentance dikhani hai tu show it from start k this character is evil but it has ability to sense other people's emotions or it can imagine what someone else might be thinking or feeling. They should’ve shown a scene where Amal is alone in her room thinking about Professor’s daughter. Or a scene after accusing Haider where she reminisces about their early relationship. So we’d know she is not incapable of emotion. But when you’ve already established a character devoid of feeling and no conscience, don’t just change it abruptly. Can you imagine a loyal wife who’s steadfast in giving love or attention and is always by her husband’s side and adores him, wake up one day and kill him? That’s how it feels when maniacs repent in the last episode. Show a change in a gradual way or don’t show it at all.

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