Sonam Kapoor presents SISAK - 1st Indian Silent LGBT Love Story - Page 2

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Posted: 8 years ago
#11


That is too much funny...I wrote exact same thing around same time 😆.😆
Maraka_Musso89 thumbnail
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Posted: 8 years ago
#12
ABOUT THE FILM

There's much talk about the language of love " the beauty, the poesy, the intricacy and the eloquence. But what if the real romance rested between the lines, in pages and moments that pass you by? And what if you learned one day that you could read it all? Soak in the joy, taste the eloquence, breathe in the intricacies and feel the poesy reverberating in the air. But what if you could only sense, only feel and yet do nothing else?

A first-of-its-kind silent LGBTQ film in India, Sisak makes waves before the visuals of this short hit the shore. Set in the fast-paced environs of the usually bustling Mumbai local train system, it details a romance that develops slowly and intoxicatingly, nestled in the silences and quiet comforts of the end-of-day train journeys.

Our two characters, A and Z, are as poles apart as their locations in the alphabet. A finds his nose stuck in Haruki Murakami's works, Z finds himself tired after long work days. A is kurtas and kolhapuri chappals, Z is leather shoes and neatly pressed formals. But where they meet is the world of dreams " unarticulated, yet whole in clarity.

Conversations in Sisak are almost primal in execution, without the use of speech but with the language of the body and games of the mind. Whether it is in the books A reads " their titles, their intonations and his interactions with them " or in the books Z eventually begins to read, which serve as indicators of the oneness of their minds, despite how seemingly dissimilar they are. Even their movements from seat to seat, exit door to exit door and in their intimacy that exists, without so much as a physical touch, create the electricity love is meant to have.

Moreover, the overarching idea of serendipity, without the closure of destiny, is what makes Sisak a gut-wrenching experience cinematically. A and Z come together purely by chance " taking the same train among the scores of trains that ply each day, always finding each other even in the desolation of empty compartments and the synchrony in which their eyes meet " and yet it all seems pre-ordained, an end to which remains to be seen.

Besides what is seen on screen, there is a great sociopolitical underpinning to Sisak's content. Knowing that romantic relationships beyond the purview of heteronormativity are not legal (nor decriminalized, as was once the case following the Delhi High Court judgement), the cinema reflects the ethos of most film projects worldwide which show an individual journey of coming to terms with and expressing one's sexuality. That a space as public as that of a local train can be used to depict such a private journey of wordless admission for both A and Z is beautiful in itself.

Keeping the setting minimal and shooting completely on location lends Sisak the authenticity that makes the story of A and Z more believable. The juxtaposition of the buzzing and almost blurry cityscape against their measured and budding romance, that holds no structure, makes the premise of the story all the more striking. Drawing its opening lines from Haruki Murakami's Sputnik Sweetheart, the beginning sets the tone for what is to follow " an expected trajectory played out in the most unexpected way.

Sisak is likely to strike a chord on an individual and interpersonal level, regardless of whether the story is one that seems plausible in one's own life. A return to the unspoken, unsaid and universal expressions of love, on the path of subtlety and humanity, Sisak is the result of the belief that if love knows no bounds, it need not be bound with words, either.

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Posted: 8 years ago
#13
SOME INTERESTING FACTS SHARED BY THE TEAM FOR THE CROWDFUNDING


About the project

SISAK is a silent film about two men who meet each other, over a period of many nights, in the Mumbai local train.


Minimum target crossed!

Thanks to over 80 backers from different corners of the world, we made our minimum goal on August 31st! I have been working my way through the list & writing to each & every one to express my deepest gratitude this past week - saying thank you for such incredible generosity has been one of the best parts of this campaign. Meanwhile...


OUR CAMPAIGN IS LIVE UNTIL SEPTEMBER 24th & WE CAN EXCEED OUR GOAL


Why Do You Need More Money?

Our "All or Nothing" campaign target was based on the MINIMUM we would need to finish the post-production of the film, and on what we felt confident of raising in the time given. Little did we know that we would race towards our target in just 7 days! Now, that our minimum goals have been met, we would use the extra funds to increase its value in post-production during the duration of this campaign itself. Here's how we'll do that:


What will you use the additional funds for?

With the additional funds raised we would be able to meet these stretch goals, in the following order of priority:

STRETCH GOAL #1: TRAVEL TO FILM FESTIVALS


INR 3 LAKHS | US$ 5000


STRETCH GOAL #2: PAY ACTORS & CREW


INR 3 LAKHS | US$ 5000


STRETCH GOAL #3 A GRAND GALA PREMIERE OF SISAK

INR 3 LAKHS | US$ 5000

I am Faraz Arif Ansari, and I have been working in the film industry for the last 8 years as a Writer, Associate Director, Casting Director and Executive Producer on films like Fox Star's Stanley Ka Dabba', Deepa Bhatia's Award Winning Documentary Nero's Guests', Karan Johar's Gippi!', Zee Telefilms' Silvat' (for Zeal For Unity). Apart from feature films, I have also made a short film Siberia' that has travelled to more than 30 international film festivals and won the Best Actress & Best Director Awards. Sisak is my second independent short film.

What is Sisak all about?

Two men meet in the Mumbai Local train over a period of many nights. Not a word is spoken, nor is there possibility for any sort of physical intimacy but what conspires between them is a wordless romance, so strong that it brings them closer to each other, night after night and perhaps, delivers them with transitory moments of fleeting happiness and solace from the unkind realities of the passing world outside.

What was my inspiration behind this movie?

I've always been inspired by Haruki Murakami. A quote that stuck with me for many years after I had read his infamous Sputnik Sweetheart' also became the inspiration for Sisak. The quote being, "Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep." This instantly reminded me of the momentary unspoken romances that have happened to all of us through our lives - sometimes, with the passenger sitting next to us on the long flight, or the glimpse of someone that caught our attention as we crossed the road, or a short-lived conversation that will be treasured forever. Some love stories are brief but that doesn't make them any less grand. Sisak is a tribute to these passing, lost and unsaid love stories that will stay with us for the rest of our lives.

What makes Sisak unique?

Sisak is India's First Silent LGBTQ love story presented in the format of a short feature. It has been shot entirely inside the Mumbai Local Trains with two actors, a wafer-thin crew, a borrowed camera and no permissions. Generally, most LGBTQ films are about individuals coming out of the closet, or coming to terms with their sexualities or the various other social, political & other issues that are prevalent in the lives of a homosexual person, but Sisak isn't about any of that. Sisak takes you inside a wordless world of romance, where a public transport becomes the most private place for these two men to silently observe and fall in love with each other.

Why does Sisak need to be seen by the world today?

In India, homosexuality is still illegal. Section 377 of the Constitution of India criminalizes sexual act between two consenting adults of the same sex. Sadly, what it also criminalizes is the right of an individual to love another individual of his/her choice/preference if they belong to the same sex. There is a reason why Sisak is a silent film. There is a reason why Sisak is a story of two men falling in love, silently. There is a reason why their love story unfolds on a public transport which is used by millions of people, everyday. What else will they do when the society mocks it, the laws make you a criminal for loving a person? Where will you hide but right in the midst of the crowd, to conceal yourself and find a moment of respite and perhaps, fall in love? This is why Sisak should be seen by everyone - to demystify this whole "homosexual" angle because it is nothing different than a person loving another person. Sisak takes us inside to the most intimate emotions that two individuals feel for each other. That emotion is love. Just that, both of these two individuals happen to be men.




Some behind the scenes fun!

Why crowdfunding?

After struggling for two long years to make my first mainstream' feature film that has a homosexual protagonist, I realized that nobody wants to make a commercial' film with such a story or characters. Almost, every leading actor from the country refused to act in it. Almost every production house in the country loved the script and the project but backed out from producing it. And somewhere between all the trials, tribulations, refusals and long, aimless journeys in the Mumbai local, Sisak was born. With the help of my friends and colleagues from the film industry who believed in my vision and my script, I managed to shoot Sisak purely on my goodwill. Now, I am turning to crowdfunding for the final stage of the film - the post-production, and participating in national and international mainstream film festivals.

How will the money be used?

3,00,000target
Rs. 50000 in Editing

Rs. 50000 in Color Correction, VFX & Mastering

Rs. 50000 in Music

Rs. 100000 in Sound Design, Audio Clean Up & Final Mix

Rs. 20000 in Submission Fees for Film Festivals (Average Fees)

Rs. 30000 in Adminstration Fees



Follow the project on

What are the risks and challenges associated with your project?

The biggest risk of making Sisak is that it is an LGBTQ film trying to break norms that exist in the LGBTQ film circuit and otherwise. Also, it is experimental in its form, because it is a silent short feature film.

What happens if we don't raise enough funds for the film?

If enough money is not raised, Sisak might remain as a wonderful dream that was dreamed and realized only halfway through. However, I am hopeful that the entire LGBTQ community and every other individual who believes in equal rights for all will come forward and support this film. Also, given the USP of the film, I am sure that there are many individuals out there who want to see a story that is all heart and soul.

How am I going to prove that I won't just take all the money and run away?

Having worked in the film industry for the last eight years now and having done big films, I am sure that people will have enough faith in me and my film to know that the money will go in the completion of the film. Also, I have a wonderful cast & crew - A famous supermodel, a budding actor who is studying filmmaking, a well-known Director of Photography, a National Award Winning Sound Designer, and a bunch of people, including myself who have been tirelessly working behind the scenes for some of your most favorite films in the last decade! If this doesn't convince people that this is a legit project, I don't know what will!

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Posted: 8 years ago
#14

SISAK AIMS FOR CANNES

By SOHINI MITTER


Baby steps, giant dreams.

A crowdfunded short film from India is aspiring for a coveted premiere at the Cannes Film Festival this year.

Sisak, which claims to be the country's "first silent LGBTQ film," is a wordless love story that unfolds between two strangers aboard local trains in Mumbai.

The film's trailer was unveiled by Bollywood actor Sonam Kapoor, a Cannes regular herself, on social media.



Sonam Kapoor "@sonamakapoor

Immensely Proud & Excited! Presenting the much-awaited trailer of #SisakTheFilm Directed by @futterwackening http://bit.ly/2jMHrOE

  • 8989 Retweets
  • 407407 likes

Sisak's writer-director Faraz Arif Ansari, who studied cinema in America, says he's exhausted all his savings to make the film that was turned down by many Indian studios for dealing with a "taboo subject."

Indian law continues to criminalize gay sex. And local society, in turn, is infested with prejudices and biases against the queer community.

Fortunately for Ansari, his crowdfunding call on Wishberry, the Indian equivalent of Kickstarter, met with an overwhelming response, garnering over $6,000 from 109 backers. The film was completed in nine month, at which point he could pay off his cast and crew.

IMAGE: WISHBERRY SCREENGRAB

And now, festival plans are being firmed up.

"Fingers crossed...After [Cannes], it travels to festivals across the world and India," Ansari tells Mashable India. A special 15-minute cut of the 20-minute film is being readied for the event. Paid previews in Indian theaters will be held after the festival rounds.

Sisak was never going to be a smooth ride and Ansari knew that too well. Not only were actors unwilling to play gay, but shooting locations also posed a problem.

Says Ansari, "I think while I was writing Sisak, I was aware what a massive challenge it was going to be at each and every level."

The film was shot guerrilla-style in Mumbai sans permissions from civic authorities. And a tiny crew ensured that any unpleasant incidences were avoided.

Sisak is probably India's first dedicated short feature on gay love. Most Indian films have thus far loosely touched upon the subject of homosexuality. It is rare when a gay man has been a protagonist, with the notable exception of 2016's Aligarh.


http://mashable.com/2017/02/01/india-first-silent-lgbt-film-sisak/#hZXzIFocyOqw

Edited by Madame_89 - 8 years ago
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Posted: 8 years ago
#15

Gay-And-Proud Filmmaker Faraz Ansari Talks About Fighting Homophobia With India's First Silent LGBTQ Film


By Ankush Bahuguna,Monday, 13 Feb 2017



Bollywood is finally coming of age, with filmmakers pushing the envelope with their projects, addressing subjects that are only spoken of in hushed tones. And, it was high time someone made a film representing the LGBTQ community. Cut to January 2017, when Sonam Kapoor unveiled the trailer of Sisak', India's first silent LGBTQ film. It was a pleasant surprise to see the internet embrace it whole heartedly and start a conversation around it. The film has garnered praise from all over the country and is not-so-slowly making its way to renowned film festivals, all over the world. A lot is being written about Sisak' and it was only fair to have a conversation with director Faraz Mariam Arif Ansari, about how his life has changed post the Sisak' trailer release and his take on being a proud gay man in India.

Congratulations on all the love and appreciation that has come your way through 'Sisak'. I'm sure it'd be difficult to say, but how does it really feel?

I truly think when you make something with all your heart and soul and half of your life savings (haha!) it is only very kind of the universe to give back and so generously, at that. It is truly very overwhelming and humbling. It makes me realize that if you do stick around and don't ever give up, miracles do happen. Also, it makes me think that people are SO HUNGRY for good cinema that is not the usual naach-gaana. They want soulful, heartfelt stories. I am just so glad that I made Sisak'. When you wake up every morning with at least 5 messages from closeted people from the most interior parts of our country, thanking you because the trailer has given them courage, strength and the will to go out and be themselves, I think, that is my true victory.

Faraz Ansari

Given the homophobic Indian context, a movie on the LGBT community isn't the most viable option, clearly, in terms of public support and box office numbers. What really inspired you to make Sisak' and how long have you been working on this project for?

I wrote Sisak' in the winter of 2013 when the Supreme Court went back on section 377 and an entire section of the population was declared as criminals for loving. It took me three long years to gather the courage and wisdom to make Sisak'. It was to address this homophobia and fear that nestles in the hearts and minds of people, for they know no better. I mean, what can truly be wrong in two people loving each other with mutual consent, right? There are bigger demons that we should be fighting together. I have made Sisak' for the people, to reach out to them and show them a love that is like all other loves. The fact that it happens between two men doesn't change a thing. Love is love.

Tell us something we don't already know about Sisak'. How did Jitin and Dhruv become a part of the film?

The casting process of Sisak' was the most taxing. Most actors are so used to a script with dialogue while auditioning. But here, all they had to do was sit and read a book and at some point, look at someone who is staring at them. After rejecting more than 300, I was reconsidering making Sisak'. Until I auditioned Jitin Gulatin and Dhruv Singhal. They surrendered to my brief and I was extremely surprised to see them give life to the kind of cinema I believe in - slice-of-life. The workshops with the homosexual community brought in a lot of gravity to their performances.

Faraz Ansari

I read somewhere you were discouraged by a lot of people for taking up this project. One trailer and everyone is talking about Sisak'. Are you surprised or did you always know it'll be the talking point?

If I have to be very honest with you, I did expect a good response but I did not expect what is currently happening with Sisak'. Everyone is talking about it. Perhaps, it is the most talked about short film ever without any big names or sponsors attached with it. Sisak' has found its own wings. That makes me immensely proud and also, it is a very humbling experience. I mean, I set out to make a film that nobody believed in except my cast & crew. I made it with my own life savings and crowdfunding. Look where it's headed!

What really makes you feel so strongly about the LGBT community? Is there an agenda or are you just trying to tell a story without any agenda?

Cinema is single-handedly responsible for the way most of us dress, to the way we talk, to the way we react and most importantly, the way we THINK. The LGBTQI+ community has suffered immensely. We've been burnt like witches, thrown out of our homes, disowned by family, killed by people whom we caused no harm to. We've been detested and laughed at. There is every reason for me to make films not just for entertainment but to bring about a solid change. I want to make it mainstream so that reaches even the innermost corners of the world. I feel it is time to get on center-stage and start talking. We've lingered far too long in the shadows.

Faraz Ansari

You've been vocal and unapologetic about your identity. But do you think people tend to assume one's sexual orientation just because he/she is associated with a film with LGBTQ community?

No one questioned Ang Lee about his sexuality when he made Brokeback Mountain', no? I feel that assumptions of any sort are dangerous. Yes, people do think that. Oh, he's made a gay film so he must definitely be gay'. But does any of that really matter? No. As long as you know what you are doing, why you are doing it and have your heart, head and soul in place, the rest will eventually fall in place. Doesn't that matter the most?

Tell us about the contributions of heterosexual artists in this film so we can bust that myth right away!

More than half of my crew is heterosexual and my entire cast is made of two straight men. Sexual preferences and film-making have nothing to do with each other really. I mean, I can be a carpenter and be gay and I can be a fashion stylist and be straight. We have come too far too be caught up in these silly roles that one wants the world to adhere to. I know many straight men who are effeminate and many gay men who'd pass as straight'. Sexuality & gender is all fluid and that's the beauty of it all.

Faraz Ansari

Would you like to share any instances of homophobia from your personal life?

It's constant. From being teased in school to being laughed at just yesterday while walking down the street - homophobia never ends. But then, I know many who suffer way more. People have lost lives because of their sexual preferences. Some have been pushed down from their terraces, some have been found lying in the sewers. Some have been shot in the face and left to rot on the highway and some have never been loved. I can't compare any of what I have been through to that. But yes, it is scarring and hurtful and should stop.

Was the film fraternity supportive of this film? Did you sense any kind of apprehension in Indian actors to play gay characters on screen?

I am still waiting for a reply from this super famous (closeted?) homosexual filmmaker who I had reached out to, to help me promote the film. That kind of sums it up, no? Before Jitin and Dhruv, there were two fairly known actors who had agreed to act in the film but backed out just before we started shooting. They didn't want to play homosexual men because they wanted a successful' Bollywood career ahead. But then, at the same time, there is also Sonam Kapoor, the Fairy Godmother of Sisak' who presented the trailer of the film to the world. I will always be indebted to her generosity.

Faraz Ansari

'Sisak' is unconventional in every way. First, it's about two gay men. Second, it's a silent film. What's the idea behind making a silent film? Is it a metaphor? And more importantly, how much of a task was it to tell a story without using words?

Why silent? Well, other than being a social comment on the state of the LGBTQI community in India, it's the dire need to be heard. I had so much to say that words were falling short. I feel, words are poor comforters. People need to feel what you are feeling. Sisak' has been immensely difficult to make - no permissions, no budgets, just heart and the will to make something beautiful.

All these years of discrimination and plain ignorance has led to this ridiculous notion that a gay man isn't really a man. As a proud gay man yourself, what do you have to say about that?

I remember, I met a bi-curious man once who wanted to have sex with me. We went out for a date and then, he asked me the most ridiculous question, "Do you have a dick?" I remember, I spat my coffee over his face and laughed so hard that I literally had to rush to pee. I mean, how ridiculous is that? Yes, I am a man. Yes, I have a penis. And yes, I am gay. I am a man who loves a man. That ignorance is bliss is a lie. People need to be spoken to, only because they don't know.

Faraz Ansari

What's the most heartwarming piece of appreciation that has come your way so far?

Oh God, this is truly an endless list. I wake up every morning to be surprised and overwhelmed with all the appreciation and love. But if I have to truly nail it down to one, it was this one time when a woman my mother's age walked up to me, holding a newspaper with my interview on it. She gave me this wonderful hug and thanked me for doing something so courageous. She made me FaceTime with her son and his husband. After that, she invited me over for dinner and told me how she was going to lose her own son once and how it had taken her years to accept him and now, when she had, she was only proud of him. She hugged me and wept when I showed her the first 5 minutes of the film.

What do you have to say about the gay caricatures we see in mainstream films today?

The portrayal of homosexuals in Bollywood has been very unkind and stupidly stereotypical. What is more sickening is that homosexual filmmakers have themselves gone ahead and stereotyped gay men even further by portraying them as wife snatchers, effeminate queens or men who dress in drag. And this only comes from a lack of knowledge, perhaps fear and self-loathing because some of them are closeted homosexuals themselves.

Faraz Ansari

Not every film's success can be marked by box office numbers. How would you like to measure the success of 'Sisak'?

I am doing three interviews a day on an average. So, a dialogue has already started. I think, in opening a healthy dialogue and educating people is where Sisak's' success lies and that has already begun!

If you could give one piece of advice to Bollywood directors and actors, what would it be?

Please start making films that truly matter and they needn't be so called parallel cinema or art cinema or whatever the term is. Cinema can be both entertaining and life-changing at the same time and that is what I am going to be making. The entire budget of Sisak' was 1/100th of the cost of a song from a big Bollywood production. The entire budget of my feature film called Ravivar' which a social-political satire that has a homosexual protagonist is 1/10th of the cost of a song from a big Bollywood production. I want Ranbir Kapoor to play the lead in Ravivar' and Amitabh Bachchan to play Ranbir's father. Karan Johar, are you listening?

Faraz Ansari

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Posted: 8 years ago
#16
I thought it would be a film about 2 lesbians.
In Befikre Vaani Kapoor kissed a woman.


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